Project Tag: Cristina Cordova Current

Cristina Córdova in EL PUENTE

Cristina Córdova in EL PUENTE

RESCHEDULED. Dates coming soon.

John & Robyn Horn Gallery

At Penland School of Craft

Penland, NC

Featuring work by Cristina Córdova

ABOUT THE EXHIBITION


A metaphorical bridge, El Puente, exists between Puerto Rico and the US, which share a complex and often misunderstood political and cultural relationship. How do we express El Puente through the lens of Puerto Rican artists?

This exhibition centers on legacy and culture, focusing on multi-generational artists in dialogue with the US through their education, residencies, and career opportunities. Co-curator Cristina Córdova characterizes this phenomenon as a continuous loop of communal encounters and mutual influence, followed by a momentary respite in which the encounters are assimilated and transformed within the artistic community. This pattern has taken place over many years and generations, moving back and forth between two territories inextricably connected yet distinctly separate, sometimes with intention and at times unconsciously. What are the influences of this bridge on the insular art community in Puerto Rico and how do the experiences evolve in the vacuum of an underresourced arts community?

Through the lens of Puerto Rican artists who have cultivated long- and short-term connections with the US throughout their formative and professional trajectories, El Puente offers insights into how these connections shape and inform the artistic practices, perspectives, and creative trajectories of Puerto Rican artists and consequently feed into the broader landscape of contemporary American craft in an evolving and continuous dynamic.

Participating artists: Cristina Córdova, Ada del Pilar Ortiz, Luis Gabriel Sanabria, and Jaime Suárez

ABOUT CRISTINA CÓRDOVA


Puerto Rican, b. 1976, Boston, MA
lives and works in Penland, NC

Native to Puerto Rico, Cristina Córdova creates figurative compositions that explore the boundary between the materiality of an object and our involuntary dialogues with the self-referential. Images captured through the lens of a Latin American upbringing question socio-cultural notions of gender, race, beauty, and power.  Córdova has received numerous grants including the North Carolina Arts Council Fellowship Grant, a Virginia Groot Foundation Recognition Grant, several International Association of Art Critics of Puerto Rico awards, and a prestigious United States Artist Fellowship award in 2015.

Córdova has had solo exhibitions at the Alfred Ceramic Art Museum, (Alfred, NY), and her work is included in the collections of the Renwick Gallery of the Smithsonian American Art Museum, (Washington, DC), Colección Acosta de San Juan Puerto Rico, (San Juan, PR), the Mint Museum of Craft + Design, (Charlotte, NC), and Museum of Contemporary Art, (San Juan, PR). In 1998, Córdova completed her BA at the University of Puerto Rico, and she received her MFA from the New York State College of Ceramics at Alfred University in 2002. Córdova is represented by Ferrin Contemporary.

CRISTINA CÓRDOVA: EVA XV

CRISTINA CÓRDOVA: EVA XV

EVA XV
2022

unglazed: finished with burnished earth pigments from the island of Puerto Rico mixed with casein, lime, and oxides
60 x 18 x 22″

EVA XV

RECENTLY ON VIEW

Cristina Córdova, “EVA XV”, on view in the Spanish Colonial Gallery at the Figge Art Museum, Davenport, Iowa, 2024

2024 | Installation at the Figge Art Museum, Spanish Colonial Gallery
Davenport, IA

On view through 2024

Ferrin Contemporary “Our America/Whose America?” Anteroom Stair hall Installation at the Wickham House, Richmond, VA, 2024

OUR AMERICA/WHOSE AMERICA?

2024 | Group Exhibition in the Wickham House at the Valentine Museum | Richmond, VA

February 20, 2024 – April 21, 2024

Our America/Whose America? is a “call and response” exhibition between contemporary artists and historic ceramic objects.

View the exhibition page HERE

Ferrin Contemporary, "Are We There Yet?", 2023, Exhibition Installation View with work by Chris Antemann, Cristina Córdova, Sergei Isupov, Crystal Morey, & Kurt Weiser, Photo by John Polak Photography

Ferrin Contemporary, “Are We There Yet?”, 2023, Exhibition Installation View with work by Chris Antemann, Cristina Córdova, Sergei Isupov, Crystal Morey, & Kurt Weiser, Photo by John Polak Photography

ARE WE THERE YET?

2024 | Group Exhibition at Ferrin Contemporary | North Adams, MA

July 15 – September 2, 2023

ARE WE THERE YET? is a celebration of Ferrin Contemporary’s 40+ years as leaders in the field of modern and contemporary ceramics. What began in 1979 as a woman-owned cooperative studio and gallery in Northampton, MA has flourished across the years and the locations to become the international ceramic experts and material champions known as Ferrin Contemporary.

View the exhibition page HERE

Cristina Córdova, “EVA XV”, 2022, Installation in Figuring Space, at The Clay Studio, Philadelphia, PA

FIGURING SPACE

2024 | Group Exhibition at The Clay Studio | Philadelphia, PA

January 12 – April 16, 2023

The group of powerful, full-scale representations of human figures will serve as a body of evidence to lay bare the issues that permeate American art and social culture. Each of the artists chosen uses the figure to usurp the painful history of bodies on display in American history. They assert their autonomy and subjectivity by presenting cultural critiques through lenses of their own choosing: race, gender, class, and anti-war ideas. Roberto Lugo, Kensuke Yamada, Cristina Córdova, Chris Rodgers, Sergei Isupov, Christina West, Tip Toland, Jonathan Christensen Caballero, George Rodriguez, Roxanne Swentzell, and Kyungmin Park are among the invited artists.

ABOUT “EVA XV”


More on Cristina Córdova HERE

I have been sculpting my daughter since she was 9. This 15 year old version of Eva is unglazed and finished with burnished earth pigments from the island of Puerto Rico mixed with casein, lime, and oxides. They came specifically from two areas, one in Fajardo near the coast, where the rainforest is, and one from Orocovis in the mountainous center. Written on her back are the words “de monte y mar” ( “from mountain and sea” ) in gold, a phrase from the song Verde luz by El Topo (Antonio Cabal Vale), which became a symbol of national Puerto Rican pride and an anti-colonialist anthem.

In my practice, the image of Eva is the embodiment of change and possibility. It speaks to the inevitability of transience and the inherited threads of code that perpetuate both genes and identity. This piece seeks to perform both as a symbol and a relic by holding in its materiality a part of the Island that has thematically bound this whole series through the years, exploring the riches and vulnerabilities of this small Caribbean nation that is my home.

CLAYSCAPES

CLAYSCAPES

Clayscapes

At the Everson Museum of Art

Syracuse, NY

April 13 through October 20, 2024

Featuring:
Cristina Córdova
Paul Scott
Steven Young Lee

ABOUT THE EXHIBITION


When he was in college in the 1970s, Syracuse artist and entrepreneur Don Seymour named a series of ceramic landscape sculptures Clayscapes. This hybrid word, with roots in the earth and the ceramic community that is built around shaping it, felt so powerful that when he founded his ceramic supply business in 2003, he named it Clayscapes. A year later, a studio was added, and in 2010, a gallery.

In Central New York, clay is literally a part of the landscape. The ample deposits of clay beneath our feet were formed over many millennia by the weathering of minerals, including the pink granite from the shores of Lake Ontario that comprises a substantial part of the Everson’s building. These resources made it possible for Indigenous Onondaga potters to make some of the most distinctive wares of the Haudenosaunee Confederacy. As the area became colonized by Europeans, potters produced durable crockery for food and alcohol storage, as well as massive amounts of brick and tile. In 1841, W. H. Farrar started a small pottery business, becoming the Onondaga Pottery Company in 1871, and later evolving into Syracuse China, which was at one point the largest manufacturer of porcelain dinnerware in the United States.

Clayscapes is a tribute to clay’s ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson’s famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson’s monumental celebration of California’s mountainous landscape to Uruguayan-born Lidya Buzio’s earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum’s collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson’s ceramic collection is filled with work that documents the joys and sorrows of humankind’s relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Everson Museum of Art
401 Harrison Street
Syracuse, NY 13202

More on the Exhibition HERE

Our America/Whose America?

Our America/Whose America?

ABOUT THE EXHIBITION


OUR AMERICA/WHOSE AMERICA?

Our America/Whose America? is a call and response exhibition between contemporary ceramic artists and commercially produced historic ceramic plates, figurines and objects placed in conversation with one another, installed on period furniture throughout the Wickham House at the Valentine.

Featured artists include Elizabeth Alexander, Chris Antemann, Russell Biles, Jacqueline Bishop, Judy Chartrand, Cristina Córdova, CRANK, Connor Czora, Michelle Erickson, Sergei Isupov, Steven Young Lee, Jennifer Ling Datchuk, Beth Lo, Justin Rothshank, Paul Scott, Kevin Snipes, Rae Stern, Mara Superior, Momoko Usami and Jason Walker. Historical Works include selections from Ferrin Contemporary’s collection of commercially produced ceramics.

This exhibit is organized by Ferrin Contemporary in conjunction with Coalescence, the 58th annual conference of the National Council on Education for the Ceramic Arts held March 20-23, 2024 in Richmond, Virginia.

  • View the historic collection HERE
  • View The Wickham House HERE
  • View The Valentine Museum HERE
  • View the 2024 Press Release HERE

EXHIBITING ARTISTS


Throughout our forty-year history, we have used multi-artist survey exhibitions as a platform to explore social issues. We’ve focused on gender and feminist perspectives, broached relationship taboos, and challenged historical notions of ceramics and art.

The contemporary artists we’ve invited use their work to assert their autonomy and subjectivity by presenting intertwined cultural critiques through lenses of their own choosing, starting with race, gender, and class. Each of these categories is tentacular and touches upon myriad other ideas including nature, warfare, food and water inequity, and more.

PROGRAMMING


Special Preview on February 21, 2024 from 5 – 7 pm

– Leslie Ferrin & Alex Jelleberg on-site Conference Preview with The Valentine

Coalescence, the 58th annual conference of the National Council on Education for the Ceramic Arts takes place in Richmond, Virginia.

FERRIN CONTEMPORARY ARTISTS AT NCECA


Women Working with Clay: A Shared Purpose

Mar 20, 2024 – Mar 23, 2024

Group Show with Linda Sikora

Location: The Valentine 10th and East Clay Street in historic downtown Richmond

This exhibition is organized by Dara Hartman in conjunction with Coalescence

50 Years in the Making – NCECA Richmond

Mar 20, 2024 – Mar 23, 2024

Group show with Lauren Mabry

50 Years in the Making will examine how 75 Residents since 1974 have coalesced to form the creative identity of The Clay Studio.

Event
Opening Reception
Thursday, March 21, 2024 | 7-9pm
RSVP HERE

Location: Common House | 303 W. Broad Street, Richmond, VA

EVENTS & TOUR DATES


Location for All Events:

The Valentine 10th and East Clay Street in historic downtown Richmond

Wednesday, March 20, 2024 Ferrin Contemporary + Wickham House Tour – Regular Hours

– Alex Jelleberg & Isabel Twanmo on-site with docents to provide guided tours at scheduled times 
11am, 12pm, 1pm, 2pm, 3pm, 4pm

The Valentine is open regular hours during the conference. The Wickham House offers guided tours on the hour. Tours are free to the public with museum admission (free admission on Thursday, March 21!) & free for all NCECA attendees. First come first serve, limit 15 guests per tour.

Thursday, March 21, 2024 – NCECA – MEET THE ARTISTS 5 – 7 pm 

Open to the public all NCECA attendees – Alex Jelleberg  & Isabel Twanmo

OAWA Tour Graphic April 2024

Sunday, April 21, 2024 – Final Guided Tour of Our America/Whose America? | 2-3pm

Join Ferrin Contemporary’s Leslie Ferrin & Alexandra Jelleberg on-site with Valentine Museum docents to provide a final guided tour of Our America/Whose America? in the Wickham House – Open to the public.

The Richmond Stories™ section of this site, which includes an interactive history timeline, features many of the stories that bring history to life in creative, engaging and inclusive ways.

Through educational programs that engage over 14,000 students and teachers each year to community conversations, walking tours, group visits and more, the Valentine offers compelling experiences for visitors of all ages.

The Wickham House at the Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

The Wickham House at the Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

A dialogue-based guided tour of the Wickham House, a National Historic Landmark built in 1812, challenges guests to explore aspects of life in the early 19th century. The Wickham House was purchased by Mann Valentine Jr. and in 1898 became the first home of the Valentine Museum. This historic home allows us to tell the complicated story of the Wickham family, the home’s enslaved occupants, sharing spaces, the realities of urban slavery and more.

OUR AMERICA/WHOSE AMERICA | 2022


OUR AMERICA/ WHOSE AMERICA?


AUGUST 6 – OCTOBER 30, 2022

LESLIE FERRIN
(Director & Founder) Ferrin Contemporary

Our America, Whose America presents a dialogue between contemporary artists and a collection of commercially produced ceramics. This collection of historical objects, collected across the span of several years by Founding Director Leslie Ferrin, is in the form of plates, souvenirs, and figurines from the early 19th through mid-20th centuries. The items were produced in England, Occupied Japan, and various factories in the USA. The exhibition title was chosen from a series of plates produced by Vernon Kiln that features illustrations of American scenes by the painter Rockwell Kent.

In response to this historical collection, contemporary works by nearly 30 participating artists will provide new context and interpretation of these profoundly powerful objects. Seen now, decades and in some cases centuries later, the narratives they deliver through image, characterization, and stereotype, whether overt and bombastic or subtle and cunning, form a collective memory that continues to impact the way people see themselves and others today.

Exhibition At Ferrin Contemporary


1315 MASS MoCA Way, North Adams, MA

ARTISTS & CONTRIBUTORS


Ferrin Contemporary | Exhibition | 2022

OUR AMERICA/WHOSE AMERICA? EXHIBITION CATALOG


Ferrin Contemporary | Exhibition | 2022

Exhibition and catalog production by Ferrin Contemporary staff, catalog layout by Rory Coyne with installation and artwork photography by John Polak Photography, 2022.

  • 58 Page Catalog
  •  Introduction by the Gallery
  • Featuring 23 Artists
  • Installation & Artwork Photos by John Polak Photography

Published by Ferrin Contemporary

HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE, Exhibition & Symposium at the Norman Rockwell Museum, Stockbridge, MA


HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE

Zoom Webinar (online)
Welcome and Opening Program:
Friday, September 23, 2022
7 p.m. to 8:45 p.m.

Symposium Presentations and Panels:
Saturday, September 24, 2022
10 a.m. to 5 p.m.

HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE

A series of compelling talks by Heather Campbell Coyle, Ph.D; Karen Fang, Ph.D; Michele Bogart, Ph.D.; Theresa Leininger-Miller, Ph.D.; and Leonard Davis, followed by conversation with the commentators.

SYMPOSIUM FEATURES


Hidden in Plain Sight: Illustrated Ceramics and American Identity

TIMESTAMPS

0:00 Introduction to Symposium co-curators Stephanie Plunkett and Robyn Phillips Pendleton
23:00 Introduction
28:00 Leslie Ferrin Our America/Whose America? collection and exhibition
46:00 Jacqueline Bishop
52:00 Paul Scott
1:02:00 Elizabeth Alexander
1:11:00 Johnson
1:21:00 Judy Chartrand
1:37:00 Q&A

Hidden in plain sight, illustrations on porcelain and ceramic ware have, throughout history, transformed functional objects into message-bearers for a wide range of political and propagandistic causes, whether exchanged by heads of state or acquired for use or display in domestic settings. Leslie Ferrin of Ferrin Contemporary will discuss the imagery, drawn from popular nineteenth-century prints, that was reproduced on widely distributed ceramics portraying historical events, indigenous people, and notable explorers, inventors, and politicians through a white European lens. The panel will explore how these seemingly ordinary objects, including Rockwell collector plates, have helped to establish firmly held beliefs about American identity. Artists Elizabeth Alexander, Jacqueline Bishop, Judy Chartrand, Niki Johnson, and Paul Scott, will discuss contemporary ceramics, which reject systems of racial oppression and invite reconsideration of the sanitized version of history that was presented for generations.

Historical Perspectives on Illustration and Race

View the Entire Symposium Playlist from the Norman Rockwell Museum

TIMESTAMPS

00:00 START
00:13 Welcome
04:49 Opening Remarks
22:50 Panel: Hidden in Plain Sight – Illustrated Ceramics and American Identity

These concise presentations by Imprinted: Illustrating Race catalogue authors and exhibition lenders will focus on widely-circulated historical representations of race in the press and in popular culture that established a sense of American nationalism for white audiences through the subjugation of Indigenous, Black, and Asian people and cultures.

Witness to History: Collecting Black Americana
Leonard Davis, designer and collector

PAST PROGRAMMING


Ferrin Contemporary | Exhibition | 2022

OPENING RECEPTION

Thursday, August. 11, 2022 | 5-7 pm
during Building 13 Art Walk

CLOSING RECEPTION

Special Guest Artist Paul Scott (UK)

Thursday, Nov. 3, 2022 |  5-7 pm

Closing reception of the ‘OAWA’ exhibition at Ferrin Gallery, with special guest artist Paul Scott (UK) in attendance, as well as select additional artists and the curators in the exhibition.

at Ferrin Contemporary, North Adams, MA

SYMPOSIUM

Historical Perspectives on Illustration and Race

Zoom Webinar (online)
Welcome and Opening Program:
Friday, September 23, 2022
7 p.m. to 8:45 p.m.

Symposium Presentations and Panels:
Saturday, September 24, 2022
10 a.m. to 5 p.m.

ARE WE THERE YET?

ARE WE THERE YET?

ABOUT THE EXHIBITION


North Adams, MA —

NORTH ADAMS, MA – ARE WE THERE YET? is a celebration of Ferrin Contemporary’s 40+ years as leaders in the field of modern and contemporary ceramics. What began in 1979 as a woman-owned cooperative studio and gallery in Northampton, MA has flourished across the years and the locations to become the international ceramic experts and material champions known as Ferrin Contemporary.

During the course of four decades, the gallery has championed artists whose primary medium is clay. Beginning with a commitment to providing support for living artists, decades-long relationships grew with artists whose works explore traditions and history, deliver social commentary, experiment with the material, and use the medium to challenge themselves to produce new works.  

As part of the exhibition, selected classic works will be presented directly from the artists’ archives or offered by private collectors, illustrating career highlights both in the gallery and online. The exhibition asks us, the artists, and the collectors to reflect on the road we’ve taken and invites the public to join the dialog while we speculate about the future.

EXHIBITING ARTISTS


ANTEMANN 2003 - Present

  • 2003 : Chris Antemann began exhibiting with Ferrin Gallery at the SOFA, NY Art Fairs
  • “Are We There Yet?” : Marks 20 years of showing with the gallery
  • “An Occasion to Gather”, & “A Stage for Dessert” produced in 2021-2022 are major works currently on view in museum exhibitions
  • “Lovers Vase in Blue” from a series produced in 2023 from her studio located in Joseph, OR

BILES 2003 - Present

CÓRDOVA 2013 - Present

  • 2013 : Cristina Córdova began exhibiting with Ferrin Contemporary in “Ceramic Top 40” touring exhibition
  • “Are We There Yet?” : Marks 10 years of showing with the gallery
  • Cristina’s solo show CRISTINA CÓRDOVA: Del balcón” debuts at Ferrin in 2018
  • “EVA XV”: Among over 60 Artworks Handled or Documented by the gallery

 

ELOZUA 2000 - Present

  • (c. 2003) Raymon Elozua began exhibiting with Ferrin Gallery at the SOFA, NY Art Fairs
  • (2000) “Are We There Yet?” : Marks 23 years showing with the gallery first in “TEAPOTS TRANSFORMED” 
  • (2015) Raymon Elozua showed work from his “Digital Sculpture: Word” Series produced in 2001, in the group exhibition “GLAZED & DIFFUSED”
  • (2023) Work on display in AWTY includes “Digital Sculpture: Hubris: IMF-02” from his HUBRIS (2010-2016) produced in his studio in Mountaindale, NY

 

 

SIN YING HO 2014 - Present

  • (2014) Sin Ying Ho began exhibiting with Ferrin Contemporary in “MADE IN CHINA: THE NEW EXPORT WARE”, at Independent Art Projects, North Adams, MA
  • “Are We There Yet?” Marks 9 years of showing with the gallery, on display is “Made in the Postmodern Era series No. 1”
  • “In the Dream of Hope No. 1”, & “One World, Many Peoples, No. 2” are the largest works exhibited by Ferrin in US
  • (2006-Present) Ho has taught and run workshops, lectures, and exhibitions all across North America & China and is Assistant Professor at Queens College, NY

ISUPOV 1996 - Present

  • (1996) Sergei Isupov began exhibiting with Leslie Ferrin in Richmond, VA
  • “Are We There Yet?” Marks 27 years of showing with the gallery, on display is “Burden II”, “Puppeteer”, & “Game Changer” as well as works available from private collections including “Voice from Inside” (1997), “Complacency” (1998), & “Chain” (1999)
  • Isupov speaks in depth about Ukrainian artist family in interviews : THE WORLD & Tales of a Red Clay Rambler
  • (2022) “SERGEI ISUPOV: Past & Present” is Isupov’s 10th solo exhibition

LEE 2013 - Present

  • (2013) Steven Young Lee began exhibiting with Ferrin Contemporary in “CERAMIC TOP 40”
  • (2014-2015) Lee exhibits “Vase with Peonies” in the group exhibition “GLAZED & DIFFUSED”
  • “Are We There Yet?” Marks 10 years of showing with the gallery
  • Steven Young Lee is both an artist and arts administrator, serving as the Resident Artist Director of the Bray for 15 years and is currently the Director Emeritus and Special Projects Manager
  • “Jar with Butterflies”, shown in AWTY, was originally shown in “Covet” in 2012 at the gallery’s location in Pittsfield, MA, and is available from a private collection.

LEONARD 2021 - Present

  • (2021) Courtney M. Leonard began exhibiting with Ferrin Contemporary in 2021 in “Melting Point”
  • (2023) “Are We There Yet?” Marks 2 years showing with the gallery, work on display in AWTY includes pieces from Leonard’s CONVOKE Series produced in 2021
  • (2023) COURTNEY M. LEONARD: Logbook 2004-2023 at The Heckscher Museum of Art, Huntington, NY is Leonard’s most recent solo exhibition paired with a public art installation at Planting Fields Foundation.

LIPMAN 2018 - Present

Mabry 2014 - Present

  • (2014) Lauren Mabry began exhibiting with Ferrin Contemporary in the Ceramic Top 40
  • (2015) Mabry’s signature-glazed cylinders shown in the 2015 group exhibition “GLAZED & DIFFUSED”
  • “Are We There Yet?” Marks 9 years showing with the gallery, featuring the artist’s Glazescape Cave Bloom Series
  • (2019) Lauren Mabry’s first solo show at the gallery, titled “LAUREN MABRY: Fused debuted ‘dimensional paintings’ that explored the transformative nature of clay.
  • (2023+) Mabry’s Scrap Yard series produced as part of a fundraiser for her new studio, under construction in the Kensington neighborhood in Philadelphia, PA

MOREY 2014 - Present

  • (2014) Crystal Morey began exhibiting with Ferrin Contemporary in 2017 in “The Women”
  • “Are We There Yet?” Marks 6 years showing with the gallery, focusing on works depicting endangered or extinct creatures and the biodiversity found in their habitats.
  • (2019) Crystal Morey’s first solo show at the gallery, titled “CRYSTAL MOREY: Venus on the Waves”, displayed sculptures that narrated the interdependence between humans, plants, and animals while cultivating empathy for our changing world.
  • “Replanting: White Rhino Airlift” (2020), on display in AWTY, was produced in the artist’s Oakland, CA Studio

PÄRNAMETS 2008 - Present

  • (2008) Kadri Pärnamets started exhibiting at Ferrin Contemporary in “ANDRODGYNY”, at the gallery’s Pittsfield location
  • (2022-2023) Pärnamets’ latest solo with the gallery, “CHOREOGRAPHY OF WATER”, displays her signature biomorphic vases and hundreds of cups
  • “Are We There Yet?” marks 15 years with the gallery. Work on display in AWTY includes hand-built cups and vases and her “Frame of Mind” series, a collection of small, thought-bubble-shaped figures.
  • She shares a studio with her partner, Sergei Isupov, at Project Art in Cummington, MA where she produces her sculptural work and teaches clay classes to the community

Pincus 2015 - Present

  • (2015) Peter Pincus started exhibition at Ferrin Contemporary in the 2015 group exhibition “GLAZED & DIFFUSED”
  • (2018) Pincus’s first solo exhibition with Ferrin, Channeling Josiah Wedgwoodwas a result of direct research into the extensive collection at the Birmingham Museum of Art that informed a series of complex forms based on urns and challices. 
  • (2020) Pincu’s second solo exhibition with Ferrin, “Art in the Age of Influence: Peter Pincus | Sol LeWitt” began with a series of premises based on the color theories and conceptual instructions of Sol LeWitt inspired by wall drawings
  • (2023) “Are We There Yet?” marks 8 years with the gallery. Work on display in AWTY includes brand new work of vase forms: “Amphora (Blue & Yellow)”, “Pitcher (White)”, “Vase (Gray & Gold Rim)”, “Amphora Pitcher (Tall Gray & Brown Rim/Handle)”.

Scott 2013 - Present

  • (2013) Paul Scott began exhibiting with Ferrin Contemporary in the New York Ceramics and Glass Art Fairs
  • (2013) Scott’s first piece shown was “Cumbrian Blue(s), Sellafield No: 9”, a transfer print collage on Royal Worcester bone china platter with gold luster
  • “Are We There Yet?” marks 10 years with the gallery. Work on display in AWTY includes “Cumbrian Blue(s), New American Scenery, Posy Vases, Set of Five” which feature decal images from Paul’s 5 primary series which examine themes or ongoing crises in the United States.
  • (2012-2019) With his primary studio in Cumbria, UK, Paul Scott was also a resident artist at Project Art in Cummington,MA
  • (2023+) Scott’s extensive body of work called “New American Scenery”, currently touring in the US & England in multiple locations

SHAPIRO 2000 - Present

  • (1986) Mark Shapiro moves to Western Massachusetts to begin Stonepool Pottery in Worthington, MA, creating artwork and presenting workshops in his studio and at Project Art in Cummington, MA. 
  • (2000) “Are We There Yet?” marks 23 years showing with the gallery, first in “TEAPOTS TRANSFORMED” & at Ferrin Gallery’s multiple locations
  • (2006) Mark founded the Hilltown Six Pottery Tour with five other area potters. The pottery tour is in its 17th year, and runs the last week every July.
  • Shapiro has been instrumental in mentorship and legacy projects, including working with apprentices (Apprenticelines), museums, and his local community in programs like POW (Pots on Wheels) a mobile gallery/project space

SIKORA 2000 - Present

  • (2000) Linda Sikora began exhibiting with Ferrin Gallery at the SOFA, NY Art Fairs
  • (2020) Nature/Nurture group exhibition at Ferrin Contemporary presented her first conceptual artwork with Ferrin Contemporary: “Faux Wood Ground”, (produced in 2014-18)
  • (2021) Selections from “Faux Wood Group”, 2021, are acquired by Renwick Gallery of the Smithsonian American Art Museum.
  • In addition to exhibiting with Ferrin Contemporary for 23 years, Linda Sikora is a Professor of Ceramic Art at Alfred University in Alfred, NY. 
  • (2023) “Are We There Yet?” presents works from her Wood Grain, Blackware, & Redware series first shown in her recent solo exhibition “Linda Sikora: DARKENING GROUND”

 

SILVERMAN 2001 - Present

  • (2001) Bobby Silverman began exhibiting with Ferrin Galley in the SOFA, New York Art Fairs
  • (2014) Silverman exhibited in “MADE IN CHINA: THE NEW EXPORT WARE”, Ferrin Contemporary at Independent Art Projects, North Adams, MA
  • In addition to exhibiting with Ferrin Contemporary for 22 years, Bobby also serves as the head of the Ceramics Department at the 92nd Street Y in New York City, where he lives and works.
  • (2021) Silverman presents his brilliantly-glazed, large-scale porcelain tiles which begin as raw clay in China, where ceramic tradition dates back hundreds of years in “Melting Point”, at Ferrin Contemporary (MA) & The Heller Gallery (NY)
  • (2023) “Are We There Yet?”, includes Silverman’s new work & signature glazed tiles and vases
  • In addition to exhibiting with Ferrin Contemporary for 22 years, Bobby also serves as the head of the Ceramics Department at the 92nd Street Y in New York City, where he lives and works.

STERN 2014 - Present

  • (2014) Rae Stern began exhibiting with Ferrin Contemporary in the Ceramic Top 40
  • (2020) Stern presents “Steve Sherry: Not Old Friends But Good Friends”at Ferrin Contemporary in Nature/Nurture group exhibition
  • (2023) “ARE WE THERE YET” marks 9 years with Ferrin Contemporary. Her work, “A Fugal Arrangement (set of 7 pieces of furniture & 14 lithophanes)” is currently being shown virtually in the exhibition. 
  • Stern’s recent porcelain objects light up from within upon touch and expose hidden lithophanes. The images depicted often portray daily scenes from both her personal archive and through community outreach to people who suffered persecution during WWII.

SUPERIOR 1979 - Present

  • (1979) Mara Superior was a founding partner of Pinch Pottery with Barbara Walch, Leslie Ferrin in Northampton, MA 
  • (1980-93) “Are We There Yet?” Marks 43 years showing with the gallery, “A Tea Party” was among Superior’s first shows at Ferrin Gallery, Northampton, MA 
  • (2002) Superior’s first solo exhibition with Ferrin Gallery “Souvenirs D’Italia, Ferrin” opened at the gallery’s Lenox, MA location
  • (2020) Nature/Nurture group exhibition at Ferrin Contemporary presented “Only One Planet Earth” & “2020/USA/Vote/America” from the artist’s Political & Environmental Series
  • (2023) “Reproduction Rights” (2023) on display in AWTY was produced in the artist’s Hadley, MA studio

WALKER 2004 - Present

  • (c. 2004) Jason Walker began exhibiting with Ferrin Gallery at the SOFA Chicago Art Fairs
  • (2005) Walker began exhibiting with Ferrin Gallery in “The Navigators: Art + Science + History + Travel” exhibition at the gallery’s Lenox, MA location
  • “Are We There Yet?” Marks 19 years showing with the gallery
  • (2019) “JASON WALKER: Personal Encounters” solo exhibition at Ferrin Contemporary presented a body of work that questions our inter-dependent relationship to nature and technology
  • (2023) “Double Vision” (2022) on display in AWTY was produced in the artist’s Cedar City, UT studio

 

WEISER 2000 - Present

  • (2000) “Are We There Yet?” Marks 23 years showing with the gallery, first in “TEAPOTS TRANSFORMED” 
  • (2010) Kurt Weiser began exhibiting with Ferrin Gallery in “Re-Objectification”, an exhibition at the gallery’s Pittsfield, MA location
  • (2016) Weiser’s “Fruit Story” exhibited in “EXPOSED: Heads, Busts, & Nudes”
  • (2019-2020) “KURT WEISER: Insomnia” solo exhibition at Ferrin Contemporary featured ceramics as well as prints
  • (2023) “Bug Lesson” (1994) on display in AWTY, showcases Weiser’s signature china painting on works produced in the artist’s Phoenix, AZ studio

 

PRESS


PROGRAMMING


• EXHIBITION OPENS  •
Saturday, July 15th, 11 am – 5 pm

•   LUNCH  W/  LINDA  SIKORA  •
   Saturday, July 29th, 12 pm – 5 pm

hosted at Project Art, Cummington, MA
during the Hilltown 6 Pottery Tour

• PUBLIC RECEPTION •
Thursday, August 3, 5 – 7 pm

ARE WE THERE YET? RECEPTION


THANK YOU to our friends, neighbors, collaborators, clients, artists, and family who traveled far and wide to attend the reception for our last exhibition in North Adams, ARE WE THERE YET? It was wonderful to celebrate with 70+ guests, many of whom have been a part of our Ferrin world throughout 40+ years.

FERRIN CONTEMPORARY TIMELINE


Click HERE to View
Ferrin Contemporary’s
developing Archive & Timeline

INQUIRE


Send us a note to request:

  • a list of available artworks
  • copy of the press release
  • additional information about the artists
  • details on upcoming events

We would love to hear from you!

Please fill out the form below to inquire or
contact us for more details + lists of available artworks.

FIGURING SPACE

FIGURING SPACE

JANUARY 12th to APRIL 16th 2023

Featuring work by Cristina Cordova and Sergei Isupov

ABOUT THE EXHIBITION


The Clay Studio Presents FIGURING SPACE, an Exhibition of Full-scale Figurative Sculptures by a Dozen Top Ceramic Artists Based in America

The Clay Studio (1425 N. American St), Philadelphia’s preeminent ceramic arts and resident artist’s center, will present Figuring Space, a new exhibition comprised of full-scale, figurative sculptures by 12 leading ceramic artists based in the United States. Each of the artists explores their individual cultural identity and what it means to be human through their figurative sculptures. The powerful figures will serve as a body of evidence to lay bare the issues that permeate American art and social culture. Figuring Space will open on January 12, 2023, and will be on display in The Clay Studio’s Jill Bonovitz Gallery through April 16, 2023.

The body, as a concept, is intimately tied to ceramic art. Clay is often used as a proxy for the physicality of flesh and has the capacity to articulate cultural perspectives, social engagement, and artistic intention. Furthermore, figurative sculptures have been at the center of public debate as monuments honoring individuals with dark histories are being reexamined and sometimes removed. Figuring Space uses that conversation – who gets to be seen and celebrated – as the backdrop to present a collection of works used to usurp the painful history of bodies on display in American history. Together, the artists will assert their autonomy and subjectivity by presenting cultural critiques through lenses of their own choosing, including race, gender, class, and anti-war ideas as inspiration for their own powerful stories.

Each of the artists selected for Figuring Space is known for creating contemporary, representational work that incorporates concepts and designs inspired by their cultural heritage.

FIGURING SPACE


The Clay Studio | 1425 N American Street, Philadelphia, PA

Cristina Córdova, “EVA XV”, 2022, unglazed: finished with burnished earth pigments from the island of Puerto Rico mixed with casein, lime, and oxides; 60 x 18 x 22″.

Sergei Isupov, “On the Way”, 2020, porcelain, slip, glaze, 58.5 x 38 x 18″.

Upcoming

MAR & APR

Clay & Conversations: Season 5

bi-weekly zoom conversations (in person and on zoom) at 1 pm on Thursdays

MORE ON THE FEATURED ARTISTS


  • View More by Sergei Isupov HERE
  • View More by Cristina Cordova HERE

Native to Puerto Rico, Cristina Córdova creates figurative compositions that explore the boundary between the materiality of an object and our involuntary dialogues with the self-referential. Images captured through the lens of a Latin American upbringing question socio-cultural notions of gender, race, beauty, and power.  Córdova has received numerous grants including the North Carolina Arts Council Fellowship Grant, a Virginia Groot Foundation Recognition Grant, several International Association of Art Critics of Puerto Rico awards, and a prestigious United States Artist Fellowship award in 2015.

EVA XV


2022, unglazed: finished with burnished earth pigments from the island of Puerto Rico mixed with casein, lime, and oxides
60 x 18 x 22″

ON EVA & MATERIAL EXPERIMENTATION

I have been sculpting my daughter since she was 9. This 15-year-old version of Eva is unglazed and finished with burnished earth pigments from the island of Puerto Rico mixed with casein, lime, and oxides. They came specifically from two areas, one in Fajardo near the coast, where the rainforest is, and one from Orocovis in the mountainous center. Written on her back are the words “de monte y mar” ( “from mountain and sea” ) in gold, a phrase from the song Verde luz by El Topo (Antonio Cabal Vale), which became a symbol of national Puerto Rican pride and an anti-colonialist anthem.

In my practice, the image of Eva is the embodiment of change and possibility. It speaks to the inevitability of transience and the inherited threads of code that perpetuate both genes and identity. This piece seeks to perform both as a symbol and a relic by holding in its materiality a part of the Island that has thematically bound this whole series through the years, exploring the riches and vulnerabilities of this small Caribbean nation that is my home.

DOWNLOAD STATEMENT PDF

Isupov is the son of a painter and sculptor. While born in Stravapole, Russia in 1963, Isupov was raised in Ukraine from 1964, educated in Kyiv and moved to attend the university of art in Tallinn, Estonia in 1984 at a time when these now separate countries were part of the USSR. Isupov’s family, his father, mother and brother, all established artists, currently reside in Kyiv, Ukraine. With the backdrop of the current war there and threats of Russian aggression in Estonia, Isupov’s studio work took on an urgency to counter the overwhelming anxiety and concern for his family facing down threats to their safety and the loss of their formerly peaceful lives. Now, with his wife, artist Kadri Pärnaments and their daughter Roosi, they divide their time between two studios/homes in the USA and Estonia.

ON THE WAY


2020, large-scale figure, porcelain, slip, glaze, 58.5 x 38 x 18″

ON THE WAY & IMPACT OF WORLD EXPERIENCE

On the Way is one of a pair of related, multi-figured, life-sized sculptures produced over several months in 2019-2020. These works strangely, foreshadow the present situation in Ukraine. “Most of my work depicts human relationships through contrasts and comparisons which makes it easy for anyone to find messages or meanings that may or may not be my original intention. Upon reflection, it is easy to connect the expressions, gestures and movements to current events but in reality, all my work comes out of my life experience – growing up during USSR, experiencing its breakup and the establishment of fifteen independent countries – followed by coming to America as a young artist in the 90’s.”

Isupov is a master of nonlinear narration. Combined with his unmatched, masterful skills as both painter and sculptor, the resulting works draw from the past and reflect on the present. Semiautobiographical, Isupov’s intimate narratives interweave poignant representations of men and women, parents and children, shown alongside one another, their pets pointing to the naive sense of security we hold in our daily lives. These works explore individual, interior landscapes and the continually expanding dualities of the self within complex psychological relationships. Intensely personal yet universal, these works in the context of the present day, remind and call upon us to value, protect and preserve the precarious balance we all stand to lose at any present moment.

DOWNLOAD STATEMENT PDF

PROGRAMMING


*Exhibition Catalog can be ordered HERE.

The Clay Studio: Figuring Space Publication Date: January 2023. This catalog features highlights on the artists in the exhibition and includes commentary by Jennifer Zwilling, Curator & Director of Artistic Programs at TCS, and Dr. Kelli Morgan, who are working together to make Figuring Space relevant to our audiences and the art historical record. Dr. Morgan is a curator, educator, and social justice activist who specializes in American art and visual culture has worked with TCS in the past. Her scholarly and activist work combine to make her incredibly qualified to examine the issues of racial politics and the artistic use of the figure in this exhibition. Morgan has developed and championed new curatorial methodologies that privilege the voices of museum audiences, breaking the misconception that museums should hold all the authority dictating how to experience art. Collaboration with colleagues of varied experiences produce expansive curatorial perspective. Together, we are endeavoring to create an exhibition that can offer truly meaningful experiences for every person who walks into the gallery at The Clay Studio.

  • 2023 Catalog
  • The exhibition catalog also includes color photography of select works in the exhibition.
  • 8 x 10 x .5
  • Available for purchase for $15.00
  • Item:TCS-2252

Upcoming | MAR & APR

Clay & Conversations: Season 5

bi-weekly zoom conversations (in person and on zoom) at 1 pm on Thursdays

Clay & Conversations: Season 5

Series of conversations and get-togethers with ceramic artists, curators, scholars, and friends.

Join The Clay Studio in person at their fourth-floor Conference Room or dial in on Zoom.

OPENING RECEPTION | Thursday, January 12

The Clay Studio will host a special opening reception to launch Figuring Space on Thursday, January 12, from 5 to 8 p.m.

RSVP HERE

Figuring Space Workshop Creating Expressive Facial Features | Friday, January 13, from 1 to 4 p.m.

For those looking for an in-depth look at Figuring Space, The Clay Studio will host the Figuring Space Workshop – Creating Expressive Facial Features, a special workshop led by featured artists Sergei Isupov and Jonathan Christensen Caballero. On Friday, January 13, from 1 to 4 p.m., participants of all skill levels will watch the two highly-acclaimed figurative artists give demonstrations as they explain their techniques for creating expressive facial features in clay. The Creating Facial Features in Clay workshop is an in-person-only event.

Tickets to attend are $100 each and available for purchase HERE.
Please contact Josie Bockelman (josie@theclaystudio.org) for discount information for this workshop.

Figuring Space Symposium | Friday, January 13, from 9:30 a.m. to 3:30 p.m.

To further expand on the ideas and themes of this exhibition, The Clay Studio will host a special Figuring Space symposium on January 13, where guests can hear lectures and panel discussions from the artists and curators. From 9:30 a.m. to 3:30 p.m., attendees will hear from the twelve featured artists about what making full-scale figurative sculptures means to their art practice. The co-curators, Dr. Morgan and Zwilling, will also share their ideas about figurative sculpture in contemporary art through the lens of social activism as well as the form’s evolution throughout American art history.

Both of these events are free and open to the public. Audiences can also register to participate in the Figuring Space symposium virtually by registering HERE .

VIDEO


Tip Toland and Sergei Isupov are two of the dozen artists whose work appears in Figuring Space, an exhibition of life-size ceramic figurative sculpture. We are thrilled to have these talented artists as guests to ask them about their inspirations for the ideas and styles of their work.

Cristina is one of the dozen artists whose work appears in Figuring Space, an exhibition of life-size ceramic figurative sculpture. We are thrilled to have this talented artist as a guest to ask her about her inspirations for the ideas and styles of her work.

IN DIALOGUE: Cristina Córdova & Kukuli Velarde

IN DIALOGUE: Cristina Córdova & Kukuli Velarde

October 16 to December 30, 2021

Public Reception 4 to 5:30 pm
4:30 Conversation with artist, Kukuli Velarde

FERRIN CONTEMPORARY
1315 MASS MoCA Way, North Adams MA

ABOUT THE EXHIBITION


North Adams,  MA

Ferrin Contemporary presents IN DIALOGUE: Cristina Córdova & Kukuli Velarde. The two artists share several overlapping identities as Latina sculptors working in the figural tradition. Each explores subjects drawn from both their cultural histories and their roles as mothers, daughters and parents of young women documenting their own and their subjects’ generational changes. This exhibition opens simultaneously with MASS MoCA’s Ceramics in The Expanded Field, curated by Senior Curator Susan Cross. 

The newest works in the exhibition were produced in 2021 during the pandemic when each artist could focus deeply on major works, uninterrupted by travel; to-date, Velarde’s painting and Cordova’s sculpture may be some of these artists most important and large-scale works.

October 16 – December 30, 2021


AT FERRIN CONTEMPORARY | North Adams, MA

Exhibition catalog for IN DIALOGUE: Cristina Cordova & Kukuli Velarde at Ferrin Contemporary, Oct. 16 to Dec. 30, 2021. With luscious photos and detailed artist statements, this catalog gives depth and insight into the motivations behind the exhibition and the artworks therein.

  • October 16 to December 30, 2021 at Ferrin Contemporary, curated by Leslie Ferrin
  • Catalog features detailed artist statements
  • Published on 

EVENTS

October 16, 4:30pm: Conversation with artist Kukuli Velarde

PRESS

Berkshire Eagle
11.05.21 IN DIALOGUE: Latina artists use clay, female form to explore personal, generational, and cultural identity 

Rural Intelligence Recommends
10.16.21 Ferrin Contemporary: Cristina Córdova and Kukuli Velarde

Berkshire Eagle 
10.15.21 BE mentions Ferrin Contemporary in coverage of MASS MoCA’s CERAMICS IN THE EXPANDED FIELD exhibition

NATURE/NURTURE

NATURE/NURTURE

2021 | NATURE/NURTURE II

NCECA 2021 Virtual Conference
Rivers, Reflections, and Reinvention
March 17, 2021 – March 21, 2021

Gallery Presentation
1315 MASS MoCA Way, North Adams
March 17, 2021 – May 29, 2021

In March 2020 we invited a group of women artists to explore the influence of gender and its impact on their creative practice. This year, Nature/Nurture returns with new additional works as a virtual exhibition at NCECA’s first virtual conference, with select works on view at Ferrin Contemporary.

Opening Reception

March 19, 2021 @ 7pm on Zoom

Shop Select Works

Select works available on our Online Store.
Inquire for additional works.

NATURE/NURTURE, Gallery Installation presented in 2020 at 1315 MASS MoCA Way, March 4 -June 27, 2020.

2020 | NATURE/NURTURE

1315 MASS MoCA Way, North Adams
March 4 – June 27, 2020

Ferrin Contemporary is pleased to present Nature/Nurture, a group exhibition of twelve contemporary female artists invited to explore the influence of gender and its impact on their practice.

This timely exhibition explores these ideas that range from direct interpretations of the natural world to more abstract notions, such as the construction of gender and the endowed role of women within their personal and professional careers. Works in clay range in form from individual vessels to composed still lifes and figural and abstract sculpture.

Gallery director Leslie Ferrin chose a group of twelve female artists whose works and careers provide a range of diverse perspectives related to age, cultural identity and work being done in contemporary ceramics. Considering the impact that the #MeToo movement is having on all professions, Ferrin asked the artists to pause and reflect on the role gender plays in their artistic practice and to consider the nurturing experiences that have shaped them.

Ferrin writes, “A renewed awareness and galvanizing commitment for change is surging through American cultural and academic institutions, organizations and businesses of every sort, exposing the crying need for structural change; specifically, the advancement of equality for artists of all genders and elimination of sexual harassment, wage discrimination and other forms of sexism that continue to affect the lives of women, transgender and non-binary individuals. As part of the movement to reverse and rebalance with new priorities and opening doors, it is crucial to offer opportunities to artists who have been historically marginalized.”

Nature assigned these artists, who identify as female, on a given path, whereas nurture is an accumulation of experiences, influences and impact with both positive and negative results on personal and professional lives. Seen as a whole, this group of twelve women artists who live and work throughout the USA, is representative of the rising tide of professional opportunities for women artists. While significant earnings and advancement gaps remain, a course correction is underway through the increasing number of gender and culturally specific exhibitions. As priorities shift for museum collections, educational public programming and private collectors, these efforts to course-correct are bringing recognition to artists previously overlooked and undervalued and to undocumented legacies. Nature/Nurture seeks to contribute to and further this recognition.

Inspired by the important work of Judith Butler and Helen Longino, the artists in the show were invited to explore the influence of ‘Nature/Nurture’ within their practice. The work ranges from more direct interpretations of the natural world, to more abstract notions, such as the construction of gender, and endowed role of women.

“Possibility is not a luxury; it is as crucial as bread.”
― Judith Butler, Undoing Gender, 2004

PRESS & FEATURES:

ONLINE PROGRAMMING:

ZOOM/ONLINE PROGRAM | Women in Ceramics with Garth Johnson at Everson Museum of Art – Friday, May 15, 2020.

“Nature/Nurture” Installation View, with Anina Major, 2020.