RUSSELL BILES

ARTWORKS

CANCELED



As a child growing up in the 60’s I enjoyed watching a TV show called The Rifleman. Chuck Conners, the ‘Rifleman’, justly dispatched 120 bad guys during the show’s run. As an adult I still enjoy watching “The Rifleman” gun em down but no longer feel that sense of Freedom and Security once enforced by the ‘magical gun’.

Today I realize that our Country’s Freedom and Security have actually come from the end of a gun and those willing to use this gun in our defense- My concern and motivation for creating Canceled is my fear that today’s and tomorrow’s generations will fail to accept this reality. Thus compromising  our Country’s Freedom and Security.

RAKE


My works being exhibited are from the series “Gone”. This series looks back 50 years to memories of my childhood in the racially divided mill town of Concord, North Carolina. It highlights events and circumstances that I believe reflect our social evolution and invite comparisons between the past and the present. These comparisons can be viewed literally or metaphorically.

When compiling subjects for this series I tried to think of memorable scenarios that spoke to issues of today and to my responsibilities as a parent and grandparent.  Also, I wanted to evoke the perspective of a child experiencing a world created for them by adults. An adult influence, good and bad, not only creates the moment but steers generations to come.

The last piece I produced for this ongoing series is “Rake”. As a kid raking leaves and mowing grass was a job for kids. That was how we made money. I don’t know what happened but we got lazy.  And now we hire immigrants to do our work for nothing and then complain about it. 

Russel Biles
2017
Rake
porcelain
9.5 x 9 x 8”

ADDITIONAL WORKS

GONE


GONE TOO


CHILD’S PLAY



TAKING A BEATING



RUSSELL BILES


Portrait of artist Russell Biles

FOR MORE

CV

BIO

ABOUT


American, b. 1959
lives and works in Greeneville, SC

A self-described “son of the South,” Russell Biles was born, raised, and still lives in the southern U.S. He remembers playing around with clay at a young age, making animals and monsters, but it was not until he entered college to study architecture that he was re-introduced to art and ultimately to ceramics. Since his graduation Biles has been a studio artist in Greenville, SC, working in sculptural forms that range from large totems reminiscent of Northwestern Indian work to small, carefully crafted, colorful porcelain figures. He is best known for the latter work which confronts the direction in which society is moving and finds it severely lacking. Biles uses such American icons as the Cleavers and the Cartwrights as well as contemporary newsmakers to satirize social, religious, and political issues and to engage the viewer in the discussion. Biles employs irony and satire in his work and believes that the humor inherent in satire tempers the  critique and hopefully produces a thoughtful reaction rather than an automatic rejection. As important to Biles as the message is the craftsmanship of his work, the quality that gives the work integrity and cements his position as a noted artist whose work is included in a number of both private and public collections.

Russell Biles, “Canceled”, 2022, porcelain, faux bronze finish (powdered bronze and floor wax), 22 x 11.5 x 9″

ON HIS WORK IN OUR AMERICA/WHOSE AMERICA?

As a child growing up in the 60’s I enjoyed watching a TV show called The Rifleman. Chuck Conners, the ‘Rifleman’, justly dispatched 120 bad guys during the show’s run. As an adult I still enjoy watching “The Rifleman” gun em down but no longer feel that sense of Freedom and Security once enforced by the ‘magical gun’.

Today I realize that our Country’s Freedom and Security have actually come from the end of a gun and those willing to use this gun in our defense- My concern and motivation for creating Canceled is my fear that today’s and tomorrow’s generations will fail to accept this reality. Thus compromising  our Country’s Freedom and Security.

– Russel Biles, 2022

CURRENT + RECENT EXHIBITIONS

Ferrin Contemporary presents Paul Scott in "Our America/Whose America?". Installation for NCECA Richmond, 2024 at the Wickham House at The Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

Ferrin Contemporary presents Paul Scott in “Our America/Whose America?”. Installation for NCECA Richmond, 2024 at the Wickham House at The Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

OUR AMERICA/WHOSE AMERICA?

2024 | Group Exhibition in the Wickham House at the Valentine Museum | Richmond, VA

February 20, 2024 – April 21, 2024

Our America/Whose America? Is a “call and response” exhibition between contemporary artists and historic ceramic objects.

View the exhibition page HERE

Ferrin Contemporary “Our America/Whose America?” Anteroom Stair hall Installation at the Wickham House, Richmond, VA, 2024

Our America/Whose America? Installation View, 2022

OUR AMERICA/WHOSE AMERICA?

2022 | Group Exhibition at Ferrin Contemporary | North Adams, MA

Our America/Whose America? Is a “call and response” exhibition between contemporary artists and historic ceramic objects.

View the exhibition page HERE  & View the historic collection HERE

Our America/Whose America? Installation View, 2022

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message