NEW AMERICAN SCENERY: The Art of Paul Scott

NEW AMERICAN SCENERY:
The Art of Paul Scott

Exhibiting Internationally | 2019 – Present

Inquire About Available Work • HERE •

NAS | TOUR SCHEDULE

INQUIRE ABOUT TOURING PROGRAM • HERE •

US | ALBANY INSTITUTE | AUG 13, 2022 – JAN 3, 2023

UK | BOWES MUSEUM | SEPT 26, 2020 – JAN 9, 2022

US | RISD MUSEUM | SEPT 13, 2019 – DEC 31, 2021

UPCOMING AT THE ALBANY INSTITUTE OF ART

Albany, NY | August 13, 2022 – January 3, 2023

Left :

“Cumbrian Blue(s), New American Scenery, View of Albany, New York No: 2″, 2019, 11 x 11 x 1”, in-glaze screenprint (decal) on salvaged Syracuse China with pearlware glaze.

Right:

“Cumbrian Blue(s), New American Scenery, Belle Island Bridge, Detroit”, 2019, 11 x 11 x 1″, in-glaze screenprint (decal) on salvaged Syracuse China with pearlware glaze.

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MORE ON PAUL SCOTT

VIEW MORE BY PAUL SCOTT • HERE •

Paul Scott is an English artist who lives and works in Cumbria, UK. He appropriates traditional blue and white transferwares to make contemporary artwork for 21st-century audiences. At the same time he commemorates and celebrates a rich, complex historical genre that is inextricably linked to wider visual and political cultures. Alturas Foundation supported the creation of New American Scenery as part of its Artist In Residence program. Other funders included Arts Council England, Ferrin Contemporary and RISD Museum.

Image Right:

“Cumbrian Blue(s), New American Scenery, Fleurs.de.sel’s New York”, 2019, 11 x 11 x 1″ (each), in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze.

PRESS & PUBLICATIONS

View ‘Raid the Icebox Now’ Digital Catalog • HERE •

View ‘On the Threshold’ Digital PDF • HERE •

‘Raid the Ice Box Now’ Digital Catalog

Produced by the Rhode Island School of Design Museum, 2019

To celebrate the 50th anniversary of its exhibition Raid the Icebox I with Andy Warhol, the RISD Museum is engaging contemporary artists and designers Pablo Bronstein, Nicole Eisenman, Pablo Helguera, Beth Katleman, Simone Leigh, Sebastian Ruth, Paul Scott, and Triple Canopy to create new bodies of work or create a unique curatorial project using the museum as a site for critical, creative production and presentation. Employing the galleries and digital platforms as well as spaces beyond the museum walls, these artists will question dominant narratives and highlight the strengths and idiosyncrasies of the museum’s collection, which includes more than 100,000 works spanning ancient times to the present. A landmark example of artist-curated museum exhibitions, Raid the Icebox I with Andy Warhol (1970) presented entire sections of objects as they appeared in storage, with little or no connoisseurial regard for their condition, authenticity, or art historical status. It remains one of the most celebrated and subversive exhibitions in contemporary art history.

Raid the Icebox Now is made possible by a lead grant from the National Endowment for the Arts with additional support from the RISD Museum Associates, Judy and Robert Mann, Taylor Box Company, and a generous in-kind gift from Meyer Sound Laboratories.

ADDITIONAL DETAILS

SELECT PRESS

“On the Threshold: Paul Scott New American Scenery”

Essay by Jo Dahn

NEW AMERICAN SCENERY

PAST PROGRAMMING

VIRTUAL EXHIBIT AVAILABLE • HERE •

New American Scenery showcases the latest ceramic works by the contemporary Cumbrian artist Paul Scott, featuring works of historical transferwares that have been updated for today’s audience.

Scott spent five years investigating early blue and white transferwares that were shipped from Staffordshire to the United States in the 19th century. He works with familiar blue and white ceramics, which were available cheaply so more commonly used than collected, to tell modern stories based on his trips around America. He reworks antique wares, erasing, adding and recreating new patterns by reusing cut and broken fragments or adding newly printed decals.

The exhibition will allow visitors to see the contrasts between the old and new shapes and forms and think about decoration and what it means.

ADDITIONAL DETAILS

THE BOWES MUSEUM

Barnard Castle, County Durham, England | September 26, 2020 – April 11, 2021

Paul Scott by the main display case of his ‘New American Scenery’ installtion at the Bowes Museum, Barnard Castle, September 2020.

Detail, Central Case, end view 2, ‘New American Scenery’ at the Bowes Museum, Barnard Castle County Durham, UK, September 26, 2020 – January 9, 2022

Detail, ‘Forget Me Not, Extinction 1 & 2 in historical display cabinet, ‘New American Scenery’ at the Bowes Museum, Barnard Castle County Durham, UK, September 26, 2020 – January 9, 2022

‘Cumbrian Blue(s), New American Scenery, Sampler (after Stubbs) Jug No: 4’, Transferware collage on pearlware jug, 36cm x 38cm x 30 cm. Paul Scott 2020

Cumbrian Blue(s), New American Scenery, Near the Oxbow (After Thomas Cole)’, No:3. Decal (screenprint) shell edged pearlware platter c.1820, 360mm x 290mm. Paul Scott 2020.

‘Cumbrian Blue(s), New American Scenery, Souvenir of Portland Or., Black Lives Matter (After Killen & Howard’)/Trumpian Campaigne ’. In-glaze screen print (decal) on partially erased, Staffordshire transferware souvenir plate by Rowland & Marsellus, c.1900, 25cm dia. Paul Scott 2020.

Detail, ‘New American Scenery’ at the Bowes Museum, Sampler Jug, California Wildfires and Rowland Marsellus jug.

Detail, ‘New American Scenery’ at the Bowes Museum, Barnard Castle County Durham, UK, September 26, 2020 – January 9, 2022

Detail, Souvenir Wares, ‘New American Scenery’ at the Bowes Museum, Barnard Castle County Durham, UK, September 26, 2020 – January 9, 2022

Central Case, ‘New American Scenery’ at the Bowes Museum, Barnard Castle County Durham, UK, September 26, 2020 – January 9, 2022

NEW AMERICAN SCENERY

PAST PROGRAMMING

This installation juxtaposes early 19th-century Staffordshire ceramic transferwares drawn from the shelves of the RISD Museum storage with new Cumbrian Blue(s) artworks. Replacing the porcelain works typically on view in the Lucy Truman Aldrich gallery, New American Scenery melds historic printed tablewares, altered antique ceramics, and reclaimed Syracuse China plates with new screenprints to update early transferware subjects for the 21st century.

In the early nineteenth century, imported Staffordshire blue-and-white printed transferwares formed part of the new media of their age. Collected at the beginning of the twentieth century as iconic depictions of the early, independent United States, many were later donated to public art museums inspiring a new wave of pictorial wares.

Over the last five years, Paul Scott has been investigating these transferwares as well as the contemporary landscape of the United States. An ongoing dialogue between documentary, historical, travel and artistic research has led to the creation of a new substantive body of artwork, New American Scenery.

In it, Scott references archives, objects, the motives, and thinking of original collectors as well as the post-industrial landscapes of twenty-first-century America. The new work deals with issues surrounding globalization, energy generation and consumption, capitalism and immigration, and other legacies of history. The artwork includes antique tablewares re-worked by selective erasure, re-glazing, and the addition of newly printed decals. Others involve the re-use of cut, broken fragments using collage and traditional restoration processes, as well as prints and other works on paper.

– RISD installation photography by Erik Gould. All other photography by John Polak.

ADDITIONAL DETAILS

• RISD K-12 VIRTUAL CURRICULUM

• FC IN CONVERSATION | MELTING POINT, RISING WATERS: Courtney M. Leonard, Paul Scott, Norwood Viviano, and curator Jami Powell, PhD

• FC IN CONVERSATION | RAID THE ICEBOX: Paul Scott, Beth Katleman, and curator Elizabeth A. Williams

• Founders’ Hour featuring Paul Scott introduced by Mint Museum’s curator of decorative arts, Brian Gallagher

• LECTURE & TOUR: presented by The Pottery and Porcelain Club at RISD, Providence, RI

• LECTURE: Paul Scott, Artist: New American Scenery, Transferwares for the 21st century presented by American Ceramic Circle 2019 Symposium

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