IN NEW YORK magazine’s January 16, 2016 special art feature, “The Art of the Hunt,” by Terry Trucco, investigates the hottest items at this January’s art shows. In the section about the New York Ceramics & Glass Fair, Ferrin Contemporary and artist Bouke de Vries are featured.
C-File’s Bill Rogers highlights selections from the fair. “The selections on display come to us from across time, spanning the 17th century to today.” Ferrin Contemporary’s Bouke de Vries work is featured.
Sergei Isupov’s solo exhibition, Head On, will run through March 3, 2016 at the de Menil Gallery at Groton School in Groton, Massachusetts. It features Isupov’s ceramic sculpture, exploring the literal and metaphoric form of the human head.
In this article, C File explores Silverman’s piece entitled “Tirana” in the GLAZED & DIFFUSED exhibition. “The story reminds us of similar public works projects that have attempted to heal the soul of a community.” Click here to read full article.
C File investigates the story behind GLAZED & DIFFUSED. On the topic of ceramics in the art world, Leslie Ferrin said, “What’s happening today is that contemporary ceramics are no longer relegated to mere craft.” Click here to read full article.
“Collecting ceramics has long been sequestered to the worlds of Wedgewood and Worcester, but there’s a new and evolving chapter when it comes to contemporary work….”
Brooke Mason, in an August 2015 edition of Wallpaper, interviews Leslie Ferrin about the impact contemporary ceramics on the art world.
1315 MASS MoCA Way, North Adams
1315 MASS MoCA Way
FREE
Collecting ceramics from George Ohr to Ai Weiwei — join specialists Suzanne Perrault, David Rago, and Daniel Farrell for a panel discussion moderated by Leslie Ferrin about provenance, connoisseurship, and values in ceramics, pottery, and porcelain from 1900 to the present.
Guests will have a chance to view the exhibition, GLAZED & DIFFUSED, before the panel discussion and afterwards during a wine and cheese reception in the gallery.
1315 MASS MoCA Way
$75. Space is limited.
Enjoy this dinner event in the gallery with collectors, artists, and the panelists. Gramercy Bistro, MASS MoCA’s in-house bistro, will serve modern fare made from locally-sourced food. Ceramic artist Michael McCarthy will provide the handmade dinnerware.
This event has sold out. Call 413-346-4004 to be added to the waiting list. Click here to let us know of your interest and we’ll let you know about other upcoming events and DISH + DINEs.
In 2015, Elozua received a Virginia A. Groot Foundation grant for a new body of work. The R&D series of mixed media sculpture incorporates glass, ceramics, and steel. They are an extension of an exploration of Abstract Expressionist painting. Colors and shapes from different paintings were sampled and combined using CAD software to create new combinations. From these designs, welded steel armatures were built and covered with terra cotta and glaze. After firing, blown-glass shapes were affixed to the sculptures. “I find the tension between the fractured ceramic and the reflective glass fascinating. There is a feeling of beauty born out of decay,” said Elozua.
Ferrin Contemporary spent eight days in New York for the NY Ceramics & Glass Fair in late January. There, we presented two exhibitions: MADE IN CHINA: The New Export Ware and Selected Work from Current Projects, featuring work by 18 artists from around the world.
Visitors and the NY press were surprised and delighted with their discovery of the contemporary ceramics at the New York Ceramics & Glass Fair and spread the word about contemporary clay throughout the worlds of art and design. Here some of the highlights, along with links to read more.
Paul Scott, “Paul Scott, “Cumbrian Blue(s), American Scenery, Fracked No. 2″ 2013, inglaze decal collage, gold luster on ironstone platter (c.1860?), 8.5 x 1”.
Browsing at Metro Curates and the Ceramics and Glass Fair
by William Grimes
“A number of contemporary artists disturb the polite atmosphere of British tea sets and Chinese export pottery. Paul Scott, an English artist at Ferrin Contemporary, has updated English transferware, with its romantic evocations of American scenes, in the rudest possible way. ‘Turnpike No. 3,’ a rectangular tray showing a toll plaza on the New Jersey Turnpike, is one of a series devoted to such heartwarming sights as the Indian Point nuclear plant and a fracking derrick,” Grimes observed in his unabashed review of the oddities at two NY shows.
Paul Scott, “Cumbrian Blue(s), Willow Italian” 2014, Staffordshire transferware collage, gold leaf, tile cement, epoxy resin, 15 x 11″.
The New York Observer
Breaking the Mold
by Brook Mason
“Few slices of the art market have changed as radically, or, surprisingly, have been taken more seriously, in the past few years as the ever-so-sleepy ceramics and glass sector. … When it comes to contemporary ceramics, some dealers said, there’s a shift going on in terms of validity in the eyes of museums. ‘Glance back two decades only a handful of museums were incorporating such work in their holdings,’ said Massachusetts dealer Leslie Ferrin.”
Vipoo Srivilasa, “The Patience Flower” 2014, Jingdezhen super white porcelain, 10 x 6.6″.
Blouin Art Info
by Darryl Wee
In his review of our show “MADE IN CHINA, Darryl Wee observes, “Whereas traditional ‘export ware’ used to be adorned with European ideas and subjects…, Ferrin notes that this notion of cultural export has shifted somewhat in recent years due to internationally networked and cosmopolitan artists who produce their pieces at Jingdezhen Pottery Workshop while gaining exposure primarily in Western markets halfway around the world.”
Mara Superior, “Wounded Beauty” 2014, porcelain, cobalt, glaze, gold luster, metal wire, 12 x 15 x 5.5″.
Past Imperfect: The Art of Inventive Repair
by Andrew Baseman
Friend and blogger Andrew Baseman focused attention on contemporary ceramic “make-dos” including Paul Scott’s, Mara Superior’s, and Frances Palmer’s mended works. “It was heartening for me to see so many examples of antique and contemporary ceramics with inventive repair in such a prestigious venue. It gives me hope that beauty in imperfection is now being embraced by more artists, dealers and collectors than ever before.”
Sin-ying Ho, “9.28.2014 Hong Kong” 2014, porcelain, cobalt, decal, terra sigillata, 23 x 12 x 15.5″.
DXV American Standard
by Lynn Byrne
In her design blog, Byrne admitted, “I know very little about ceramics and glass. There. I have said it right up front. But I like to think I have a certain radar for the artistically innovative, and one place where I did not expect to see it was during my inaugural visit last week to the annual New York Ceramics and Glass Fair. But I was wrong. Very wrong. Talk about cool—it was there in abundance.
“By far my favorite was the artists represented by Ferrin Contemporary. Leslie Ferrin had two booths at the fair and each was filled with edgy, thought-provoking pieces.”
The cover of Paul Scott’s new book, “Horizons: Transferware and Contemporary Ceramics” Visitors were entertained by talks and presentations made by Ferrin Contemporary’s Paul Scott, Garth Johnson, Robert Silverman, Sing-ying Ho, and Leslie Ferrin. Kurt Weiser, “Albion” 2014, china painted porcelain, 26.5 x 18″. Visit our Press Coverage webpage for more links to fair coverage as well as articles and reviews about other curated projects with work by artists represented by Ferrin Contemporary. Read more coverage on the fair on: Ferrin Contemporary presented two exhibitions at the fair: “MADE IN CHINA: The New Export Ware” and “Selected Work from Current Projects,” featuring work by 18 artists from around the world. In addition to the media blitz, sales were brisk and commissions are still coming in. Click here to see more available work. Follow along as director Leslie Ferrin documents the objects, people, and experiences related to the many projects under the purview of Ferrin Contemporary. Leslie’s first-person coverage provides a subjective overview of the scene (and seen) along the path of her travels. Click on the links below to follow along:
Lectures and Book Launch at the Fair
NCECA sponsored a day of modern lectures there for the first time.
It was standing room only for Paul Scott’s lecture. Afterwards, the audience followed Scott to a book signing for the newly published Horizon: Transferware and Contemporary Ceramics. Scott’s ironic commentary on landscape drew media attention with his “American Scenery” series featured at the fair.
Wait, there’s more
CFile
AsiainNY
The China Press
NY Social Diary
SOLD! Still available?
Or inquire about currently available artworks presented at the fair.
#ferrincontemporaryontheroad
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