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FERRIN CONTEMPORARY
@leslieferrin
@ferrincontemporary
@projectart01026

GALLERY ARTISTS
@boukedevries
@crystalmorey
@cristinacordovastudio
@cumbrianblue_s (paul scott)
@sergeiisupov
@laurenmabry
@peterpincusporcelain
@marasuperior

Learn more about Ferrin Contemporary

Follow along with us in the gallery and on the road

ferrincontemporary

specialists in contemporary ceramic art 1950-present located on the MASS MoCA campus in the Berkshires | director @leslieferrin

Wish Bone Pull - Thankful and hopeful and wishing

Wish Bone Pull - Thankful and hopeful and wishing for good things to come while thinking of friends and family in so many places around the world.

While on a trip to Holland, Beatrice Wood purchase

While on a trip to Holland, Beatrice Wood purchased a set of dessert plates with a gorgeous luster and wanted to find a teapot to match. Unable to find one, she decided to simply maker her own and enrolled in a ceramics course. Despite discovering that making a teapot was not so easy, she was determined to develop her throwing skills while also studying glaze chemistry. “I never meant to become a potter,” Beatrice later offered. “It happened very accidentally… I could sell pottery because when I ran away from home I was without any money. And so I became a potter.”

“Chalice”, 1990, raku-fired glazed earthenware, 8 x 7.5 x 7.5″

Ferrin Contemporary is pleased to present an Artist Focus of Beatrice Wood and offer select works for sale from private collections. These collections offer an opportunity to acquire important works from surveys of studio sculpture and decorative art. More info at the link in our bio.

#beatricewood
#ferrincontemporarycollections

"She was married twice, but never [loved] either o

"She was married twice, but never [loved] either of her husbands. She fell deeply in love seven times, but did not marry any of these men. Throughout her life, Beatrice Wood continued to think of herself as a romantic. She later said that the mountain that she lived alongside after her move to Happy Valley was the only partner she could count on 'to be there when I go to bed at night and still be there when I wake up the next morning.'" - Beatrice Wood Center for the Arts, Ojai, CA.

“Men are not to be looked at”, 1978, colored pencil, pencil on paper, 10.625 x 13.625″.

Ferrin Contemporary is pleased to present an Artist Focus of Beatrice Wood and offer select works for sale from private collections. These collections offer an opportunity to acquire important works from surveys of studio sculpture and decorative art. More info at the link in our bio.

#beatricewood #ferrincontemporarycollections

Existential Turkey by Roosi from 2019 - Thankful

Existential Turkey by Roosi from 2019 - Thankful for so much in 2020 - thanksgiving greetings from Cummington MA @projectart01026

#onlyonecummington

Your #hashtag here - #thanksgiving2020 — #turk

Your #hashtag here - #thanksgiving2020

—
#turkeys heading
#homefortheholidays
#onlyonecummington
#missingyou
#doesthisturkeymakemelookfat
#itsnotmytime
#stuffingrecipe ????

We're pleased to present Beatrice Wood as our Arti

We're pleased to present Beatrice Wood as our Artist Focus among select works for sale from private collections. These collections offer an opportunity to acquire important works from surveys of studio sculpture and decorative art. More info at the link in our bio.

Among many achievements in the Avant Garde Dada movement, Wood developed a signature style of glazing: an all-over, in-glaze luster that draws the metallic salts to the surface of the glaze by starving the kiln of oxygen.

A Centennial Tribute Bowl with Lustre Masks”, circa 1991, raku-fired glazed earthenware, 7.5 x 8.5 x 8.5"

#FerrinContemporaryCollections #BeatriceWood

Crossing the Digital Divide - this is what it look

Crossing the Digital Divide - this is what it looks like here this week at @projectart01026 on the banks of the East Branch of the Westfield River, Cummington, MA, USA.
____________

Back in March, when COVID stopped us in our tracks, PPP allowed us to work from home and for the first time, we applied for grants. While we didn’t get them all, we got one to build a zoom studio and launch a teaching program. This small but just enough micro-enterprise grant from Hilltown CDC combined with the last mile connection to high speed fiber optic cables, this month we gathered a team of professional artists to produce a video in the nick of time to join the international workshop marathon this weekend organized by @theceramicscongress - but this is just the beginning. In the coming weeks, I’ll be posting as we build a virtual teaching platform for artists living, working, showing and teaching from their studios in rural western Massachusetts. Our team of local artists, each with different skills, all with established careers derailed by the pandemic are collaborating, doing the work it takes to pivot, literally on a dime. The work is intense, challenging and creative, pushing us to do things we could not have done last spring - like the space race that brought us Tang and light weight firebrick, the global pandemic has brought so many of us together using zoom. Follow along “behind the curtain” as we use our new digital tool kit to share what we do here in our remote part of the world with our global community. Seriously this might be the best silver lining of this challenging year and one of the things to be thankful for.

The International Ceramic Congress runs November 27 - 29th - Sergei Isupov will be on at 7:00 pm EST time on Saturday the 28th - tickets start at $10. Click on IG links below to learn more.

@projectart01026
@sergei__isupov
@ferrincontemporary
@theceramicscongress
@the.ceramic.school
#onlyonecummington

Sometimes work and family finds their way into the

Sometimes work and family finds their way into the same post - sad to see the @smithsonian closed again especially since the Humboldt show will now have such a short run but happy to see the @artnews photo byline @Graeme.Sloan who has kept his focus BLM plaza and the protests taking place during this tumultuous period in our country’s capital while documenting the scene, people, architecture and places where it is all happening #proudmom #staysafe

There is a special kind of contrast currently at p

There is a special kind of contrast currently at play in the gallery - in featuring select works by represented artists, the backdrop of Peter Pincus' bright patterns highlight the organic nature of Anina Major's Hybrid Gourd.

"Hybrid Gourd is a piece which represents the culmination of engaging with weaving as a continuance of personal lineage. It utilizes the medium of clay to record this inherit practice and articulate the harmony of preserving such interconnections as a form of nurture kinship.

The decision to voluntarily establish a home contrary to the location in which I was born and raised (The Bahamas) motivates me to investigate the relationship between self and place as a site of negotiation. By utilizing the vernacular of craft to reclaim experiences and relocate displaced objects, my practice exists at the intersection of nostalgia, identity and commerce." - Anina Major

Anina Major, Hybrid Gourd, 2019, stoneware, glaze,
Now on view at Ferrin Contemporary, open Friday-Saturday 11am-5pm and other days by appointment.

#1315massmocaway #aninamajor
@aninamajor #contemporaryceramics

A look back at The Great Enemy of Truth, an instal

A look back at The Great Enemy of Truth, an installation by Elizabeth Alexander:

"In The Great Enemy of Truth, I edited a full set of Confederate commemorative plates and packaging by extracting the Confederate symbols, leaving only the American landscape between the voids. The dust and text from each removal was harvested and is displayed below its plate of origin to show that history cannot be erased; there is still a residue.

When I stumbled across this set of plates in a tiny junk shop it felt like a call to action: particularly because they were within my visual language of interrupting found porcelain.

I have ancestors that fought for the Confederacy. I did not learn about it until after I made this work. My family does not talk about it, and when they do it is explained as if they were tricked, or defending their land. The thought that living in the North was a pass for reckoning rapidly dissolved as I examined more about systemic racism. I was taught to live with empathy and kindness and believed that was enough. I left the uncomfortable conversations to activists.

These plates should not have existed. They were printed in 1971, long after the Civil War, and created for people to hang in their homes, to exemplify a subtle form of oppression and manipulation, to pass dangerous values down to future generations through their precious packaging and “collectability.” This work is as much a rejection of systems of oppression as it is a reckoning about my own place in those systems, and the sanitized education and experience that blinded me. The truth is messy, and the dust still remains." - Elizabeth Alexander

‘The Great Enemy of Truth’
Installation view Turchin Center for Visual Art
Hand cut set of Confederate commemorative porcelain plates, paper packaging, glass, wood, brass wall mounts
60 x 260 x 5″
2019

@keepingappearances
#elizabethalexanderstudio #elizabethalexander
#contemporaryporcelain #contemporarycraft

On view now at The Porches Inn at MASS MoCA: Holli

On view now at The Porches Inn at MASS MoCA: Hollie Lyko. "Delft Santa" works inversely, allowing the decorative surface to consume every detail of the Santa Claus forms, making these icons of American culture seem eerie and almost unfamiliar. The blue-and-white Delft-inspired floral decals simultaneously act as wallpaper and camouflage, smothering both the Santa masks and the panel itself.

Pictured: Delft Santa, 2019, 44 x 60 x 5", slip-case porcelain, decals, MDF.
On view now at The Porches Inn at MASS MoCA, alongside works by Giselle Hicks.

@holitron2.0
@porchesatmassmoca
#contemporaryporcelain

In Distill, small cardboard boxes holding ancient

In Distill, small cardboard boxes holding ancient flora such as conifer, lichen, and ferns were arranged with miniature furniture and domestic objects to create small-scale dioramas, forcing the relationship between prehistoric and current geological eras. The uncanny environ was created when the casting process in molten iron produced replicas and destroyed the landscapes, translating vignettes into fossilized depictions of the Anthropocene era.

Pictured: Distill #7, 2016, 8 x 12 x 5", cast iron with rust patina and chrome. On view now at @ferrincontemporary

Beth Lipman is also currently showing artworks in the exhibitions "Every Last Thing" at Nohra Haime Gallery @nohrahaimegallery and "Collective Elegy" at the Museum of Arts and Design @maddmuseum (pictured in images 3 & 4).

Beth Lipman explores aspects of material culture through still lives, site-specific installations, and photographs. Working primarily with glass, she creates portraits individuals and our society through inanimate objects that are often broken, “flawed,” or “perfect”.

#bethlipman #1315massmocaway
#everylastthing #nohrahaimegallery
#bethlipmancollectiveelegy #maddmuseum

The trail erupted in hoots at 11:40 - now from the

The trail erupted in hoots at 11:40 - now from the top of Mt Greylock - the views are incredible and the future path cleared for the work ahead - the lodge and trails were built by CCC in 1932.
Thank you all you mail in voters wherever but especially today PA,NV,GA and AZ!

"'Vote 2020' is a document of the present politica

"'Vote 2020' is a document of the present political moment in America as I see it and is meant to speak to people in the future when looking back at this critical time in our history. We are juggling a number of existential crises at this moment and I feel extremely strongly that all we can do is use our power to vote them out, vote him out with a resounding Bluewave landslide in this election." - @mara_superior

While not a “resounding Bluewave landslide,” Pennsylvania is thanked for using their power.

About Mara: Originally a New Yorker, Mara has been living and working in Western Massachusetts since the ’70s. Her life and work are an ode to Western culture. While embracing traditional values of home and beauty, her work is from a modern perspective with a feminist nod to sensuality and pleasure.

On view now at @ferrincontemporary #1315massmocaway
#vote2020 #contemporaryporcelain

4:20 on November 4 - half way between day and nigh

4:20 on November 4 - half way between day and night another visual metaphor for where we are today counting votes - what would William Cullen Bryant think?

#onlyonecummington
@thetrustees
@bryant_thetrustees

BLUE BOAT on the East Branch of the Westfield. Wh

BLUE BOAT on the East Branch of the Westfield.

While searching for the right visual metaphor today - this one seems right. A guiding rope, a drought dry river, the threat of winter and then frozen divide in our future.

This little boat is how two little girls get back and forth across the river - watched over by their parents, delightful, innocent and just a little risky (the water is only thigh high) - they cross the river to play, social distanced after their virtual school days, playing afternoons and weekends. The river divides our town yet this summer it connected us on hot days spent cooling off in the evenings, feet in the water, getting to know our neighbors during these challenging times. Not everyone agrees with one another with dueling lawn signs, flags and banners, its a small town, fewer than 1000 voters but we all love this river.

In the larger world of social media ... It’s been hard for me to post - nothing seems to say the right thing but maybe tomorrow will help break the log jam and the next time the little blue boat floats back and forth, the local, state, national communities will also start moving downstream towards a future when the girls can play without masks and our divided country can begin to act like one again.

#actblue #bluewave #bluestates #vote #november3rd

#onlyonecummington

It's a chilly day #intheberkshires but our warm ga

It's a chilly day #intheberkshires but our warm gallery welcomes you with featured artworks by @marasuperior, on view now at @ferrincontemporary. The gallery is open Fri+Sat 11am-5pm in building 13 on the @massmoca campus.

All pictured artworks are by Mara Superior, made with high-fired porcelain. In order of image:
"I'm Concerned About You America - All American Turkey" 2020, 16.5 x 21 x 1.5"
"Who is in Charge, America?" 2019, 6.5 x 9.5 x 1"
"2020/USA/Vote/America" 2019, 13 X 16.25 X 2"
"Le DoDo" 2019, 16 x 16 x 2"

#vote #1315massmocaway #contemporaryporcelain

FC NEWS & STORIES Artist News Chris Antemann on v

FC NEWS & STORIES Artist News Chris Antemann on view in USA & France - Last March, when the pandemic froze us all in place throughout the world, museums closed indefinitely and exhibitions were rescheduled. For Chris Antemann, this meant two shows that feature major works from her studio were extended. Céramiques Gourmandes at Fondation Bernardaud in Limoges (France) featuring Antemann's largest banquet scene to date,"Dining in the Orangery", remained on view through the summer and closes this weekend. The other, Savor: A Revolution in Food Culture, originally curated by Meredith Chilton for the Gardiner Museum in Toronto (Canada), is currently on view through at the Wadsworth Atheneum Museum of Art in Hartford through the end of this year.

Chris Antemann spent the last ten years producing works both in her studio in Joseph (OR) and at MEISSEN in Germany. Her solo exhibition, Forbidden Fruit: Sculptor Chris Antemann at Meissen traveled to six museums in the USA and when it opened at the State Hermitage Museum in Saint Petersburg, Russia, Chris became the first living American artist to have a solo exhibition there. This led to an opportunity to develop a project with the Imperial Porcelain Manufactory, which she plans to continue when it is possible to travel again. Upon returning to her studio, Chris started research and has begun a new series of major works for exhibitions now scheduled for 2022.

For now, with virtual programming, we can armchair travel by following the link in our bio and imagine our futures when we can see works in person again.

Pictured: Chris Antemann, “Dining in the Orangery”, 30 x 62 x 20”

@antemannchris
@thewadsworth
@foundationbernardaud

#chrisantemann
#meredithchilton
#helenehuret
#porcelain
#sculpture
#ferrincontemporaryinthemuseum

"'Vote 2020' is a document of the present politica

"'Vote 2020' is a document of the present political moment in America as I see it and is meant to speak to people in the future when looking back at this critical time in our history.

With contemporary eyes, we can clearly see that "The Founding Fathers" were flawed men.
With that said, they did create a format for Democracy in America which has prevailed since 1776 and has inspired peoples around the globe.

They were the great “Creators” of the “American Idea” ~ "We the people” shall rule. I imagine them to be rolling over in their graves.

I have included their portraits in contrast to our current president "45 POTUS", who is the great "Dismantler" of American Democracy. He Imagines himself as indispensable or one man rules?!

We are juggling a number of existential crises at this moment, and I feel extremely strongly that all we can do is use our power to vote them out - vote him out with a resounding Bluewave landslide in this upcoming election in November.

Vote. Vote. Vote. Early. In Person."

- @marasuperior

Pictured: Mara Superior, “2020/USA/Vote/America”, 2019, high-fired porcelain, ceramic oxides, underglaze, glaze, ceramic decals, gold leaf, 13 x 16.25 x 2

This work is currently on view at @ferrincontemporary on the @massmoca campus. The gallery is open Fri+Sat 11-5.

#vote2020 #1315massmocaway #contemporaryporcelain #politicalart

FC NEWS & STORIES Mara Superior is an artist conc

FC NEWS & STORIES Mara Superior is an artist concerned about America! Whether channeling Mother Nature or calling on higher powers to impact the coming election, Mara Superior delivers her message using the language of decorative arts to shout her belief in humanity’s inherent goodness. With new works at the gallery and acquired works currently on view in numerous museums throughout the country, our newsletter shares links to online programming with curators and exhibitions.

Learn more at the link in our bio!

Mara Superior, "I'm Concerned About You America - All American Turkey", 2020, 16.5 x 21 x 1.5", high-fired porcelain, ceramic oxides, underglaze, glaze, photo @johnpolak

------------------------
@marasuperior
@ferrincontemporary
#1315MASSMoCAWay
#northadams
#intheberkshires
#potteryispolitical
#allamerican #turkey
#vote #inperson

Tending the Fires: Recent Acquisitions in Clay pre

Tending the Fires: Recent Acquisitions in Clay presents recent additions to Fuller Craft’s ceramic collection. Fuller Craft Museum is proud to shine a light on the clay triumphs of these renowned ceramicists while proudly displaying the institution’s recent collecting achievements.

Exhibiting artists include Mara Superior and Peter Pincus (photo 1), Claire Curneen (2), Steven Young Lee (3), Hollie Lyko (4), Lauren Mabry (5), and Malcolm Wright (6). More information about the exhibit, represented artists, and full images can be found at the link in our bio.

Fuller Craft Museum @fullercraft New England’s only museum of contemporary craft, is dedicated to the objects, ideas, and insights that inspire both patrons and artists to explore life through the art of contemporary craft. The Fuller Craft Museum is open Tues-Sun 10am–5pm.

@mara_superior @peterpincusporcelain @clairecurneen @stevenylee @holitron2.0 @laurenmabry #malcolmwright
#newacquisitions

BROADBAND COMMETH - The day has finally come when

BROADBAND COMMETH - The day has finally come when the wires will be connected and the rural digital divide is crossed in Cummington - thank you MLP and all who have worked to make this dream a reality. On behalf of all who patiently endured the numerous delays, postponements, truncated calls, overnight syncs, zoom disruptions and ever crashing platforms- those days of sitting in our cars next to hot spots will soon be behind us and we’ll be announcing new programs from @projectart01026 and @ferrincontemporary with new programming, artist and curator talks, demos, workshops and even studio tours - just as soon as we “pivot” and leap across the digital divide.
. . .

#projectart01026
#soexciting #onlyonecummington
#hilltownsofwesternmass

#repost @cumbrianblue_s New American Scenery at

#repost @cumbrianblue_s

New American Scenery at the @thebowesmuseum
As well as the central display case in room 39, I have placed works within the (fabulous) historical displays... here are some pics from the exhibition... (the first image is of the ‘Ghost Gardens of Detroit’ pieces within a display of foliate dinner & dessert wares...)

#newamericanscenery #alturasfoundation #artscouncilengland @ferrincontemporary #transferware #cumbrianblue_sgarden #cumbrianblue_snews

De Vries found inspiration in the sophisticated fi

De Vries found inspiration in the sophisticated figural centerpieces that adorned European aristocracy’s banquet tables during the 17th and 18th centuries. In War & Pieces, figures clash across a heap of porcelain ruins, armed with brightly colored contemporary plastic toys—indestructible symbols of today’s toxic waste.

Bouke de Vries is giving a virtual studio tour with The Frick Pittsburgh on Oct 21 - join him and the Frick's Associate Curator of Decorative Arts Dawn Reid Brean for a conversation around the work and the artist's creative journey. (event link in our bio!)

War and Pieces is on view at The Frick Pittsburgh, PA through January 24, 2021. The Frick is open Wed-Sun 11am-4pm.

War and Pieces, called a “masterwork” by art critics, is currently touring in North America after traveling to venues throughout Europe and Asia. Tour organized by Leslie Ferrin, Ferrin Contemporary.

@boukedevries @frickpgh #warandpieces #studiotour #boukedevriesartist

It's the final weekend to view ART IN THE AGE OF I

It's the final weekend to view ART IN THE AGE OF INFLUENCE: Peter Pincus : Sol LeWitt at @ferrincontemporary on the MASS MoCA campus. The gallery is open Friday + Saturday 11am-5pm.

Celebrate the closing of this successful show TONIGHT Oct 9 at 5pm with a cocktail Zoom party and virtual studio visit with the artist. Link to register is in our bio.

#artintheageofinfluence
#peterpincus #sollewitt
@peterpincusporcelain

@massmoca
#1315massmocaway
#intheberkshires

This Friday: take a peak into Peter Pincus' studio

This Friday: take a peak into Peter Pincus' studio during the Virtual Closing of his current show Art in the Age of Influence: Peter Pincus Sol LeWitt, on view at Ferrin Contemporary.

Virtual Closing: Friday, October 9 @ 5pm on Zoom (event link in our bio!)

📽: @peterpincusporcelain
#artintheageofinfluence #peterpincus #sollewitt
#1315massmocaway
#intheberkshires

Join us in celebrating the closing of Art in the A

Join us in celebrating the closing of Art in the Age of Influence: Peter Pincus : Sol LeWitt on Friday, October 9. The closing event will be held on Zoom and include a studio visit with the artist, plus a recipe to share in his favorite cocktail! Link to register is in our bio.

Other virtual programming around the exhibition, including artist presentations and curatorial discussions, are available in the archive on our website.

We have been thrilled to host such a successful solo show with @peterpincusporcelain and look forward to virtually celebrating its culmination with you!

#artintheageofinfluence #peterpincus #sollewitt
#1315massmocaway
#intheberkshires

We're seeing double! 👀 Peter Pincus pairs gradi

We're seeing double! 👀 Peter Pincus pairs gradients of gray with conflicting colors in his current show to create a kind of friction that augments perceptions of space. These duos help us relate handmade containers with our current place in time (and, get a little dizzy).

Pictured: Contrasting Gradient Vases (Pair), 2018, colored porcelain, 11.25 x 4 x 6"; Grey Contrasting Gradient Vases (Pair), 2018, colored porcelain, gold luster, 20 x 16 x 8"

Two weekends left to view ART IN THE AGE OF INFLUENCE: Peter Pincus : Sol LeWitt @ferrincontemporary The gallery is open Fri & Sat 11am-5pm, other days by appointment.

#artintheageofinfluence @peterpincusporcelain #peterpincus #sollewitt
#1315massmocaway #northadamsma #intheberkshires

#contemporaryporcelain #contemporaryceramics

Open in the Berkshires ART IN THE AGE OF INFLUENCE

Open in the Berkshires ART IN THE AGE OF INFLUENCE - PETER PINCUS : SOL LEWITT in the gallery on the @massmoca campus - Good news! Here in the Berkshires, fall foliage is peaking and the governor just announced we are in step 2 of phase 3. Our museums are open, we can enjoy live performances and travel from nearby states is permitted. Open Fri. & Sat. other times by appt and we're always up for sharing a meal, hot coffee or fresh beer with our guests under the tent in the courtyard or at MASS MoCA.

#artintheageofinfluence #peterpincus #sollewitt @peterpincusporcelain
#ferrincontemporary
#1315massmocaway
#northadamsma
#intheberkshires

Savor: A Revolution in Food Culture explores the t

Savor: A Revolution in Food Culture explores the transformation of food and dining during the Age of Enlightenment through an exhibition of rare objects, fascinating histories, and amusing stories.

The exhibition features ‘A Little Feast of Folly’ by Chris Antemann made specifically for the exhibition and involved multiple conversations with esteemed curator Meredith Chilton. The exhibition was first shown at @gardinermuseum in Toronto. This is its only venue in the USA.

Savor is on view at The Wadsworth Antheneum Museum of Art in Hartford, CT, now open Fridays, Saturdays, and Sundays noon-5. Visit the Wadsworth's website for more information.

#contemporaryceramics #wadsworthantheneum #chrisantemann #savor #saveur

Mt. Monadnock- first hiked on Mountain Day senior

Mt. Monadnock- first hiked on Mountain Day senior year in high school, and again in 2020 on a mid week “day off.”
...

I always thought it was naturally barren but ... settlers burned it first for pasture then to remove wolves- “The summit is barren largely because of fires set by early settlers. The first major fire, set in 1800 to clear the lower slopes for pasture, swept through the stands of virgin red spruce on the summit and flanks of the mountain. Between 1810 and 1820, local farmers, who believed that wolves were denning in the blowdowns, set fire to the mountain again. The conflagration raged for weeks, destroying the topsoil and denuding the mountain above 2,000 feet (610 m).” - Wikipedia

Here's a question we receive frequently in the gal

Here's a question we receive frequently in the gallery: how does he do it?

Peter Pincus follows a lengthy multi-step process to produce the brightly colored vessels currently on view in his solo exhibition. Pincus uses molds not only to produce forms but also for slip casting colors to transfer patterns onto the vessel. Each colored slip must dry and be cut before pouring the next layer, making this a very time-consuming step in the process.

Learn more about Pincus' 12-step creative process at the link in our bio.

Pictured: Twisting Blue Gradient Vase, 2019, colored porcelain with gold luster, 22 x 10 x 10”

ART IN THE AGE OF INFLUENCE: Peter Pincus : Sol LeWitt is on view at @ferrincontemporary until Oct 11. The gallery is open Fri & Sat 11am-5pm, other days by appt.

#artintheageofinfluence #peterpincus #sollewitt
@peterpincusporcelain

#contemporaryporcelain #slipcasting #ceramics

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