Project Tag: Courtney Leonard

COURTNEY M. LEONARD | The Heckscher Museum of Art and Planting Fields Foundation

COURTNEY M. LEONARD | The Heckscher Museum of Art and Planting Fields Foundation

The Heckscher Museum of Art and Planting Fields Foundation are pleased to present the work of artist Courtney M. Leonard (b. Shinnecock, 1980), on Long Island this summer, through COURTNEY M. LEONARD: Logbook 2004–2023 at The Heckscher Museum and BREACH: Logbook 23 | ROOT at Planting Fields Foundation. 

Visit Heckscher.org and Plantingfields.org for more information about these two dynamic exhibitions, including new commissioned work by Leonard, and related programming at each location.

Leonard’s powerful work in ceramics, painting, video, and installation engages with Long Island’s colonial history; celebrates Indigenous knowledge and resilience; and addresses urgent ecological issues. The exhibition debuts Contact, 2,023…, a new work that The Heckscher Museum has commissioned from Leonard. The large-scale work is a map of Long Island made up of thousands of individual porcelain thumbprints resembling shells. Leonard glazed them in colors and patterns that reference both wampum and delftware. The exhibition also features loans from the artist and from public and private collections.

Courtney M. Leonard: Logbook 2004–2023


The Heckscher Museum of Art | 2 Prime Avenue, Huntington, NY 11743
June 10, 2023 – November 12, 2023

BREACH: Logbook 23 | ROOT


Planting Field Foundation | 1395 Planting Fields Road, Oyster Bay, NY 11771

FEATURED ARTWORK: CONTACT 2,023


Courtney M. Leonard, “Contact, 2,023…”, 2023, porcelain, enamel and red iron oxide transfers, artificial sinew, canvas, brass, 4 x 8 x 2′.

The Heckscher Museum of Art. Museum Purchase: Partial Funding from the Town of Huntington Art Acquisition Fund. Photo courtesy of The Heckscher Museum Art.

EXHIBITION CATALOG


Courtney M. Leonard is an exhibition catalogue that documents Leonard’s site-specific commission at Planting Fields, as well as a mid-career retrospective at the Hecksher Museum of Art. It also features an interview with Courtney M. Leonard, new photography, and essays from various contributors. The book was designed by Jeffrey Jenkins, edited by Gina J. Wouters, and features contributions from Courtney M. Leonard, Shavonne Smith, Karli Wurzelbacher, Emily Leger, and more. New photography of the site-specific commission at Planting Fields and the exhibition at the Heckscher Museum of Art were captured by David Almeida.

Courtney M. Leonard is available for purchase ($25 plus tax) in-person at the Planting Fields Foundation Visitor Center. It it also available on the Ferrin Contemporary online shop.

PURCHASE THE CATALOG HERE

READ MORE ABOUT THE CATALOG HERE

PAST PROGRAMMING


Panel: Shinnecock Art & Activism

Saturday, October 21, 2023
10:30 – 11:30 am

Shinnecock artist Courtney M. Leonard and Full Spectrum Indigenous Birth Worker (doula), Ahna Red Fox, discuss how motherhood has informed their work as activists. Leonard’s powerful work in ceramics, painting, video, and installation addresses urgent ecological issues and explores historical ties to water, land, and material culture. Her first retrospective exhibition, COURTNEY M. LEONARD: Logbook 2004-2023is currently on view at The Heckscher Museum.

Members Free; Shinnecock Nation Members Free; Non-Members $10

Space is limited, advance registration required.

LEARN MORE HERE

EVENT: Book Signing with Courtney M. Leonard

Saturday, October 21, 2023
11:30 – 12:30 pm

Meet Courtney M. Leonard as she signs copies of her exhibition catalogue, published by Planting Fields Foundation and The Heckscher Museum of Art. Books available for purchase, $20 Members and $25 Non-Members.

PRESS


Courtney M. Leonard is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability.

In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.

2023 INTERNATIONAL CERAMIC ART FAIR (ICAF)

2023 INTERNATIONAL CERAMIC ART FAIR (ICAF)

June 8 – 18, 2023

At the Gardiner Museum
Toronto, Ontario

ABOUT THE FAIR


& Symposium

Ferrin Contemporary is returning to ICAF for the third year. We applaud the Gardiner for building this international program that takes over the museum with a fair, exhibition and symposium over 10 days in June. This year we are presenting recent works that address the theme FUTURE BODIES by three artists.

The International Ceramic Art Fair (ICAF) is a 10-day celebration of some of the most compelling recent ceramic art, featuring works by emerging and established artists from a wide range of backgrounds, as well as online and in-person programming by artists and curators.

Alongside the artworks presented in the fair, ICAF 2023 will include a symposium on June 9 and 10. Titled Toward Future Bodies, the symposium brings together artists, scholars, and other voices from Canada and internationally to explore the boundaries of our species and our connection to other life forms as expressed through ceramics and clay.

ABOUT THE ARTISTS


& FEATURED WORK

Many artists are reconsidering how we define ourselves as a species and how these changing definitions can alter our relationships to each other, to other animals and life forms, and to the land we inhabit. The separation of the human and non-human is increasingly understood as porous or insignificant. Clay can be seen as a mediator between the human and non-human, blurring the boundaries with its life-giving properties, its capacity to record and hold human memory, its characteristic of absorption, and its capacity to connect us to the land.

How can we re-orient our relationship to the planet through a more nuanced understanding of our connection to other forms of life? How can emerging discourses of the human shift us toward new and generative understandings of our bodies place in the world?

Join us to view the works at ICAF and participate in the accompanying programs to explore these and other questions. Sponsored by the Raphael Yu Centre for Candaian Ceramics, Toward Future Bodies aims to foster a deeper appreciation for Canadian ceramics within a larger artistic ecosystem.

Judy Chartrand portrait 2022

b. 1959, Kamloops, BC, CAN
lives and works in Vancouver, CAN

b. Shinnecock, 1980
lives and works in Northfield, Minnesota

b. American, 1983, Nevada City, CA
lives and works in Oakland, CA

Toward Future Bodies Symposium

Friday June 9, 6 – 8 pm &
Saturday June 10, 9:30 am – 6 pm

The Gardiner Museum is pleased to host Toward Future Bodies, a symposium supported by the Raphael Yu Centre for Canadian Ceramics, and in collaboration with A-B Projects. The symposium takes place during the International Ceramic Art Fair (ICAF) and will feature a roster of local and international speakers, fostering a deeper appreciation for Canadian ceramics within a larger artistic ecosystem through discussions on the body in relation to the land, home, animals, the machine, and the future.

Online Artist Talk with Courtney M. Leonard and Judy Chartrand 

Friday June 16, 4 – 5 pm 

As part of the International Ceramic Art Fair, join exhibiting artists Courtney M. Leonard and Judy Chartrand, represented by Ferrin Contemporary, for an online discussion about their work and practice.

Watch the recording:

Ebb/Flow: Pritika Chowdhry, Chotsani Elaine Dean and Courtney M. Leonard

Ebb/Flow: Pritika Chowdhry, Chotsani Elaine Dean and Courtney M. Leonard

The phrase “ebb and flow” is defined as a recurrent or rhythmical pattern of coming and going or decline and regrowth.  It is often used to evoke a sense of calm by suggesting that lows will be followed by highs in an endless and certain course. This usage, however, belies the fact that ebbing and flowing also describes the often fierce dynamism and unpredictability of natural and emotional reality.

Addressing the violence of separation, the practice of keeping memories and the invasive effects of colonialism, Pritika ChowdhryChotsani Elaine Dean and Courtney M. Leonard contemplate the past, the present and possible futures in their large scale, ceramic-based installation works. The individual works poetically contemplate the 1947 partition of India, the manual and psychological labor of enslaved and free African Americans and the changed environments and indigenous lifeways brought on by outside occupation and settlement.

Crossing boundaries of traditional studio ceramics, sculpture, and conceptual and political art, the Ebb/Flow multimedia installations deepen access to and interrogate sites of historical and cultural upheaval. In addition, they add to the material and subject diversity of  the Weisman’s notable ceramics and American art collections. As such, the Weisman proudly presents these works to evoke reflection on and discussion of some of the most important and resounding issues of our time.


Image credits (L to R): Courtney M. Leonard, Breach Logbook 22: Cull (detail), installation view, 2022. Ceramic, paint, and video. Weisman Art Museum commission.; Pritika Chowdhry, Silent Waters (detail), 2009. Ceramic, wax, and sound. 2015.2.1.1-2015.2.1.101; Chotsani Elaine Dean, Comptoir de commerce: saadje, navigeren, waarde, 2022. Ceramic, resin, and seeds. Lent by the artist.

Weisman Art Museum Exhibition Link  HERE

Courtney M. Leonard Artist Profile HERE

PROGRAMING


Artist Talk: “Perspectives on Water” with Courtney M. Leonard
Nov 29 2023 | 6 – 7pm

333 E River Road
MinneapolisMN 55455
United States

Additional Details

NOTICE: THIS EVENT IS BEING POSTPONED FOR ACCESSIBILITY REASONS – DUE TO A BURST PIPE, THE WEISMAN ART MUSEUM GARAGE IS TEMPORARILY CLOSED UNTIL THE AFFECTED SYSTEM CAN BE REPAIRED. In order to ensure all speakers and attendees are able to access the event with ease, the event is postponed until spring/summer 2024. We will continue to provide updates regarding this program.

In the meantime, consider spending time with a RICH, MULTIMEDIA INTERVIEW the Weisman’s Interpretation Assistant Eileen Bass conducted in September, 2023. You can also visit Courtney Leonard’s site-specific work, BREACH: Logbook 22 | Cull in the Riverview gallery, during museum open hours.

Ceramic artist Courtney M. Leonard (Shinnecocke) will discuss her work Breach Logbook 22: Cull in conversation with Ojibwe leader and activist Sharon Day, Dr. Kate Beane, Executive Director of the Minnesota Museum of American Art and adjunct faculty in American Indian Studies at the University of Minnesota, and Vicente Diaz, Chair of the Department of American Indian Studies, and Director of The Native Canoe Program, at the University of Minnesota-Twin Cities. This conversation will be moderated by Dr. Roxanne Biidabinokwe Gould, a professor emerita of Indigenous Education and Environmental Studies at the University of Minnesota Duluth.

Leonard’s body of work examines histories of water and seeks to activate conversations about industrial impacts on water, inter-species connections, climate change, and the shifting relationships between humans and water, as informed by the past. Presented in conversation with the exhibition, Ebb/Flow, currently on view at WAM. Q&A to follow.

PRESS


In September, the Weisman Art Museum’s Interpretation Assistant, Eileen Bass, interviewed artist Courtney M. Leonard in connection with her site-specific artwork BREACH: Logbook | CULL, 2022. The resulting interview is a rich record of Leonard’s process and weaves between topics of: clay, water rights, the passage of time, and her experience as an indigenous artist in non-indigenous arts spaces. 

EILEEN BASS is currently studying at the University of Minnesota and is pursuing a double major in Anthropology and English, with a minor in Creative Writing. Her communities are the Hunkpapa Lakota of the Standing Rock Sioux Reservation, the Mvskoke Creek Nation of OK, and she is enrolled in the Sac & Fox Nation of OK. She is currently studying Dakota language because she lives in Minnesota. Her interests include language revitalization, museum repatriation, tribal sovereignty, and Indigenous storytelling/truth telling within the current literary climate.

Courtney M. Leonard (Shinnecock, b.1980) is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability. In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.
Conversing in Clay: Ceramics from the LACMA Collection

Conversing in Clay: Ceramics from the LACMA Collection

ABOUT THE EXHIBITION


One of the earliest and best-preserved areas of artistic production across the globe, ceramics remains a vital field of expression and experimentation into the present. Conversing in Clay: Ceramics from the LACMA Collection explores the medium through 14 case studies, placing historical works in visual dialogue with contemporary examples to illuminate symbolic meanings, technical achievements, and resonances throughout time. The exhibition examines how artists working today relate to international artistic traditions of the medium, both through deliberate references to the past and by engaging with aspects of clay materiality that have inspired makers over the centuries. Drawing from LACMAs wide-ranging collections, the exhibition also highlights many recent contemporary acquisitions, including works by Nicholas Galanin, Steven Young Lee, Courtney Leonard, Paul Scott, Mineo Mizuno, Elyse Pignolet, and more.

AT LOS ANGELES COUNTY MUSEUM OF ART


Los Angeles, CA | August 7, 2022 – May 21, 2023

ABOUT LACMA


Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 147,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the regions rich cultural heritage and diverse population. LACMAs spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

MEDIA


Five artists featured in the show discuss their artistic practice in these short videos.

MELTING POINT

MELTING POINT

HELLER GALLERY

303 10th Avenue, New York, NY

FERRIN CONTEMPORARY

1315 MASS MoCA Way, North Adams MA

Original location duration:
June 24 – September 25, 2021

ABOUT THE EXHIBITION


The Melting Point is the degree when solid becomes soft, eventually becoming liquid and a boiling point is reached. Glaze melts, clay and glass soften, surface and form become pliable. This exhibition surveys a ​diverse ​group of artists whose use of the melting point is central to their practice.

Used metaphorically, as the planet warms we are finding ourselves closer to the melting point both physically and socially. In 2020, forces combined under pressure of the COVID-19 virus, politics exploded and nature responded with melting ice, raging fires, and extreme weather. Likewise, artists use the melting point as a metaphor in their work to express their political beliefs and sound the alarm using the fragile materials of glass and ceramic.

The exhibition is ​a ​collaboration​ between Ferrin Contemporary in North Adams, MA on the MASS MoCA campus and ​Heller Gallery, located in the Chelsea Art District of New York City​. The co-curators and gallery directors are renowned specialists in their fields, Leslie Ferrin (ceramics) and Katya Heller (glass).

VIEW THE EXHIBITION CATALOG HERE

PRESENTATION at Ferrin Contemporary, 2021


PRESENTATION at Heller Gallery, 2021


EXHIBITING ARTISTS


PAST PROGRAMMING


SELECT PRESS:

MELTING POINT in the Boston Globe
8.5.21 Cate McQuaid gives a quick glance at the exhibition in The Ticket section of The Boston Globe.

Arriving at the MELTING POINT in Destination Williamstown
7.20.21 Destination Williamstown interviews Ferrin Contemporary Director Leslie Ferrin and gets to the historical heart of MELTING POINT.

BUSINESS MONDAY: Did people buy art during COVID? 
6.28.21 Julia Dickson of The Berkshire Eagle reports on a “difficult but successful” year for Berkshire gallerists.