Project Tag: Courtney Leonard

COURTNEY M. LEONARD in Shifting Shorelines: Art, Industry, and Ecology along the Hudson River

COURTNEY M. LEONARD in Shifting Shorelines: Art, Industry, and Ecology along the Hudson River

Shifting Shorelines: Art, Industry, and Ecology along the Hudson River


Wallach Art Gallery at Columbia University | New York, NY

October 5, 2024 – January 12, 2025

ABOUT THE EXHIBITION


Shifting Shorelines brings together historic and contemporary art, visual culture, and environmental science to engage the history of human existence, commerce, and industry along the Hudson estuary. Focusing on the river’s edges from Albany southward to its flow into the Atlantic Ocean, the exhibition foregrounds the impact of local industry on the natural environment, highlighting the history of the river’s distinctive ecological features such as brackish and salt marshes, mudflats, and beaches, along with the docks, factories, and buildings that crowded them out. Through visual and material evidence, Shifting Shorelines demonstrates the various cycles of exploitation, damage, and reclamation.

Shifting Shorelines actively engages in a critical dialogue with images of the river as a natural paradise by showing these seemingly hegemonic portrayals alongside contrasting representations that consider the exploitation and environmental damage to the river that has accompanied many of the human endeavors along its shores. In so doing it offers a counter reading of the received art historical narratives—narratives overwhelmingly grounded on the work of white male artists—that aims for a rich and complex understanding of the legacy, life, and livelihoods along the river informed by the voices and experiences of a broad range of creators.

The exhibition will be accompanied by a publication as well as academic and public programming.

ARTISTS IN THE EXHIBITION


Henry Ary • Victor Gifford Audubon • Alvin Baltrop • Gifford Reynolds Beal • Julie Hart Beers • George Bellows • Daniel Putnam Brinley • Johann Hermann Carmienke • Frederic Edwin Church • Thomas Cole • Glenn O. Coleman • Samuel Colman • Thomas Commeraw • John V. Cornell • Jasper F. Cropsey • Henry Golden Dearth • Aaron Douglas • Joellyn Duesberry • Ernest Fiene • Kryn Frederycks • Reva Fuhrman • Emil Ganso • Marie-François-Régis Gignoux • Shi Guorui • David Hammons • Joost Hartgersz • Palmer Hayden • Edward Hopper • Donna Hogerhuis • Every Ocean Hughes • William Henry Jackson • Yvonne Jacquette • David Johnson • Abraham Leon Kroll • Athena LaTocha • Ernest Lawson • An-My Lê • Courtney M. Leonard • Marie Lorenz • George Benjamin Luks • John Marin • Reginald Marsh • Gordon Matta-Clark • Alex Matthew • Alan Michelson • Charles Frederick William Mielatz • Jacques Gerard Milbert • Thomas Moran • William H. Moschett • Ruth Orkin • Anthony Papa • Lisa Sanditz • Henry Schnakenberg • Jean-Marc Superville Sovak • Alfred Stieglitz • Joseph Vollmering • John Ferguson Weir • Worthington Whittredge

ABOUT COURTNEY M. LEONARD


Courtney Leonard Artist Portrait

Courtney M. Leonard is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability.

In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.

RIVERS FLOW/ARTISTS CONNECT

RIVERS FLOW/ARTISTS CONNECT

In Rivers Flow / Artists Connect, American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant rivers across the globe, from the Hudson and the Susquehanna to the Indus and the Seine.

The cultural, societal, and spiritual significance of rivers is universal, as proven by their lasting presence in art and our collective imagination. In Rivers Flow / Artists Connect, American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant waterways, such as the Hudson River, the Susquehanna, and the Missouri, as well as symbolic representations.

The Hudson River Museum’s new West Wing galleries, basking in a dramatic view of the Hudson River and the Palisades, are an opportune setting for this exhibition. It features works by more than forty exceptional artists exploring various aspects of river subject matter from diverse perspectives and heritages. Together, the artists demonstrate—through painting, printmaking, photography, sculpture, and video—their role in recalling and reinforcing our instinctive connection with rivers.

The exhibition considers these bodies of water through aesthetic, functional, spiritual, and ecological lenses. The Allure of the River section addresses the interrelation of scenic beauty and our attraction to rivers. In Sustainer of Life, artists investigate the essential need for access to rivers for water, food, and transportation—our daily infrastructure—as well as profound sacred connections. Finally, Endangered Rivers: A Call to Action reflects on urbanization, industry, and the critical need for continued conservation and activism.

RIVERS FLOW/ARTISTS CONNECT


At the Hudson River Museum | Yonkers, NY | Feb 2 – Sep 1, 2024

ABOUT THE ARTISTS


In many ways, the artists and the rivers they depict are kindred spirits. Just as rivers shape the land and surmount obstacles on their inexorable journey to the sea, artists also boldly confront barriers and challenges, from land access to environmental change. Their creative expressions help us see rivers with new eyes, and perhaps even a renewed sense of wonder, connection, and purpose, as we consider our own community’s rivers and our own responsibility for stewardship.

The exhibition is co-curated by Laura Vookles, Chair of HRM’s Curatorial Department, and guest curator Jennifer McGregor.

FEATURED ARTISTS

Norman Akers • Joe Baker • James Bard • Bahar Behbahani • Karl Bodmer • Daniel Putnam Brinley • Lorenzo Clayton and Jacob Burckhardt • James & Ralph Clews • Samuel Colman • Betsy Damon • John Douglas • Joellyn Duesberry • Robert S. Duncanson • Elaine Galen • Scherezade Garcia • John Hill and William Guy Wall • Daniel Ridgeway Knight • Courtney M. Leonard • Rejin Leys • Maya Lin • Mary Fairchild Low • Ellen Kozak • John Maggiotto • James McElhinney • Frances McGuire • Alison Moritsugu • Tammy Nguyen • Don Nice • Jon Louis Nielsen • James Prosek • Winfred Rembert • Alexis Rockman • Shuli Sadé • Charlotte Schulz • Madge Scott • Paul Scott • Francis Augustus Silva • Joseph Squillante • Jerome Strauss • William Villalongo • Jason Walker • Mansheng Wang • Susan Wides • Tom Yost

b. Shinnecock, 1980
lives and works in Northfield, Minnesota

More on Courtney M. Leonard

English, b. 1953
lives and works in Cumbria, UK

More on Paul Scott

American, b.1973, Pocatello, ID
lives and works in Cedar City, UT

More on Jason Walker

PROGRAMMING


Gallery Talk with Artist Courtney M. Leonard

Sunday, June 16, 2024 | 1:30pm

COURTNEY M. LEONARD | BREACH: LOGBOOK 24 | STACCATO

COURTNEY M. LEONARD | BREACH: LOGBOOK 24 | STACCATO

Courtney M. Leonard:
BREACH: LOGBOOK 24 | STACCATO


University Museum of Contemporary Art at UMASS | Amherst, MA
February 14 – May 10, September 19 – December 9, 2024

ABOUT THE EXHIBITION


The artist Courtney M. Leonard, a citizen of the Shinnecock Nation of Long Island, explores marine biology, Indigenous food sovereignty, migration, and human environmental impact through visual logbooks that investigate the multiple definitions of the term “breach.”

BREACH: LOGBOOK 24 | STACCATO is the result of a multi-year artist residency initiated by the UMCA in collaboration with the UMass College of Natural Sciences and partially funded by the National Endowment for the Arts. The installation will fill the UMCA’s Main, East and West Galleries. It includes paintings, sculptures, and video exploring the life and kinship ties of Staccato, a North Atlantic Right Whale killed by a ship strike in 1999, whose remains are housed in the UMass Natural History Collections.

BREACH: LOGBOOK 24 | STACCATO was created in partnership with the UMass College of Natural Sciences and is supported by the National Endowment for the Arts, The Office of the Provost, The Class of 1961 Artists’ Residency Fund, the Massachusetts Cultural Council, the UMass Natural History Collections and the UMassFive College Credit Union. Significant research and exhibition contributions came from Kathrine Doyle, staff in the UMass Biology Dept and Vertebrate Collections Manager for the UMass Natural History Collections, Tristram Seidler, Curator of the UMass Herbarium, and Michelle D. Staudinger, Ph.D., UMass Department of Environmental Conservation. Emily Volmar, a UMass undergraduate Natural Resource Conservation major, was a summer Art & Science research assistant for this project. Her work and that of UMass Postdoctoral Researcher Amy Teffer was supported by the Northeast Climate Adaptation Science Center.

EVENTS


OPENING RECEPTION:

Randolph W. Bromery Center for the Arts lobby & UMCA, Amherst, MA 01003
umass.edu/umca

Opening Reception & Talk: Wednesday, February 21 | 5:00 p.m. – 7:30 p.m.
Randolph W. Bromery Center for the Arts, 151 Presidents Drive, Amherst MA

Free and Open to All

5:00 p.m. Artist Talk in Frederick C. Tillis Performance Hall 
All are invited to hear from artist Courtney M. Leonard in conversation with poet Abigail Chabitnoy, Assistant Professor, UMass MFA program for Poets & Writers, in the Frederick C. Tillis Performance Hall.

6:00 p.m. – 7:30 p.m. Reception in Bromery Lobby and UMCA
Enjoy appetizers in the Bromery Lobby and chat with the artist. Meet the scientific team from the UMass College of Natural Sciences who worked on this multi-year collaboration and visit the exhibition in the museum.

RE-OPENING RECEPTION:

September 19, 5:30-8:30pm

5:00pm Artist Talk in Frederick C. Tillis Performance Hall 
UMCA and Bezanson Recital Hall

UMASS ART & SCIENCE CONVENING with COURTNEY M. LEONARD

Tuesday, November 12, 2024 | 5:30-7:30 pm

Join artist Courtney M. Leonard and a panel of UMass scientists for a thought-provoking discussion on the intersection of art and science. Leonard’s exhibition, BREACH: LOGBOOK 24 | STACCATO, currently on view at the University Museum of Contemporary Art, showcases the results of her collaboration with university researchers.

On Tuesday, November 12, they will delve into their collaborative process and share insights into using art as a powerful tool for scientific research and dialogue, particularly concerning climate change and marine biology.

This event is sponsored by the Women for UMass Grants program, dedicated to advancing initiatives that support students and empower women.

Don’t miss this opportunity to learn about how art can influence pressing environmental issues!

Great Hall, Old Chapel
Amherst, MA

ABOUT COURTNEY M. LEONARD


Courtney Leonard Artist Portrait

Courtney M. Leonard is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability.

In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.

COURTNEY M. LEONARD | BREACH: LOGBOOK 24 | SCRIMSHAW

COURTNEY M. LEONARD | BREACH: LOGBOOK 24 | SCRIMSHAW

Courtney M. Leonard:
BREACH: LOGBOOK 24 | SCRIMSHAW


New Bedford Whaling Museum
New Bedford, MA

June 14 through November 3, 2024

ABOUT THE EXHIBITION


Courtney M. Leonard (Shinnecock, b.1980) is a multi-media installation artist, ceramicist, and filmmaker, who has contributed to the Offshore Art movement. In collaboration with museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of Indigenous food sovereignty, marine life, and human environmental impact.

Leonard’s largest body of work to date, titled BREACH, is an ongoing exploration of the historical and contemporary ties between place, community, whales, and the maritime environment. The various iterations of the project, created for individual institutions and settings, investigate the multiple definitions of the term “breach.” A “breach” is a break, a gap in a wall, a river overflowing to breach its banks. Legally, breach means the failure to abide by the law or observe an agreement; it is a violation or infraction, a breach of trust. Breach also describes the act of a whale breaking the surface to rise above the open water. To “step into the breach” implies moving into the unknown. BREACH is an ongoing artistic exploration of these multiple meanings, engaging environmental vulnerabilities and the settler state’s failure to uphold relations and treaties with coastal Indigenous nations.

Leonard’s works conjure the remains of whales, waterfront industrial infrastructure, and oyster shells, evoking community ties to water, Shinnecock scientific knowledge, and current practices for mitigating coastal erosion and water contamination. Such works enact healing and celebrate resiliency and joy on unceded lands and waters. Leonard will produce an entirely new body of work for the installation at the New Bedford Whaling Museum, which continues her interest in coastal communities and historical whaling, while engaging the museum’s history, collections, and community partnerships with culture bearers from the Mashpee Wampanoag tribe, also known as the People of the First Light.

BREACH: Logbook 24 | SCRIMSHAW will be opening with the twined exhibition “The Wider World and Scrimshaw,” which takes the Museum’s scrimshaw collection (objects carved by whalers on the byproducts of marine mammals) and places it in conversation with carved decorative arts and material culture made by Indigenous community members from across the Pacific and Arctic.

Courtney M. Leonard:
BREACH: LOGBOOK 24 | SCRIMSHAW


New Bedford Whaling Museum | New Bedford, MA
June 14 through November 3, 2024

EVENTS

Exhibition Opening Reception
Friday, June 14, 2024 | 5:00-7:00 pm

Members and invitees of the New Bedford Whaling Museum only
RSVP required
Members who would like to RSVP to the opening reception can email membership@whalingmuseum.org or call Gillian Fournier at 508-717-6853

BECOME A MEMBER OF THE NEW BEDFORD WHALING MUSEUM

CONVERSATION WITH ARTISTS COURTNEY M. LEONARD AND HOLLY MITITUQ NORDLUM

Friday, October 4, 2024 | 6pm
$10 for museum members, $20 for non-members

Join the New Bedford Whaling Museum on Friday, October 4 for a special edition of the New Bedford Whaling Museum’s First Friday series, featuring an artist talk, full access to the museum, a lite reception and more.

Presented in conversation with the exhibition, BREACH: Logbook 24 | SCRIMSHAW on view June 1 to November 3, 2024. Q&A to follow.

Leonard will be joined by artist HOLLY MITITQUQ NORDLUM, an Iñupiaq artist working to revitalize the tradition of Inuit tattoo in Alaska. Nordlum trained with Maya Sialuk Jacobsen, an Inuit tattooist from Greenland. A growing cadre of Indigenous female practitioners see the reclaiming of tattoo as a way to heal from colonization and as a statement of pride and cultural affiliation. Many are mentored through Nordlum’s Tupik Mi apprenticeship program.

Presented in conversation with the exhibition, BREACH: Logbook 24 | SCRIMSHAW on view June 1 to November 3, 2024. Q&A to follow.

The BREACH: Logbook 24 | SCRIMSHAW exhibition catalogue includes perspectives from both Nordlum and Leonard and will be available for purchase.

Special Tour & Book Launch at 4:00pm

Reception starts at 5pm

Artist talk starts at 6pm

PURCHASE TICKETS HERE

PRESS

Scrimshaw Takes Over the New Bedford Whaling Museum in Summer Exhibitions

The Wider World & Scrimshaw and Shinnecock artist Courtney M. Leonard’s BREACH: Logbook 24 | SCRIMSHAW explore sites of encounter and exchange across the Pacific and Arctic Oceans.

Courtney Leonard Artist Portrait

Courtney M. Leonard is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability.

In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.

COURTNEY M. LEONARD Exhibition Catalog

COURTNEY M. LEONARD Exhibition Catalog

COURTNEY M. LEONARD

COURTNEY M. LEONARD: Logbook 2004–2023 at The Heckscher Museum and BREACH: Logbook 23 | ROOT at Planting Fields Foundation | Exhibition Catalog

The Heckscher Museum of Art and Planting Fields Foundation have jointly published the first book about nationally recognized artist Courtney M. Leonard (Shinnecock, b. 1980). It represents both the retrospective exhibition COURTNEY M. LEONARD: Logbook 2004-2023 on view at The Heckscher Museum, and her site-specific installation at Planting Fields, BREACH: Logbook 2023|Root. The pages are filled with insights into Leonard’s sources of inspiration, creative processes, and original interpretations.

The 45-page softcover publication has a foreword by Shavonne F. Smith, Tribal Member, Environmental Director, Shinnecock Indian Nation, with prefaces by Gina J. Wouters, Ph.D., President & CEO of the Planting Fields Foundation, and Heather Arnet, Executive Director & CEO, The Heckscher Museum. Heckscher Museum Curator, Karli Wurzelbacher, Ph.D., engages Leonard in an insightful Q&A focused on the Museum’s retrospective exhibition. Emily Leger, Collections and Exhibitions Manager at Planting Fields, writes about Leonard’s site-specific installation. The book contains many beautiful color photographs of the artist’s exquisite artwork.

COURTNEY M. LEONARD

COURTNEY M. LEONARD

The Heckscher Museum of Art and Planting Fields Foundation are pleased to present the work of artist Courtney M. Leonard (b. Shinnecock, 1980), on Long Island this summer, through COURTNEY M. LEONARD: Logbook 2004–2023 at The Heckscher Museum and BREACH: Logbook 23 | ROOT at Planting Fields Foundation. 

Visit Heckscher.org and Plantingfields.org for more information about these two dynamic exhibitions, including new commissioned work by Leonard, and related programming at each location.

Leonard’s powerful work in ceramics, painting, video, and installation engages with Long Island’s colonial history; celebrates Indigenous knowledge and resilience; and addresses urgent ecological issues. The exhibition debuts Contact, 2,023…, a new work that The Heckscher Museum has commissioned from Leonard. The large-scale work is a map of Long Island made up of thousands of individual porcelain thumbprints resembling shells. Leonard glazed them in colors and patterns that reference both wampum and delftware. The exhibition also features loans from the artist and from public and private collections.

Courtney M. Leonard: Logbook 2004–2023


The Heckscher Museum of Art | 2 Prime Avenue, Huntington, NY 11743
June 10, 2023 – November 12, 2023

BREACH: Logbook 23 | ROOT


Planting Field Foundation | 1395 Planting Fields Road, Oyster Bay, NY 11771

FEATURED ARTWORK: CONTACT 2,023


Courtney M. Leonard, “Contact, 2,023…”, 2023, porcelain, enamel and red iron oxide transfers, artificial sinew, canvas, brass, 4 x 8 x 2′.

The Heckscher Museum of Art. Museum Purchase: Partial Funding from the Town of Huntington Art Acquisition Fund. Photo courtesy of The Heckscher Museum Art.

EXHIBITION CATALOG


Courtney M. Leonard is an exhibition catalogue that documents Leonard’s site-specific commission at Planting Fields, as well as a mid-career retrospective at the Hecksher Museum of Art. It also features an interview with Courtney M. Leonard, new photography, and essays from various contributors. The book was designed by Jeffrey Jenkins, edited by Gina J. Wouters, and features contributions from Courtney M. Leonard, Shavonne Smith, Karli Wurzelbacher, Emily Leger, and more. New photography of the site-specific commission at Planting Fields and the exhibition at the Heckscher Museum of Art were captured by David Almeida.

Courtney M. Leonard is available for purchase ($25 plus tax) in-person at the Planting Fields Foundation Visitor Center. It it also available on the Ferrin Contemporary online shop.

PURCHASE THE CATALOG HERE

READ MORE ABOUT THE CATALOG HERE

PAST PROGRAMMING


Panel: Shinnecock Art & Activism

Saturday, October 21, 2023
10:30 – 11:30 am

Shinnecock artist Courtney M. Leonard and Full Spectrum Indigenous Birth Worker (doula), Ahna Red Fox, discuss how motherhood has informed their work as activists. Leonard’s powerful work in ceramics, painting, video, and installation addresses urgent ecological issues and explores historical ties to water, land, and material culture. Her first retrospective exhibition, COURTNEY M. LEONARD: Logbook 2004-2023is currently on view at The Heckscher Museum.

Members Free; Shinnecock Nation Members Free; Non-Members $10

Space is limited, advance registration required.

LEARN MORE HERE

EVENT: Book Signing with Courtney M. Leonard

Saturday, October 21, 2023
11:30 – 12:30 pm

Meet Courtney M. Leonard as she signs copies of her exhibition catalogue, published by Planting Fields Foundation and The Heckscher Museum of Art. Books available for purchase, $20 Members and $25 Non-Members.

PRESS


Courtney M. Leonard is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability.

In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.

2023 INTERNATIONAL CERAMIC ART FAIR (ICAF)

2023 INTERNATIONAL CERAMIC ART FAIR (ICAF)

June 8 – 18, 2023

At the Gardiner Museum
Toronto, Ontario

ABOUT THE FAIR


& Symposium

Ferrin Contemporary is returning to ICAF for the third year. We applaud the Gardiner for building this international program that takes over the museum with a fair, exhibition and symposium over 10 days in June. This year we are presenting recent works that address the theme FUTURE BODIES by three artists.

The International Ceramic Art Fair (ICAF) is a 10-day celebration of some of the most compelling recent ceramic art, featuring works by emerging and established artists from a wide range of backgrounds, as well as online and in-person programming by artists and curators.

Alongside the artworks presented in the fair, ICAF 2023 will include a symposium on June 9 and 10. Titled Toward Future Bodies, the symposium brings together artists, scholars, and other voices from Canada and internationally to explore the boundaries of our species and our connection to other life forms as expressed through ceramics and clay.

ABOUT THE ARTISTS


& FEATURED WORK

Many artists are reconsidering how we define ourselves as a species and how these changing definitions can alter our relationships to each other, to other animals and life forms, and to the land we inhabit. The separation of the human and non-human is increasingly understood as porous or insignificant. Clay can be seen as a mediator between the human and non-human, blurring the boundaries with its life-giving properties, its capacity to record and hold human memory, its characteristic of absorption, and its capacity to connect us to the land.

How can we re-orient our relationship to the planet through a more nuanced understanding of our connection to other forms of life? How can emerging discourses of the human shift us toward new and generative understandings of our bodies place in the world?

Join us to view the works at ICAF and participate in the accompanying programs to explore these and other questions. Sponsored by the Raphael Yu Centre for Candaian Ceramics, Toward Future Bodies aims to foster a deeper appreciation for Canadian ceramics within a larger artistic ecosystem.

Judy Chartrand portrait 2022

b. 1959, Kamloops, BC, CAN
lives and works in Vancouver, CAN

b. Shinnecock, 1980
lives and works in Northfield, Minnesota

b. American, 1983, Nevada City, CA
lives and works in Oakland, CA

Toward Future Bodies Symposium

Friday June 9, 6 – 8 pm &
Saturday June 10, 9:30 am – 6 pm

The Gardiner Museum is pleased to host Toward Future Bodies, a symposium supported by the Raphael Yu Centre for Canadian Ceramics, and in collaboration with A-B Projects. The symposium takes place during the International Ceramic Art Fair (ICAF) and will feature a roster of local and international speakers, fostering a deeper appreciation for Canadian ceramics within a larger artistic ecosystem through discussions on the body in relation to the land, home, animals, the machine, and the future.

Online Artist Talk with Courtney M. Leonard and Judy Chartrand 

Friday June 16, 4 – 5 pm 

As part of the International Ceramic Art Fair, join exhibiting artists Courtney M. Leonard and Judy Chartrand, represented by Ferrin Contemporary, for an online discussion about their work and practice.

Watch the recording:

Ebb/Flow: Pritika Chowdhry, Chotsani Elaine Dean and Courtney M. Leonard

Ebb/Flow: Pritika Chowdhry, Chotsani Elaine Dean and Courtney M. Leonard

The phrase “ebb and flow” is defined as a recurrent or rhythmical pattern of coming and going or decline and regrowth.  It is often used to evoke a sense of calm by suggesting that lows will be followed by highs in an endless and certain course. This usage, however, belies the fact that ebbing and flowing also describes the often fierce dynamism and unpredictability of natural and emotional reality.

Addressing the violence of separation, the practice of keeping memories and the invasive effects of colonialism, Pritika ChowdhryChotsani Elaine Dean and Courtney M. Leonard contemplate the past, the present and possible futures in their large scale, ceramic-based installation works. The individual works poetically contemplate the 1947 partition of India, the manual and psychological labor of enslaved and free African Americans and the changed environments and indigenous lifeways brought on by outside occupation and settlement.

Crossing boundaries of traditional studio ceramics, sculpture, and conceptual and political art, the Ebb/Flow multimedia installations deepen access to and interrogate sites of historical and cultural upheaval. In addition, they add to the material and subject diversity of  the Weisman’s notable ceramics and American art collections. As such, the Weisman proudly presents these works to evoke reflection on and discussion of some of the most important and resounding issues of our time.


Image credits (L to R): Courtney M. Leonard, Breach Logbook 22: Cull (detail), installation view, 2022. Ceramic, paint, and video. Weisman Art Museum commission.; Pritika Chowdhry, Silent Waters (detail), 2009. Ceramic, wax, and sound. 2015.2.1.1-2015.2.1.101; Chotsani Elaine Dean, Comptoir de commerce: saadje, navigeren, waarde, 2022. Ceramic, resin, and seeds. Lent by the artist.

Weisman Art Museum Exhibition Link  HERE

Courtney M. Leonard Artist Profile HERE

PROGRAMING


Artist Talk: “Perspectives on Water” with Courtney M. Leonard
Nov 29 2023 | 6 – 7pm

333 E River Road
MinneapolisMN 55455
United States

Additional Details

NOTICE: THIS EVENT IS BEING POSTPONED FOR ACCESSIBILITY REASONS – DUE TO A BURST PIPE, THE WEISMAN ART MUSEUM GARAGE IS TEMPORARILY CLOSED UNTIL THE AFFECTED SYSTEM CAN BE REPAIRED. In order to ensure all speakers and attendees are able to access the event with ease, the event is postponed until spring/summer 2024. We will continue to provide updates regarding this program.

In the meantime, consider spending time with a RICH, MULTIMEDIA INTERVIEW the Weisman’s Interpretation Assistant Eileen Bass conducted in September, 2023. You can also visit Courtney Leonard’s site-specific work, BREACH: Logbook 22 | Cull in the Riverview gallery, during museum open hours.

Ceramic artist Courtney M. Leonard (Shinnecocke) will discuss her work Breach Logbook 22: Cull in conversation with Ojibwe leader and activist Sharon Day, Dr. Kate Beane, Executive Director of the Minnesota Museum of American Art and adjunct faculty in American Indian Studies at the University of Minnesota, and Vicente Diaz, Chair of the Department of American Indian Studies, and Director of The Native Canoe Program, at the University of Minnesota-Twin Cities. This conversation will be moderated by Dr. Roxanne Biidabinokwe Gould, a professor emerita of Indigenous Education and Environmental Studies at the University of Minnesota Duluth.

Leonard’s body of work examines histories of water and seeks to activate conversations about industrial impacts on water, inter-species connections, climate change, and the shifting relationships between humans and water, as informed by the past. Presented in conversation with the exhibition, Ebb/Flow, currently on view at WAM. Q&A to follow.

PRESS


In September, the Weisman Art Museum’s Interpretation Assistant, Eileen Bass, interviewed artist Courtney M. Leonard in connection with her site-specific artwork BREACH: Logbook | CULL, 2022. The resulting interview is a rich record of Leonard’s process and weaves between topics of: clay, water rights, the passage of time, and her experience as an indigenous artist in non-indigenous arts spaces. 

EILEEN BASS is currently studying at the University of Minnesota and is pursuing a double major in Anthropology and English, with a minor in Creative Writing. Her communities are the Hunkpapa Lakota of the Standing Rock Sioux Reservation, the Mvskoke Creek Nation of OK, and she is enrolled in the Sac & Fox Nation of OK. She is currently studying Dakota language because she lives in Minnesota. Her interests include language revitalization, museum repatriation, tribal sovereignty, and Indigenous storytelling/truth telling within the current literary climate.

Courtney M. Leonard (Shinnecock, b.1980) is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability. In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.
Conversing in Clay: Ceramics from the LACMA Collection

Conversing in Clay: Ceramics from the LACMA Collection

ABOUT THE EXHIBITION


One of the earliest and best-preserved areas of artistic production across the globe, ceramics remains a vital field of expression and experimentation into the present. Conversing in Clay: Ceramics from the LACMA Collection explores the medium through 14 case studies, placing historical works in visual dialogue with contemporary examples to illuminate symbolic meanings, technical achievements, and resonances throughout time. The exhibition examines how artists working today relate to international artistic traditions of the medium, both through deliberate references to the past and by engaging with aspects of clay materiality that have inspired makers over the centuries. Drawing from LACMAs wide-ranging collections, the exhibition also highlights many recent contemporary acquisitions, including works by Nicholas Galanin, Steven Young Lee, Courtney Leonard, Paul Scott, Mineo Mizuno, Elyse Pignolet, and more.

AT LOS ANGELES COUNTY MUSEUM OF ART


Los Angeles, CA | August 7, 2022 – May 21, 2023

ABOUT LACMA


Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of more than 147,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the regions rich cultural heritage and diverse population. LACMAs spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.

MEDIA


Five artists featured in the show discuss their artistic practice in these short videos.

MELTING POINT

MELTING POINT

HELLER GALLERY

303 10th Avenue, New York, NY

FERRIN CONTEMPORARY

1315 MASS MoCA Way, North Adams MA


June 24 to September 25, 2021

ABOUT THE EXHIBITION


The Melting Point is the degree when solid becomes soft, eventually becoming liquid and a boiling point is reached. Glaze melts, clay and glass soften, surface and form become pliable. This exhibition surveys a ​diverse ​group of artists whose use of the melting point is central to their practice.

Used metaphorically, as the planet warms we are finding ourselves closer to the melting point both physically and socially. In 2020, forces combined under pressure of the COVID virus, politics exploded and nature responded with melting ice, raging fires and extreme weather. Likewise, artists use the melting point as a metaphor in their work to express their political beliefs and sound the alarm using the fragile materials of glass and ceramic.

The exhibition is ​a ​collaboration​ between Ferrin Contemporary in North Adams, MA on the MASS MoCA campus and ​Heller Gallery, located in the Chelsea Art District of New York City​. The co-curators and gallery directors are renowned specialists in their fields, Leslie Ferrin (ceramics) and Katya Heller (glass).

VIEW THE EXHIBITION CATALOG HERE

PRESENTATION at Ferrin Contemporary


PRESENTATION at Heller Gallery


EXHIBITING ARTISTS

PAST PROGRAMMING

SELECT PRESS


MELTING POINT in the Boston Globe
8.5.21 Cate McQuaid gives a quick glance at the exhibition in The Ticket section of The Boston Globe.

Arriving at the MELTING POINT in Destination Williamstown
7.20.21 Destination Williamstown interviews Ferrin Contemporary Director Leslie Ferrin and gets to the historical heart of MELTING POINT.

BUSINESS MONDAY: Did people buy art during COVID? 
6.28.21 Julia Dickson of The Berkshire Eagle reports on a “difficult but successful” year for Berkshire gallerists.