Shelburne Museum presents the work of renowned British artist Paul Scott in the exhibition Confected, Borrowed & Blue: Transferware by Paul Scott that includes provocative reinterpretations of 19th-century transferware from Shelburne Museumâs permanent collection along with a work commissioned for the exhibition.
âExhibiting contemporary work that is inspired or influenced by the collections is a longstanding tradition at Shelburne,â said Kory Rogers, Francie and John Downing Senior Curator of American Art. âPaul Scottâs wry way of using transferware, a major part of Shelburneâs decorative arts collection, as a medium for social commentary often delivered with a sense of humor, is ingenious, and picks up on a thread seen throughout Shelburneâs collections.â
Scott transforms his medium, commercially produced English and American ceramic plates, with his signature subversive imagery and insightful, and often ironic, commentary on both historic and contemporary issues. His work references traditional porcelain designs developed by late 18th-century English artisans, such as the Willow pattern or Spodeâs Blue Italian.
paul scott news
PAUL SCOTT | Notes from Director Leslie Ferrin
Cumbrian Blue(s), New American Scenery, (Sampler Jug No:10), Shelburne & Sugar. Transfer print collage on pearlware jug with platinum lustre. Paul Scott 2024. 360mm x 390mm x 290mm. Shelburne Museum Collection.
PAUL SCOTT in the US
Notes from Director Leslie Ferrin
In fall 2012, Leslie Ferrin and Paul Scott met for the first time in Adelaide, Australia as presenters at the Australian Ceramics Triennale Subversive Clay. It was their shared interest in printed ceramics, and one particular plate that brought them together. Paul, well established, internationally known as an artist, educator, scholar and author of several books (including Ceramics and Print ) was introduced by artist Stephen Bowers to Leslie, dealer and specialist in contemporary ceramics. Paul was holding a proof copy of his book  Horizon: Transferware And Contemporary Ceramics, developed from an exhibition at National Museum of Art, Architecture and Design, Oslo, Norway. Within it was an image of a souvenir plate featuring Views of the Mohawk Trail and Hairpin Turn(detail below). Leslie, also a collector of souvenir plates, promptly invited him to visit the site, close to Ferrin Contemporary and Project Art in Western Massachusetts.
A year after that serendipitous meeting, Paul was to be a visiting artist at The Clay Studio in Philadelphia. They began planning an itinerary to meet with museum curators exploring museum collections of 19th century transferware, and to visit Project Art, later to become his part time US studio. The work he created in 2013 reflected this new American research and featured images from Philadelphia, New Jersey and New York. This American Scenery series debuted at the New York Ceramics Fair, immediately attracting the attention of a number of museums that acquired his work for their permanent collections. The Alturas Foundation also bought works and later provided funding for a multi year artist residency in the US. Initially guided by the images depicted in the historic transferware, Paul traveled to cities, explored natural landscapes, met collaborators and produced a substantive body of work New American Scenery. First shown in 2019 in the newly renovated porcelain room at RISD Museum, the exhibition traveled next to Albany Institute of History & Art in 2022. Selected works were featured in exhibitions at other locations in the US and UK, with four iterations open now in the USA.
In 2024, we are pleased to share Paul Scott’s newest commissioned work “Cumbrian Blue(s), New American Scenery, (Sampler Jug No:10), Shelburne & Sugar”, featured above as the centerpiece of his solo exhibition at the Shelburne Museum curated by Kory Rogers – CONFECTED, BORROWED & BLUE: TRANSFERWARE BY PAUL SCOTT.
Leslie Ferrin, director, Ferrin Contemporary
“You can roam where fancy leads you Over hill and dale
But you haven’t seen America
‘Till you’ve seen the Mohawk Trail.”
SEE PAUL SCOTT IN PERSON:
Public Artist Talk
June 7th, 2024Â | 3pm
Free with Museum Admission
Shelburne Museum
Auditorium, Pizzagalli Center for Art and Education
Join Shelburne Museum as artist, author, curator, and gardener Paul Scott discusses his artistic practice, which includes provocative reinterpretations of 19th-century transferware. Scott will pay special attention to the work he produced for the 2024 Shelburne Museum exhibition Confected, Borrowed & Blue: Transferware by Paul Scott.
Talk will last approximately 45 to 60 minutes, followed by an audience Q & A. The Museum will remain open until 7:30 p.m., allowing attendees time to visit the exhibition after the talk.
Study Day with American Ceramics Circle
June 7, 2024Â | 10 – 5pm
Fees: $50 for members; $60 for guests
(admission and lunch are included)
Limited to 20
Join the American Ceramics Circle for a day of private, curator-led tours and programs at Shelburne Museum to explore the ceramic collections and a private tour of âConfected, Borrowed & Blue: Transferwareâ with the artist Paul Scott.
PAUL SCOTT ON VIEW & UPCOMING IN THE US | 2024
RIVERS FLOW / ARTISTS CONNECT
Group Exhibition
featuring PAUL SCOTT & COURTNEY M. LEONARD, JASON WALKER
American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant waterways, such as the Hudson River, the Susquehanna, and the Missouri, as well as symbolic representations.
on view through September 1, 2024
Hudson River Museum
Yonkers, NY
CLAYSCAPES
Group Exhibition
featuring PAUL SCOTT, RAYMON ELOZUA, CAROLINE SLOTTE, & CRISTINA CĂRDOVA
Clayscapes is a tribute to clayâs ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play.
on view now through October 20, 2024
Everson Museum of Art
Syracuse, NY
PAUL SCOTT AT THE ALBANY INTERNATIONAL AIRPORT GALLERY
Solo Installation
on view now through December 31, 2024
Albany International Airport Gallery
Terminal A
737 Albany Shaker Rd
Albany, NY
50 YEARSÂ INÂ THEÂ MAKINGÂ – ALUMNI EXHIBITION
Group Exhibition
Featuring Paul Scott & Sergei Isupov
This Alumni Exhibition showcases artwork to reflect the current practice of the over 150Â artist who have participated in The Clay Studio’s Resident Artist Program, Guest Artist Program, and Associate Artist Program over the 50 years since its founding.
on view June 13th through Sep 1st, 2024
The Clay Studio
Philadelphia, PA
ARTIST NEWS
Ferrin Contemporary’s newsletters connect artists, collectors, art professionals and the media with exhibitions and opportunities to learn more about artist practices, works on view and new work taking place in the studios.
now located at ProjectArt at 54 Main Street in Cummington, MAOpen by appointment Winter – Spring.
Contact us to arrange a visit in person or by zoom
info@ferrincontemporary.com
ARTIST NEWS | PAUL SCOTT
PAUL SCOTT
on view in the US
Cumbrian Blue(s), New American Scenery, (Sampler Jug No:10), Shelburne & Sugar. Transfer print collage on pearlware jug with platinum lustre. Paul Scott 2024. 360mm x 390mm x 290mm. Shelburne Museum Collection.
PAUL SCOTT IN MUSEUMS & GALLERIES
In fall 2012, Leslie Ferrin and Paul Scott met for the first time in Adelaide, Australia as presenters at the Australian Ceramics Triennale Subversive Clay. It was their shared interest in printed ceramics, and one particular plate that brought them together. Paul, well established, internationally known as an artist, educator, scholar and author of several books (including Ceramics and Print ) was introduced by artist Stephen Bowers to Leslie, dealer and specialist in contemporary ceramics. Paul was holding a proof copy of his book  Horizon: Transferware And Contemporary Ceramics, developed from an exhibition at National Museum of Art, Architecture and Design, Oslo, Norway. Within it was an image of a souvenir plate featuring Views of the Mohawk Trail and Hairpin Turn(detail below). Leslie, also a collector of souvenir plates, promptly invited him to visit the site, close to Ferrin Contemporary and Project Art in Western Massachusetts.
A year after that serendipitous meeting, Paul was to be a visiting artist at The Clay Studio in Philadelphia. They began planning an itinerary to meet with museum curators exploring museum collections of 19th century transferware, and to visit Project Art, later to become his part time US studio. The work he created in 2013 reflected this new American research and featured images from Philadelphia, New Jersey and New York. This American Scenery series debuted at the New York Ceramics Fair, immediately attracting the attention of a number of museums that acquired his work for their permanent collections. The Alturas Foundation also bought works and later provided funding for a multi year artist residency in the US. Initially guided by the images depicted in the historic transferware, Paul traveled to cities, explored natural landscapes, met collaborators and produced a substantive body of work New American Scenery. First shown in 2019 in the newly renovated porcelain room at RISD Museum, the exhibition traveled next to Albany Institute of History & Art in 2022. Selected works were featured in exhibitions at other locations in the US and UK, with four iterations open now in the USA.
In 2024, we are pleased to share Paul Scott’s newest commissioned work “Cumbrian Blue(s), New American Scenery, (Sampler Jug No:10), Shelburne & Sugar”, featured above as the centerpiece of his solo exhibition at the Shelburne Museum curated by Kory Rogers – CONFECTED, BORROWED & BLUE: TRANSFERWARE BY PAUL SCOTT.
Leslie Ferrin, director, Ferrin Contemporary
“You can roam where fancy leads you Over hill and dale
But you haven’t seen America
‘Till you’ve seen the Mohawk Trail.”
Public Artist Talk
June 7th, 2024Â | 3pm
Free with Museum Admission
Shelburne Museum
Auditorium, Pizzagalli Center for Art and Education
Join us as artist, author, curator, and gardener Paul Scott discusses his artistic practice, which includes provocative reinterpretations of 19th-century transferware. Scott will pay special attention to the work he produced for the 2024 Shelburne Museum exhibition Confected, Borrowed & Blue: Transferware by Paul Scott.
Talk will last approximately 45 to 60 minutes, followed by an audience Q & A. The Museum will remain open until 7:30 p.m., allowing attendees time to visit the exhibition after the talk.
Study Day with American Ceramics Circle
June 7, 2024Â | 10 – 5pm
Fees: $50 for members; $60 for guests
(admission and lunch are included)
Limited to 20
Join the American Ceramics Circle for a day of private, curator-led tours and programs at Shelburne Museum to explore the ceramic collections and a private tour of âConfected, Borrowed & Blue: Transferwareâ with the artist Paul Scott.
MORE ON VIEW & UPCOMING
RIVERS FLOW / ARTISTS CONNECT
Group Exhibition
featuring PAUL SCOTT & COURTNEY M. LEONARD, JASON WALKER
American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant waterways, such as the Hudson River, the Susquehanna, and the Missouri, as well as symbolic representations.
on view through September 1, 2024
Hudson River Museum
Yonkers, NY
CLAYSCAPES
Group Exhibition
featuring PAUL SCOTT, RAYMON ELOZUA, CAROLINE SLOTTE, & CRISTINA CĂRDOVA
Clayscapes is a tribute to clayâs ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play.
on view now through October 20, 2024
Everson Museum of Art
Syracuse, NY
PAUL SCOTT AT THE ALBANY INTERNATIONAL AIRPORT GALLERY
Solo Installation
on view now through December 31, 2024
Albany International Airport Gallery
Terminal A
737 Albany Shaker Rd
Albany, NY
50 YEARSÂ INÂ THEÂ MAKINGÂ – ALUMNI EXHIBITION
Group Exhibition
Featuring Paul Scott & Sergei Isupov
This Alumni Exhibition showcases artwork to reflect the current practice of the over 150Â artist who have participated in The Clay Studio’s Resident Artist Program, Guest Artist Program, and Associate Artist Program over the 50 years since its founding.
on view June 13th through Sep 1st, 2024
The Clay Studio
Philadelphia, PA
ARTIST NEWS
Ferrin Contemporary’s newsletters connect artists, collectors, art professionals and the media with exhibitions and opportunities to learn more about artist practices, works on view and new work taking place in the studios.
now located at ProjectArt at 54 Main Street in Cummington, MAOpen by appointment Winter – Spring.
Contact us to arrange a visit in person or by zoom
info@ferrincontemporary.com
ARE WE THERE YET? Featured in the Berkshire Eagle
A JOURNEY IN CERAMICS
NORTH ADAMS â Sometimes, the only way to move forward is to look back.
Leslie Ferrin, director of Ferrin Contemporary, at the Massachusetts Museum of Contemporary Art is doing just that with “Are We There Yet?” It’s an exhibition that is one-part retrospective, one part celebration. It’s a show about evolution, of transition.
It’s an introspective show, for Ferrin, who after 40-plus years in the ceramics market is pondering the next phase of Ferrin Contemporary.

Paul Scott’s New American Scenery Featured in The Guardian
Blue and white transferware plates were hugely popular in the 19th century for their bucolic pastoral scenes. Over the past 30 years, artist Paul Scott, who lives in Cumbria, has updated the medium to address some very modern issues: the climate emergency, the refugee crisis, tensions in the Middle East. The original genre depicts a colonial, imperialist view of the world, he says. My concern has been to rebalance the narrative with something more contemporary and inclusive.
Using a mix of antique and specially commissioned plates, he refires the ceramics to let his prints sink into the glaze. I can raise issues people dont expect to see on blue and white plates: they are surprised, and it makes them look again at historic pieces.
OUR AMERICA/WHOSE AMERICA? Featured in the Berkshire Eagle
Norman Rockwell’s illustrations with their “armies of perfectly imperfect girls” never resonated with artist Niki Johnson, a member of the “Atari 2600” generation, as they peered at her from porcelain commemorative plates that seemed to be everywhere during her youth â the pages of magazines, television screens, the walls of middle America’s homes.
And yet, some 30 years later, she would begin purchasing these commemorative plates, at thrift stores for just a few dollars each, tucking them away for a moment that felt right, for a project yet unrealized. Over a decade, she would amass a collection of a few hundred Rockwell plates, along with dozens of other motifs and designs featuring American landscapes, playing children, churches and historical landmarks, flora and fauna.

CRANK vases, installation view, 2019, Coiled Red Earthenware – Kid Tested Mother Approved, 13 x 13 x 22″
SOUVENIR OF SELMA | PAUL SCOTT | New American Scenery
SOUVENIR OF SELMA | PAUL SCOTT | New American Scenery | MLK | Notes from director, Leslie Ferrin
“Let us march on ballot boxes until the salient misdeeds of bloodthirsty mobs will be transformed into the calculated good deeds of orderly citizens.”
– Martin Luther King, March 25, 1965, Montgomery, Alabama
In honor of Martin Luther King Day, we are sharing Paul Scott‘s “Souvenir of Selma” currently on view at RISD Museum in Providence, RI. The piece is featured in New American Scenery, presented in the newly renovated porcelain room as one of the solo exhibitions in the museum-wide exhibition, “Raid the Icebox Now”.
Looking deeper on this day that honors King’s legacy, his speech from over 50 years ago reminds us of what issues remain and the importance of the ballot in this election year.
“Yes, we are on the move and no wave of racism can stop us. (Yes, sir) We are on the move now. The burning of our churches will not deter us. (Yes, sir) The bombing of our homes will not dissuade us. (Yes, sir) We are on the move now. (Yes, sir) The beating and killing of our clergymen and young people will not divert us. We are on the move now. (Yes, sir) The wanton release of their known murderers would not discourage us. We are on the move now. (Yes, sir) Like an idea whose time has come, (Yes, sir) not even the marching of mighty armies can halt us. (Yes, sir) We are moving to the land of freedom. (Yes, sir) … Let us march on ballot boxes, (Letâs march) march on ballot boxes until race-baiters disappear from the political arena.
Let us march on ballot boxes until the salient misdeeds of bloodthirsty mobs (Yes, sir) will be transformed into the calculated good deeds of orderly citizens. (Speak, Doctor)
Let us march on ballot boxes (Let us march) until the Wallaces of our nation tremble away in silence.
Let us march on ballot boxes (Let us march) until we send to our city councils (Yes, sir), state legislatures, (Yes, sir) and the United States Congress, (Yes, sir) men who will not fear to do justly, love mercy, and walk humbly with thy God.
Let us march on ballot boxes (Let us march. March) until brotherhood becomes more than a meaningless word in an opening prayer, but the order of the day on every legislative agenda.
Let us march on ballot boxes (Yes) until all over Alabama Godâs children will be able to walk the earth in decency and honor.”
Click HERE to hear Martin Luther King’s speech in Montgomery, March 25, 1965.
PAUL SCOTT: New American Scenery
New American Scenery juxtaposes early 19th-century Staffordshire ceramic transferwares drawn from the shelves of the RISD Museum storage with new artworks by Paul Scott, Cumbrian Blue(s). Replacing the porcelain works typically on view in the newly renovated Lucy Truman Aldrich gallery, New American Scenery melds historic printed tablewares, altered antique ceramics, and reclaimed Syracuse China plates with new screenprints updating early transferware subjects for the 21st century.
New American Scenery is first presented in Raid The Icebox Now at RISD Museum, Providence RI from September 13, 2019- September 6, 2020.
New American Scenery will be presented in an expanded exhibition at Albany Institute of Art & History, Albany, NY from September 16, 2020- January 3, 2021.
in Raid The Icebox Now
Click HERE for more.
ClickHERE to inquire.
Photographs of Artwork by John Polak; Interior photography by Erik Gould
Paul Scott is an English artist who lives and works in Cumbria, UK. He appropriates traditional blue and white transferwares to make contemporary artwork for 21st-century audiences. At the same time, he commemorates and celebrates a rich, complex historical genre that is inextricably linked to wider visual and political cultures. Alturas Foundation supported the creation of New American Scenery as part of its Artist In Residence program. Other funders included Arts Council England, Ferrin Contemporary and RISD Museum.

Leslie Ferrin photo John Polak
Paul Scottâs Valuable Lessons, Arteidolia, December 2019
Paul Scott’s Valuable Lesson
by Lyn Horton, December 2019
“Artists are compelled in days, months and years of global confusion to apply their own language to construct their individual perspectives for the purpose of clarifying and pointing out for an audience, most often specifically, what is happening.
Ceramic artist, an Englishman from Cumbria, Paul Scott has seized upon the opportunity to fulfill that purpose. Scott is thoroughly versed in the history and the studio actualization of transferware. Transferware is so close to our existence that we can barely notice it. It is the art form that has become the âsouvenirâ to make memories of places tangible. These objects can be collected and displayed to document oneâs travels, experiences, and predilections…”
continue reading HERE
More about Paul Scott and New American Scenery.
PAUL SCOTT, ‘Raid the Ice Box’ digital catalog
PAUL SCOTT, New American Scenery in
‘Raid the Icebox’ at The Rhode Island School of Design Museum
On View September 13, 2019- November 1, 2020.
New Digital Catalog can be found HERE
More information on PAUL SCOTT
ANTIQUES: Getting the Blues
In its JanuaryâFebruary 2016 issue, The Magazine ANTIQUES featured Shax Riegler’s article “Getting the Blues: Transfer ware translated by three contemporary artists.” Paul Scott, Andrew Raftery, and Don Moyer were selected for their powerful and popular use of transfer ware.
Click here to read full article.
Click here to view more of Paul Scott’s work.