Giselle Hicks

NATURE OF NURTURING | Notes from Director, Leslie Ferrin

NATURE OF NURTURING | Notes from Director Leslie Ferrin

A renewed awareness and galvanizing commitment for change is surging through American cultural and academic institutions, organizations, and businesses of every sort, exposing the crying need for structural change. Specifically, this includes the advancement of equality for artists of all genders, eliminating the sexual harassment, wage discrimination, and the other forms of sexism that continue to affect the lives of women, transgender and non-binary individuals. As part of the movement to reverse and rebalance priorities as well as open new doors, it is crucial to offer opportunities to artists who have been historically marginalized.

Ferrin Contemporary has invited twelve female artists to pause and reflect on the role gender plays in their artistic practice, to consider the impact of the #MeToo movement, and/or to examine how the constructs of gender and gendered behavior impact their personal and professional lives. Nature assigned these artists who identify as female on a given path, whereas nurture is an accumulation of experiences and influences has had both positive and negative impact on their personal and professional lives.

Individual artworks do not always offer specific references to identity through direct content. However, a close look at the career paths in the short biographies and written statements in this exhibition, Nature/Nurture reveals information about how each of these artists – members of several different generations – has sustained her creative practice. The ceramic artworks in Nature/Nurture converge in a dialogue and accumulation of experiences and influences; they reflect on positive and negative forces shaping contemporary female and non-binary identities. Together, through the artwork, statements and biographies, these women artists who identify as female and are at various stages of their careers, convey different experiences defined by their gender, age, geographic and cultural identities.

Mara Superior, Sally Silberberg, Tricia Zimic have had decades-long careers that began before the two youngest, now in their 30’s were born. Unlike the women who began their career in the 70’s, Crystal Morey and Lauren Mabry and others born in the 80’s are already well established with museums actively acquiring important mid-career works. Linda Sikora and Linda Sormin have balanced their international artistic practices with teaching in University programs. As a graduate student, Linda Sikora was unable to attend a program led by a female professor. Linda Sormin, of the generation following, pursued graduate studies specifically with three leading women artists Linda Sikora, Andrea Gill and Anne Currier. Likewise, Giselle Hicks and Cristina Córdova had the advantage of powerful female faculty and confidence that led to independent paths, establishing their own studio practice supported by periodic short term teaching, unhindered by the politics of full-time academia. International artists, Kadri Pärnamets (Estonia), Rae Stern (Israel) and Anina Major (Bahamas)

have located their practices in the USA where residencies have welcomed them, supported the development of their work and proximity to the marketplace.

For the two artists who began their careers in the 70’s, their education took place in institutions with male-dominated programs. As they began their careers, the studio craft movement provided independent economic security and a “workaround” for women whose chosen media, ceramics, had yet to be embraced by the fine art world. For those who followed beginning their careers in the 90’s and until the market crash in 2008, the glass ceiling showed cracks. Women were hired in academic positions, replacing retiring male faculty as programs were rebalanced to achieve diversity.

Starting in the eighties, studio craft was avidly collected by private collectors through fairs, galleries and directly from the artists themselves. The ultimate goal of self-support through sales was viable for a large number of artists but that ended with the recession. For those who began their professional careers at a time when the market system had collapsed, these artists were ultimately fortunate as a new path opened for work in ceramics when the groundbreaking survey exhibition in 2009, “Dirt on Delight” jettisoned ceramics into the broader field of contemporary fine art in the USA. In addition, the explosion of international biennales inclusive of ceramics and craft that provided context for material based artworks in the broader art scene.

This wide acceptance for ceramics and the other female associated media, fiber arts, has settled the Art vs. Craft debate. For both emerging and established artists whose chosen primary material was previously segregated and independent from the mainstream, these new opportunities for their works have begun to balance the gender and cultural gap of representation at galleries and museums. Foundation support for diversity initiatives have had a significant impact through awards for artist fellowships and new scholarship. For those whose work took the form of vessels or studio pottery, a new generation of curators have embraced their work by making connections between practicing contemporary artists and past masterworks in the areas of decorative arts and design.

Inspired by the important work of Judith Butler and Helen Longino, the artists in this show were invited to explore the influence of ‘Nature/Nurture’ within their practice. Their work ranges from more direct interpretations of the natural world, to more abstract notions, such as the construction of gender, and endowed role of women.  “Possibility is not a luxury; it is as crucial as bread.” ― Judith Butler, Undoing Gender, 2004

Seen as a whole, this group of twelve women artists who live and work throughout the USA, is representative of the rising tide of professional opportunities. While significant earnings and advancement gaps remain, a course correction is underway through the increasing number of gender and culturally specific exhibitions. As priorities shift for museum collections, educational public programming and private collectors, these efforts to course-correct are bringing recognition to artists previously overlooked and undervalued and to undocumented legacies. Nature/Nurture seeks to contribute to and further this recognition.

Leslie Ferrin, director Ferrin Contemporary

a group exhibition of twelve contemporary female artists invited to explore the influence of gender and its impact on their practice.

Read the NATURE/NURTURE series

NATURE/NURTURE | Group Show of 12 Women Artists
LESLIE FERRIN | Director Notes | Nature of Nurturing
CRISTINA CORDOVA | Nature/Nurture | PBS Craft in America – Identity
GISELLE HICKS | Tiles & Vessels | Teaching Online in the Time of COVID19

LAUREN MABRY | Nature/Nurture | Cylinders & Flow Blocks
ANINA MAJOR | Nature/Nurture | No Vacancy in Paradise
CRYSTAL MOREY | Nature/Nurture | Museum Acquisitions
KADRI PÄRNAMETS | Nature/Nurture | Small Matters and Roots & Pollinators
LINDA SIKORA | Nature/Nurture | On Nurture: Our Social and Political Spaces
MARA SUPERIOR | Nature/Nurture | Museum Acquisitions
RAE STERN | Nature/Nurture | In Fugue
TRICIA ZIMIC | Nature/Nurture | Sins & Virtues



Posted by AxelJ in Blog, News, NOTES FROM DIRECTOR

NATURE/NURTURE on WAMC, March 11, 2020

“Considering the impact that the #MeToo movement is having on all professions, artists were asked to pause and reflect on the role gender plays in their artistic practice and to consider the nurturing experiences that have shaped them. To tell us more, we welcome Senior Curator of Visual Arts at MASS MoCA Susan Cross, an artist featured in Ferrin Contemporary’s “Nature/Nurture” group exhibition Anina Major, and director of Ferrin Contemporary and curator of Nature/Nurture Leslie Ferrin….”

Listen HERE

More on NATURE/NURTURE Exhibition


“Nature/Nurture” Installation View, Giselle Hicks and Tricia Zimic, 2020.

Posted by AxelJ in GISELLE HICKS ARTIST NEWS, News, Press Coverage

Ferrin Contemporary featured in The Rogovoy Report

Nature/Nurture, an exhibition featuring works by a dozen contemporary female artists exploring the influence of gender and its impact on their practice, opens at Ferrin Contemporary on the MASS MoCA campus on Wednesday, March 4, and runs through Saturday, March 28. An opening reception will be held on Friday, March 20, 5:30 – 7:30pm.

Nature/Nurture includes work by Cristina Córdova, Giselle HicksLauren MabryAnina MajorCrystal Morey, Kadri PärnametsLinda Sikora, Sally SilberbergLinda SorminMara SuperiorRae Stern, and Tricia Zimic.

The timely exhibition explores ideas that range from direct interpretations of the natural world to more abstract notions, such as the construction of gender and the endowed role of women within their personal and professional careers….”

Rae’ut Stern, Artist Portrait, photo by T. Maxwell Wagner.

Posted by AxelJ in GISELLE HICKS ARTIST NEWS, News, Press Coverage
Building 13 Open House at MASS MoCA

Building 13 Open House at MASS MoCA


Ferrin Contemporary at 1315 MASS MoCA Way in North Adams, Massachusetts, USA



Celebrate the art and artists in Building 13 at MASS MoCA. View ongoing and new exhibitions, meet artists and see work in process in The Studios at MASS MoCA, and browse the gallery and art library at The Artist Book Foundation.

Thursday, August 24, 2017, 5–7pm
Building 13, 1315 MASS MoCA Way, North Adams, MA
Beer, wine, and refreshments will be served

Ferrin Contemporary

The Studios at MASS MoCA, a program of Assets for Artists
The Artist Book Foundation



CYNTHIA-REEVES: Thomas Jackson — exhibition and artist working on-site
Click for more.

Ferrin Contemporary: Sergei Isupov — Selections from Hidden Messages, ceramic sculpture
Click for more.

The Artist Book Foundation: Mary Sipp Green — Summer Vistas and Atmospheric abstracts, autographed copies of Green’s beautiful monograph, “Every Hour of the Light”
Click for more.

The Studios at MASS MoCA by Assets for Artists: Open Studios
Click for more.

• Art in the Building 13 Common Area
Giselle Hicks — tile painting produced at Arts / Industry Kohler Co., former resident artist at Project Art, courtesy of Ferrin Contemporary
Yechel Gagnon — custom-made and hand carved plywood, courtesy of CYNTHIA-REEVES

The Chalet: Bella — live music in MASS MoCA’s riverside beer garden
Bar opens at 5:30pm; events begin around 8pm.
Click for more.

A complex of beautifully restored 19th-century mill buildings, which includes the museum galleries and multi-venue center for the performing arts, the MASS MoCA campus is a constellation of creative artists, innovative programs, cultural institutions, businesses, and lovers of great art, food, and drink who come together to infuse the historic factory setting with vibrant culture and commerce.

Building 13 is located at 1315 MASS MoCA Way, at the south end of the museum campus.

Posted by AxelJ in Events, GISELLE HICKS ARTIST NEWS, Past events, 0 comments
Year in Review 2015

Year in Review 2015


A review of last year’s highlights and trends with special thanks to all who made it possible with their art, interest, encouragement, and support.

Click here to view the YEAR IN REVIEW 2015.

The trend of international artists creating contemporary works embedded into centers of industrial porcelain production continues to grow. Our special exhibition of contemporary porcelain made in Jingdezhen, China was presented at the New York Ceramic & Glass Fair, New York, NY.

Julie Bartholomew, Caroline Cheng, Sam Chung, Future Retrieval (Katie Parker and Guy Michael Davis), Sin-ying Ho, Garth Johnson, Paul Mathieu, Paul Scott, Robert Silverman, and Vipoo Srivilasa

Read more… Darryl Wee in Blouin Art Info


American museums are actively acquiring contemporary ceramics created from 1950 to the present through purchases of masterworks from private collections and the milestones by artists at mid-career.

Kurt Weiser, "Pair of Cubist Vases (2)" 2013, porcelain, cobalt pigment, glaze, 23.5 x 12 x 10".


Contextualizing 6,000 Years of Ceramics
Mount Holyoke College Museum
South Hadley, MA
A collection survey with contemporary artists
Sin-ying Ho
Steven Young Lee
Paul Scott
Kurt Weiser
image: Kurt Weiser, Pair of Cubist Vases, permanent collection of Mount Holyoke Art Museum

Read more… Holly Davis in Maine Antique Digest

Mount Holyoke College Art Museum:
(right) George Inness, American (1825-1894), "Saco Ford: Conway Meadows" 1876,
oil on canvas.
(center top) Homer Dodge Martin, American (1836-1897), "A Glimpse of Lake Placid," 1887, oil on canvas.
(center bottom) Paul Scott, "Scott's Cumbrian Blue(s), American Scenery, Hudson River, Indian Point No. 4, " 2015, ceramic transfer decal. 
(left) Albert Bierstadt, American (1830-1902), "Hetch Hetchy Canyon," 1875, oil on canvas

Brooklyn Museum, New York, NY
Carnegie Museum of Art, Pittsburgh, PA
Mount Holyoke Art Museum, S. Hadley, MA
Museum of Fine Arts, Boston, MA
Newark Museum of Art, Newark, NJ
RISD Art Museum, Providence, RI
The Chipstone Foundation, Milwaukee, WI


walker 2015

On the River, Down the Road
solo exhibition
Bellevue Arts Museum
Bellevue, WA

Bridge 13
solo exhibition
Society for Contemporary Craft
Pittsburgh, PA

Read more… Anthony Stellacio in C-FILE


NCECA 2015

March 2015: All around Providence and environs led by Leslie Ferrin and Paul Sacaridiz in the annual, behind-the-scenes tour of private collections, museum exhibitions, and gallery shows in conjunction with the National Council on Education in Ceramic Arts.

“I’m goin’ to Kansas City, Kansas City here I come.”  Read more… NCECA March 2016

Sergei Isupov, "Beneath the Sky Giants" detail, 2015, porcelain, slip, glaze, 32 x 14 x 15".

This year’s NCECA conference exhibitions in New England took full advantage of the exploding trend of showing contemporary art in historic contexts by artists who use history to inform their contemporary art practice.

OF EARTH & SEA: Contemporary Artists Respond to the New Bedford Whaling Museum Collection
group show including Sergei Isupov
New Bedford Whaling Museum
New Bedford, MA

PAUL SCOTT & ANDREW RAFTERY: Transferware Scenery — Gardens, Bridges, Trucks, Turbines, and Willows

Paul Scott
Andrew Raftery
Benson Hall Gallery
Rhode Island School of Design
Providence, RI


There is a lineage among artists working in clay. Our summer exhibition, GLAZED & DIFFUSED, is the first of a series curated by Leslie Ferrin to explore multigenerational trends in contemporary ceramics. The 2015 survey focused on color theory and abstract expressionism and presented works for sale from the secondary market side by side with important works by emerging and established mid-career artists.

Ferrin Contemporary
1315 MASS MoCA Way
North Adams, MA
group show
Ramon Elozua, Peter Christian Johnson, Jun Kaneko, Jae Yong Kim, Steven Young Lee, Lauren Mabry, Sara Moorhouse, Ron Nagle, George Ohr, Peter Pincus, Robert Silverman, Linda Sormin, Toshiko Takaezu, Beatrice Wood, Betty Woodman

Read more… Brook Mason in Wallpaper*


Sergei Isupov, Russian, born in Ukraine into a well-known family of artists, worked in his parents’ studios until he left home at age 11 for full-time art school.  He continues the tradition in the USA by working in the studio he shares with his wife and daughter.

Sergei Isupov, Kadri Pärnamets, Roosi Isupov

Ferrin Contemporary
1315 MASS MoCA Way
North Adams, MA


A never ending trend. The powerful visual result of applying cobalt to porcelain continues to inspire artists and curators, and influence design. In addition to ceramics, Laurent de Verneuil curated this important traveling exhibition that included painting, photography, styrofoam, and video.

Foundation Bernadaud, Limoges, France
Museum Ariana, Geneva, Switzerland
group show including
Sin-ying Ho
Caroline Slotte
Bouke de Vries

Read more…. Bill Rodgers in C-FILE


There is a lineage among artists working in clay. Our summer exhibition, GLAZED & DIFFUSED, is the first of a series curated by Leslie Ferrin to explore multigenerational trends in contemporary ceramics. The 2015 survey focused on color theory and abstract expressionism and presented works for sale from the secondary market side by side with important works by emerging and established mid-career artists.

Ferrin Contemporary
1315 MASS MoCA Way
North Adams, MA
group show
Ramon Elozua, Peter Christian Johnson, Jun Kaneko, Jae Yong Kim, Steven Young Lee, Lauren Mabry, Sara Moorhouse, Ron Nagle, George Ohr, Peter Pincus, Robert Silverman, Linda Sormin, Toshiko Takaezu, Beatrice Wood, Betty Woodman

Read more… Brook Mason in Wallpaper*



Follow along as we travel to present lectures, attend art fairs, visit private and public collections and go behind the scenes in museum storage. In 2015, we thank our hosts in Vancouver, Seattle, Tacoma, Portland, Sacramento, San Francisco, St. Louis, Pittsburgh, Chicago, Atlanta, Asheville, Penland, Sparta, Charlotte, London, Cumbria, Newcastle, Edinburgh, Denmark, Sweden, Norway, Washington, New Haven, and of course, New York City.

Trending, now official, #clayiseverywhere


solo exhibition

Ferrin Contemporary introduced Cristina Córdova to the international art scene in Miami with new sculpture and painting.  One of the most recognized international figural sculptors working today and a recipient of the USA artist fellowship, her schedule in 2016 is set: studio time, new equipment, and a solo exhibition.

Read more… Bill Rodgers in C-FILE


Ralph Bacerra
Julie Bartholomew
Robin Best
Stephen Bowers
Caroline Cheng
Sam Chung
Cristina Córdova
Claire Cureen
Bouke de Vries
Richard Dillingham
Raymon Elozua
Viola Frey
Future Retrieval
Giselle Hicks
Sin-Ying Ho
Sergei Isupov
Garth Johnson
Jun Kaneko
Jae Yong Kim
Steven Young Lee
Lauren Mabry
Paul Mathieu
Sara Moorhouse
Ron Nagle
George Ohr
Frances Palmer
Kadri Pärnamets
Peter Pincus
Andrew Raftery
Paul Scott
Robert Silverman
Caroline Slotte
Linda Sormin
Vipoo Srivilasa
Mara Superior
Toshiko Takaezu
Jason Walker
Kurt Weiser
Beatrice Wood
Betty Woodman
Read more…

Abmeyer & Wood Fine Art, Seattle, WA
Archives of American Art, Smithsonian Institution, Washington, DC
Ariana Museum, Geneva, Switzerland
Bellevue Arts Museum, Bellevue, WA
Benson Hall Gallery at RISD, Providence, RI
Bernadaud, Limoges, France
Blue Coat Gallery, Liverpool, UK
Blue Line, Roseville, CA
Brooklyn Museum, New York, NY
Carnegie Museum of Art, Pittsburgh, PA
Center for Art in Wood, Philadelphia, PA
Ceramic Research Center, ASU, Tempe, AZ
Sterling and Francine Clark Art Institute, Williamstown, MA
Clark Gallery, Lincoln, MA
The Clay Studio, Philadelphia, PA
Concord Art Association, Concord, MA
Crocker Art Museum, Sacramento, CA
Cross MacKenzie Fine Arts, Washington, DC
Cynthia-Reeves, North Adams, MA
Daum Museum of Contemporary Art, Sedalia, MO
David Austin Art Projects Inc., Palm Desert, CA
David Nolan Gallery, New York, NY
Deedee Shattuck Gallery, Westport, MA
Eutectic Gallery, Portland, OR
George Adams Gallery, New York, NY
The Grocery Store Gallery, Mountaindale, NY
Hashimoto Contemporary, San Francisco, CA
Hunterdon Art Museum, Hunterdon, NJ
Jack Shainman Gallery, Kinderhook, NY
Kasher | Potamkin Gallery, New York, NY
Lacoste Gallery, Concord, MA
MASS MoCA, North Adams, MA
Mesa Contemporary Arts Museum, Mesa, AZ
Mount Holyoke College Art Museum, South Hadley, MA
New Bedford Whaling Museum, New Bedford, MA
New York Ceramic & Glass Fair, New York, NY
Newark Museum of Art, Newark, NJ
Rago Arts & Auction Center, Lambertville, NJ
RISD Museum of Art, Providence, RI
Sienna Patti Contemporary, Lenox, MA
Smith College Museum of Art, Northampton, MA
Society for Contemporary Craft, Pittsburgh, PA
Tacoma Art Museum, Tacoma, WA
Waterfall Mansion, New York, NY
William Shearborn Gallery, St. Louis, MO
Yale University Art Gallery, New Haven, CT

Alturas Foundation, San Antonio, TX
AMACO Indianapolis, IN
Archie Bray Foundation for the Ceramic Arts, Helena, MT
Artist Legacy Foundation, Oakland, CA
Center for Craft, Creativity and Design, Asheville, NC
Clay Art Center, Port Chester, NY
The Clay Studio, Philadelphia, PA
Craft Emergency Relief Fund, Montpelier, VT
International Academy of Ceramics
Massachusetts College of Liberal Arts, MCLA, North Adams, MA
National Council on Education for the Ceramic Arts, Boulder, CO
Office for the Arts at Harvard, Ceramics Program, Allston, MA
Penland School of Crafts, Penland, NC
Placer Community Foundation, Auburn, CA
Sheffield Pottery, Sheffield, MA
Watershed Center for Ceramic Arts, Newcastle, ME

American Craft
The Art of Inventive Repair
(Andrew Baseman)
Artsy Guide
Asian in NY
Blouin Art Info
Ceramic Art & Perception
Ceramic Review
Ceramics Monthly
The China Press
Crafts Magazine
DXV American Standard
(Lynn Bryne)
Hi Fructose
Maine Antique Digest

New York Observer (culture)
New York Times: Art & Design
Rogovoy Report
Rural Intelligence
The Studio Potter
Take Magazine
Read more…

Bellevue Arts Museum, Bellevue, WA
Emily Carr University of Art + Design, Vancouver, Canada
Founders Circle, Mint Museum of Craft + Design, Charlotte, NC
Guldagergaard International Ceramic Research Center, Skælskør, Denmark
Oslo Academy of Fine Arts, KHIO, Oslo, Norway
Royal College of Art, London, UK
University of the Arts, Central St. Martins, London, UK

Candice Groot
Anne Wollman

Donald Clark
Jake Czaja
Dan Farrell
Alexandra Jelleberg
Bill Kelly
John Polak
Melissa Post
Rebecca Weinman
Lynn Zimmerman

June Ferrin
Chase Gamblin
Roosi Isupov
Sergei Isupov
Alexandra Jelleberg
Bradley Klem
Kadri Pärnamets
Paul Scott
Graeme Sloan
Lucy Sloan

Ceramic Top 40 | 2013

Ceramic Top 40 | 2013

Exhibition of artists under and over age 40 currently working in ceramics

November 1 – January 25, 2014
presented by Ferrin Contemporary and Red Star Studios at Belger Crane Yard Studios, Kansas City, Missouri

Ceramic Top 40 | 2013 presents art work by individual artists, collaborators, and design partners – half over and half under age 40 – drawn from the finalists of juried submissions and by invitation. These artists are currently working on the cutting edge of current processes, ideas, and presentation concepts in conceptual utilitarian and sculptural ceramics.

The exhibition emerged from the need for a fresh overview of contemporary ceramics. The increased integration of ceramic art and objects in recent exhibitions at museums and contemporary art galleries has increased media attention and awareness of the importance of the medium of clay in our time for this generation of makers and collectors.

This survey of contemporary ceramic art features the work of established masters continuing to break creative ground alongside the next generation of artists who are developing a strong root system of their own at mid career.

CERAMIC TOP 40 ARTISTS  |  Susan Beiner •  Robin Best  •  Stephen Bird  •  Stephen Bowers  •  Jessica Brandl  •  Andy Brayman  •  Beth Cavener  •  Craig Clifford  •  Mark Cooper  •  Cristina Cordova  •  Guy Michael Davis (Future Retrieval)  •  Thomas Lowell  Edwards  •  Michelle  Erickson  •  Sean Erwin  •  Leopold Foulem  •  Alessandro Gallo  •  Misty Gamble  •  Gerit Grimm  •  Rain Harris  •  Giselle Hicks  •  Peter Christian Johnson  •  Brian R. Jones  •  Ryan LaBar  •  Steven Young Lee  •  Linda Lighton  •  Daniel Listwan  •  Lauren Mabry • Aya Margulis (Doda Design)  •  Walter McConnell •  Sara Moorhouse  •  Ron Nagle  •  Katie Parker (Future Retrieval)  •  Kate Roberts  •  Stephanie Rozene   •  Anders Ruhwald   •  Michael Schwegmann  •  Paul Scott  •  Richard Shaw  •  Adam Shiverdecker  •  Bobby Silverman  •  Linda Sormin  •  Shawn Spangler  •  Vipoo Srivilasa  (The Spoon Project)  •  Dirk Staschke  •  Rae’ut Stern (Doda Design)  •  Emily Sudd  •  Tip Toland  •  Clare Twomey  •  Shaleene Valenzuela  •  Jason Walker

VIPOO SRIVILASA  |  OBJECT: SPOON   |  Liz Burrit  •  Thomas Cheong  •  Naomi Clement  •  Jenn Demke-Lange  •  Jason Desnoyers  •  Krisaya Luenganantakul  •  Laura McKibbon  •  Noriko Masuda  •  Teo Huey Min  •  Jun Myoung  •  Aaron Nelson  •  Joshua Primmer  •  James Seet  •  Vipoo Srivilasa  •  Jenna Stanton

Posted by AxelJ in Exhibition, 0 comments
SCENE + SEEN: Summer 2013 | Project Art and Ferrin Gallery

SCENE + SEEN: Summer 2013 | Project Art and Ferrin Gallery


SUMMER 2013 at Project Art and Ferrin Gallery

Summer brings ART + ARTISTS from far away places around the world Adelaide, Australia, Jingdezhen, China, Seoul, Korea, to the small village in Cummington, MA, USA on the Eastern edge of the Berkshires, in the heart of the Hilltowns and just west of the Pioneer Valley.

The former mill building, on the bank of the Westfield River, became Project Art in 2007 and  home base for Sergei Isupov and Leslie Ferrin.  Now with Ferrin Contemporary located there, and Sergei and his wife Kadri traveling to Estonia in the summer, the studio hosts resident artists and new projects get launched.  This year the sessions run July – September.

Adjacent to the group studio on the first floor, Ferrin Contemporary exhibits selections from current projects and houses the library, offices and warehouse.

Our next open house and artist salon is Tuesday, August 14, 6 – 8:00, but other days, we are open by appointment.  Call 413.446.0614 or email


SERGEI ISUPOV – portrait plates and small sculptures featured in Small Works at Ferrin Contemporary, at Project Art, Cummington, MA, USA.

Selected works from our current projects, “Walk the Plank”, surfboard from New Blue and White by Stephen Bowers and Peter Walker and Moon Jar by Joon Park, one of the summer residents at Project Art.

giselle hicks | sergei isupov | stephen young lee | adam shiverdecker | jason walker | kurt weiser

Link to MORE …


JULY: Robin Best | Joon Park | Molly Weiss

AUGUST: Joon Park | Tanya Rudenjak | Wendy Gingell

Link to MORE on Project Art …


Link to “The Personal is Professional in American Craft Magazine by Sarah Buttenweiser