Kadri Pärnamets News

ARE WE THERE YET? Featured in the Berkshire Eagle

A JOURNEY IN CERAMICS

NORTH ADAMS — Sometimes, the only way to move forward is to look back.

Leslie Ferrin, director of Ferrin Contemporary, at the Massachusetts Museum of Contemporary Art is doing just that with “Are We There Yet?” It’s an exhibition that is one-part retrospective, one part celebration. It’s a show about evolution, of transition.

It’s an introspective show, for Ferrin, who after 40-plus years in the ceramics market is pondering the next phase of Ferrin Contemporary.

Posted by AxelJ in News, Press Coverage
Kadri Pärnamets: Choreography of Water Featured in Ceramics Now

Kadri Pärnamets: Choreography of Water Featured in Ceramics Now

Kadri Pärnamets: The Choreography of Water is on view at Ferrin Contemporary, North Adams

December 3, 2022 – February 11, 2023

After installing her work in the gallery, Pärnaments stood outside in the rain, looking in on her work.

“It’s amazing to me, we all share this substance. Everyone all over the world is sharing the same water,” said the artist whose primary inspiration for this work is rain.

The exhibition features her biomorphic, organic vessel forms. Thinking of herself as a choreographer, the artist explores shapes that connect to water, from cloud to cup. Pärnaments interests range from fragile, natural environments to female identity and this is evident across form, color, and function.

Posted by Isabel Twanmo in News, Press Coverage
Making History: Recent Acquisitions from the Permanent Collection

Making History: Recent Acquisitions from the Permanent Collection

Summer 2022 – Spring 2023

Fuller Craft Museum
455 Oak Street
Brockton, MA

Featuring work by Sergei Isupov & Kadri Pärnamets

Making History: Recent Acquisitions to the Permanent Collection features objects that have been acquired by Fuller Craft Museum since December 2020. Twenty artworks are included in the exhibition, representing a range of materials, techniques, subjects, and artistic innovations. Ceramic sculptures, basketry forms, hand-stitched textiles, blown glass objects and more illustrate the technical and expressive accomplishments of today’s craft artists.

Several of the works explore themes of identity and belonging, while others investigate social justice themes of racism, inequity, and political strife. Additional critical global issues being addressed include COVID-19 and the fragile balance between humans and the natural world. Many of the featured artists honor the traditions of craft, illustrating creative excellence that results from accumulated knowledge of their chosen medium, exceptional material intelligence, and highly developed handskills.

ABOUT THE ARTISTS

Sergei Isupov is an Estonian-American sculptor internationally known for his highly detailed, narrative works. Isupov explores painterly figure-ground relationships, creating surreal sculptures with a complex artistic vocabulary that combines two- and three-dimensional narratives and animal/human hybrids. He works in ceramics using traditional hand-building and sculpting techniques to combine surface and form with narrative painting using colored stains highlighted with clear glaze.

Isupov has a long international resume with work included in numerous collections and exhibitions, including the National Gallery of Australia, Museum Angewandte in Kunst, Germany, and in the US at the Carnegie Museum of Art, Crocker Art Museum, Everson Museum of Art, Fine Arts Museum of San Francisco, Museum of Arts and Design, Museum of Fine Arts–Boston, Museum of Fine Arts–Houston, Mint Museum of Art, and Racine Art Museum. In 2017, his solo exhibition at The Erie Art Museum presented selected works in a 20-year career survey titled Hidden Messages, followed by Surreal Promenade, another survey solo in 2019 at the Russian Museum of Art in Minnesota.

Kadri Pärnamets works in porcelain using traditional hand building and sculpting techniques to combine surface and form with narrative painting. Her biomorphic, organic forms provide a means to convey personal interests ranging from the fragile, natural environment to female identity. Focusing on gesture and expression, she selects known classics of female beauty by painters from the European Renaissance and Impressionist eras, like Lucas Cranach the Elder and Edouard Manet. Pärnamets has taught in the Estonian Art Academy and is a member of the Asuurkeraamika Studio, Estonian Artists Association, and Estonian Ceramist Association.

Pärnamets’ work has been shown internationally at Ferrin Contemporary, (North Adams, MA), the Estonian Museum of Applied Art and Design, (Tallinn, Estonia), and at the International Tea Trade Expo, (Shanghai, China). Since 1996, she has participated in symposiums in Latvia, Lithuania, Estonia, Switzerland, USA, Norway, and Hungary. In Pärnamets graduated from the Art Institute of Tallinn, Estonia in 1994 with a BA/MFA in Ceramics. Dividing her time between Estonia and USA, her primary studio is the USA at Project Art in Cummington, MA. She is represented by Ferrin Contemporary.

Posted by Becky Waterhouse in Blog, News
Peripheries: EDGES

Peripheries: EDGES

May 7th- 29th 2022

The Ceramic House
75 Stanmer Villas
Brighton
BN1 7HN
United Kingdom

Featuring work by Kadri Pärnamets

Peripheries launches EDGES, an ambitious international ceramic and sound art project between three nations at the western and eastern edges of Europe: Ireland, Estonia and the UK.

EDGES focuses on international exchange and residencies with artists collaborating across the disciplines of ceramics and sound art. Outcomes include exhibitions, presentations, performances, geo-located sound walks and community engagement activities.

Peripheries invites two sound artists from Ireland to collaborate with two ceramic artists from Estonia, the results of which will be exhibited as the centre piece at The Ceramic House offering this May, accompanied by an exhibition of contemporary ceramics by leading Estonian artists.

The exhibition is curated by artists and curators Kay Aplin and Joseph Young.

The results of the residency will be exhibited in In Camera Gallery, The Ceramic House’s white cube, and the Estonian ceramics show will be displayed throughout the house. All the exhibiting ceramic artists selected have an interest in exploring traditional techniques with a contemporary sensibility, offering UK collectors, specialists and artists a rare overview of the breadth of contemporary Estonian ceramic practice today. The month-long residency is funded by I-Portunus EU funding.

Peripheries is a pilot for EDGES, a 2 year-long investigation into meeting places, what it means to work at the edge of something, to be on the fringes, and understanding artistic practice as a so-called ‘cutting edge’, where boundaries are pushed back, and frontiers explored. EDGES will continue in 2023-24 with an exhibition of Irish ceramics at The Ceramic House, international residencies in Estonia and Ireland and culminating exhibitions at Watts Gallery, UK and Wexford Arts Centre, Ireland.

ABOUT KADRI PÄRNAMETS

Estonian, b. 1968, Rakvere, Estonia
lives and works in Cummington, MA

Kadri Pärnamets works in porcelain using traditional hand building and sculpting techniques to combine surface and form with narrative painting. Her biomorphic, organic forms provide a means to convey personal interests ranging from the fragile, natural environment to female identity. Focusing on gesture and expression, she selects known classics of female beauty by painters from the European Renaissance and Impressionist eras, like Lucas Cranach the Elder and Edouard Manet. Pärnamets has taught in the Estonian Art Academy and is a member of the Asuurkeraamika Studio, Estonian Artists Association, and Estonian Ceramist Association.

Pärnamets’ work has been shown internationally at Ferrin Contemporary, (North Adams, MA), the Estonian Museum of Applied Art and Design, (Tallinn, Estonia), and at the International Tea Trade Expo, (Shanghai, China). Since 1996, she has participated in symposiums in Latvia, Lithuania, Estonia, Switzerland, USA, Norway, and Hungary. In Pärnamets graduated from the Art Institute of Tallinn, Estonia in 1994 with a BA/MFA in Ceramics. Dividing her time between Estonia and USA, her primary studio is the USA at Project Art in Cummington, MA. She is represented by Ferrin Contemporary.

EVENTS

Opening reception

Thursday, May 5th
6-9pm

Peripheries was part of the Artists Open Houses festival.

Posted by Isabel Twanmo in Artist News, News

5 Must-See Ceramics Shows You Can View Online, Artsy, April 29, 2020

“While galleries have temporarily closed worldwide due to COVID-19, we can still get inspired by the work of contemporary artists. As part of Artsy’s Art Keeps Going campaign, we’re featuring exhibitions that you can access via Artsy, with insights from the artists and our writers. This week, we’re sharing a selection of shows featuring ceramics at galleries from Los Angeles to Helsinki…”

“Nature/Nurture” Installation View, Crystal Morey, Mara Superior, Kardi Parnamets, 2020.

Posted by AxelJ in News, Press Coverage

Galleries closed due to COVID-19, but Art must go on!, Beautiful Bizarre, March 17, 2020


 

Galleries closed due to COVID-19, but Art must go on!

Beautiful Bizarre,

March 17, 2020
“Sensibly many galleries around the world have decided to close their doors, cancel opening receptions and operate online or by appointment only, due to the spread of the COVID-19 virus. In an effort to assist our community in this time of uncertainty and hardship, we are putting together the below list of exhibitions from around the world, whose opening receptions will not go ahead because of the virus shutdowns. In order to promote that these exhibitions ARE STILL HAPPENING…”

Crystal Morey, “Three Graces” 2019, hand-sculpted porcelain, 19 x 10 x 8″.

Posted by AxelJ in News, Press Coverage
NATURE/NURTURE: Female ceramists reflect on experiences that shaped them, The Berkshire Eagle, March 13, 2020

NATURE/NURTURE: Female ceramists reflect on experiences that shaped them, The Berkshire Eagle, March 13, 2020

The Berkshire Eagle

by Jennifer Huberdeau

March 13, 2020

“In the late 1970s, group shows, featuring women ceramists were few and far between.

“In 1979, there were no solo shows for women. The numbers today are better, but still bad,” said Leslie Ferrin, gallerist and owner of Ferrin Contemporary.

Back then, Ferrin had just opened Pinch Pottery, a working studio, shop and gallery in Northampton with fellow ceramic artists, Mara Superior and Barbara Walch. Women ceramicists, she said, struggled for recognition, not only because they were female artists, but also because their chosen medium wasn’t as accepted [as fine art] as it is today….”

READ MORE

MORE about NATURE/NURTURE

Posted by AxelJ in News, Press Coverage

NATURE/NURTURE on WAMC, March 11, 2020

“Considering the impact that the #MeToo movement is having on all professions, artists were asked to pause and reflect on the role gender plays in their artistic practice and to consider the nurturing experiences that have shaped them. To tell us more, we welcome Senior Curator of Visual Arts at MASS MoCA Susan Cross, an artist featured in Ferrin Contemporary’s “Nature/Nurture” group exhibition Anina Major, and director of Ferrin Contemporary and curator of Nature/Nurture Leslie Ferrin….”

Listen HERE

More on NATURE/NURTURE Exhibition

More on ANINA MAJOR

“Nature/Nurture” Installation View, Giselle Hicks and Tricia Zimic, 2020.

Posted by AxelJ in GISELLE HICKS ARTIST NEWS, News, Press Coverage

Ferrin Contemporary featured in The Rogovoy Report

Nature/Nurture, an exhibition featuring works by a dozen contemporary female artists exploring the influence of gender and its impact on their practice, opens at Ferrin Contemporary on the MASS MoCA campus on Wednesday, March 4, and runs through Saturday, March 28. An opening reception will be held on Friday, March 20, 5:30 – 7:30pm.

Nature/Nurture includes work by Cristina Córdova, Giselle HicksLauren MabryAnina MajorCrystal Morey, Kadri PärnametsLinda Sikora, Sally SilberbergLinda SorminMara SuperiorRae Stern, and Tricia Zimic.

The timely exhibition explores ideas that range from direct interpretations of the natural world to more abstract notions, such as the construction of gender and the endowed role of women within their personal and professional careers….”

Rae’ut Stern, Artist Portrait, photo by T. Maxwell Wagner.

Posted by AxelJ in GISELLE HICKS ARTIST NEWS, News, Press Coverage
‘Composing Form’ in Stowe Today, July 18, 2019

‘Composing Form’ in Stowe Today, July 18, 2019

‘Exposed.’ stays close to home

by Caleigh Cross | Stowe Reporter

July 18, 2019.

“Composing Form” at the Helen Day Art Center, Stowe, VT

“It’s really a broad sampling of contemporary ceramic work, ranging from abstract to figurative,” Moore said. Artists hail from Estonia, China, Vermont and Puerto Rico, among other places in the U.S.              

-Cross referring to Executive Director Rachel Moore

READ MORE

More information about “Composing Form” HERE

 

 

Posted by AxelJ in News, Press Coverage