Artist News

Artist News, includes articles about shows, news updates, off-site or partner events.

Courtney M. Leonard in BOUNDLESS at the Mead Art Museum, Amherst, MA

Courtney M. Leonard in BOUNDLESS at the Mead Art Museum, Amherst, MA

Courtney M. Leonard in “BOUNDLESS” at the Mead Art Museum

Courtney M. Leonard featured in


Boundless is a nearly museum-wide exhibition that features work by Native American writers and artists, grounded in but not contained to the Northeast. Boundless takes shape like water, moving across generations and geographies, and expanding conversations about kinship, presence, resistance, and history through its flow. The exhibition never chooses one path, but moves in multiple directions and broadens as it goes. A wide range of materials from Amherst College’s Collection of Native American Literature and the Mead form the core of the exhibition, and are joined by key works on loan from artists and other institutional and private collections.

The importance of place—including not only land, but water—is featured in Boundless. Water actively names the original peoples of what we now call southern New England. For example, Nipmuc means People of the Freshwater, while the Niantic are People of the Long-Necked Waters because their lands are near a bay; these names are at once a location and the name of its people. Each tribal name is filled with an image, a place, a relationship, and a story referenced in the works of Boundless.

Objects in the exhibition span from the present back to the eighteenth century, and range from paintings to sculpture, video, historical texts, basketry, cookbooks, and more. As well, some objects by non-Native artists provide contrast and context, and are themselves recontextualized.

The broader Boundless project will include an open-access publication through Amherst College Press in 2024, K-12 digital curricular resources and materials developed with Genevieve Simermeyer (Osage Nation of Oklahoma) that will be available this November, in addition to other museum programming throughout the year. Reading rooms within the exhibition offer guests a chance to explore Native American-authored and illustrated books and zines for all ages.

The exhibition is researched and organized by writer and guest curator Heid E. Erdrich (Ojibwe).

More on the Exhibition HERE

More on Courtney M. Leonard HERE

Boundless


At the Mead Art Museum | Amherst, MA | August 29 – January 7, 2024

(top)
Courtney M. Leonard, “BREACH: Logbook 21 | Collider Study #1,” 2021, mixed media, clay, acrylic on canvas

(bottom)
Courtney M. Leonard, “BREACH #2, from BREACH: Logbook 21”, 2016-2021, ceramic on wood pallet

MUSEUM ACQUISITION


“BREACH: Logbook 25 | SUSTENANCE STUDY 1”
2024-2025.
Micaceous red earthenware

Acquired by the MEAD Art Museum.

Purchase with William K. Allison (Class of 1920) Memorial Fund and Charles H. Morgan Fine Arts Fund, AC 2025.14

PAST PROGRAMMING


The Mead hosted an evening reception for Boundless and Seeping In: Elizabeth James Perry on Thursday,  September 14th, 2023, at 6-8pm. All were invited to a celebration of both exhibitions involving remarks, performances, and refreshments

Amherst College
220 South Pleasant Street
Amherst, MA 01002

Posted by Isabel Twanmo in Artist News, Events, Exhibition
Jacqueline Bishop’s “History at the Dinner Table” in Black Atlantic: Power, People, Resistance at the Fitzwilliam Museum of Art, Cambridge, UK

Jacqueline Bishop’s “History at the Dinner Table” in Black Atlantic: Power, People, Resistance at the Fitzwilliam Museum of Art, Cambridge, UK

Jacqueline Bishop’s “History at the Dinner Table” Featured in


Which stories get remembered, and why?

This exhibition explores some new stories from history – stories that help us to separate fact from fiction and history from myth.

By bringing together collections from across the University of Cambridge’s museums, libraries and colleges with loans from around the world, Black Atlantic: Power, People, Resistance asks new questions about Cambridge’s role in the transatlantic slave trade and looks at how objects and artworks have influenced history and perspectives.

In 1816, Richard Fitzwilliam donated vast sums of money, literature and art to the University of Cambridge, creating the Museum that is named after him. But Fitzwilliam’s generosity was only possible because of the wealth his grandfather accumulated in part through the transatlantic slave trade. Acknowledging this story for the first time has led to new discoveries about the objects Fitzwilliam donated, the people who collected them, and the cultures that created them.

Displaying objects and artworks made in West Africa, the Caribbean, South America and Europe, this landmark exhibition also reveals the histories that have been silenced; not just stories of exploitation, but those of resilience and liberation, too. It shows how through resisting colonial slavery, people produced new cultures known as the Black Atlantic, that continue to shape our world.

Historic works are shown alongside modern and contemporary works by artists including Barbara Walker, Donald Locke, Alberta Whittle and Keith Piper that challenge and reflect on hidden and untold stories.

The stories in the Black Atlantic can help us to create a fairer future. By rethinking our connected and complex histories and looking again through the lens of contemporary art, tomorrow’s story can be one of repair, hope and freedom.

Black Atlantic is the first in a series of exhibitions and gallery interventions planned for 2023-2026.

More on the Exhibition HERE

More on Jacqueline Bishop HERE

Black Atlantic: Power, People, Resistance


At the Fitzwilliam Museum | Cambridge, UK | September 8 – January 7, 2024

ABOUT HISTORY AT THE DINNER TABLE

As a little girl growing up on the island of Jamaica, Jaqueline Bishop’s grandmother had a large mahogany cabinet where she kept some of her most prized possessions: her bone china crockery. These delicate pieces were painted with bright, cheerful images of palaces and carriages and were only used on special occasions.  

As beautiful as these china dishes were, they often hid a violent history of slavery and colonialism by European countries. In ‘History at the Dinner Table’, Jaqueline changes the story by showing the legacy of slavery on the dishes instead. Despite their violent history, Bishop is also seduced and charmed by the delicacy and beauty of bone chinaware and she has sought to produce dishes equally as beautiful as the ones made by major European centers of bone china production. The work is exhibited in mahogany cabinets as mahogany was once a major luxury import from Jamaica to England. 

British Ceramics Biennale, 2021

EXHIBITION CATALOG


Black Atlantic – Exhibition Catalogue

Black Atlantic: Power, People, Resistance, edited by Victoria Avery & Jake Subryan Richards

Catalogue to accompany the landmark exhibition coming to the Fitzwilliam Museum in autumn 2023. The exhibition brings together significant national and international loans with exhibits from the Fitzwilliam’s collection and from other University museums, colleges, and libraries. The catalogue contains contributions by curators, historians, and artists, exploring the themes and subjects of the exhibition.

Objects and artworks illustrating the financial, scientific, and commercial transformations in seventeenth- and eighteenth-century Britain that came about because of enslaved labour are shown in dialogue with modern and contemporary artworks by artists including Donald Locke, Barbara Walker, Keith Piper and Jacqueline Bishop that respond to hidden histories and reveal stories of courage, resistance, hope and repair.

Product details:

  • Softback exhibition catalogue, 192 pages
  • Illustrated in full colour throughout
  • Size: 25 x 19 cm
  • ISBN: 9781781301234
  • Published by Bloomsbury in September 2023

Purchase the catalog here

VIDEOS


Posted by Isabel Twanmo in Artist News, Events
Linda Sikora on Tales of a Red Clay Rambler

Linda Sikora on Tales of a Red Clay Rambler

PODCAST: Tales of a Red Clay Rambler

Hosted by Ben Carter

Two-part interview featuring Linda Sikora.

    • More from Linda Sikora HERE
    • View Linda Sikora: DARKENING GROUND HERE
Linda Sikora: DARKENING GROUND, installation view, 2023. Photo by John Polak.

Linda Sikora: DARKENING GROUND, installation view, 2023. Photo by John Polak.

Posted by AxelJ in Artist News, News
Underneath Everything: Humility and Grandeur in Contemporary Ceramics

Underneath Everything: Humility and Grandeur in Contemporary Ceramics

Featuring work by

Rae Stern
Anina Major


During an artist lecture in December 2021, Theaster Gates evoked a fascinating paradox in contemporary ceramics practice. Clay is the humblest of materials, often overlooked and more readily associated with a morning cup of coffee than with the international art world. But it is underneath everything. There is an expansiveness to work made or based in this medium, as artists push the limitations of clay, attaching layers of conceptual meaning and playing with the boundaries between ceramics and other media including film, photography, painting, performance, and installation.

This exhibition features artworks that honor the humility of the medium while simultaneously evoking a sense of grandeur and possibility. Organized to coincide with the Art Center’s 75th anniversary, “Underneath Everything” will celebrate the robust ceramics tradition in Iowa, featuring work by artists with local connections alongside those working nationally and internationally.

More on the Exhibition HERE

More on Rae Stern HERE

More on Anina Major HERE

VIRTUAL TOUR


Posted by Isabel Twanmo in Artist News, Events, Exhibition, News
Chris Antemann in the 2023 Bray Benefit

Chris Antemann in the 2023 Bray Benefit

Bray Benefit ONLINE Auction


July 14 – July 21

Chris Antemann’s work “Kissing Flora”, straight from the artist’s studio, will be part of the yearly fundraiser for The Archie Bray, in Helena MT.

Archie Bray Foundation for the Ceramic Arts (The Bray) was founded at the foothills of the Montana Rockies in 1951 by entrepreneur, brickmaker, and avid arts patron Archie Bray, who intended it to be a place to “make available for all who are seriously interested in the ceramic arts, a fine place to work.” The primary mission is to provide an environment and connection with other serious artists that stimulates creative work in ceramics.

Located on the site of the former Western Clay Manufacturing Company, the 26-acre historic brickyard campus has more than 17 buildings, including a 12,000-square-foot resident artist studio facility, a new education and research facility, multiple sales and exhibition galleries, renovated administrative offices, and a facility for ceramic retail and manufacturing. The property is open to artists, students, gallery visitors, and ceramic supply customers, as well as the general public for classes, gallery visits, retail activity, self-guided tours, and structured group visits.

View the Bray Benefit Page HERE


Bidding on all lots begins Friday, July 14th at 8 am MST / 10am EST.

More on Chris Antemann HERE

The Archie Bray


Helena, MT

The HERITAGE Auction lots will close Thursday, July 20th, at 7 pm MST / 9 pm EST.

The BRAY PREMIER Auction lots will close Thursday, July 20th at 7:15 pm MST / 9:15 pm EST

The FEATURE Auction: “Efflorescence” lots will close Friday, July 21st at 7 pm MST / 9 pm EST

The CUP Auction lots will close Friday, July 21st at 7:15 pm MST / 9:15 pm EST

The EXPERIENCE Auction lots will close Friday, July 21st at 7:30 pm MST / 9:30 pm EST

Chris Antemann’s “Kissing Flora”


2023, porcelain, decals, enamels, luster, 18 x 11 x 6″.

For information about the auction items and delivery, questions, or assistance with registering or placing bids, please contact auction@archiebray.org

Posted by AxelJ in Artist News, Events, News
Lauren Mabry on Tales of a Red Clay Rambler

Lauren Mabry on Tales of a Red Clay Rambler

PODCAST: Tales of a Red Clay Rambler

Hosted by Ben Carter

featuring Lauren Mabry

    • More from Lauren Mabry HERE

artist Lauren Mabry in her studio, photo by Ryan Collerd, 2022

Posted by AxelJ in Artist News, News
Online Artist Talk | Linda Sikora: DARKENING GROUND

Online Artist Talk | Linda Sikora: DARKENING GROUND

ONLINE ARTIST TALK:
Linda Sikora in conversation with Mark Shapiro

Wednesday May 24, 12pm EST

Virtual lunch hour with exhibiting artist Linda Sikora, as she sits down with local potter Mark Shapiro and curator Leslie Ferrin, to discuss her exhibition DARKENING GROUND.


Linda Sikora: DARKENING GROUND

on view at Ferrin Contemporary
April 22 – June 11, 2023

Linda Sikora Darkening Ground installation view at Ferrin Contemporary gallery, featuring teapots, jars, basins, cups, on a table with chairs and shelving

ABOUT LINDA SIKORA

Linda Sikora’s studio is anchored in the genre of functional ceramics. Sikora is interested in the philosophical and the agency of things. Complex, colorfully decorated, and often conceptualized in prototype groups or series, the work draws from the traditions of European 18 & 19th century industrial production porcelain and common crockery infused with a freedom and lightness that is innovative and contemporary. Her work explores the dual nature of ceramics—as objects of beauty and as objects of use—questioning the blurred line between visual art and functional subjects in cultured spaces.

Sikora is the recipient of a United States Artists Fellowship, an award for excellence in teaching and has been recognized for her mentorship as an educator.  Her work was acquired by the Smithsonian in 2022 and featured at the Renwick in their 50th-anniversary exhibition “This Present Moment: Crafting a Better World”. She is a renowned ceramics professor at Alfred University where she maintains an active studio practice and lives with her husband Matthew Metz and daughter.

ABOUT MARK SHAPIRO

Mark Shapiro makes wood-fired pots in Western Massachusetts. A 2018 Smithsonian Artist Resident Fellow, Mark received a 2020 Center for Craft Research Grant to continue his study of Thomas W. Commeraw, which led to his co-curating “Crafting Freedom: The Life and Legacy of Free Black Potter, Thomas W. Commeraw,” currently on view at the New-York Historical Society. His book on Karen Karnes, A Chosen Path, was published in 2010. He credits Karnes, Michael Simon, and his collaborators, Sam Taylor and Michael Kline, as well as early American stoneware, as his main influences. HIs pots are included in numerous public collections.

More on the exhibition Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw, co-curated by Mark Shapiro.

July 29th – 30th, 2023
10am-5pm both days

Find Linda Sikora and Mark Shapiro this summer at the Hilltown Six Pottery Tour, a weekend of tours and demonstrations coordinated by a group of nationally recognized potters based in the Hilltowns of Western Massachusetts.

Lunch with Linda Sikora

Saturday, July 29
Project Art, Cummington, MA

Posted by AxelJ in Artist News, Events, News
Sergei Isupov on Tales of a Red Clay Rambler

Sergei Isupov on Tales of a Red Clay Rambler

PODCAST: Tales of a Red Clay Rambler

Hosted by Ben Carter

featuring Sergei Isupov

    • More from Sergei Isupov HERE

Ferrin Contemporary, Sergei Isupov: PAST & PRESENT, 2022, Photo Credit John Polak

Posted by AxelJ in Artist News, News
Sergei Isupov and Kadri Parnamets in Small Favors 2023 at The Clay Studio, Philadelphia, PA

Sergei Isupov and Kadri Parnamets in Small Favors 2023 at The Clay Studio, Philadelphia, PA

Artists represented in this 17th edition of Small Favors range from the most established ceramic artists in the field, to young artists new to the field. Small Favors engages artists’ creativity in new and exciting ways with the challenge of making pieces on a very small scale. For some artists, the work they create is similar to what they normally make, but at a reduced scale. Others use it as an opportunity to break away from what they create in their daily studio practice. There is an open call each year for juried work, as well as a group of invited artists who participate. This year includes artworks coming from Japan, China, and Budapest in addition to those from around the United States.

More on the Exhibition HERE

More on Sergei Isupov HERE

More on Kadri Pärnamets HERE

Small Favors 2023


At THE CLAY STUDIO | Philadelphia, PA | April 29 – Jul 2, 2022

PUBLIC EVENTS


PREVIEW RECEPTION


Friday, April 28th, 2023,  5pm – 8pm
Location: The Clay Studio
1425 N American Street
Philadelphia, PA 19122
Cost / Admission : Free

Preview the almost 400 small artworks ranging from ceramics to wood, metal, glass, fiber, paper, and paint.

Learn more about the Preview HERE.

Posted by AxelJ in Artist News, Events, Exhibition, News
Mark Shapiro on Tales of a Red Clay Rambler

Mark Shapiro on Tales of a Red Clay Rambler

PODCAST: Tales of a Red Clay Rambler

Hosted by Ben Carter

featuring Mark Shapiro

    • More from Mark Shapiro HERE
    • View Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw HERE

Mark Shapiro, Artist Portrait, 2020, Photo by Carol Lollis

Posted by AxelJ in Artist News, News