Cristina Cordova News

The James Renwick Alliance Presents: Online Workshop & Lecture with Cristina Córdova

The James Renwick Alliance Presents: Online Workshop & Lecture with Cristina Córdova

FEBRUARY 4-5, 2023 | (Online only)

Artist Workshop
Saturday, February 4  |  2:00pm – 3:30pm
Hosted on Zoom
$40 members  |  $50 non-members

Free Lecture
Sunday, February 5 | 2pm – 3pm
​Free and open to the public
Hosted on Zoom



* Cristina’s newest workshop *

Cristina Córdova excels at figurative sculpture, making finely-crafted pieces which celebrate our shared humanity while challenging notions of race, gender, beauty, and power.  She draws on a deep knowledge of art history to give life to contemporary ceramic portraits and invites the viewer to participate in the narrative.

Cristina Cordova, “Cosmología isleña (Island Cosmology)”, 2021, detail, ceramic, metal, resin, wood, Figure and pedestal: 90 x 45 x 44″ Figure assembled with Plantains: 60 x 27 x 26″ Pedestal: 30 x 18 x 18″ .

Posted by AxelJ in Artist News, Blog, News

NATURE OF NURTURING | Notes from Director, Leslie Ferrin

NATURE OF NURTURING | Notes from Director Leslie Ferrin

A renewed awareness and galvanizing commitment for change is surging through American cultural and academic institutions, organizations, and businesses of every sort, exposing the crying need for structural change. Specifically, this includes the advancement of equality for artists of all genders, eliminating the sexual harassment, wage discrimination, and the other forms of sexism that continue to affect the lives of women, transgender and non-binary individuals. As part of the movement to reverse and rebalance priorities as well as open new doors, it is crucial to offer opportunities to artists who have been historically marginalized.

Ferrin Contemporary has invited twelve female artists to pause and reflect on the role gender plays in their artistic practice, to consider the impact of the #MeToo movement, and/or to examine how the constructs of gender and gendered behavior impact their personal and professional lives. Nature assigned these artists who identify as female on a given path, whereas nurture is an accumulation of experiences and influences has had both positive and negative impact on their personal and professional lives.

Individual artworks do not always offer specific references to identity through direct content. However, a close look at the career paths in the short biographies and written statements in this exhibition, Nature/Nurture reveals information about how each of these artists – members of several different generations – has sustained her creative practice. The ceramic artworks in Nature/Nurture converge in a dialogue and accumulation of experiences and influences; they reflect on positive and negative forces shaping contemporary female and non-binary identities. Together, through the artwork, statements and biographies, these women artists who identify as female and are at various stages of their careers, convey different experiences defined by their gender, age, geographic and cultural identities.

Mara Superior, Sally Silberberg, Tricia Zimic have had decades-long careers that began before the two youngest, now in their 30’s were born. Unlike the women who began their career in the 70’s, Crystal Morey and Lauren Mabry and others born in the 80’s are already well established with museums actively acquiring important mid-career works. Linda Sikora and Linda Sormin have balanced their international artistic practices with teaching in University programs. As a graduate student, Linda Sikora was unable to attend a program led by a female professor. Linda Sormin, of the generation following, pursued graduate studies specifically with three leading women artists Linda Sikora, Andrea Gill and Anne Currier. Likewise, Giselle Hicks and Cristina Córdova had the advantage of powerful female faculty and confidence that led to independent paths, establishing their own studio practice supported by periodic short term teaching, unhindered by the politics of full-time academia. International artists, Kadri Pärnamets (Estonia), Rae Stern (Israel) and Anina Major (Bahamas)

have located their practices in the USA where residencies have welcomed them, supported the development of their work and proximity to the marketplace.

For the two artists who began their careers in the 70’s, their education took place in institutions with male-dominated programs. As they began their careers, the studio craft movement provided independent economic security and a “workaround” for women whose chosen media, ceramics, had yet to be embraced by the fine art world. For those who followed beginning their careers in the 90’s and until the market crash in 2008, the glass ceiling showed cracks. Women were hired in academic positions, replacing retiring male faculty as programs were rebalanced to achieve diversity.

Starting in the eighties, studio craft was avidly collected by private collectors through fairs, galleries and directly from the artists themselves. The ultimate goal of self-support through sales was viable for a large number of artists but that ended with the recession. For those who began their professional careers at a time when the market system had collapsed, these artists were ultimately fortunate as a new path opened for work in ceramics when the groundbreaking survey exhibition in 2009, “Dirt on Delight” jettisoned ceramics into the broader field of contemporary fine art in the USA. In addition, the explosion of international biennales inclusive of ceramics and craft that provided context for material based artworks in the broader art scene.

This wide acceptance for ceramics and the other female associated media, fiber arts, has settled the Art vs. Craft debate. For both emerging and established artists whose chosen primary material was previously segregated and independent from the mainstream, these new opportunities for their works have begun to balance the gender and cultural gap of representation at galleries and museums. Foundation support for diversity initiatives have had a significant impact through awards for artist fellowships and new scholarship. For those whose work took the form of vessels or studio pottery, a new generation of curators have embraced their work by making connections between practicing contemporary artists and past masterworks in the areas of decorative arts and design.

Inspired by the important work of Judith Butler and Helen Longino, the artists in this show were invited to explore the influence of ‘Nature/Nurture’ within their practice. Their work ranges from more direct interpretations of the natural world, to more abstract notions, such as the construction of gender, and endowed role of women.  “Possibility is not a luxury; it is as crucial as bread.” ― Judith Butler, Undoing Gender, 2004

Seen as a whole, this group of twelve women artists who live and work throughout the USA, is representative of the rising tide of professional opportunities. While significant earnings and advancement gaps remain, a course correction is underway through the increasing number of gender and culturally specific exhibitions. As priorities shift for museum collections, educational public programming and private collectors, these efforts to course-correct are bringing recognition to artists previously overlooked and undervalued and to undocumented legacies. Nature/Nurture seeks to contribute to and further this recognition.

Leslie Ferrin, director Ferrin Contemporary

a group exhibition of twelve contemporary female artists invited to explore the influence of gender and its impact on their practice.

Read the NATURE/NURTURE series

NATURE/NURTURE | Group Show of 12 Women Artists
LESLIE FERRIN | Director Notes | Nature of Nurturing
CRISTINA CORDOVA | Nature/Nurture | PBS Craft in America – Identity
GISELLE HICKS | Tiles & Vessels | Teaching Online in the Time of COVID19

LAUREN MABRY | Nature/Nurture | Cylinders & Flow Blocks
ANINA MAJOR | Nature/Nurture | No Vacancy in Paradise
CRYSTAL MOREY | Nature/Nurture | Museum Acquisitions
KADRI PÄRNAMETS | Nature/Nurture | Small Matters and Roots & Pollinators
LINDA SIKORA | Nature/Nurture | On Nurture: Our Social and Political Spaces
MARA SUPERIOR | Nature/Nurture | Museum Acquisitions
RAE STERN | Nature/Nurture | In Fugue
TRICIA ZIMIC | Nature/Nurture | Sins & Virtues



Posted by AxelJ in Blog, News, NOTES FROM DIRECTOR

5 Must-See Ceramics Shows You Can View Online, Artsy, April 29, 2020

“While galleries have temporarily closed worldwide due to COVID-19, we can still get inspired by the work of contemporary artists. As part of Artsy’s Art Keeps Going campaign, we’re featuring exhibitions that you can access via Artsy, with insights from the artists and our writers. This week, we’re sharing a selection of shows featuring ceramics at galleries from Los Angeles to Helsinki…”

“Nature/Nurture” Installation View, Crystal Morey, Mara Superior, Kardi Parnamets, 2020.

Posted by AxelJ in Artist News, News, Press Coverage

Galleries closed due to COVID-19, but Art must go on!, Beautiful Bizarre, March 17, 2020


Galleries closed due to COVID-19, but Art must go on!

Beautiful Bizarre,

March 17, 2020
“Sensibly many galleries around the world have decided to close their doors, cancel opening receptions and operate online or by appointment only, due to the spread of the COVID-19 virus. In an effort to assist our community in this time of uncertainty and hardship, we are putting together the below list of exhibitions from around the world, whose opening receptions will not go ahead because of the virus shutdowns. In order to promote that these exhibitions ARE STILL HAPPENING…”

Crystal Morey, “Three Graces” 2019, hand-sculpted porcelain, 19 x 10 x 8″.

Posted by AxelJ in Artist News, News
NATURE/NURTURE: Female ceramists reflect on experiences that shaped them, The Berkshire Eagle, March 13, 2020

NATURE/NURTURE: Female ceramists reflect on experiences that shaped them, The Berkshire Eagle, March 13, 2020

The Berkshire Eagle

by Jennifer Huberdeau

March 13, 2020

“In the late 1970s, group shows, featuring women ceramists were few and far between.

“In 1979, there were no solo shows for women. The numbers today are better, but still bad,” said Leslie Ferrin, gallerist and owner of Ferrin Contemporary.

Back then, Ferrin had just opened Pinch Pottery, a working studio, shop and gallery in Northampton with fellow ceramic artists, Mara Superior and Barbara Walch. Women ceramicists, she said, struggled for recognition, not only because they were female artists, but also because their chosen medium wasn’t as accepted [as fine art] as it is today….”



Posted by AxelJ in Artist News, News

NATURE/NURTURE on WAMC, March 11, 2020

“Considering the impact that the #MeToo movement is having on all professions, artists were asked to pause and reflect on the role gender plays in their artistic practice and to consider the nurturing experiences that have shaped them. To tell us more, we welcome Senior Curator of Visual Arts at MASS MoCA Susan Cross, an artist featured in Ferrin Contemporary’s “Nature/Nurture” group exhibition Anina Major, and director of Ferrin Contemporary and curator of Nature/Nurture Leslie Ferrin….”

Listen HERE

More on NATURE/NURTURE Exhibition


“Nature/Nurture” Installation View, Giselle Hicks and Tricia Zimic, 2020.

Posted by AxelJ in Artist News, GISELLE HICKS ARTIST NEWS, News
Cristina Córdova on Craft in America

Cristina Córdova on Craft in America

Cristina Córdova featured on Craft in America on PBS.

New Episode “Identity” Premieres on 12/27/2019. Check your local listings.

Artists explore issues of gender, race, culture and place, offering true expressions of their experience in this world. Featuring potter Diego Romero, photographer Cara Romero, furniture maker Wendy Maruyama, and sculptor Cristina Córdova.

More information on Cristina Córdova HERE






Posted by AxelJ in Artist News, News
‘Composing Form’ in Stowe Today, July 18, 2019

‘Composing Form’ in Stowe Today, July 18, 2019

‘Exposed.’ stays close to home

by Caleigh Cross | Stowe Reporter

July 18, 2019.

“Composing Form” at the Helen Day Art Center, Stowe, VT

“It’s really a broad sampling of contemporary ceramic work, ranging from abstract to figurative,” Moore said. Artists hail from Estonia, China, Vermont and Puerto Rico, among other places in the U.S.              

-Cross referring to Executive Director Rachel Moore


More information about “Composing Form” HERE



Posted by AxelJ in Artist News, News
Cristina Córdova: Del balcón

Cristina Córdova: Del balcón

1315 MASS MoCA Way, North Adams, MA
Cristina Córdova, "Del balcón III" 2018, ceramic and steel, 33 x 28 x 13"

Cristina Córdova, “Del balcón III” 2018, ceramic and steel, 33 x 28 x 13″


solo exhibition of ceramic sculpture
JULY 28–SEPTEMBER 16, 2018

Preview: Thursday, JULY 26, 5-7pm
Artist Talk: Thursday AUGUST 2, 7pm

Cristina Córdova, "Del balcón" 2018 - installation at Ferrin Contemporary

Cristina Córdova, “Del balcón” 2018 – installation at Ferrin Contemporary


THURSDAY, JULY 26, 5–7pm
Meet Cristina Cordova and the first view of her exhibition.

Click HERE to receive more information about available works.


Join us at Ferrin Contemporary in North Adams for an artist talk about her work and life in the USA and Puerto Rico.


A catalog of the recent exhibition at Alfred Ceramic Museum is now available for pre-order. This full-color, 36-page catalog includes an essay by Wayne Higby and photography by Brian Oglesbee. Shipping in August.  $15 + $6 shipping.

Click to purchase a catalog.


LAST WEEKEND Open through JULY 29
CRISTINA CÓRDOVA: JUNGLA is on view at the Alfred Ceramic Art Museum.

Click for more.


JULY 28, 6–8:30pm
Join us in for a party celebrating local ceramic art and benefiting the Studio Potter journal.

The evening will showcase local ceramics, food, beverages, and music along the idyllic banks of the Westfield River.

at PROJECT ART, 54 Main, Cummington, MA

Click here to buy tickets now.


JULY 28 & 29, 10am–5pm
The summer gallery at PROJECT ART in Cummington, MA will be open during the OPEN HOUSE and anytime by appointment. Selected works from Ferrin Contemporary’s current and upcoming projects.

PETER PINCUS (left) a recent work exploring his upcoming exhibition “Channeling Josiah Wedgwood” opening in November.

Click here for more.


JULY 28 & 29, 10am–5pm
Works by our resident artists, Sergei Isupov, Kadri Pärnamets (pictured left), Alexandra Jelleberg, and Paul Scott will be on view.

at PROJECT ART, 54 Main, Cummington, MA

Click here for more.


JULY 28 & 29, 10am–5pm
GrowlerFest was founded in 2015 by resident artist, Alexandra Jelleberg to connect artists to the craft beer movement by showcasing the ties between local food, craft beer, and ceramics. Working at Project Art with short-term resident and potter Brad Klem, this project has been presented in galleries and breweries in Portland, OR, Kansas City, MO, Pittsburgh, PA and here in Massachusetts.

Selected works from Growlerfest 2018 will be on view during the PROJECT ART OPEN HOUSE.

Click here for more.
Click to browse the shop.


Project Art supports and promotes local and international ceramic art and artists through artist residencies, studio rentals, events, and exhibitions.

Click here for more.

Can’t make it for the OPEN HOUSE? Let’s make arrangements for you to visit another time.

Click here to contact us.

Posted by AxelJ in Artist News, Blog, News