Beth Lipman News

Beth Lipman: ReGift at the Toledo Museum of Art, Toledo, OH

Beth Lipman: ReGift at the Toledo Museum of Art, Toledo, OH

Beth Lipman: ReGift at the Toledo Museum of Art

Beth Lipman in


ReGift is a sculptural installation created specifically for the Toledo Museum of Art. It will go on view in Gallery 18, August 12, 2023.

Motivated by histories Lipman discovered in the archives at the TMA, the project features a three-quarter life-sized recreation of the parlor in Edward and Florence Libbey’s Old West End house. Using the Libbey’s bookplate as a visual guide (the only known image of their home interior) Lipman filled this architectural space with objects found in the image that she fabricated in transparent and opaque white glass.

Some of these original household objects, including furniture, were gifted to the Museum by Florence Scott Libbey upon her death in 1938 and later sold in the 1990s. Lipman’s project symbolically gifts these objects, along with their stories, to the entire Toledo community. By looking closely at an internal aspect of Florence’s life, the project aims to emphasize her deeply personal commitment to the Museum. It emphasizes her involvement in building the Museum’s legacy and, importantly, the impact of the Libbey’s on Toledo.

Glass elements for ReGift were made in the TMA’s hotshop at the Glass Pavilion during a 2022 GAPP residency. A glass press, donated to TMA by Libbey company was also utilized to create components, conceptually triangulating the founder’s business with the Museum and the Libbey’s personal life. Through the GAPP residency, the project fulfills an institutional goal to continue to promote experimentation in the glass studio, connecting past history to present creative practice.

For artist Beth Lipman, the project’s intent is to accentuate the impact of Toledo Museum of Art founders and reaffirm the Museum’s position as a catalyst within community. Lipman states, “Today, our trust in institutions has been undermined; ReGift is an opportunity to strengthen and reinvigorate the Museum’s critical role in our culture.”

A short film will accompany the installation. Commissioned for the project, filmmaker Atesh Atici found inspiration in Florence Scott Libbey’s approach to her community in the early days of the Toledo Museum of Art. Considering current polarization within our society and a growing separation from public spaces, Florence’s desire to, “encourage attendance on the part of all people irrespective of condition of life” is key to refocusing attention on the Museum’s ethos of creating a space for serving the community of Toledo and beyond. The film evokes Florence’s ideas through a dramatization of these ideas.

More on the Exhibition HERE

More on Beth Lipman HERE

Beth Lipman: ReGift


Toledo Museum of Art | Toledo, OH | August 12, 2023 — September 1, 2024

CATALOG


Beth Lipman: ReGift shares some of the unwritten histories that artist Beth Lipman discovered while conducting research in the archives of the Toledo Museum of Art. Her exploration inspired a room-sized recreation in wood, glass, and metal of a scene from a bookplate used by the museum’s founders, Edward Drummond Libbey and Florence Scott Libbey. Lipman was particularly keen to examine Florence’s life, and in conversation with curator Diane C. Wright and archivist Julie A. McMaster, she discusses the project’s origins in her own artistic practice and its relationship to shifting understandings of institutions and their publics. An essay by Wright and McMaster draws on additional archival materials to fill in some of the gaps in our knowledge of Florence Scott Libbey’s life.

Published in conjunction with the exhibition Beth Lipman: ReGift, exclusively at the Toledo Museum of Art, August 12, 2023-September 1, 2024.

Written by Diane C. Wright, Senior Curator of Glass and Contemporary Craft, Toledo Museum of Art; featuring a conversation with Beth Lipman and contributions by Julie A. McMaster, Archivist, Toledo Museum of Art.

Softcover, 9 1/4″ x 6 3/4″
Published by the Toledo Museum of Art. © 2023 Toledo Museum of Art

$19.95

PURCHASE THE CATALOG HERE

Posted by Isabel Twanmo in Artist News, Events

ARE WE THERE YET? Featured in the Berkshire Eagle

A JOURNEY IN CERAMICS

NORTH ADAMS — Sometimes, the only way to move forward is to look back.

Leslie Ferrin, director of Ferrin Contemporary, at the Massachusetts Museum of Contemporary Art is doing just that with “Are We There Yet?” It’s an exhibition that is one-part retrospective, one part celebration. It’s a show about evolution, of transition.

It’s an introspective show, for Ferrin, who after 40-plus years in the ceramics market is pondering the next phase of Ferrin Contemporary.

Posted by AxelJ in News, Press Coverage
Beth Lipman’s “Miles Law”

Beth Lipman’s “Miles Law”

RECENTLY ON VIEW

AT THE TABLE


WCU Fine Art Museum at Western Carolina University| Culowhee, NC |August 13 – December 6, 2024

installation photos coming soon

GLASS: ART. BEAUTY. DESIGN.


at Hillwood Estate, Museum & Gardens | Washington, D.C. | June 10, 2023 – Jan 14, 2024

“Transparent or opaque, fragile yet impervious, glass has inspired artists and designers, stimulated scientists and engineers, and captivated collectors with its beauty and practicality. Hillwood founder Marjorie Merriweather Post was no exception, and she amassed over 1,600 pieces of glass, created in the 17th-20th centuries in China, Western Europe, Russia, and the United States. This special exhibition will highlight this lesser-known aspect of Hillwood’s collection, featuring a range of styles and techniques, while placing the historic creations in dialogue with astounding contemporary artworks.

Contemporary pieces on loan for the exhibition, by artists Karen LaMonte, Tim Tate, Joyce Scott, Beth Lipman, Fred Wilson, and Debora Moore, will highlight the enduring fascination with glass and developments in the landscape of glass art. Works by artists Karen LaMonte and Joyce Scott will speak to Post’s love for beadwork and fashion, while a sculpture by Beth Lipman will replace a historic table collected by Post. Enchanting glass flowers and orchids by Debora Moore are juxtaposed with Hillwood’s fresh flower arrangements on view.” — Hillwood Estate, Museum & Gardens

ABOUT MILES LAW

More on Beth Lipman HERE

“Miles’ Law is a new large-scale work designed to investigate Marjorie Merriweather Post’s use of diplomacy to bridge political, cultural, and societal divides. The sculpture is a rumination on Rufus Miles’s phrase, ‘Where you stand depends on where you sit,’ and explores how one’s view of a situation is shaped by one’s relationship to it. Post deftly employed domestic rituals that literally “brought people to the table” such as dinner parties and other social functions to subtly persuade disparate individuals to empathize with another point of view.” — Beth Lipman

NEWS

Hillwood Museum’s ‘Glass’: More than just a pretty vase

Review by Mark Jenkins | June 26, 2023


Posted by Becky Waterhouse in Artist News, Exhibition, News
Beth Lipman Featured in New Suns Interview

Beth Lipman Featured in New Suns Interview

Posted by AxelJ in News, Press Coverage
Beth Lipman: All In Time | Wichita Art Museum

Beth Lipman: All In Time | Wichita Art Museum

June 24- September 25, 2022

Wichita Art Museum
1400 West Museum Boulevard
Wichita, Kansas USA

Opening Day
June 25, 2022, 11am-3pm

Seeing More Clearly Through Glass Curator Talk
July 7, 2022, 6pm

In celebration of Beth Lipman–whose monumental, 3-ton sculpture Living History was recently unveiled in the museum’s Boeing Foyer–Wichita Art Museum presents All in Time, a mid-career retrospective of the artist featuring her work from the mid-2000s through today.

For over 20 years, artist Beth Lipman has used glass and other materials to create luscious and sumptuous still lifes. These still lifes feature everything from bowls of fruit to prehistoric plants to piles of books. For Lipman, each still life object speaks to identity–of an individual, a society, and of human culture in general. All in Time brings into focus Lipman’s long interest in using glass to explore issues of life, creation, decay, and death–the fleeting nature of human life and human history contrasted with the billions of years of geological time. What is the role of humanity and art in a world and universe that existed long before us? What do we create that endures?

Learn more at wichitaartmuseum.org

Show Contract & Finance Independent of Ferrin Contemporary.

Beth Lipman, “Sphenophyllum and Chains”, 2019, glass, wood, metal, paint, adhesive, 54 x 38 x 50″ Courtesy of the artist. Photograph by Rich Maciejewski

EVENTS

Opening Day

June 25, 2022, 11am-3pm at Wichita Art Museum

View Full Schedule

Seeing More Clearly Through Glass

July 7, 2022, 7pm at Wichita Art Museum

Curator Talk with Dr. Carolyn Needell, Carolyn and Richard Barry Curator of Glass at the Chrysler Museum of Art in Norfolk, Virginia

Learn More

Beth Lipman explores aspects of material culture through still lives, site-specific installations, and photographs. Working primarily with glass, she creates portraits individuals and our society through inanimate objects that are often broken, “flawed,” or “perfect”.  Mortality, consumerism, materiality, and temporality, have been critical issues since the inception of the still life tradition in the 17th century, and continue to be relevant her in contemporary work.

Lipman has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. She recently completed One Portrait of One Man, a sculptural response to Marsden Hartley for the Weisman Art Museum (MN). Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Smithsonian American Art Museum (DC), and the Corning Museum of Glass (NY).

INQUIRE  •  HERE  • 

Posted by Becky Waterhouse in Artist News, News, Past events
CRAFTING AMERICA | Crystal Bridges

CRAFTING AMERICA | Crystal Bridges

February 6 – May 31, 2021

Crystal Bridges Museum of American Art
600 Museum Way
Bentonville, AR

Featuring a newly commissioned work of art by Beth Lipman

Featuring over 100 works in ceramics, fiber, wood, metal, glass, and more unexpected materials, Crafting America presents a diverse and inclusive story of American craft from the 1940s to today, highlighting the work of artists such as Ruth Asawa, Peter Voulkos, Jeffrey Gibson, Sonya Clark, and more. Craft has long been a realm accessible to the broadest range of individuals, providing an opportunity to explore personal creativity, innovation, and technical skill. This exhibition foregrounds varied backgrounds and perspectives in craft, from the vital contributions of Indigenous artists to the new skills and points of view brought by immigrants to the United States.

Learn more at crystalbridges.org

Show Contract & Finance Independent of Ferrin Contemporary.

Beth Lipman, “Belonging(s)”, 2020, glass, ceramic, gold lacquer, enamel paint, salt, sand, adhesive, 27 x 40.5 x 23″. Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2021.3. Photo by Ironside Photography.

Beth Lipman explores aspects of material culture through still lives, site-specific installations, and photographs. Working primarily with glass, she creates portraits individuals and our society through inanimate objects that are often broken, “flawed,” or “perfect”.  Mortality, consumerism, materiality, and temporality, have been critical issues since the inception of the still life tradition in the 17th century, and continue to be relevant her in contemporary work.

Lipman has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. She recently completed One Portrait of One Man, a sculptural response to Marsden Hartley for the Weisman Art Museum (MN). Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Smithsonian American Art Museum (DC), and the Corning Museum of Glass (NY).

INQUIRE  •  HERE  • 

Posted by Becky Waterhouse in Artist News, News, Past events
Sabbath: The 2017 Dorothy Saxe Invitational

Sabbath: The 2017 Dorothy Saxe Invitational

Sabbath: The 2017 Dorothy Saxe Invitational

Nov 12, 2017—Feb 25, 2018
Contemporary Jewish Museum, San Francisco, CA
Ferrin Contemporary artists Sergei Isupov, Jason Walker, Kurt Weiser, and Beth Lipman are among the diverse group of fifty-seven artists interpreting the Sabbath — the day of rest — from their own unique perspectives and engaging with its contemporary relevance. All work is three-dimensional as artists explore the theme through ceramic, wood, and glass.

Click for Contemporary Jewish Museum.

Click for more about Sergei Isupov.

Click for more about Jason Walker.

Click for more about Kurt Weiser.

Click for more about Beth Lipman.

Click to browse Ferrin Contemporary’s Square Shop.

Posted by AxelJ in Artist News, Current Events, Events, Highlights, News