Project Type: TOUR AND ONGOING

CONFECTED, BORROWED & BLUE

CONFECTED, BORROWED & BLUE

MAY 11 – OCT 20, 2024

SHELBURNE MUSEUM

6000 Shelburne Road
PO Box 10
Shelburne, VT 05482

ABOUT THE EXHIBITION & PROGRAMMING


CONFECTED, BORROWED & BLUE: Transferware by Paul Scott

The first in a series of “interventions” by contemporary artists features works by British artist Paul Scott, known for his provocative reinterpretation of 19th-century transferware. Plates, platters, and jugs by Scott will be displayed alongside objects from the Museum’s collection creating β€œsegues” that spark dialogue between the old and new.

EVENTS


Important Dates:
May 11, 2024 – Opening
Oct. 20, 2024 – Closing


Opening Reception:
June 7, 2024 | 3pm
Free and open to the public


Public Artist Talk:

Friday, June 7th, 2024 | 3pm
Auditorium, Pizzagalli Center for Art and Education
Free with Museum Admission

Join us as artist, author, curator, and gardener Paul Scott discusses his artistic practice, which includes provocative reinterpretations of 19th-century transferware. Scott will pay special attention to the work he produced for the 2024 Shelburne Museum exhibitionΒ Confected, Borrowed & Blue: Transferware by Paul Scott. This show is the first in a planned series of β€œinterventions,” in which contemporary artists respond to Shelburne Museum’s outstanding collections. Plates, platters, and jugs created by Scottβ€”including a special commission exploring the role of the sugar industry in the Museum’s foundingβ€”are displayed alongside historical ceramics in the Variety Unit, sparking dialogue between past and present.

Talk will last approximately 45 to 60 minutes, followed by an audience Q & A. The Museum will remain open until 7:30 p.m., allowing attendees time to visit the exhibition after the talk.

LINK TO LEARN MORE

 


Study Day with American Ceramics Circle:

June 7, 2024 | 10 – 5pm
Fees: $50 for members; $60 for guests
(admission and lunch are included)
Limited to 20

Join the American Ceramics Circle for a day of private, curator-led tours and programs at Shelburne Museum, Shelburne, Vermont to explore the ceramic collections and a private tour of “Confected, Borrowed & Blue: Transferware” with the artist Paul Scott.

Click HERE to learn more

Click HERE to register

PRESS


Renowned British Artist Paul Scott on view at Shelburne Museum

Shelburne Museum| July 18, 2024
Press Release

SHELBURNE, Vt. (July 18, 2024)β€”Shelburne Museum presents the work of renowned British artist Paul Scott in the exhibition Confected, Borrowed & Blue: Transferware by Paul Scott that includes provocative reinterpretations of 19th-century transferware from Shelburne Museum’s permanent collection along with a work commissioned for the exhibition.

VIEW PRESS RELEASE

Paul Scott’s Provocative Ceramics Reinvent Transferware Traditions

Seven Days | June 19, 2024
Article by Pamela PolstonΒ 

A recently opened exhibition atΒ Shelburne Museum, titled “Confected, Borrowed & Blue,” presents a selection of the internationally known British artist’s transferware updated for modern times.

VIEW ARTICLE

English, b. 1953,Β Darley Dale, Derbyshire, England
lives and works in Cumbria, UK

Paul Scott is a Cumbrian-based artist with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft and design, he is well known for research into printed vitreous surfaces, as well as his characteristic blue and white artworks in glazed ceramic.

Scott’s artworks can be found in public collections around the globe – including The National Museum of Art, Architecture and Design Norway, the Victoria and Albert Museum London, National Museums Liverpool, Carnegie Museum of Art, Pittsburgh and Brooklyn Art Museum USA. Commissioned work can be found in a number of UK museums as well as public places in the North of England, including Carlisle, Maryport, Gateshead and Newcastle Upon Tyne. He has also completed large-scale works in Hanoi, Vietnam and GuldagergΓ₯rd public sculpture park in Denmark.

A combination of rigorous research, studio practice, curation, writing and commissioned work ensures that his work is continually developing. It is fundamentally concerned with the re-animation of familiar objects, landscape, pattern and a sense of place. He was Professor of Ceramics at Oslo National Academy of the Arts (KHiO) from 2011–2018. Scott received his Bachelors of Art Education and Design at Saint Martin’s College and Ph.d at the Manchester Institute for Research and Innovation in Art and Design in Manchester, England.

His current research project New American Scenery has been enabled by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England. More on New American Scenery,Β here.

ABOUT THE SHELBURNE MUSEUM


Shelburne Museum is an unparalleled and unique experience of American history, art, and design. Designed to allow visitors the pleasure of discovery and exploration, the Museum includes thirty-nine distinct structures on forty-five acres, each filled with beautiful, fascinating, and whimsical objects. Come play in our gardens and open our many doors. You are welcome here.

Click to Read More HERE

SHELBURNE MUSEUM

6000 Shelburne Road
PO Box 10
Shelburne, VT 05482

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

RIVERS FLOW/ARTISTS CONNECT

RIVERS FLOW/ARTISTS CONNECT

InΒ Rivers Flow / Artists Connect, American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant rivers across the globe, from the Hudson and the Susquehanna to the Indus and the Seine.

The cultural, societal, and spiritual significance of rivers is universal, as proven by their lasting presence in art and our collective imagination. InΒ Rivers Flow / Artists Connect, American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant waterways, such as the Hudson River, the Susquehanna, and the Missouri, as well as symbolic representations.

The Hudson River Museum’s newΒ West Wing galleries, basking in a dramatic view of the Hudson River and the Palisades, are an opportune setting for this exhibition. It features works by more than forty exceptional artists exploring various aspects of river subject matter from diverse perspectives and heritages. Together, the artists demonstrateβ€”through painting, printmaking, photography, sculpture, and videoβ€”their role in recalling and reinforcing our instinctive connection with rivers.

The exhibition considers these bodies of water through aesthetic, functional, spiritual, and ecological lenses. TheΒ Allure of the RiverΒ section addresses the interrelation of scenic beauty and our attraction to rivers. InΒ Sustainer of Life, artists investigate the essential need for access to rivers for water, food, and transportationβ€”our daily infrastructureβ€”as well as profound sacred connections. Finally,Β Endangered Rivers: A Call to ActionΒ reflects on urbanization, industry, and the critical need for continued conservation and activism.

RIVERS FLOW/ARTISTS CONNECT


At the Hudson River Museum | Yonkers, NY | Feb 2 – Sep 1, 2024

ABOUT THE ARTISTS


In many ways, the artists and the rivers they depict are kindred spirits. Just as rivers shape the land and surmount obstacles on their inexorable journey to the sea, artists also boldly confront barriers and challenges, from land access to environmental change. Their creative expressions help us see rivers with new eyes, and perhaps even a renewed sense of wonder, connection, and purpose, as we consider our own community’s rivers and our own responsibility for stewardship.

The exhibition is co-curated by Laura Vookles, Chair of HRM’s Curatorial Department, and guest curator Jennifer McGregor.

FEATURED ARTISTS

Norman AkersΒ β€’ Joe Baker β€’ James Bard β€’Β Bahar BehbahaniΒ β€’ Karl Bodmer β€’ Daniel Putnam Brinley β€’Β Lorenzo ClaytonΒ and Jacob Burckhardt β€’ James & Ralph Clews β€’ Samuel Colman β€’Β Betsy DamonΒ β€’ John Douglas β€’Β Joellyn DuesberryΒ β€’ Robert S. Duncanson β€’Β Elaine GalenΒ β€’Β Scherezade GarciaΒ β€’ John Hill and William Guy Wall β€’ Daniel Ridgeway Knight β€’Β Courtney M. LeonardΒ β€’Β Rejin LeysΒ β€’Β Maya LinΒ β€’ Mary Fairchild Low β€’Β Ellen KozakΒ β€’Β John MaggiottoΒ β€’Β James McElhinneyΒ β€’Β Frances McGuireΒ β€’Β Alison MoritsuguΒ β€’Β Tammy NguyenΒ β€’Β Don NiceΒ β€’ Jon Louis Nielsen β€’Β James ProsekΒ β€’ Winfred Rembert β€’Β Alexis RockmanΒ β€’Β Shuli Sadé ‒ Charlotte SchulzΒ β€’Β Madge ScottΒ β€’Β Paul ScottΒ β€’ Francis Augustus Silva β€’Β Joseph SquillanteΒ β€’Β Jerome StraussΒ β€’Β William VillalongoΒ β€’Β Jason WalkerΒ β€’Β Mansheng WangΒ β€’Β Susan Wides β€’ Tom Yost

b. Shinnecock, 1980
lives and works in Northfield, Minnesota

More on Courtney M. Leonard

English, b. 1953
lives and works in Cumbria, UK

More on Paul Scott

American, b.1973, Pocatello, ID
lives and works in Cedar City, UT

More on Jason Walker

PROGRAMMING


Gallery Talk with Artist Courtney M. Leonard

Sunday, June 16, 2024 | 1:30pm

PORTLAND VASE: MANIA AND MUSE

PORTLAND VASE: MANIA AND MUSE

June 9, 2024 – September 8, 2024

CROCKER ART MUSEUM

216 O Street Sacramento, CA 95814

MORE ABOUT THE EXHIBITION


& INSTALLATION IMAGES

The Portland Vase: Mania and Muse asks why and how a singular Classical vase becomes a legend, an β€œinfluencer,” and an artistic and commercial muse across time and place.

The Portland Vase,Β an ancient Roman glass cameo amphora, has resonated with artists, makers, collectors, and consumers for centuries.Β The Portland Vase: Mania and MuseΒ asks why and how a singular Classical vase becomes a legend, an β€œinfluencer,” and an artistic and commercial muse across time and place from artists such as Josiah Wedgwood to sculptor Viola Frey. Featuring more than sixty-five artworks, this exhibitionΒ examines the role of brands in our culture, considers why Classical traditions dominate the artistic canon, and how that tradition might be reconsidered and disrupted.

Guest curatedΒ by Rachel Gotlieb, PhD.

ABOUT THE ARTISTS


American
b. 1970 Albany, NY
lives and works between Joseph, OR and Meissen, Germany

More on Chris Antemann

Chris Antemann upends not only the Portland Vase but also the famous Bouquet de la Dauphine made by Vincennes, the Royal French manufactory and precursor to SΓ¨vres to illustrate that its porcelain skills rivaled if not superseded German Meissen. Referencing a surtout de table, an ornamental centerpiece displayed in a formal dining room, the forms and pastel colors of her work evoke the exuberance of the 18th-century Rococo style. However, Antemann’s tableau is very much part of the 21st century, critiquing and challenging contemporary gender politics.

-Rachel Gotlieb, Guest Curator, Portland Vase: Mania and Muse, 2024

“An informative and thought-provoking conversation with Rachel Gotlieb led me to dive into research for the bones of the piece. The main concept grew into the idea of playing with the functions of the vase. In one way acting as the backdrop for the figures, no longer in relief, but characters in the garden. In another way, the Portland Vase, in Wedgewood blue makes a cameo on the stage celebrated as a vessel.”

– Chris Antemann, 2024

b. 1982 Rochester, NY,
lives and works in Penfield, NY

More on Peter Pincus

Read about the making ofΒ Thetis Confined

“Much like Wedgwood, Pincus adeptly balanced appropriation, innovation, and cross-cultural influences, harnessing the creative tools of clay, technology, and Neoclassical aesthetics to reshape our understanding of the ancient past.”

– Rachel Gotlieb, PH.D, Guest Curator, “The Portland Vase: Mania and Muse”, pg. 80.

American, b. 1951, New York, NY
lives and works in Williamsburg, MA

More on Mara Superior

“Mara Superior responded to the Portland Vase through a broad lens of ceramic histories but specifically aligned her work with Wedgwood’s replicas to dismantle notions of British empire and perfection.”

– Rachel Gotlieb, PH.D, Guest Curator, “The Portland Vase: Mania and Muse”, pg. 84.

PAST PROGRAMMING


Rachel Gotlieb, Ph.D. served as the Ruth Rippon Curator of Ceramics at the Crocker Art Museum (2021-2023). She previously worked ad Chief Curator and Interim Executive Director of the Gardiner Museum in Toronto (2011-2014).

Backstory – Portland Vase: Mania and Muse (via YouTube Live)Β 
Saturday, August 3rd | 12pm
$8 – $12

Go behind the scenes of the exhibitionΒ The Portland Vase: Mania and MuseΒ with this virtual panel discussion featuring speakers across three continents. Moderated by exhibition curator Rachel Gotlieb, with artists Clare Twomey, Glenn Barkley, and Nancy Selvin, this international conversation considers how and why a singular Classical vase became an artistic and commercial muse across time and place, and how these contemporary artists are rethinking and addressing art and social histories through reinterpretations of this iconic vessel.

VIDEO NOW AVAILABLE

Tour – Portland Vase: Mania and Muse
Wednesday, June 12 | 1pm
Free with museum admission

Journey into art on view with docents to guide your visit. Enjoy a drop-in tour any day the Museum is open, or plan ahead for one of the themed tours outlined below. Some tours may be requested in American Sign Language, Cantonese, French, Madarin, and Spanish with a two-week advance notice. Email education@crockerart.org to inquire.

LEARN MORE

Distributed forΒ Hirmer Publishers

The University of Chicago Press

PRESS & PRINT


Exhibition Catalog

Portland Vase

Mania and Muse (1780–2023)

With Essays byΒ Anne Forschler-Tarrasch

Traces the history of the Portland Vase as a global influencer in art and ceramics.

The Portland Vase, an ancient Roman glass cameo amphora held in the British Museum, has been a global brand that has resonated with makers, collectors, and consumers for centuries, replicated and reinterpreted countless times.Β The Portland Vase: Mania and Muse asks why and how a singular Classical vase becomes a legend, an β€œinfluencer,” and an artistic and commercial muse across time and place to artists such as Josiah Wedgwood, Viola Frey, Chris Wight, Michael Eden, Nicole Cherubini, and Clare Twomey. Featuring more than sixty-five artworks, this richly illustrated catalog examines the role of brands in our culture, considers why Classical traditions dominate the artistic canon, and speculates on how that tradition might be reconsidered and disrupted.

112 pages | 70 color plates | 10 x 10 | Β© 2024

$42.00
ISBN: 9783777441566
Published August 2024

"Curators in Conversation: The Portland Vase" Sara Morris, the Crocker’s Ruth Rippon Curator of Ceramics, asks Rachel Gotlieb, guest curator of "The Portland Vase: Mania and Muse," to share a little bit more about her relationship with the Portland Vase and her experience organizing the exhibition.

Ceramics Now Weekly

FEATURE: Curators in Conversation:Β The Portland Vase

Sara Morris, the Crocker’s Ruth Rippon Curator of Ceramics, asks Rachel Gotlieb, guest curator of “The Portland Vase: Mania and Muse,” to share a little bit more about her relationship with the Portland Vase and her experience organizing the exhibition.

The Portland Vase: Mania and MuseΒ is a new exhibition at the Crocker guest-curated by Rachel Gotlieb, PhD. The exhibition examines the legacy and influence of the ancient Roman glass cameoΒ The Portland VaseΒ in the collection of the British Museum. For over two centuries, the Vase has served as inspiration for artists, including Josiah Wedgewood, Viola Frey, and Clare Twomey, contributing to its fame and significance in the artistic canon. Sara Morris, the Crocker’s Ruth Rippon Curator of Ceramics, asked Gotlieb to share a little bit more about her relationship with the Portland Vase and her experience organizing the exhibition.

Click to Read More HERE

FEATURE: Tracing the history of the Portland Vase as a global influencer in art and ceramics.

“The words β€œPortland Vase” yield 16,100,000 search results on Google. Entries include the unique ancient glass masterpiece housed in the British Museum, Josiah Wedgwood’s limited-edition 18th-century copies, and countless modern commercial replicas produced in many shapes, sizes, and materials. On Instagram, images of the Portland Vase surface as an aspirational pin-up photo, tattoo, non-fungible token (NFT), and other novelties. The Portland Vase has also served as a plot device in films and musicals, including, most notably Make Me an Offer (1954), starring Peter Finch as an antique dealer in search of a rare green version of the Vase made by Josiah Wedgwood. According to the Corning Museum of Glass, the Portland Vase is as famous as Leonardo da Vinci’s Mona Lisa.”

Click to Read More HERE

ABOUT CROCKER ART MUSEUM


Discover a diverse collection of artworks that span centuries, continents, and cultures at the Crocker Art Museum, the primary resource for the study and appreciation of fine art in the Sacramento region. In addition to a robust schedule of changing exhibitions, visitors can explore California art dating from the Gold Rush to the present; a renowned collection of Master Drawings and European paintings; one of the largest international ceramics collections in the United States; and collections of Asian, African, and Oceanic art.

Engagement with art is at the heart of everything we do, and our calendar of events offers innovative art experiences for visitors of all ages, including family-friendly programs, thought-provoking talks and conversations, inspiring concerts and films, and more.Β 

CHRIS ANTEMANN: A Stage For Dessert

CHRIS ANTEMANN: A Stage For Dessert

INTERVENTIONS AT THE MINT MUSEUM


Mint Museum, Charlotte, NC

Interventions at Mint Museum Randolph

If you walk through the galleries at Mint Museum Randolph, the art is largely organized by region, type, or era. There are galleries for European art, African art, art of the Ancient Americas, Native American art, and decorative arts. However, within some of these galleries, there are works displayed that are “out of place” or “out of time.” Interventions seek to question the past against the present by placing contemporary artworks alongside works from other eras.

Interventions:Β Portals to the Past: British Ceramics 1675 – 1825

This exhibition presents over 200 examples of British ceramics. Visitors can learn about these pieces’ functions, styles, manufacturing techniques, and makers. Each region or manufacturer had a unique style and method of creating ceramics, which can be seen in the wide variety of works on display. Included in the exhibition are traditional styles like blue and white Delftware, vessels made to look like vegetables or fruits, commemorative teacups, allegorical figures, decorative figurines of animals, and many more. You can view an online version of this exhibitionΒ here.

This exhibition already invites the viewer to analyze our relationship to the past by means of its title. However, in bringing contemporary pieces to this gallery, we can find new ways of looking at a medium’s influence on our present-day society.

Antemann’s work proves that the art of ceramics is still relevant, but its function has changed. Her art focuses on how ceramics exist in the domestic lives of those who own them and what meanings are ascribed to them. Her style is based on that of 18th-century ceramics because she believes that recreating traditions allows us to find new interpretations in the present.

This meeting of past and present is clear in Antemann’sΒ A Stage for Dessert.Β Numerous figures stand around at a dessert banquet in lively, lighthearted positions. However, Antemann is joking with the viewer to comment on the flirtatious, playful, or even risquΓ© nature of the figures. What could once signify a deep meaning to a 19th-century owner, such as an allegory or a representation of a season, has been adapted into a less serious object.

Information courtesy of mint.wiko.pbworks.com

A Stage for Dessert


Interventions:Β Portals to the Past: British Ceramics 1675 – 1825Β 

Images courtesy of The Mint Museum of Art & Ferrin Contemporary

A Stage for Dessert


Previous Installation at Hillwood Estate & Gardens

An Occasion to Gather Chris Antemann’s porcelain centerpiece, is filled with 18th-century style ceramic sweets, takes inspiration from the garden sculptures and eighteenth-century design of Hillwood’s French parterre. As with the dining room table display, here Antemann references eighteenth-century dining culture and the porcelain centerpieces commonly used as table decoration by European elites.

Antemann integrates porcelain figures into her reconception of the French parterre. β€œI imagined what lives were like in the eighteenth century, what these figures would have been doing, what the collectors of these figures would have been doing,” she said. β€œMy centerpiece is a seductive playground for the porcelain figure; they are not static on the base, but in the world, playing and enjoying the environment.” The tableware from Hillwood’s collection on the breakfast room table includes porcelain from a dessert service made by the Jacob Petit manufactory in France around 1835 (acc. no. 24.120), French glassware dating to the 1700s (acc. nos. 23.312–315), and porcelain and silver-gilt flatware made in Russia in the 1800s (acc. no. 25.479).

–Dr. Rebecca Tilles, associate curator of 18th-century French and Western European Fine and decorative arts, Hillwood Estate & Gardens

–Images courtesy of Hillwood Estate, Museum & Gardens, photographed by Erik Kvalsvik

MORE ON CHRIS ANTEMANN


View More by Chris Antemann Β β€’Β  HEREΒ  β€’

Chris Antemann is known for work inspired by 18th-century porcelain figurines, employing a unity of design and concept to simultaneously examine and parody male and female relationship roles. Characters, themes, and incidents build upon each other, effectively forming their own language that speaks about domestic rites, social etiquette, and taboos. Themes from the classics and the romantics are given a contemporary edge; elaborate dinner parties, picnic luncheons, and ornamental gardens set the stage for her twisted tales to unfold.