Project Type: RECENT

Our America/Whose America?

Our America/Whose America?

ABOUT THE EXHIBITION


OUR AMERICA/WHOSE AMERICA?

Our America/Whose America? is a call and response exhibition between contemporary ceramic artists and commercially produced historic ceramic plates, figurines and objects placed in conversation with one another, installed on period furniture throughout the Wickham House at the Valentine.

Featured artists include Elizabeth Alexander, Chris Antemann, Russell Biles, Jacqueline Bishop, Judy Chartrand, Cristina Córdova, CRANK, Connor Czora, Michelle Erickson, Sergei Isupov, Steven Young Lee, Jennifer Ling Datchuk, Beth Lo, Justin Rothshank, Paul Scott, Kevin Snipes, Rae Stern, Mara Superior, Momoko Usami and Jason Walker. Historical Works include selections from Ferrin Contemporary’s collection of commercially produced ceramics.

This exhibit is organized by Ferrin Contemporary in conjunction with Coalescence, the 58th annual conference of the National Council on Education for the Ceramic Arts held March 20-23, 2024 in Richmond, Virginia.

  • View the historic collection HERE
  • View The Wickham House HERE
  • View The Valentine Museum HERE
  • View the 2024 Press Release HERE

EXHIBITING ARTISTS


Throughout our forty-year history, we have used multi-artist survey exhibitions as a platform to explore social issues. We’ve focused on gender and feminist perspectives, broached relationship taboos, and challenged historical notions of ceramics and art.

The contemporary artists we’ve invited use their work to assert their autonomy and subjectivity by presenting intertwined cultural critiques through lenses of their own choosing, starting with race, gender, and class. Each of these categories is tentacular and touches upon myriad other ideas including nature, warfare, food and water inequity, and more.

PROGRAMMING


Special Preview on February 21, 2024 from 5 – 7 pm

– Leslie Ferrin & Alex Jelleberg on-site Conference Preview with The Valentine

Coalescence, the 58th annual conference of the National Council on Education for the Ceramic Arts takes place in Richmond, Virginia.

FERRIN CONTEMPORARY ARTISTS AT NCECA


Women Working with Clay: A Shared Purpose

Mar 20, 2024 – Mar 23, 2024

Group Show with Linda Sikora

Location: The Valentine 10th and East Clay Street in historic downtown Richmond

This exhibition is organized by Dara Hartman in conjunction with Coalescence

50 Years in the Making – NCECA Richmond

Mar 20, 2024 – Mar 23, 2024

Group show with Lauren Mabry

50 Years in the Making will examine how 75 Residents since 1974 have coalesced to form the creative identity of The Clay Studio.

Event
Opening Reception
Thursday, March 21, 2024 | 7-9pm
RSVP HERE

Location: Common House | 303 W. Broad Street, Richmond, VA

EVENTS & TOUR DATES


Location for All Events:

The Valentine 10th and East Clay Street in historic downtown Richmond

Wednesday, March 20, 2024 Ferrin Contemporary + Wickham House Tour – Regular Hours

– Alex Jelleberg & Isabel Twanmo on-site with docents to provide guided tours at scheduled times 
11am, 12pm, 1pm, 2pm, 3pm, 4pm

The Valentine is open regular hours during the conference. The Wickham House offers guided tours on the hour. Tours are free to the public with museum admission (free admission on Thursday, March 21!) & free for all NCECA attendees. First come first serve, limit 15 guests per tour.

Thursday, March 21, 2024 – NCECA – MEET THE ARTISTS 5 – 7 pm 

Open to the public all NCECA attendees – Alex Jelleberg  & Isabel Twanmo

OAWA Tour Graphic April 2024

Sunday, April 21, 2024 – Final Guided Tour of Our America/Whose America? | 2-3pm

Join Ferrin Contemporary’s Leslie Ferrin & Alexandra Jelleberg on-site with Valentine Museum docents to provide a final guided tour of Our America/Whose America? in the Wickham House – Open to the public.

The Richmond Stories™ section of this site, which includes an interactive history timeline, features many of the stories that bring history to life in creative, engaging and inclusive ways.

Through educational programs that engage over 14,000 students and teachers each year to community conversations, walking tours, group visits and more, the Valentine offers compelling experiences for visitors of all ages.

The Wickham House at the Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

The Wickham House at the Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

A dialogue-based guided tour of the Wickham House, a National Historic Landmark built in 1812, challenges guests to explore aspects of life in the early 19th century. The Wickham House was purchased by Mann Valentine Jr. and in 1898 became the first home of the Valentine Museum. This historic home allows us to tell the complicated story of the Wickham family, the home’s enslaved occupants, sharing spaces, the realities of urban slavery and more.

OUR AMERICA/WHOSE AMERICA | 2022


OUR AMERICA/ WHOSE AMERICA?


AUGUST 6 – OCTOBER 30, 2022

LESLIE FERRIN
(Director & Founder) Ferrin Contemporary

Our America, Whose America presents a dialogue between contemporary artists and a collection of commercially produced ceramics. This collection of historical objects, collected across the span of several years by Founding Director Leslie Ferrin, is in the form of plates, souvenirs, and figurines from the early 19th through mid-20th centuries. The items were produced in England, Occupied Japan, and various factories in the USA. The exhibition title was chosen from a series of plates produced by Vernon Kiln that features illustrations of American scenes by the painter Rockwell Kent.

In response to this historical collection, contemporary works by nearly 30 participating artists will provide new context and interpretation of these profoundly powerful objects. Seen now, decades and in some cases centuries later, the narratives they deliver through image, characterization, and stereotype, whether overt and bombastic or subtle and cunning, form a collective memory that continues to impact the way people see themselves and others today.

Exhibition At Ferrin Contemporary


1315 MASS MoCA Way, North Adams, MA

ARTISTS & CONTRIBUTORS


Ferrin Contemporary | Exhibition | 2022

OUR AMERICA/WHOSE AMERICA? EXHIBITION CATALOG


Ferrin Contemporary | Exhibition | 2022

Exhibition and catalog production by Ferrin Contemporary staff, catalog layout by Rory Coyne with installation and artwork photography by John Polak Photography, 2022.

  • 58 Page Catalog
  •  Introduction by the Gallery
  • Featuring 23 Artists
  • Installation & Artwork Photos by John Polak Photography

Published by Ferrin Contemporary

HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE, Exhibition & Symposium at the Norman Rockwell Museum, Stockbridge, MA


HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE

Zoom Webinar (online)
Welcome and Opening Program:
Friday, September 23, 2022
7 p.m. to 8:45 p.m.

Symposium Presentations and Panels:
Saturday, September 24, 2022
10 a.m. to 5 p.m.

HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE

A series of compelling talks by Heather Campbell Coyle, Ph.D; Karen Fang, Ph.D; Michele Bogart, Ph.D.; Theresa Leininger-Miller, Ph.D.; and Leonard Davis, followed by conversation with the commentators.

SYMPOSIUM FEATURES


Hidden in Plain Sight: Illustrated Ceramics and American Identity

TIMESTAMPS

0:00 Introduction to Symposium co-curators Stephanie Plunkett and Robyn Phillips Pendleton
23:00 Introduction
28:00 Leslie Ferrin Our America/Whose America? collection and exhibition
46:00 Jacqueline Bishop
52:00 Paul Scott
1:02:00 Elizabeth Alexander
1:11:00 Johnson
1:21:00 Judy Chartrand
1:37:00 Q&A

Hidden in plain sight, illustrations on porcelain and ceramic ware have, throughout history, transformed functional objects into message-bearers for a wide range of political and propagandistic causes, whether exchanged by heads of state or acquired for use or display in domestic settings. Leslie Ferrin of Ferrin Contemporary will discuss the imagery, drawn from popular nineteenth-century prints, that was reproduced on widely distributed ceramics portraying historical events, indigenous people, and notable explorers, inventors, and politicians through a white European lens. The panel will explore how these seemingly ordinary objects, including Rockwell collector plates, have helped to establish firmly held beliefs about American identity. Artists Elizabeth Alexander, Jacqueline Bishop, Judy Chartrand, Niki Johnson, and Paul Scott, will discuss contemporary ceramics, which reject systems of racial oppression and invite reconsideration of the sanitized version of history that was presented for generations.

Historical Perspectives on Illustration and Race

View the Entire Symposium Playlist from the Norman Rockwell Museum

TIMESTAMPS

00:00 START
00:13 Welcome
04:49 Opening Remarks
22:50 Panel: Hidden in Plain Sight – Illustrated Ceramics and American Identity

These concise presentations by Imprinted: Illustrating Race catalogue authors and exhibition lenders will focus on widely-circulated historical representations of race in the press and in popular culture that established a sense of American nationalism for white audiences through the subjugation of Indigenous, Black, and Asian people and cultures.

Witness to History: Collecting Black Americana
Leonard Davis, designer and collector

PAST PROGRAMMING


Ferrin Contemporary | Exhibition | 2022

OPENING RECEPTION

Thursday, August. 11, 2022 | 5-7 pm
during Building 13 Art Walk

CLOSING RECEPTION

Special Guest Artist Paul Scott (UK)

Thursday, Nov. 3, 2022 |  5-7 pm

Closing reception of the ‘OAWA’ exhibition at Ferrin Gallery, with special guest artist Paul Scott (UK) in attendance, as well as select additional artists and the curators in the exhibition.

at Ferrin Contemporary, North Adams, MA

SYMPOSIUM

Historical Perspectives on Illustration and Race

Zoom Webinar (online)
Welcome and Opening Program:
Friday, September 23, 2022
7 p.m. to 8:45 p.m.

Symposium Presentations and Panels:
Saturday, September 24, 2022
10 a.m. to 5 p.m.

2024 INTERNATIONAL CERAMIC ART FAIR (ICAF)

2024 INTERNATIONAL CERAMIC ART FAIR (ICAF)

MAY 23, 2024 – JUNE 2, 2024

At the Gardiner Museum
Toronto, Ontario

ABOUT THE 2024 INTERNATIONAL CERAMIC ART FAIR


& Symposium

The International Ceramic Art Fair (ICAF) is a 10-day celebration of some of the most compelling recent ceramic art, featuring works by emerging and established artists from a wide range of backgrounds, as well as online and in-person programming by artists and curators.

ICAF 2024 focuses on the theme of gathering to explore ways in which artworks, and clay as a medium, can bring us together to create common ground. Amid political, religious, ethnic, class, and cultural divides, gathering enables us to focus on how we are united in our humanity, highlighting shared experiences and needs. Gathering encourages listening, as we share space within the action of coming together. To gather is also to collect our resources, both internal and external, for healing and survival. We gather with emotional and spiritual intention, honouring our full capacities as beings to face the challenges and opportunities we encounter. ICAF 2024 highlights Canadian and international artists who engage clay as a medium for coming together to reassert our shared bonds with each other and the earth.

PROGRAMMING


PREVIEW GALA

Wednesday May 22, 7 – 10 pm

Be among the first to view and purchase exceptional ceramic works from leading galleries and artists at the International Ceramics Art Fair’s exclusive Preview Gala. Proceeds from this fundraising event support the Gardiner Museum’s Community Access Fund, making clay programs more widely available to communities with limited access to arts education.

Dress: Cocktail attire

If you require any accommodations to ensure your participation, please inform us in advance.
*Charitable tax receipt issued post-event for the maximum allowable amount.

Single ticket: $250
Package of 10: $2,000
Young Patron Circle: $200
By Phone: 416.408.5051

 

LESLIE FERRIN: MEET ME AT International Ceramic Art Fair at the Gardiner Museum, Toronto

Thursday May 23rd | 1:30-2:30pm
Gardiner Museum
111 Queens Park Toronto, ON M5S 2C7 Canada

Ferrin Contemporary invites you to join Leslie Ferrin for an in person tour of ICAF the International Ceramic Art Fair hosted by the Gardiner Museum in Toronto! The 4th annual fair is a 10-day celebration of contemporary ceramic art that features works by emerging and established artists from a wide range of backgrounds. In addition to Ferrin Contemporary, five international galleries and selected independent artists present recent works in the museum galleries exploring this year’s theme Gathering.

On May 23, the in-person event with Leslie Ferrin is a great opportunity to learn about the work of three gallery artists, Jacqueline Bishop, Peter Pincus and Linda Sikora with gallery director, Leslie Ferrin. 

RSVP HERE
The first five people who RSVP and all members of the museum will be given complimentary admission.

JACQUELINE BISHOP IN CONVERSATION WITH RONALD CUMMINGS

Saturday, May 29, 2024, 6 – 8pm

 

Join ICAF for a conversation between Jacqueline Bishop, featured artist at the International Ceramic Art Fair (ICAF), and Ronald Cummings, associate professor in the Faculty of Humanities’ Department of English and Cultural Studies at McMaster University in Hamilton, Ontario. Jacqueline is represented by Ferrin Contemporary in Massachusetts.

This discussion will examine Bishop’s most recent work, Narratives of Migration, which traces family histories of migration and in particular, migration journeys between Jamaica and England. These family portraits and narratives become one way of mapping a history of colonial relations and genealogical entanglements. According to Bishop “it is both my family’s history and a larger English/Jamaican history that I have sought to trace.” Images of family in Narratives of Migration are also layered with flora and fauna “taken from the island to fill English gardens and give rise to the field of Natural history.”

The conversation will also explore Bishop’s ongoing attention to Caribbean lives and landscapes across her visual work, including her plates and porcelain tea services: The Market Woman’s StoryHistory at the Dinner TableThe Keeper of All The Secrets, and Fauna.

FREE with registration

REGISTER HERE 

ARTIST TOUR & POTTERY DEMONSTRATION WITH LINDA SIKORA

Saturday, May 25, 2024, 9:30am – 12:30pm

 

Featured artist Linda Sikora will lead a tour of her work in the International Ceramic Art Fair (ICAF), followed by an exclusive studio demonstration. Lind a is represented by Ferrin Contemporary in Massachusetts.

Experience firsthand the artist’s unique way of transforming her intuitively and spontaneously made pressed forms into three-dimensional sculptures. Linda will demonstrate both wheel throwing and the making of a pitcher pot referencing early medieval pottery. She will offer insight into her methods of constructing, loading, firing, glazing, and installation, as well as her artistic philosophy. Don’t miss this unique opportunity to learn from one of the most thoughtful and articulate makers in the field of contemporary ceramics.

$45 General | $38 Gardiner Members | $38 Students with valid Student ID

 

PURCHASE TICKETS HERE

CERAMIC CRITIQUE WITH LINDA SIKORA

Saturday, May 25, 2024, 2 – 4:30pm

 

Bring your ceramic work to the Gardiner Museum for a professional critique with featured artist Linda Sikora. Linda is a Professor of Ceramic Art at the New York State College of Ceramics, Alfred University. 

Participants are invited to bring 1-2 pieces of work in progress for the artist’s feedback. Critique will be offered on an individual or group basis depending on the number of participants and the similarity of works. This is an invaluable opportunity to receive guidance from a leading ceramic artist and professor.

$30 General | $25.50 Gardiner Members | $22 Students with valid Student ID

 

PURCHASE TICKETS HERE

THE NEW TRANSCENDENCE. at Friedman Benda

THE NEW TRANSCENDENCE. at Friedman Benda

The New Transcendence, the last in a series of three pace-setting exhibitions curated by Glenn Adamson for Friedman Benda, will explore the place of the spiritual in contemporary design today. The works on view are infused with profound significance, whether as relics, ritual tools, or representations. The New Transcendence is not an exhibition about religion in the organized, traditional, or dogmatic sense. Rather, it aims to discover how design can serve as a vehicle for personal and societal transcendence.

The exhibition includes work by six designers: Ini Archibong, Andrea Branzi, Stephen Burks, Najla El Zein, Courtney M. Leonard, and Samuel Ross. Each of the participants has their own perspective, yet one thing unites them: the impetus to provide an objective, material anchor for the subjective and ultimately private nature of spiritual belief. The immaterial means something different, today, in our digital age – perhaps making physical artifacts more crucial as anchors for transcendent experience.

More on the Exhibition HERE

More on Courtney M. Leonard HERE

DETAILS FROM | “BREACH: LOGBOOK 24 | TRANSCENDENCE”

PRESS


Courtney M. Leonard (Shinnecock, b.1980) is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability. In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.
SERGEI ISUPOV: Alliances

SERGEI ISUPOV: Alliances

Oct. 25 – Dec. 9, 2023

Thorne-Sagendorph Art Gallery
Keene State College
229 Main Street, Keene, NH 03431

ABOUT THE EXHIBITION


SERGEI ISUPOV: Alliances

Isupov’s artworks form alliances with one another as they move between media, explore scale, and are presented in curated exhibitions. Recent opportunities to create public works like his fire sculpture production and performances, along with solo exhibitions that show the full scope of Isupov’s creative versatility and process, have led to new works on paper, prints and wall installations combining ceramics with other materials. To create the signature work in his exhibition ALLIANCES, Isupov began with a square, eight-foot woodcut print created from two plywood panels, carving the image using power tools. His plywood carving and print installation bring together ceramic sculpture, assemblage, and printmaking practices and feature dimensional ceramic elements inserted into the plywood print plate. This display is flanked by two of his large-scale busts, and surrounded with sculptures by the artist known primarily for his ceramic sculptures.

Humanimals is an ongoing series that combines animal features with the standing human figure. Lined up in a promenade in ALLIANCES, they zig-zag facing the same direction, following one another, led by highly detailed, cloaked figural sculptures.

Isupov first created works in the Humanimal series in the early 2000’s in his Richmond, VA studio. Beginning with a set of singular figures in groups, he followed with dual, four-leg sculptures joined together with one body. He periodically returns to the form and scale to explore new ideas or prepare three-dimensional “sketches” for his monumental, multi-part standing sculptures.

Androgyny, the series of large-scale heads and busts, began during a residency at Kecskemét, Hungary in 2008 and led to Isupov’s first solo exhibitions at Ferrin Gallery (Pittsfield, MA), Mesa Contemporary Arts Center (Mesa, AZ) and the Daum Museum of Art (Sedalia, MO) in 2009. His latest work in the series Heritage was produced in 2023 and is featured in dialog with select works from series in the artist’s archive.

More on the exhibition HERE

More About Sergei Isupov  HERE

Inquire  HERE

Isupov is a master of nonlinear narration. Combined with his unmatched, masterful skills as both painter and sculptor, the resulting works draw from the past and reflect on the present.

Semi-autobiographical, Isupov’s intimate narratives interweave poignant representations of men and women, parents and children, shown alongside one another, their pets pointing to the naive sense of security we hold in our daily lives.

These works explore individual, interior landscapes and the continually expanding dualities of the self within complex psychological relationships. Intensely personal yet universal, these works in the context of the present day, remind and call upon us to value, protect and preserve the precarious balance we all stand to lose at any present moment.

Sergei Isupov is an Estonian-American sculptor internationally known for his highly detailed, narrative works. Isupov explores painterly figure-ground relationships, creating surreal sculptures with a complex artistic vocabulary that combines two- and three-dimensional narratives and animal/human hybrids. He works in ceramics using traditional hand-building and sculpting techniques to combine surface and form with narrative painting using colored stains highlighted with clear glaze.

Isupov has a long international resume with work included in numerous collections and exhibitions, including the National Gallery of Australia, Museum Angewandte in Kunst, Germany, and in the US at the Carnegie Museum of Art, Crocker Art Museum, Everson Museum of Art, Fine Arts Museum of San Francisco, Museum of Arts and Design, Museum of Fine Arts–Boston, Museum of Fine Arts–Houston, Mint Museum of Art, and Racine Art Museum. In 2017, his solo exhibition at The Erie Art Museum presented selected works in a 20-year career survey titled Hidden Messages, followed by Surreal Promenade, another survey solo in 2019 at the Russian Museum of Art in Minnesota.

PRESS & PROGRAMMING


OPENING RECEPTION

November 18, 2023, 3-5pm

Free and open to the public

Thorne Sagendorph Art Gallery
Keene State College
229 Main Street, Keene, NH 03431

“My work is about contrasts and relationships. I explore contrasts of human condition with my story lines such as male-female and human-animal relationships, and accompanying emotions of warmth and aggression, love and rejection, and nurture and abandonment. Dynamic and interactive narratives are developed using two and three dimensions at the same time with the sculpted form and painted surface. I use a visual vocabulary and classic tools of design, proportion, perspective and silhouette to both sculpt and paint. Eyes show emotional relationships. Facial and figural gestures develop personalities. Illusionary objects and perspectives suggest motion. As a viewer moves around the work, they see each angle and focus point leading to new chapters and story lines. Combined, these clues tell an overall story.”

Copyright© 2023 and published by Thorne-Sagendorph Gallery, Keene State College, Keene, NH

SERGEI ISUPOV: ALLIANCES
October 25 – December 9, 2023

Catalog Design by Erica Pritchett

All photos by John Polak Photography

Courtesy Ferrin Contemporary

Special thanks to co-curators, Paul McMullan, professor at Keene State College and Leslie Ferrin, director, Ferrin Contemporary and for editorial support by Alexandra Jelleberg, associate director, Ferrin Contemporary.

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

PETER PINCUS: The Incomplete Collection

PETER PINCUS: The Incomplete Collection

August 18 –September 24, 2023

Rochester Institute of Technology (RIT) City Art Space

280 East Main Street
Sibley Tower, First Floor
Rochester, New York, 14604

Through porcelain vessels and more, Peter Pincus blends color theory, the history of decorative arts and cutting-edge technical experimentation in ceramics. As an artist and designer, Pincus continues to garner national attention for his research-based practice that includes the Wedgwood collection at the Birmingham Museum of Art (AL) and, most recently, an examination of several conceptual works by Sol LeWitt at MASS MoCA (North Adams, MA). Pincus is currently the Associate Professor of Ceramics in RIT’s College of Art and Design.

FEATURED ARTWORKS

PAST PROGRAMMING


GALLERY TALK

Friday, September 8, 2023 | 6:00 PM
Free | All are welcome

More info here

HEY! CÉRAMIQUE.S

HEY! CÉRAMIQUE.S

In the name of matter

Both deeply invested in exploring the alternative cultural scene, Halle Saint Pierre and HEY! modern art & pop culture continue their long and close collaboration with a sixth exhibition entirely dedicated to ceramics. If this medium occupies an increasingly visible place on the international art scene, the HEY! CERAMIQUE.S will show other forms which, from pop culture to art brut, unexpectedly emancipate themselves from all dominant norms and discourses to draw on the living forces of the imagination and the sensitive. Whether they are wise or delirious, wild or sophisticated, expressionist or narrative, whether they handle humor or emotion, the ceramic sculptures here carry excess but also poetry and innovations.

  • Martine Lusardy, director of the Halle Saint Pierre and exhibition curator
  • Anne Richard, guest curator and founder of the HEY! modern art & pop culture

HEY! CÉRAMIQUE.S


Musee de la Halle Saint Pierre, Paris, France | September 20, 2023 to August 14, 2024

EXHIBITION CATALOG


  • Released September 15, 2023
  • Edited by Anne Richard Bilingual (French / English)
  • 250 pages
  • Shaped cover 28 x 24.5 cm
  • Published by HEY! PUBLISHING

Long considered a minor art because of its particular status at the crossroads of art and craftsmanship, ceramics has emancipated itself artistically by making precisely this hybrid position the basis of its renewal. The truly alchemical dimension of the fire arts lends itself wonderfully to blurring and crossing boundaries. But if contemporary ceramic artists draw on timeless traditions and know-how, it is not so much out of nostalgia for the values ​​of the past as to place at the center of creation a return to making and attention to materials in their sensitive dimension. Earth, water, air, fire are no longer simple materials that can be manipulated indifferently, they become the very substance of a material imagination intended to satisfy aesthetic and psychological urgencies. 

— Martine Lusardy, Director and curator of exhibitions at the Halle Saint Pierre Museum

“Our overuse of resources has destroyed our planets natural resources. The skies churn,  rivers flood, oceans rise, and forests burn. The world is a changed place, and the most vulnerable feel the affects first.”

Crystal Morey, Shaping Interconnectedness, essay by Maria Porges

“From there, [she], like many of us, sees the news, imagines the future, and find solace in the triumphant artworks of the past. She is chronicling our time, a unique and strange mix of hope in the ace of humanities greatest collective threat— ourselves.”

Mara Superior, Chronicling our Collective Hopes, essay by Lauren Levato-Coyne.

MUSEUM OF ART BRUT – OUTSIDER ART & POP CULTURE 


Within a beautiful Baltard-style architecture, facing the gardens of the Butte Montmartre, the Halle Saint Pierre houses a museum and a gallery, a bookstore, an auditorium, a café. It is in this harmonious and luminous setting that the major temporary exhibitions and the multiple artistic and cultural activities dedicated to the most unexpected forms of creation are presented.

COURTNEY M. LEONARD

COURTNEY M. LEONARD

The Heckscher Museum of Art and Planting Fields Foundation are pleased to present the work of artist Courtney M. Leonard (b. Shinnecock, 1980), on Long Island this summer, through COURTNEY M. LEONARD: Logbook 2004–2023 at The Heckscher Museum and BREACH: Logbook 23 | ROOT at Planting Fields Foundation. 

Visit Heckscher.org and Plantingfields.org for more information about these two dynamic exhibitions, including new commissioned work by Leonard, and related programming at each location.

Leonard’s powerful work in ceramics, painting, video, and installation engages with Long Island’s colonial history; celebrates Indigenous knowledge and resilience; and addresses urgent ecological issues. The exhibition debuts Contact, 2,023…, a new work that The Heckscher Museum has commissioned from Leonard. The large-scale work is a map of Long Island made up of thousands of individual porcelain thumbprints resembling shells. Leonard glazed them in colors and patterns that reference both wampum and delftware. The exhibition also features loans from the artist and from public and private collections.

Courtney M. Leonard: Logbook 2004–2023


The Heckscher Museum of Art | 2 Prime Avenue, Huntington, NY 11743
June 10, 2023 – November 12, 2023

BREACH: Logbook 23 | ROOT


Planting Field Foundation | 1395 Planting Fields Road, Oyster Bay, NY 11771

FEATURED ARTWORK: CONTACT 2,023


Courtney M. Leonard, “Contact, 2,023…”, 2023, porcelain, enamel and red iron oxide transfers, artificial sinew, canvas, brass, 4 x 8 x 2′.

The Heckscher Museum of Art. Museum Purchase: Partial Funding from the Town of Huntington Art Acquisition Fund. Photo courtesy of The Heckscher Museum Art.

EXHIBITION CATALOG


Courtney M. Leonard is an exhibition catalogue that documents Leonard’s site-specific commission at Planting Fields, as well as a mid-career retrospective at the Hecksher Museum of Art. It also features an interview with Courtney M. Leonard, new photography, and essays from various contributors. The book was designed by Jeffrey Jenkins, edited by Gina J. Wouters, and features contributions from Courtney M. Leonard, Shavonne Smith, Karli Wurzelbacher, Emily Leger, and more. New photography of the site-specific commission at Planting Fields and the exhibition at the Heckscher Museum of Art were captured by David Almeida.

Courtney M. Leonard is available for purchase ($25 plus tax) in-person at the Planting Fields Foundation Visitor Center. It it also available on the Ferrin Contemporary online shop.

PURCHASE THE CATALOG HERE

READ MORE ABOUT THE CATALOG HERE

PAST PROGRAMMING


Panel: Shinnecock Art & Activism

Saturday, October 21, 2023
10:30 – 11:30 am

Shinnecock artist Courtney M. Leonard and Full Spectrum Indigenous Birth Worker (doula), Ahna Red Fox, discuss how motherhood has informed their work as activists. Leonard’s powerful work in ceramics, painting, video, and installation addresses urgent ecological issues and explores historical ties to water, land, and material culture. Her first retrospective exhibition, COURTNEY M. LEONARD: Logbook 2004-2023is currently on view at The Heckscher Museum.

Members Free; Shinnecock Nation Members Free; Non-Members $10

Space is limited, advance registration required.

LEARN MORE HERE

EVENT: Book Signing with Courtney M. Leonard

Saturday, October 21, 2023
11:30 – 12:30 pm

Meet Courtney M. Leonard as she signs copies of her exhibition catalogue, published by Planting Fields Foundation and The Heckscher Museum of Art. Books available for purchase, $20 Members and $25 Non-Members.

PRESS