Project Type: AT MUSEUMS AND GALLERIES

American Scenery and Souvenirs: Transferware by Paul Scott

American Scenery and Souvenirs: Transferware by Paul Scott

Lightner Museum
St. Augustine, FL

April 24, 2025 – October 27, 2025

NEW AMERICAN SCENERY: The Art of Paul Scott: Paul Scott’s New American Scenery will open at its 7th tour location on April 24th, 2025. The exhibition at the Lightner Museum marks the artist’s fifth solo show in the US, spanning 2019 to 2025.

ABOUT THE EXHIBITION


In American Scenery and Souvenirs British artist Paul Scott reanimates historical transferware to create new works depicting scenes from contemporary American life. 

In the nineteenth century, blue-and-white printed transferware plates portraying images of American scenery, cities, and their significant landmarks were mass-produced by potteries in Staffordshire, England for export to the US. By the turn of the twentieth century these works became tremendously popular collectibles, cherished by the American middle class as souvenirs of travel and experience. 

Paul Scott’s current work combines the visual vocabulary and processes of historical transferware with unexpected and incongruous vignettes of life in America today, engaging with themes of globalization, energy consumption, capitalism, social justice, immigration, and the environmental impact of human activity. In American Scenery and Souvenirs, nuclear power plants, decaying urban centers, abandoned industrial sites, wildfires, and border walls intrude amidst the traditionally bucolic landscape. These provocative scenes subvert the picturesque aesthetic traditionally associated with American transferware, challenging the viewer to reconsider the nation’s environmental and social realities. The exhibition presents Scott’s work in dialogue with vintage Rowland & Marsellus transferware from the Lightner Museum collection to showcase Scott’s technical and poignant interventions.

American Scenery and Souvenirs: Transferware by Paul Scott is presented at the Lightner Museum by the Community Foundation for Northeast Florida. Additional support comes from the St. Johns County Tourist Development Council and the St. Johns Cultural Council.

English, b. 1953, Darley Dale, Derbyshire, England
lives and works in Cumbria, UK

Paul Scott is a Cumbrian-based artist with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft and design, he is well known for research into printed vitreous surfaces, as well as his characteristic blue and white artworks in glazed ceramic.

Scott’s artworks can be found in public collections around the globe – including The National Museum of Art, Architecture and Design Norway, the Victoria and Albert Museum London, National Museums Liverpool, Carnegie Museum of Art, Pittsburgh and Brooklyn Art Museum USA. Commissioned work can be found in a number of UK museums as well as public places in the North of England, including Carlisle, Maryport, Gateshead and Newcastle Upon Tyne. He has also completed large-scale works in Hanoi, Vietnam and Guldagergård public sculpture park in Denmark.

A combination of rigorous research, studio practice, curation, writing and commissioned work ensures that his work is continually developing. It is fundamentally concerned with the re-animation of familiar objects, landscape, pattern and a sense of place. He was Professor of Ceramics at Oslo National Academy of the Arts (KHiO) from 2011–2018. Scott received his Bachelors of Art Education and Design at Saint Martin’s College and Ph.d at the Manchester Institute for Research and Innovation in Art and Design in Manchester, England.

His current research project New American Scenery has been enabled by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England. More on New American Scenery, here.

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Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

Jacqueline Bishop: THE KEEPER OF ALL THE SECRETS | London, UK

Jacqueline Bishop: THE KEEPER OF ALL THE SECRETS | London, UK

The Keeper of All The Secrets (Edition of 3)
2024
digital print on porcelain, gold lustre
12.5″

ABOUT THE EXHIBITION


CATALOG


The Keeper of All the Secrets: Jacqueline Bishop’s Ceramic Tea Service Paperback – July 18, 2025

Jacqueline Bishop’s ceramic tea service The Keeper of All The Secrets is a new commission that will go on display in the Queen’s House at Royal Museums Greenwich in early 2025. Featuring the image of the market woman and various plants known to induce abortion, the service is a comment on colonialism, empire and the position of women in society. The figure of the market woman is a well-known symbol of the plantation system, but little has been written on her significance. She performed an illicit resistance to the plantation system, secretly assisting in the regulation of menstrual cycles and illegally terminating unwanted pregnancies, many of which are known to have been the result of rape by enslavers. This book, also featuring new poetry by Bishop and an interview, situates the market woman within the context of Caribbean enslavement and the tea trade. The tea service will be considered alongside other items in the Museum’s collection relating to colonialism and empire and provides a lens through which contemporary debates on the present-day impacts of these issues can be explored.

 

PURCHASE THE CATALOG & LEARN MORE

PROGRAMMING


Workshop: Sips of Wisdom

Celebrating the knowledge of African Caribbean herbs for women’s health

Saturday, March 22, 2025 | 11:30am–1:30pm

This workshop is an introduction to herbal traditions, exploring the history of African Caribbean herbs, their connections to African and Indigenous practices, and their importance for women’s health.

Inspired by artist Jacqueline Bishop’s ‘Keeper of All Secrets’ tea set, the workshop will delve into the theme of the Market Woman and her role in sharing knowledge about herbs.

As part of the session you’ll design and paint your own cup and saucer to take home. The session will include:

  • Discussion and sharing of the uses of African Caribbean herbs.
  • A guided reflection meditation on connecting to inner resilience, empowerment and ancestral knowledge across all lands.
  • Painting a cup and saucer, inspired by the knowledge learnt and shared on the day.

 

PURCHASE TICKETS HERE

JOIN THE ACC IN LONDON, ENGLAND WITH JACQUELINE BISHOP

You’re invited to join the American Ceramics Circle for a three day trip to London, Cambridge and Norwich, March 19-21, 2025 to explore collections and current exhibitions.

We begin in London with a welcome reception at E & H Manners gallery on Tuesday the 18th

On Wednesday we will travel by train to Norwich where we will visit Norwich Castle Museum and the Sainsbury Centre. Friday, we will travel again by train to Cambridge where we will visit the Fitzwilliam Museum and Kettle’s Yard.

Thursday, we are invited to join the English Ceramic Circle at the Victoria & Albert Museum for a Wedgwood study day . We will meet with ceramic historian Caroline McCraffrey Howarth who will share her research on the important nineteenth-century collector Lady Charlotte Schreiber and her majestic donation of 18th-century ceramics to the V&A. We also have the opportunity to meet with V&A curator Alun Graves and visit the museum’s studio pottery collection.That evening, we are invited to attend the launch and reception of Jacqueline Bishop’s “Keeper of All The Secrets” at the Queen’s House in Greenwich.

Organized by Leslie Ferrin, Christina Prescott-Walker and Rachel Gotlieb

Fee: $45 for members, $60 for guests

All travel, meals, entry fees and hotel costs are “a la carte” – to be paid directly by attendees. The organizers will negotiate group entries, and make detailed recommendations for travel and hotels as required.

 

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PORCELAIN LOVE LETTERS: The Art of Mara Superior

PORCELAIN LOVE LETTERS: The Art of Mara Superior

UPCOMING: Opening May, 2025


Curated by Kory Rogers
Francie and John Downing Senior Curator of American Art

SHELBURNE MUSEUM
Shelburne, VT

Ceramics Gallery, Variety Unit

ABOUT THE EXHIBITION


Porcelain Love Letters: The Art of Mara Superior

Mara Superior’s porcelain art combines intricate painted imagery and sculptural forms to explore themes of art history, domesticity, and environmentalism. Often described as “love letters to the world,” Superior’s works invite viewers to engage with their timeless beauty and layered narratives. 

Opening May 10, 2025

SHELBURNE MUSEUM
6000 Shelburne Road
PO Box 10
Shelburne, VT

ARTWORKS


Preview

Homes & Gardens

The Planet

PROGRAMMING


Webinar: Artistic Eye – Seeing the World through Mara Superior’s Ceramic Art

Tuesday, April 8, 2025
12:00 pm – 1:00 pm
Zoom
Mara Superior, acclaimed ceramic artist known for blending delicate ceramic pieces with sharp social commentary, joins curator Kory Rogers for an engaging hour-long webinar discussion about her life, her art, and her creative inspirations. Discover how Mara’s passion for art history and world travel shapes her work, how historical subjects inspire contemporary conversations, and how she reimagines traditional forms like teapots into striking 3D sculptures. Don’t miss this exploration of creativity and innovation and learn more about Mara prior to the opening of her 2025 exhibition, Porcelain Love Letters: The Art of Mara Superior.

Join via Zoom on April 8 at 12:00 pm EDT. A live Q & A will close the program.

Free. Advance registration required.

REGISTER HERE

American, b. 1951, New York, NY
lives and works in Williamsburg, MA

Mara Superior is an American visual artist who works in porcelain. Her ceramic high relief platters and sculptural objects reflect the artist’s passion for art history and the decorative arts, and her painterly motifs range from the pleasures of the domestic to serious political and environmental issues as points of departure to comment on contemporary culture and its relationship to history. Superior has received numerous awards including a National Endowment for the Visual Arts Fellowship, the prestigious Guldaggergård Residency in Denmark, and numerous individual artist grants from the Massachusetts Cultural Council.

Superior has exhibited at the American Museum of Ceramic Art, (Pomona, CA), Scripps Women’s College, (Claremont, CA), and the Fuller Craft Museum, (Brockton, MA) among many other institutions. Her work can be found in the Renwick Gallery of the Smithsonian American Art Museum, (Washington, DC), the Museum of Arts and Design, (New York, NY), the Peabody Essex Museum, (Salem, MA), Philadelphia Museum of Art, (Philadelphia, PA) the Los Angeles County Museum of Art, (Los Angeles, CA), White House Collection of American Craft, (Little Rock, AK). In 2018, through the generous support of the Kohler Foundation, gifts of art by Mara Superior were made to fifteen museums throughout the USA, increasing the public holdings of Superior’s artworks  and including an in depth collection acquired by the Racine Art Museum, (Racine, WI) and shown in 2020 in Collection Focus: Mara Superior. In 2010 she was interviewed for the oral history program of the Smithsonian’s Archives of American Art, (Washington, DC).

Superior studied at the Pratt Institute and Hartford Art School, completing her BFA in painting from the University of Connecticut followed by a MAT in ceramics from the University of Massachusetts in Amherst. She is represented by Ferrin Contemporary.

ABOUT THE SHELBURNE MUSEUM


Shelburne Museum is an unparalleled and unique experience of American history, art, and design. Designed to allow visitors the pleasure of discovery and exploration, the Museum includes thirty-nine distinct structures on forty-five acres, each filled with beautiful, fascinating, and whimsical objects. Come play in our gardens and open our many doors. You are welcome here.

Click to Read More HERE

SHELBURNE MUSEUM

6000 Shelburne Road
PO Box 10
Shelburne, VT 05482

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

PAUL SCOTT: Viewing America

PAUL SCOTT: Viewing America

Cincinnati Art Museum
Cincinnati, OH

October 10, 2025 – January 4, 2026

NEW AMERICAN SCENERY: The Art of Paul Scott: Paul Scott’s New American Scenery at the Cincinnati Art Museum will open at its 8th tour location on October 10th, 2025. “PAUL SCOTT: Viewing America” marks the artist’s sixth solo show in the US, spanning 2019 to 2026. 

ABOUT THE EXHIBITION


Exhibition Details In Development

In New American Scenery, Scott scrutinizes the American landscape from a contemporary perspective, one that grapples with issues of globalization, energy generation and consumption, capitalism, social justice, immigration, and the human impact on the environment. The images that Scott creates for his ceramics depict unsettling views of nuclear power plants, aging urban centers, abandoned industrial sites, wildfires, and isolating walls. As representations of the American landscape, they suggest a subversion of the picturesque aesthetic—the unpicturesque picturesque—and a new, disturbing norm.

“NAS” includes the following bodies of work, many of which were conceived on location and/or with insights from significant collaborators. Each title below represents a sub-series containing multiple iterations and/or designs: American Cities & Landscapes, Broken Treaties, Energy & Environment, Posy Vases, Race, Indigeneity & Immigration, Samplers, Sampler Jugs, Souvenirs, Views of New York.

English, b. 1953, Darley Dale, Derbyshire, England
lives and works in Cumbria, UK

Paul Scott is a Cumbrian-based artist with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft and design, he is well known for research into printed vitreous surfaces, as well as his characteristic blue and white artworks in glazed ceramic.

Scott’s artworks can be found in public collections around the globe – including The National Museum of Art, Architecture and Design Norway, the Victoria and Albert Museum London, National Museums Liverpool, Carnegie Museum of Art, Pittsburgh and Brooklyn Art Museum USA. Commissioned work can be found in a number of UK museums as well as public places in the North of England, including Carlisle, Maryport, Gateshead and Newcastle Upon Tyne. He has also completed large-scale works in Hanoi, Vietnam and Guldagergård public sculpture park in Denmark.

A combination of rigorous research, studio practice, curation, writing and commissioned work ensures that his work is continually developing. It is fundamentally concerned with the re-animation of familiar objects, landscape, pattern and a sense of place. He was Professor of Ceramics at Oslo National Academy of the Arts (KHiO) from 2011–2018. Scott received his Bachelors of Art Education and Design at Saint Martin’s College and Ph.d at the Manchester Institute for Research and Innovation in Art and Design in Manchester, England.

His current research project New American Scenery has been enabled by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England. More on New American Scenery, here.

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

Emily Cole: Ceramics, Flora, and Contemporary Responses

Emily Cole: Ceramics, Flora, and Contemporary Responses

ABOUT THE ARTISTS


b. Shinnecock, 1980
lives and works in Northfield, Minnesota

More on Courtney M. Leonard

FEATURING

“BREACH | Logbook 21 | CONVOKE”
2021
multi-ply birch wood and acrylic, coiled and woven earthenware, coiled micaceous clay, oyster shells
various dimensions
John Polak Photography

b. 1971, Kingston, Jamaica
lives and works in New York, NY

More on Jacqueline Bishop

FEATURING

“Fauna (Tea Service)”
2024
digital print on porcelain, gold lustre, Tea Set with Teapot, Cup, Saucer, Cream Pitcher, Sugar Pot, Rectangular Plate, Oval Plate; Teapot
various dimensions
John Polak Photography

Chris Antemann: An Occasional Craving

Chris Antemann: An Occasional Craving

Chris Antemann: An Occasional Craving


Dixon Gallery & Gardens
4339 Park Ave
Memphis, TN

February 9 – April 6, 2025

Join the ACC at the Dixon Gallery & Gardens, Memphis, TN

March 2-3, 2025

You’re invited to join the American Ceramic Circle for a two-day trip to Memphis, March 2-3, 2025 to explore the Dixon Gallery and Gardens collections and current exhibitions.

LEARN MORE & REGISTER

ABOUT THE EXHIBITION


In 2011, American ceramic artist Chris Antemann formed what would become a fruitful partnership with the centuries-old Meissen porcelain manufactory that continues today. With a profound respect for the innovation and artistry of Meissen porcelain, Antemann re-envisions the concept of porcelain figural groupings with a wink of her twenty-first-century eye. Chris’ colorful, imaginative, and often cheeky ceramic sculptures parody the dynamics between men and women, much as they did in the eighteenth century. And while viewers of rococo porcelain figural groupings would have been cognizant of the coded innuendos that abound in the art of that era, Antemann is much more explicit in her representations (and parodies) of human sexuality.

Chris Antemann: An Occasional Craving presents a variety of Antemann’s works, from her early MEISSEN collaborations to more complex dramatic table-top centerpieces produced in her studio in Joseph, OR. Inspired by the Dixon’s own Warda Stevens Stout Collection of Eighteenth-Century German Porcelain, by the vitality of our beautiful gardens, and by the Berthe Morisot painting in our collection, Peasant Girl among Tulips, Antemann is creating a pair of tulipieres specifically for the Dixon Gallery and Gardens. Visitors to the exhibition will be charmed by her sculptures, which walk a fine line between lighthearted and profound, and come away with a deeper understanding of the nuances of historic German porcelain.

EVENTS


ACC at the Dixon Gallery & Gardens, Memphis, TN

You’re invited to join the American Ceramic Circle for a two-day trip to Memphis, March 2-3, 2025 to explore the Dixon Gallery and Gardens collections and current exhibitions. We will also visit the studio of contemporary artist and University of Memphis professor, Kate Roberts, and the private home of renowned collectors of European porcelain.

At the Dixon, we will go behind the scenes on guided tours of the museum and gardens with curators and horticulturists. We will enjoy a special tour with artist Chris Antemann and Julie Pierotti, curator of the solo exhibition, An Occasion to Gather, featuring a site-responsive commission, masterworks produced in her US studio, and selected vignettes produced during her 10-year collaboration with the Meissen Porcelain Manufactory in Germany.

A discounted rate is available for registered attendees.

Registration: $45 for ACC members, $55 for guests + Eventbrite fees; registration includes admission to the Dixon.

Please note that attendees are responsible for their own accommodations, transportation and meals.

Limited to 20.

ABOUT THE DIXON GALLERY & GARDENS

ABOUT THE DIXON’S COLLECTION

LEARN MORE & REGISTER

ABOUT CHRIS ANTEMANN


American
b. 1970 Albany, NY
lives and works between Joseph, OR and Meissen, Germany

Chris Antemann is an American artist known for her frolicking, contemporary feminist parodies of 18th century porcelain figurines. For more than a decade, Antemann has worked collaboratively with the Meissen Porcelain Manufactory in Meissen, Germany to create increasingly ornate and elaborate variations on her lifelong love of the narrative, porcelain figurine. Recent years have seen a tremendous culmination of her time working with MEISSEN. Between 2015-2019, her large-scale installation Forbidden Fruit: Porcelain Sculptor Chris Antemann toured the US, Germany, and culminated at the State Hermitage Museum, Russia. In 2022, her largest, most complex sculpture to-date was unveiled at Hillwood Estate, Museum, & Gardens in Washington, DC; An Occasion to Gather reveals its sumptuous narrative across an eight-foot-long, four-foot-high dining room centerpiece. The relationship with MEISSEN continues and a decade of collaboration will be celebrated with an exhibition at the Meissen Porcelain Museum in Meissen, Germany from July 15, 2022 – February 26, 2023.

Antemann earned her MFA from the University of Minnesota and her BFA in Ceramics and Painting from Indiana University of Pennsylvania. She has exhibited extensively in the United States, Europe, Russia, and Asia. Her work can be found in many private and public collections, including the Crocker Art Museum, High Museum of Art, Museum of Arts and Design, the Portland Art Museum, among many others. Her awards include the Virginia A. Groot first prize, and residencies with the Archie Bray Foundation, the John Michael Kohler Arts Center, and the Sitka Center for Art and Ecology.

Stephen Bowers: A Conference of Birds

Stephen Bowers: A Conference of Birds

Stephen Bowers: A Conference of Birds


Lauraine Diggins Fine Art

Boonwurrung Country
5 Malakoff Street
North Caulfield VIC Australia 3161

October 26 – December 7, 2024

Featuring Stephen Bowers

ABOUT THE EXHIBITION


This exhibition is full of vivid images portraying birds in colour-saturated settings where they overlap complex fragmentary backgrounds, many derived from engravings and textiles. The rich mash-ups of visual ideas on the backgrounds are playfully and skillfully rendered using meticulous brushstrokes often suggestive of those industrial process

EXHIBITION CATALOG & MEDIA


View the illustrated catalogue for Stephen Bowers: A Conference of Birds, including an essay by Leslie Ferrin.

“I live in a small rural town settled in the 1700’s by English colonists on the land of the Indigenous people, the Norwottucks. Located at the Western end of Hampshire County in the foothills of the Berkshires, an area known as the Hilltowns, we are about 110 miles west of Boston and 180 miles North of New York City. As director of Ferrin Contemporary, from where I sit in my office, Australia is half a world away. Yet, as I look at images of works in this exhibition, I vividly recall my own residency and research in the place where these pieces have their genesis – Adelaide, South Australia. 

The journey that brought me to Adelaide began in the summer of 2006, the year we established Project Art, a ceramic focused residency initiative located in an old historic river mill we had renovated on Main Street in Cummington, a small New England village. Stephen was well known to us through his exhibitions at art fairs, museums and galleries in the US – and he was one of the first guests at Project Art.”

–Leslie Ferrin

Stephen Bowers discusses his ceramic artwork, the inspirations and methods of production. In this exhibition A Conference of Birds, Stephen has created a ‘flock’ of ceramic plates depicting birds derived from historical illustrations, which were often completed from museum specimens. A focus for Stephen in this exhibition was to achieve a background of even saturated colour, which is a difficult feat to achieve. Certain plates break up the colour through the use of patterning or feature a sunburst effect, similar to that found on guitars. The plates are further adorned with roundels of patterns, looking to designs by English artists William Morris, a major figure of the Arts and Crafts movement of the 19th century and William Kilburn, a leading designer of the 18th century. This use of patterning explores the notion of patterns-in-nature and nature-in-pattern and how we appropriate nature, as well as speaking to Stephen’s environmental concerns, the fragments reflecting the disconnection between humanity and the natural world.

ABOUT STEPHEN BOWERS


Stephen Bowers (b.1952, Sydney, lives and works in in Norwood, South Australia) is a self-taught artist working in ceramics- often focusing on strikingly decorative textiles, wallpapers, comic strips, natural history illustration found within the imagery of his childhood in the mid-1970’s. Close observation of his often seemingly innocent decorations of cockatoos, kangaroos, and willow patterns, reveals subtexts of irony, commentary, and social observation, inviting viewers to look beyond the bravura of the surface to discover a complex and layered world.

Bowers has participated in numerous international exhibitions within Australia and overseas, including the UK, Norway, Italy, Denmark and China and here in the states. His work is included in numerous permanent collections, including the Art Gallery of Western Australia, Peabody Essex Museum (Salem, MA), Brooklyn Museum of Art, (NY, NY), National Museum of Art Architecture and Design, (Oslo, Norway), Los Angeles County Museum of Modern Art, (LA, CA), Queen Victoria Museum and Art Gallery, (Launceston, Tasmania)  Museum of International Ceramic Art, (Denmark), Australian National Gallery, (Canberra, Australia), Powerhouse Museum, (Sydney, Australia) National Museum of History, (Taipei Taiwan), Parliament House, (Canberra Australia), among many others.

COURTNEY M. LEONARD in Shifting Shorelines: Art, Industry, and Ecology along the Hudson River

COURTNEY M. LEONARD in Shifting Shorelines: Art, Industry, and Ecology along the Hudson River

Shifting Shorelines: Art, Industry, and Ecology along the Hudson River


Wallach Art Gallery at Columbia University | New York, NY

October 5, 2024 – January 12, 2025

ABOUT THE EXHIBITION


Shifting Shorelines brings together historic and contemporary art, visual culture, and environmental science to engage the history of human existence, commerce, and industry along the Hudson estuary. Focusing on the river’s edges from Albany southward to its flow into the Atlantic Ocean, the exhibition foregrounds the impact of local industry on the natural environment, highlighting the history of the river’s distinctive ecological features such as brackish and salt marshes, mudflats, and beaches, along with the docks, factories, and buildings that crowded them out. Through visual and material evidence, Shifting Shorelines demonstrates the various cycles of exploitation, damage, and reclamation.

Shifting Shorelines actively engages in a critical dialogue with images of the river as a natural paradise by showing these seemingly hegemonic portrayals alongside contrasting representations that consider the exploitation and environmental damage to the river that has accompanied many of the human endeavors along its shores. In so doing it offers a counter reading of the received art historical narratives—narratives overwhelmingly grounded on the work of white male artists—that aims for a rich and complex understanding of the legacy, life, and livelihoods along the river informed by the voices and experiences of a broad range of creators.

The exhibition will be accompanied by a publication as well as academic and public programming.

ARTISTS IN THE EXHIBITION


Henry Ary • Victor Gifford Audubon • Alvin Baltrop • Gifford Reynolds Beal • Julie Hart Beers • George Bellows • Daniel Putnam Brinley • Johann Hermann Carmienke • Frederic Edwin Church • Thomas Cole • Glenn O. Coleman • Samuel Colman • Thomas Commeraw • John V. Cornell • Jasper F. Cropsey • Henry Golden Dearth • Aaron Douglas • Joellyn Duesberry • Ernest Fiene • Kryn Frederycks • Reva Fuhrman • Emil Ganso • Marie-François-Régis Gignoux • Shi Guorui • David Hammons • Joost Hartgersz • Palmer Hayden • Edward Hopper • Donna Hogerhuis • Every Ocean Hughes • William Henry Jackson • Yvonne Jacquette • David Johnson • Abraham Leon Kroll • Athena LaTocha • Ernest Lawson • An-My Lê • Courtney M. Leonard • Marie Lorenz • George Benjamin Luks • John Marin • Reginald Marsh • Gordon Matta-Clark • Alex Matthew • Alan Michelson • Charles Frederick William Mielatz • Jacques Gerard Milbert • Thomas Moran • William H. Moschett • Ruth Orkin • Anthony Papa • Lisa Sanditz • Henry Schnakenberg • Jean-Marc Superville Sovak • Alfred Stieglitz • Joseph Vollmering • John Ferguson Weir • Worthington Whittredge

ABOUT COURTNEY M. LEONARD


Courtney Leonard Artist Portrait

Courtney M. Leonard is an artist and filmmaker, who has contributed to the Offshore Art movement. Leonard’s current work embodies the multiple definitions of “breach”, an exploration and documentation of historical ties to water, whale and material sustainability.

In collaboration with national and international museums, cultural institutions, and indigenous communities in North America, New Zealand, Nova Scotia, and the United States Embassies, Leonard’s practice investigates narratives of cultural viability as a reflection of environmental record.

PAUL SCOTT in Hudson River Valley: Echoes

PAUL SCOTT in Hudson River Valley: Echoes

Gamble Family Gallery

Dunedin Fine Art Center
Dunedin, FL

September 13 – December 23, 2024

ABOUT THE EXHIBITION


Group exhibition of artists and experiences encountered in Dunedin’s October 2022 travels to the Hudson River Valley hosted by DFAC’s beloved auxiliary, the Sterling Society.

English, b. 1953, Darley Dale, Derbyshire, England
lives and works in Cumbria, UK

Paul Scott is a Cumbrian-based artist with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft and design, he is well known for research into printed vitreous surfaces, as well as his characteristic blue and white artworks in glazed ceramic.

Scott’s artworks can be found in public collections around the globe – including The National Museum of Art, Architecture and Design Norway, the Victoria and Albert Museum London, National Museums Liverpool, Carnegie Museum of Art, Pittsburgh and Brooklyn Art Museum USA. Commissioned work can be found in a number of UK museums as well as public places in the North of England, including Carlisle, Maryport, Gateshead and Newcastle Upon Tyne. He has also completed large-scale works in Hanoi, Vietnam and Guldagergård public sculpture park in Denmark.

A combination of rigorous research, studio practice, curation, writing and commissioned work ensures that his work is continually developing. It is fundamentally concerned with the re-animation of familiar objects, landscape, pattern and a sense of place. He was Professor of Ceramics at Oslo National Academy of the Arts (KHiO) from 2011–2018. Scott received his Bachelors of Art Education and Design at Saint Martin’s College and Ph.d at the Manchester Institute for Research and Innovation in Art and Design in Manchester, England.

His current research project New American Scenery has been enabled by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England. More on New American Scenery, here.

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

Cristina Córdova in EL PUENTE

Cristina Córdova in EL PUENTE

John & Robyn Horn Gallery

At Penland School of Craft

Penland, NC

April 1 – June 7, 2025

Featuring work by Cristina Córdova

ABOUT THE EXHIBITION


A metaphorical bridge, El Puente, exists between Puerto Rico and the US, which share a complex and often misunderstood political and cultural relationship. How do we express El Puente through the lens of Puerto Rican artists?

This exhibition centers on legacy and culture, focusing on multi-generational artists in dialogue with the US through their education, residencies, and career opportunities. Co-curator Cristina Córdova characterizes this phenomenon as a continuous loop of communal encounters and mutual influence, followed by a momentary respite in which the encounters are assimilated and transformed within the artistic community. This pattern has taken place over many years and generations, moving back and forth between two territories inextricably connected yet distinctly separate, sometimes with intention and at times unconsciously. What are the influences of this bridge on the insular art community in Puerto Rico and how do the experiences evolve in the vacuum of an underresourced arts community?

Through the lens of Puerto Rican artists who have cultivated long- and short-term connections with the US throughout their formative and professional trajectories, El Puente offers insights into how these connections shape and inform the artistic practices, perspectives, and creative trajectories of Puerto Rican artists and consequently feed into the broader landscape of contemporary American craft in an evolving and continuous dynamic.

Participating artists: Cristina Córdova, Ada del Pilar Ortiz, Luis Gabriel Sanabria, and Jaime Suárez

ABOUT CRISTINA CÓRDOVA


Puerto Rican, b. 1976, Boston, MA
lives and works in Penland, NC

Native to Puerto Rico, Cristina Córdova creates figurative compositions that explore the boundary between the materiality of an object and our involuntary dialogues with the self-referential. Images captured through the lens of a Latin American upbringing question socio-cultural notions of gender, race, beauty, and power.  Córdova has received numerous grants including the North Carolina Arts Council Fellowship Grant, a Virginia Groot Foundation Recognition Grant, several International Association of Art Critics of Puerto Rico awards, and a prestigious United States Artist Fellowship award in 2015.

Córdova has had solo exhibitions at the Alfred Ceramic Art Museum, (Alfred, NY), and her work is included in the collections of the Renwick Gallery of the Smithsonian American Art Museum, (Washington, DC), Colección Acosta de San Juan Puerto Rico, (San Juan, PR), the Mint Museum of Craft + Design, (Charlotte, NC), and Museum of Contemporary Art, (San Juan, PR). In 1998, Córdova completed her BA at the University of Puerto Rico, and she received her MFA from the New York State College of Ceramics at Alfred University in 2002. Córdova is represented by Ferrin Contemporary.