Project Type: GALLERY ARCHIVE

Our America/Whose America?

Our America/Whose America?

ABOUT THE EXHIBITION


OUR AMERICA/WHOSE AMERICA?

Our America/Whose America? is a call and response exhibition between contemporary ceramic artists and commercially produced historic ceramic plates, figurines and objects placed in conversation with one another, installed on period furniture throughout the Wickham House at the Valentine.

Featured artists include Elizabeth Alexander, Chris Antemann, Russell Biles, Jacqueline Bishop, Judy Chartrand, Cristina Córdova, CRANK, Connor Czora, Michelle Erickson, Sergei Isupov, Steven Young Lee, Jennifer Ling Datchuk, Beth Lo, Justin Rothshank, Paul Scott, Kevin Snipes, Rae Stern, Mara Superior, Momoko Usami and Jason Walker. Historical Works include selections from Ferrin Contemporary’s collection of commercially produced ceramics.

This exhibit is organized by Ferrin Contemporary in conjunction with Coalescence, the 58th annual conference of the National Council on Education for the Ceramic Arts held March 20-23, 2024 in Richmond, Virginia.

  • View the historic collection HERE
  • View The Wickham House HERE
  • View The Valentine Museum HERE
  • View the 2024 Press Release HERE

EXHIBITING ARTISTS


Throughout our forty-year history, we have used multi-artist survey exhibitions as a platform to explore social issues. We’ve focused on gender and feminist perspectives, broached relationship taboos, and challenged historical notions of ceramics and art.

The contemporary artists we’ve invited use their work to assert their autonomy and subjectivity by presenting intertwined cultural critiques through lenses of their own choosing, starting with race, gender, and class. Each of these categories is tentacular and touches upon myriad other ideas including nature, warfare, food and water inequity, and more.

PROGRAMMING


Special Preview on February 21, 2024 from 5 – 7 pm

– Leslie Ferrin & Alex Jelleberg on-site Conference Preview with The Valentine

Coalescence, the 58th annual conference of the National Council on Education for the Ceramic Arts takes place in Richmond, Virginia.

FERRIN CONTEMPORARY ARTISTS AT NCECA


Women Working with Clay: A Shared Purpose

Mar 20, 2024 – Mar 23, 2024

Group Show with Linda Sikora

Location: The Valentine 10th and East Clay Street in historic downtown Richmond

This exhibition is organized by Dara Hartman in conjunction with Coalescence

50 Years in the Making – NCECA Richmond

Mar 20, 2024 – Mar 23, 2024

Group show with Lauren Mabry

50 Years in the Making will examine how 75 Residents since 1974 have coalesced to form the creative identity of The Clay Studio.

Event
Opening Reception
Thursday, March 21, 2024 | 7-9pm
RSVP HERE

Location: Common House | 303 W. Broad Street, Richmond, VA

EVENTS & TOUR DATES


Location for All Events:

The Valentine 10th and East Clay Street in historic downtown Richmond

Wednesday, March 20, 2024 Ferrin Contemporary + Wickham House Tour – Regular Hours

– Alex Jelleberg & Isabel Twanmo on-site with docents to provide guided tours at scheduled times 
11am, 12pm, 1pm, 2pm, 3pm, 4pm

The Valentine is open regular hours during the conference. The Wickham House offers guided tours on the hour. Tours are free to the public with museum admission (free admission on Thursday, March 21!) & free for all NCECA attendees. First come first serve, limit 15 guests per tour.

Thursday, March 21, 2024 – NCECA – MEET THE ARTISTS 5 – 7 pm 

Open to the public all NCECA attendees – Alex Jelleberg  & Isabel Twanmo

OAWA Tour Graphic April 2024

Sunday, April 21, 2024 – Final Guided Tour of Our America/Whose America? | 2-3pm

Join Ferrin Contemporary’s Leslie Ferrin & Alexandra Jelleberg on-site with Valentine Museum docents to provide a final guided tour of Our America/Whose America? in the Wickham House – Open to the public.

The Richmond Stories™ section of this site, which includes an interactive history timeline, features many of the stories that bring history to life in creative, engaging and inclusive ways.

Through educational programs that engage over 14,000 students and teachers each year to community conversations, walking tours, group visits and more, the Valentine offers compelling experiences for visitors of all ages.

The Wickham House at the Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

The Wickham House at the Valentine Museum, Richmond, VA. Image courtesy of The Valentine Museum.

A dialogue-based guided tour of the Wickham House, a National Historic Landmark built in 1812, challenges guests to explore aspects of life in the early 19th century. The Wickham House was purchased by Mann Valentine Jr. and in 1898 became the first home of the Valentine Museum. This historic home allows us to tell the complicated story of the Wickham family, the home’s enslaved occupants, sharing spaces, the realities of urban slavery and more.

OUR AMERICA/WHOSE AMERICA | 2022


OUR AMERICA/ WHOSE AMERICA?


AUGUST 6 – OCTOBER 30, 2022

LESLIE FERRIN
(Director & Founder) Ferrin Contemporary

Our America, Whose America presents a dialogue between contemporary artists and a collection of commercially produced ceramics. This collection of historical objects, collected across the span of several years by Founding Director Leslie Ferrin, is in the form of plates, souvenirs, and figurines from the early 19th through mid-20th centuries. The items were produced in England, Occupied Japan, and various factories in the USA. The exhibition title was chosen from a series of plates produced by Vernon Kiln that features illustrations of American scenes by the painter Rockwell Kent.

In response to this historical collection, contemporary works by nearly 30 participating artists will provide new context and interpretation of these profoundly powerful objects. Seen now, decades and in some cases centuries later, the narratives they deliver through image, characterization, and stereotype, whether overt and bombastic or subtle and cunning, form a collective memory that continues to impact the way people see themselves and others today.

Exhibition At Ferrin Contemporary


1315 MASS MoCA Way, North Adams, MA

ARTISTS & CONTRIBUTORS


Ferrin Contemporary | Exhibition | 2022

OUR AMERICA/WHOSE AMERICA? EXHIBITION CATALOG


Ferrin Contemporary | Exhibition | 2022

Exhibition and catalog production by Ferrin Contemporary staff, catalog layout by Rory Coyne with installation and artwork photography by John Polak Photography, 2022.

  • 58 Page Catalog
  •  Introduction by the Gallery
  • Featuring 23 Artists
  • Installation & Artwork Photos by John Polak Photography

Published by Ferrin Contemporary

HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE, Exhibition & Symposium at the Norman Rockwell Museum, Stockbridge, MA


HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE

Zoom Webinar (online)
Welcome and Opening Program:
Friday, September 23, 2022
7 p.m. to 8:45 p.m.

Symposium Presentations and Panels:
Saturday, September 24, 2022
10 a.m. to 5 p.m.

HISTORICAL PERSPECTIVES ON ILLUSTRATION AND RACE

A series of compelling talks by Heather Campbell Coyle, Ph.D; Karen Fang, Ph.D; Michele Bogart, Ph.D.; Theresa Leininger-Miller, Ph.D.; and Leonard Davis, followed by conversation with the commentators.

SYMPOSIUM FEATURES


Hidden in Plain Sight: Illustrated Ceramics and American Identity

TIMESTAMPS

0:00 Introduction to Symposium co-curators Stephanie Plunkett and Robyn Phillips Pendleton
23:00 Introduction
28:00 Leslie Ferrin Our America/Whose America? collection and exhibition
46:00 Jacqueline Bishop
52:00 Paul Scott
1:02:00 Elizabeth Alexander
1:11:00 Johnson
1:21:00 Judy Chartrand
1:37:00 Q&A

Hidden in plain sight, illustrations on porcelain and ceramic ware have, throughout history, transformed functional objects into message-bearers for a wide range of political and propagandistic causes, whether exchanged by heads of state or acquired for use or display in domestic settings. Leslie Ferrin of Ferrin Contemporary will discuss the imagery, drawn from popular nineteenth-century prints, that was reproduced on widely distributed ceramics portraying historical events, indigenous people, and notable explorers, inventors, and politicians through a white European lens. The panel will explore how these seemingly ordinary objects, including Rockwell collector plates, have helped to establish firmly held beliefs about American identity. Artists Elizabeth Alexander, Jacqueline Bishop, Judy Chartrand, Niki Johnson, and Paul Scott, will discuss contemporary ceramics, which reject systems of racial oppression and invite reconsideration of the sanitized version of history that was presented for generations.

Historical Perspectives on Illustration and Race

View the Entire Symposium Playlist from the Norman Rockwell Museum

TIMESTAMPS

00:00 START
00:13 Welcome
04:49 Opening Remarks
22:50 Panel: Hidden in Plain Sight – Illustrated Ceramics and American Identity

These concise presentations by Imprinted: Illustrating Race catalogue authors and exhibition lenders will focus on widely-circulated historical representations of race in the press and in popular culture that established a sense of American nationalism for white audiences through the subjugation of Indigenous, Black, and Asian people and cultures.

Witness to History: Collecting Black Americana
Leonard Davis, designer and collector

PAST PROGRAMMING


Ferrin Contemporary | Exhibition | 2022

OPENING RECEPTION

Thursday, August. 11, 2022 | 5-7 pm
during Building 13 Art Walk

CLOSING RECEPTION

Special Guest Artist Paul Scott (UK)

Thursday, Nov. 3, 2022 |  5-7 pm

Closing reception of the ‘OAWA’ exhibition at Ferrin Gallery, with special guest artist Paul Scott (UK) in attendance, as well as select additional artists and the curators in the exhibition.

at Ferrin Contemporary, North Adams, MA

SYMPOSIUM

Historical Perspectives on Illustration and Race

Zoom Webinar (online)
Welcome and Opening Program:
Friday, September 23, 2022
7 p.m. to 8:45 p.m.

Symposium Presentations and Panels:
Saturday, September 24, 2022
10 a.m. to 5 p.m.

SERGEI ISUPOV: Alliances

SERGEI ISUPOV: Alliances

Oct. 25 – Dec. 9, 2023

Thorne-Sagendorph Art Gallery
Keene State College
229 Main Street, Keene, NH 03431

ABOUT THE EXHIBITION


SERGEI ISUPOV: Alliances

Isupov’s artworks form alliances with one another as they move between media, explore scale, and are presented in curated exhibitions. Recent opportunities to create public works like his fire sculpture production and performances, along with solo exhibitions that show the full scope of Isupov’s creative versatility and process, have led to new works on paper, prints and wall installations combining ceramics with other materials. To create the signature work in his exhibition ALLIANCES, Isupov began with a square, eight-foot woodcut print created from two plywood panels, carving the image using power tools. His plywood carving and print installation bring together ceramic sculpture, assemblage, and printmaking practices and feature dimensional ceramic elements inserted into the plywood print plate. This display is flanked by two of his large-scale busts, and surrounded with sculptures by the artist known primarily for his ceramic sculptures.

Humanimals is an ongoing series that combines animal features with the standing human figure. Lined up in a promenade in ALLIANCES, they zig-zag facing the same direction, following one another, led by highly detailed, cloaked figural sculptures.

Isupov first created works in the Humanimal series in the early 2000’s in his Richmond, VA studio. Beginning with a set of singular figures in groups, he followed with dual, four-leg sculptures joined together with one body. He periodically returns to the form and scale to explore new ideas or prepare three-dimensional “sketches” for his monumental, multi-part standing sculptures.

Androgyny, the series of large-scale heads and busts, began during a residency at Kecskemét, Hungary in 2008 and led to Isupov’s first solo exhibitions at Ferrin Gallery (Pittsfield, MA), Mesa Contemporary Arts Center (Mesa, AZ) and the Daum Museum of Art (Sedalia, MO) in 2009. His latest work in the series Heritage was produced in 2023 and is featured in dialog with select works from series in the artist’s archive.

More on the exhibition HERE

More About Sergei Isupov  HERE

Inquire  HERE

Isupov is a master of nonlinear narration. Combined with his unmatched, masterful skills as both painter and sculptor, the resulting works draw from the past and reflect on the present.

Semi-autobiographical, Isupov’s intimate narratives interweave poignant representations of men and women, parents and children, shown alongside one another, their pets pointing to the naive sense of security we hold in our daily lives.

These works explore individual, interior landscapes and the continually expanding dualities of the self within complex psychological relationships. Intensely personal yet universal, these works in the context of the present day, remind and call upon us to value, protect and preserve the precarious balance we all stand to lose at any present moment.

Sergei Isupov is an Estonian-American sculptor internationally known for his highly detailed, narrative works. Isupov explores painterly figure-ground relationships, creating surreal sculptures with a complex artistic vocabulary that combines two- and three-dimensional narratives and animal/human hybrids. He works in ceramics using traditional hand-building and sculpting techniques to combine surface and form with narrative painting using colored stains highlighted with clear glaze.

Isupov has a long international resume with work included in numerous collections and exhibitions, including the National Gallery of Australia, Museum Angewandte in Kunst, Germany, and in the US at the Carnegie Museum of Art, Crocker Art Museum, Everson Museum of Art, Fine Arts Museum of San Francisco, Museum of Arts and Design, Museum of Fine Arts–Boston, Museum of Fine Arts–Houston, Mint Museum of Art, and Racine Art Museum. In 2017, his solo exhibition at The Erie Art Museum presented selected works in a 20-year career survey titled Hidden Messages, followed by Surreal Promenade, another survey solo in 2019 at the Russian Museum of Art in Minnesota.

PRESS & PROGRAMMING


OPENING RECEPTION

November 18, 2023, 3-5pm

Free and open to the public

Thorne Sagendorph Art Gallery
Keene State College
229 Main Street, Keene, NH 03431

“My work is about contrasts and relationships. I explore contrasts of human condition with my story lines such as male-female and human-animal relationships, and accompanying emotions of warmth and aggression, love and rejection, and nurture and abandonment. Dynamic and interactive narratives are developed using two and three dimensions at the same time with the sculpted form and painted surface. I use a visual vocabulary and classic tools of design, proportion, perspective and silhouette to both sculpt and paint. Eyes show emotional relationships. Facial and figural gestures develop personalities. Illusionary objects and perspectives suggest motion. As a viewer moves around the work, they see each angle and focus point leading to new chapters and story lines. Combined, these clues tell an overall story.”

Copyright© 2023 and published by Thorne-Sagendorph Gallery, Keene State College, Keene, NH

SERGEI ISUPOV: ALLIANCES
October 25 – December 9, 2023

Catalog Design by Erica Pritchett

All photos by John Polak Photography

Courtesy Ferrin Contemporary

Special thanks to co-curators, Paul McMullan, professor at Keene State College and Leslie Ferrin, director, Ferrin Contemporary and for editorial support by Alexandra Jelleberg, associate director, Ferrin Contemporary.

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

Ferrin Contemporary at 1315 MASS MoCA Way

Ferrin Contemporary at 1315 MASS MoCA Way

Housed in Building 13 in an airy building on MASS MoCA’s 16-acre campus in North Adams, Massachusetts, Ferrin Contemporary’s year-round location is only a short walk from the museum’s front door. Specializing in contemporary ceramic art and sculpture, the gallery offers selected works for sale by represented artists, masterworks from private collections, and curated exhibitions.  Also located in the building are other galleries, The Studios at MASS MoCA and The Artist Book Foundation.

EXHIBITIONS