What types of art do you specialize in?

We specialize in contemporary ceramics from the 1950s onward, including clay and porcelain sculptures.

Do you offer collection services?

Yes, we work with private collectors and artist archives to organize, document, and appraise ceramic art collections for deacquisition or placement.

Can you help with exhibition development?

Absolutely, we collaborate with museums and cultural institutions to develop and present ceramic art exhibitions.

Do you provide touring programs?

Yes, we curate and organize touring exhibitions for contemporary ceramic artists.

What are legacy projects?

Legacy projects include customized services for artists, such as retrospective catalogs, exhibitions, and museum acquisitions.

Project Type: FAIRS

Oct

2017

NEW YORK CERAMIC & GLASS FAIR 2018

NYC&G FAIR 2018

Bohemian National Hall, New York, NY | January 18–21, 2018

Bringing together a carefully selected and distinguished international group of more than 25 galleries offering all things “fired” — porcelain, pottery, and glass, in a setting perfect for the exhibition and sale of important small objects.

FERRIN CONTEMPORARY presenting work by

Chris Antemann
Robin Best
Stephen Bowers
Bouke de Vries
Edward Eberle
Evan Hauser
Charlotte Hodes
Sergei Isupov
Steven Young Lee
Crystal Morey
Kadri Pärnamets
Peter Pincus
Paul Scott
Mark Shapiro
Linda Sikora
Caroline Slotte
Dirk Staschke
Mike Stumbras
Mara Superior
Susan Thayer
Kurt Weiser

SPECIAL EXHIBITION

“Revive, Remix, Respond: Contemporary Ceramic Artists at The NYC&GF and The Frick Pittsburgh”

Organized by Dawn Reid Brean, Associate Curator of Decorative Arts at The Frick Pittsburgh, and Leslie Ferrin of Ferrin Contemporary.

In 2017, twenty contemporary artists were invited to respond to and produce new works that reference the art, objects and social history of the The Frick’s collections. Selected works by these artists whose artistic practice is informed by the past will preview in a special exhibition at the NYC&GF followed by the full exhibition at The Frick Pittsburgh, February 16–April 27, 2018. Click for more.

See below for illustrated lecture by Dawn Reid Brean.

LECTURE HIGHLIGHTS

“Pincus: Channeling Josiah Wedgwood”
with Peter Pincus
Friday, January 19, 12pm

Artist Peter Pincus speaks about his research and into the Wedgwood Collections at Birmingham Museum of Art and how conversations with curator Anne Forschler of the Birmingham Museum of Art are being incorporated into his new work and teaching. Pincus is visiting assistant professor of ceramics in the School for American Crafts at the Rochester Institute of Technology. Click for more.

“Revive, Remix, Respond: Contemporary Ceramic Artists at The Frick Pittsburgh”
with Dawn Brean and artists TBD
Friday, January 19, 2–3:00 p.m.

Dawn Reid Brean, Associate Curator of Decorative Arts at The Frick Pittsburgh, with Leslie Ferrin of Ferrin Contemporary and artists featured in the exhibition whose work is inspired by, responds to, or relates to historic ceramics in The Frick Pittsburgh’s permanent collection. Click for more.

“Time Travel in the Period Room”
with Elisabeth Agro, Barry Harwood, Sarah Carter
Friday, January 19, 4–5:00 p.m.

Three museum curators speak about exhibitions and projects that connect past and present in innovative ways, activating spaces through collaborations with contemporary artists and interdisciplinary scholars and informing new works. The curators will share how through working with contemporary artists and interdisciplinary scholars new works evolved, historic information revealed, audiences engaged, educational programming developed and connections made to the past while reflecting on present day issues.

• Elisabeth Agro is The Nancy M. McNeil Curator of American Modern and Contemporary Crafts and Decorative Arts at the Philadelphia Museum of Art
• Sarah Anne Carter, Ph.D. is the Curator and Director of Research of the Chipstone
Foundation
• Barry R. Harwood, Ph.D. is the Curator of Decorative Arts at the Brooklyn Museum

Click for more.

“American Studio Pottery — Making of a Movement”
Adrienne Spinozzi with Linda Sikora and Mark Shapiro
Saturday, January 20, 4pm

Internationally recognized potters Linda Sikora and Mark Shapiro discuss their divergent backgrounds, training, and influences as a way to touch on significant themes in postwar North American ceramics.

Moderator Adrienne Spinozzi is Assistant Research Curator of American Decorative Arts, The American Wing, at The Metropolitan Museum of Art. Linda Sikora resides near Alfred NY where she has a studio practice and is a Professor or Ceramic Art at Alfred University. Mark Shapiro is a potter in Western Massachusetts. He is a frequent workshop leader, lecturer, curator, panelist, and writer, and is mentor to more than a half-dozen apprentices who have trained at his Stonepool Pottery. Click for more.

Chris Antemann, “Shell Stand” 2016, porcelain, china paint, decals, luster, 21” x 10” x 10”.

Robin Best, “The Aldrovandi Vases” 2017, porcelain, on-glaze Xin Cai, 12.5 x 5″ each.

Stephen Bowers, “Plates”, Various 2015-7

Bouke de Vries, “Peacock 1″ 2016, twentieth-century Chinese porcelain bird, eighteenth-century Chinese porcelain fragments, mixed media, 24 x 13.5 x 25”.

Edward Eberle, “The Least of Eye is Flesh” 2007, porcelain, stain, 11.25 x 17.5 x 18″.

Evan Hauser, “Preservation & Use (Yosemite Valley, Glacier Point Trail, 1873, Albert Bierstadt)” 2017, porcelain, gold leaf, 15 x 11 2.5″.

Charlotte Hodes, “Dressed in Pattern: Portrait” 2016, handcut transfer on china, 11.25 x 29 x 1″.

Sergei Isupov, “Growth Rings” 2016, porcelain, underglaze, glaze, 23 x 10 x 6.5″.

Steven Young Lee, “Gourd Vases with Dodos” 2018, porcelain, cobalt pigment, glaze, 10 x 19 x 18”.

Crystal Morey, “New Symbiosis: Pronghorn” 2017, porcelain, 10.5 x 6 x 4.5″.

Kadri Pärnamets, “Picnic” 2014, porcelain, glaze, stain, 7.5 x 10.25 x 4″.

Peter Pincus, “Vase” 2018, colored porcelain, 16 x 7″.

Paul Scott, “Scott’s Cumbrian Blue(s), Houston No:3” 2017, in-glaze decal collage on pearlware shell edge platter c 1820. 15.75 x 11.75” (400mm x 300mm).

Mark Shapiro, “MORON” double walled vase.

Linda Sikora, “Small Group” 2017–8, porcelain, stoneware, approximate sizes: kettle 10 x 11 x 9″, box 8 x 7 x 7″, stand 1.5 x 11 x 11″.

Caroline Slotte, “Going Blank Again” 2016, reworked second hand ceramics.

Dirk Staschke, “Vanitas 1″ 2015–6, ceramic, 11 x 8 x 8”.

Mara Superior, “Venus of Urbino” 2018, porcelain, underglazes, oxides, glaze, gold leaf, decal, 13 x 19 x 3″.

Susan Thayer, “Return” 2016, teapot: porcelain, china paint, glazebase: lowfire stoneware, slip, 16 x 9 x 5″.

Kurt Weiser, “Random House (globe)” 2017, porcelain, glaze, china paint, metal, 30 x 14 x 14″.

Dirk Staschke "Vanitas 1"

May

2017

NEW YORK CERAMICS & GLASS FAIR 2017

ABOUT THE NYCGF

New York Ceramics & Glass Fair
Bohemian National Hall, New York, NY
January 19–22, 2017
Click here for more

Bringing together a carefully selected and distinguished international group of around 28 galleries offering all things “fired” — porcelain, pottery, and glass, in a setting perfect for the exhibition and sale of important small objects.

EVENTS

HIGHLIGHTED LECTURES

“The Feminine Clay”
with Shannon Stratton
Friday, January 20, 12 noon

“Things of Beauty Growing: British Studio Pottery”
with Glenn Adamson
Friday, January 20, 4pm

“Buy, Sell, or Give? What Happens When the Kids Don’t Want It”
Panel discussion lead by Leslie Ferrin
Saturday, January 21, 2pm

Click here for more.

May

2017

RE—Reanimate, Repair, Mend and Meld

ABOUT THE EXHIBITION

January 21–24, 2016
NEW YORK CERAMICS & GLASS FAIR
Bohemian National Hall, 321 East 73rd Street, New York, NY

February 13–April 17, 2016
Ferrin Contemporary
1315 MASS MoCA Way, North Adams, MA, US

Oct 10–Nov 14, 2015
Bluecoat Display Centre
Liverpool, England, UK

Co-curated by Paul Scott and Andrew Baseman

This group exhibition examines the contemporary artistic interest in repaired ceramics. It focuses on materially related forms and graphic material by leading contemporary artists who exploit and explore the surrounding issues of conservation, restoration, over-consumption, reuse, and recycling.

“Before the advent of modern glues, broken ceramics or glass objects were drilled, wired, stapled or riveted together, textiles used to be darned or patched. Home-made or improvised ‘make do and mend’ repairs were made to a loved plate or jug and finer variations of these techniques used by serious conservators. The preciousness of these intimately repaired objects faded with time and in conservation circles practices which interfered with the ‘integrity of the object’ became actively discouraged and disapproved. A few years ago, in spite of their beauty, rivets in plates and wired handles hugely devalued a piece of antique tableware. In some museum collections even the evidence of a staple or riveted repair would be removed and hidden if new conservations took place.

“In more recent times, as we struggle to come to terms with our over consumption of finite resources, the concept of re-cycling has become a central tenet of modern life. There is an increasing interest for crafted, restored, once loved objects so that the obviously repaired,‘traditional’ processes again appear beautiful, functional and intriguing. Whilst their display is not yet common in our public museums, private collections and interests are building. Enthusiast Andrew Baseman has a comprehensive archive of beautifully repaired glass, and ceramic objects, which he makes available to wider public though his wonderful blog.

“For many artists, re-cycling and reuse has long been a natural part of practice; as well as ecological soundness, trash is generally cheap (if not free). Existent, damaged worn or broken objects carry messages, they have already had a life and carry evidence of their journey in material fabric. This realized physicality can be used or exploited in aesthetic form, as conceptual device or collateral evidence. Discarded graphic material has long been used in collage and more recently material from industrial archives are also being used to create new iterations.”

— Paul Scott, co-curator and artist

Click here to view or download press release.

Click here to view press coverage of “Mended Ways: The Inventive Art of Repair.”

Click here to view press coverage from C-File April 28, 2016.

Click here to view the video of Paul Scott presenting work from this exhibition at the Bluecoat Display Centre in October 2015. (His segment begins at 11:55 minutes.)

May

2017

MENDED WAYS | The Art of Inventive Repair

ABOUT THE EXHIBITION

MENDED WAYS: The Art of Inventive Repair

A special exhibition presented by Andrew Baseman

January 21–24, 2016
New York Ceramics & Glass Fair
Bohemian National Hall, 321 East 73rd Street, New York, NY

An exhibit of repaired historic pieces from Baseman’s collection complemented with work from contemporary ceramic artists whose work imitates, replicates, or honors the inventive repairs of the past.

“Before the invention of Krazy Glue, broken household items were brought back to life with flair and ingenuity.” Examples of repaired historic pieces from Baseman’s collection will be complimented with work from contemporary ceramic artists whose work imitates, replicates, or honors the inventive repairs of the past.

Baseman presented a lecture at the New York Ceramics & Glass Fair 2016.
Click here for part one and part two.

RE—Reanimate, Repair, Mend and Meld

This curated exhibition examines the contemporary artistic interest in repaired ceramics. It focuses on materially related forms and graphic material by leading contemporary artists who exploit and explore the surrounding issues of conservation, restoration, overconsumption, reuse, and recycling.

May

2017

Ferrin Contemporary at PULSE MIAMI 2015

Ferrin Contemporary presents
Cristina Córdova in ISLA SALVAJE (wild island) at

December 1–5, 2015
Indian Beach Park, 4601 Collins Avenue
Miami Beach, FL 33140
Booth S-113

Cristina is a nominee for the PULSE Prize, a cash grant awarded to an artist of distinction exhibiting a solo presentation at the fair.

EVENTS + HOURS

Tuesday, December 1
Private Preview Brunch By VIP Invitation, 1–4pm
Opening Celebration, 4pm–7pm

Wednesday, December 2, 10am–7pm
Thursday, December 3, 10am–7pm
Friday, December 4, 10am–7pm
Saturday, December 5, 10am–5pm
Sunset Celebration, 5pm–7pm

PULSE MIAMI is located at Collins Avenue and 46th Street right next to the Eden Roc Hotel and with direct access from the beach and boardwalk. PULSE is recognized for providing its international community of emerging and established galleries with a dynamic platform for connecting with a global audience. PULSE offers visitors an engaging environment in which to discover and collect the most compelling contemporary art being produced today.

Cristina Córdova, “Dibujo en Barro” 2015, clay, pigments, 96 x 72″.

Cristine Córdova, “Untitled” detail, 2015, ceramic, resin, pigments, 34 x 23 x 12″.

Cristina Córdova, “De mi isla salvaje (from my wild island)” 2015, ceramic, resin, pigments, tiles 93 x 70″, figure 53 x 25 x 17″.

Ferrin Contemporary booth featuring Cristina Córdova at PULSE Miami 2015.

May

2017

NEW YORK CERAMICS & GLASS FAIR 2016

NYCGFlogo

ABOUT THE NYCGF

January 21–24, 2016
Bohemian National Hall
321 East 73rd Street, New York, NY 10021

HOURS

Thursday to Saturday 11:00am–7:00pm
Sunday 11:00am–4:00pm (no admittance Sunday after 3:30)

EVENTS

SELECTED LECTURES
Thursday, January 21, 4pm
ANDREW BASEMAN LECTURE: Past Imperfect: The Art of Inventive Repair

Friday, January 22, 2pm
PAUL SCOTT, BOUKE DE VRIES, & LESLIE FERRIN LECTURE: Fragile Beauty: Re-animate, Repair, Meld and Mend

Saturday, January 23, 2pm
STEPHEN BOWERS LECTURE: Ming goes Bling & the Slightly Satirical Aroma of Eucalyptus

Click here for full lecture schedule.

STEVEN YOUNG LEE
Steven Young Lee, "Maebyong Vases" 2016, porcelain, white slip, glaze, 14 x 20 x 14".

KADRI PÄRNAMETS

PETER PINCUS
Peter Pincus, "Vessels" 2016, porcelain, slip, gold lustre, 21 x 30 x 8".

PAUL SCOTT

CAROLINE SLOTTE

MARA SUPERIOR

KURT WEISER
Kurt Weiser, "Seed Collector" 2016, china painted porcelain, 9.5 X 9.75".

ABOUT THE ART OF INVENTIVE REPAIR

MENDED WAYS: THE ART OF INVENTIVE REPAIR
A special exhibition presented by Andrew Baseman

“Before the invention of Krazy Glue, broken household items were brought back to life with flair and ingenuity.” Examples of repaired historic pieces from Baseman’s collection will be complimented with work from contemporary ceramic artists whose work imitates, replicates, or honors the inventive repairs of the past.

May

2017

NEW YORK CERAMICS & GLASS FAIR 2015

Bohemian National Hall, 321 East 73rd Street
(between 1st & 2nd Avenues)
New York, NY

SELECTED WORKS FROM CURRENT PROJECTS
Ferrin Contemporary booth on the 4th floor

MADE IN CHINA: THE NEW EXPORT WARE
Ferrin Contemporary Special Exhibition Booth on the 3rd Floor

EVENTS

MEET THE ARTISTS
in the Special Exhibition Booth on the 3rd Floor

Join us for a conversation about MADE IN CHINA: THE NEW EXPORT WARE with artists Sin-ying Ho and Robert Silverman. The discussion will be moderated by Leslie Ferrin, curator of MADE IN CHINA and director of Ferrin Contemporary. A tour of the exhibition with the artists and curator, will follow.

MADE IN CHINA ARTIST & CURATOR LECTURES

Friday, January 23, 2015

12 noon
ARTIST TALK: Paul Scott
Duchess, Dogs, Detroit, Dragons, Handles and Cherrypickers: Re-Animating the Transferware Archives of an Industry with Paul Scott: artist, author, and professor at the Oslo National Academy of the Arts Norway

1:30 p.m.
BOOK SIGNING: Paul Scott
Join us! Paul Scott will sign and present his new book Horizon, Transferware and Contemporary Ceramics.

2 pm
CURATOR TALK : Leslie Ferrin
Made in China: New Export Ware from Jingdezhen with Leslie Ferrin, curator of MADE IN CHINA and director Ferrin Contemporary

4 pm
ARTIST TALK: Garth Johnson
I’m So Fancy: Young Artists Take On Historical Ceramics with Garth Johnson, Curator of the Arizona State University Ceramics Research Center and Director-at-Large of the National Council on Education for the Ceramic Arts (NCECA).

Saturday, January 24

12 noon
LECTURE: RON FUCHS II
The Most Dangerous Imitations: Fake Chinese Export Porcelain of the 1920s and ’30s with Ron Fuchs II, Curator of the Reeves Collections at Washington and Lee University.

3pm
CONVERSATION and TOUR with artists and curator

Click here to view press release.
Click here for downloadable pdf of press release.

SELECTED WORKS FROM CURRENT PROJECTS

Frances Palmer

Bonnie Smith

This group exhibition brings together work by several top ceramic artists represented by Ferrin Contemporary. Included will be pieces by Stephen Bowers, Claire Curneen, Steven Young Lee, Frances Palmer, Paul Scott, Bonnie Smith, Vipoo Srivilasa, Mara Superior, and Kurt Weiser. Form and surface merge in various constructions embodying elements of the human form, of animals, and of abstracted thought. The work in this exhibit gives a taste of the broad range of work being created in ceramics today.

MADE IN CHINA: THE NEW EXPORT WARE

Julie Bartholomew

Caroline Cheng

Sam Chung

Future Retrieval

Paul Mathieu

MADE IN CHINA examines the contemporary, ceramic-centric exchange between eastern and western artists and markets. Marked by ever-increasing cross-cultural collaboration, this contemporary ceramics movement emerging from China is urging a re-definition of today’s export ware.
Exploring the growing cultural exchange between east and west.
With increasing frequency, western artists are traveling to China to produce ceramic work using traditional Chinese methods. In this exhibition, Ferrin Contemporary brings together work that reveals the essential aspects of contemporary ceramics currently coming out of China.

It is a dynamic relationship with appropriation and collaboration occurring in both directions.

Click here to read Blouin Art Info on Made in China.
Click here to read “Yes Virginia, Collecting Ceramics Can Be Hip” by Lynn Byrne of DXV American Standard.
Click here to read “Marketplace | New York Ceramics & Glass Fair 2015” on CFile.
Click here to read “Emporiums of the Waggish and Weird” by William Grimes in The New York Times.
Click here to read “Ceramics Crack the Contemporary Art Market — Breaking the Mold” by Brook Mason in the New York Observer.
Click here to read “New York Ceramics & Glass Fair 2015” by Andrew Baseman in Past Imperfect: The Art of Inventive Repair.
Click here to read “New York Ceramics & Glass Fair 2015 at Bohemian National Hall” by Alison Ng in Asian in NY.

May

2014

THE NEW YORK CERAMICS AND GLASS FAIR 2014

January 22–26, 2014
Bohemian National Hall, NYC, NY
321 East 73rd Street (Between 1st & 2nd Avenues)

The Bacchanalistas: Passions + Pleasure

This entertaining on site exhibition curated by Leslie Ferrin spotlights the seductive side of historic and modern ceramics and glass objects curated from selected objects from contemporary and antique dealers participating at the fair.

On Saturday, January 25 at 4pm, Leslie Ferrin will present an overview of The Bacchanalistas: Passions + Pleasure. Her lecture will explore contemporary ceramics by living artists whose art practice draws inspiration from ceramic history. Themes of passion, eroticism, sexuality, abundance and excess of food and wine will be shown through figural sculpture, animated painted vessels and still life. Earlier, at 2pm, Robert Hunter, editor or Ceramics in America, will present Angels and Demons: The Pleasures of Pottery and Porcelain. Click here for full lecture schedule.

Paul Scott: New American Scenery
During his recent residencies, lecture tour, and travels in the US, Scott gathered and created a new series, American Scenery, inspired by his travels, observation, and research into American landscape painting, prints, and the subsequent use of those images on ceramic transfer ware. Knowledge drawn from behind-the-scenes tours at museums and collections throughout the North East influences this new work where Scott has applied prints he produced in the USA onto rescued, cast off ceramic plates from the 19th and early 20th centuries. His work tells stories that explore the unexpected movement of images through materials, media, cultures, politics, histories, and geographies, inviting us to see a whole group of objects in a new way.

Contemporary Ceramics
On exhibit will be new work by contemporary ceramic artists Robin Best, Guy Michael Davis, Leopold Foulem, Giselle Hicks, Sergei Isupov, Katie Parker, Mara Superior, and Kurt Weiser.

Teapots
From utilitarian to conceptual, selected teapots by contemporary artists from studios and private collections, circa 1900 to the present.

EVENTS
New York Ceramics Fair | 2014 LECTURE SERIES
The lecture program, free with show admission, is sponsored by the Chipstone Foundation. Click here for full lecture schedule.

Click here to download and print your free admission ticket to New York Ceramics Fair | 2014.

MORE …

Robin Best, “The Travels of William Bartram”, 2014, porcelain, onglaze ‘xin cai’ painting, 7.75 x 3.75″

Robin Best, “The Travels of William Bartram” (detail), 2014, porcelain, onglaze ‘xin cai’ painting, 7.75 x 3.75″

Robin Best, “The Wallace Line”, 2013, porcelain, onglaze, 8 x 4″

Stephen Bird, “Persian Blue Shoot Out” 2012, earthenware, pigment, glaze, 15.75 x 19.75″. Courtesy Garis and Hahn Gallery.

Stephen Bird, “Nice Banana”, 2012, clay, pigment, glaze, 10.6″.

Stephen Bird, “Adam and Eve”, 2012, clay, pigment, glaze, 10.5 x 10.5″

Leopold Foulem, “Trio Flower Patch”, 2012, ceramic and found objects, 20 x 15.25 x 8.5″

Leopold Foulem, Still Life with “Mille Fleurs”, 2011-2012, ceramic and found object, 10.75 x 8.5 x 7.5″

Leopold Foulem, “Boy with Cape on Empire Style Stand” 2012, ceramic, found object, decal, gold luster, 16.5 x 5 x 4.5″. Courtesy of David Kaye Gallery

Future Retrieval: Katie Parker & Guy Michael, “Don’t Tread”, 2009, porcelain, 14 x 12 x 10″

Future Retrieval: Katie Parker & Guy Michael, “Hold ‘Em”, 2012, porcelain underglaze transfer, china paint, 12 x 8 x 8.5″

Future Retrieval: Guy Michael Davis and Katie Parker, “Grand Theft Lion” 2013, Future Retrieval: Guy Michael Davis and Katie Parker, “Grand Theft Lion” 2013, porcelain, china paint, grammertry, rapid prototying, 11 x 14 x 7″.

Sergei Isupov, “Cinderella”, 2013, porcelain, glaze, stain, 6.5 x 10 x 5.5″.

Sergei Isupov, “Velvet”, 2013, porcelain, glaze, stain, 15.75 x 8 x 6″

Sergei Isupov, “The Hero’s Mother”, 2012, porcelain, glaze, stain, 8.5 x 12 x 4″

Howard Kottler, “Virgin Spring”, c. 1967, porcelain, decals, lustre, 10″

Howard Kottler, “Colonial Rockettes” c. 1967, porcelain, decals, lustre, 10″

Howard Kottler, “Calico Chinoisere”, c. 1967, porcelain, decals, glaze, 10″

Kadri Pärnamets, “Picnic Teapot”, 2014, porcelain, glaze, stain, 7.5 x 10.25 x 4″

Kadri Pärnamets, “La Grande Odalisque Teapot”, 2014, porcelain, glaze, stain, 6.5 x 11 x 5″

Kadri Pärnamets, “Picnic”, 2014, porcelain, glaze, stain, 7.5 x 10.25 x 4″.

Rae’ut Stern and Aya Margulis, Doda Designs, “p0rn Plate” from Web Souvenirs, 2010, slip cast, white earthenware, clear glaze, 10.5″

Doda Design: Aya Margulis & Rae’ut Stern, “Web Souvenirs” 2010-2013, earthenware, under glaze, glaze, gold luster, digital print, 148 x 42″.

Doda Design: Aya Margulis and Rae’ut Stern, “Web Souvenirs” 2010-2013, earthenware, under glaze, glaze, gold luster, digital print, 148 x 42″.

Paul Scott, “Cumbrian Blue(s), American Scenery, Hudson River, Indian Point No. 2″ 2013, inglaze decal collage, gold luster on KT&K S–V China (Knowles Taylor and Knowles, Liverpool, Ohio) platter, c. 1920, 7 x 10”.

Paul Scott, “Cumbrian Blue(s), American Scenery, Windturbine No. 1″ 2013, Inglaze decal collage, gold luster on Johnson Bros Late Pankurst Co., Ironstone platter c. 1890, 8.75 x 12 x 1”.