Project Type: CATALOG ON SQ

Mastering Sculpture: The Figure in Clay

Mastering Sculpture: The Figure in Clay

Mastering Sculpture: The Figure in Clay Catalog by Cristina Córdova

Explore the human form in-depth, from concept sketches and armatures to detailed instructions for constructing legs, torso, arms, hands, and head from clay.

In Mastering Sculpture: The Figure in Clay, renowned sculptor and instructor Cristina Córdova teaches everything you need to know to replicate the full human figure using clay.
Start by developing meaningful sketches and reference points.

Then learn how to make and use an armature to create hollow forms that are safe to fire in a kiln.

Using patterns and slabs, you can move on to develop a full human form, head to toe.
Work along with the author to create a form about two feet tall, or choose your own size: the patterns and instructions can work in a variety of scales.

Photographic demonstrations and diagrams cover the construction and articulation of feet and legs, the hip area and upper torso, arms, hands, neck, and head. Cristina includes supplementary tips and insights throughout to support the sculpting process and enhance naturalism. You’ll also find a brief section on general anatomical concepts and modeling strategies to facilitate accuracy and expression as all the components come together.

Whether you are a clay artist with limited experience in figurative sculpture or a figurative sculptor outside the world of ceramics looking for a straightforward fabrication strategy to create permanent compositions from clay, Mastering Sculpture: The Figure in Clay will expertly guide your way.

  • Publication Date: 2022, Quarry Books
  • Fully illustrated 192 pages
Raymon Elozua: STRUCTURE & DISSONANCE Exhibition Catalog

Raymon Elozua: STRUCTURE & DISSONANCE Exhibition Catalog

Structure/Dissonance celebrates nearly five decades of work by New York-based artist Raymon Elozua, who first came to prominence in the 1970s with detailed trompe l’oeil ceramic sculptures of decaying industrial landscapes. Elozua’s first major museum exhibition since his 2003 retrospective at the Mint Museum, Structure/Dissonance focuses on three conceptual bodies of work that explore the combined physical properties of three elemental materials: ceramic, glass, and steel. This exhibition contextualizes these vital sculptures within Elozua’s intellectual landscape through the inclusion of a series of collections and research projects that are inextricably linked to his artistic output.

  • September 10—December 31, 2022 at the Everson Museum of Art in Syracuse, NY – curated by Garth Johnson
  • Catalog features essays by Johnson, Maria Porges, and Thyrza Nichols Goodeve, 2022
  • Published on 

CATALOG CELEBRATION

A Celebration event for the release of the catalog for Raymon Elozua: Structure/Dissonance. Elozua was joined by the three writers who shaped the catalog, Maria Porges, Thyrza Nichols Goodeve, and Garth Johnson. Each writer reflected on the exhibition and shared some of their insights about Elozua’s work. Below, Johnson is pictured left and Elozua on the right.

CRYSTAL MOREY: Venus on the Waves Catalog

CRYSTAL MOREY: Venus on the Waves Catalog

Crystal Morey’s “Venus on the Waves” exhibition catalog release: June 1, 2020.

Available now for $17.80, which includes domestic postage.

The 8.5 x 11″ booklet includes 16 beautiful pages of images and text from the “Venus on the Waves” exhibition
at Ferrin Contemporary in 2019.

  • Read more about the exhibition, HERE.
  • The book also includes a wonderful essay by writer Maria Porges, “Claiming Beauty: Crystal Morey’s Venus on the Waves”.

Excerpt from Maria Porges Essay:

All of Morey’s therianthropes have a kind of contained power, even when their poses might bely such a reading. A closer examination of the passive contrapposto of the standing figures in Three Gracesreveals a kind of watchful alertness. Positioned back to back around a tree stump, they are warriors creating a united defense. Rhino and mountain lion have their arms intertwined, but the gesture looks protective rather than girlishly affectionate. Alert, all three scan the horizon, dependent on each other for safety. As Morey has put it, “The rhino, mountain lion and human are all in danger of habitat loss, and extinction- although the human is just now realizing how delicate her situation is, and how dependent she is on the well -being of the creatures and environments around her.”

Like these three, Morey reminds us, all living creatures are connected. Multiple-figure compositions– a first for her—have enabled her to address increasingly complex issues. The result is a body of work in which several different meanings can be slowly unpacked, even as the immediate physical appeal of the figures provides pleasure. “You can come in at whatever level you want, but hopefully it will make you think about something you haven’t previously considered… I don’t know if this work will make a change, but I hope it instigates a conversation.”

MALCOLM WRIGHT: Moving Beyond Tradition

MALCOLM WRIGHT: Moving Beyond Tradition

“Malcolm Wright, who is known by some as a functional potter and by others as a sculptor working in clay, is a consummate craftsman of both. He belongs to a group of contemporary ceramic artists who began as potters throwing vessels on the wheel, and then, seeking to move outside of that tradi- tion, found hand building as a way to broaden their artistic vocabulary.” — Susan Strickler

  • Publication Date: October 2018
  • 50 pages
  • Selected works presented in this catalog feature the sculptural capstones from Malcolm’s over 55-year artistic career and studio, The Turnpike Road Pottery, with an eloquent essay written by Susan Strickler, former director of the Currier Museum.
  • Available for purchase for $15.00
About Face: Contemporary Ceramic Scultpure Catalog

About Face: Contemporary Ceramic Scultpure Catalog

About Face: Contemporary Ceramic Sculpture   This catalog features a foreword by Director Angie Dodson and two essays: one by Glenn Adamson, an expert in craft, ceramic, and contemporary art, and one by MMFA Curator of Art Jennifer Jankauskas, Ph.D. The exhibition catalog also includes color photography of select works in the exhibition.

Sergei Isupov: 1996-2006

Sergei Isupov: 1996-2006

Sergei Isupov, “Ring of Fire”, 2004, porcelain, 20 x 10 x 8″.

Sergei Isupov: 1996-2006

Published in 2006 by Ferrin Gallery, Lenox, MA

This visual survey marks the tenth anniversary of the working relationship between the artist and Ferrin Gallery.

Features works from 1996–2006 with short biographical essay and curriculum vitae.

Sergei Isupov Catalog 1996-2006

32-page, full-color exhibition catalog

HORIZON: Transferware and Contemporary Ceramics by Paul Scott

HORIZON: Transferware and Contemporary Ceramics by Paul Scott

  • 220 pages, illustrated hardcover
  • Language ‏ : ‎ English
  • ISBN-10 ‏ : ‎ 389790425X
  • ISBN-13 ‏ : ‎ 978-3897904255
  • Item Weight ‏ : ‎ 2.41 pounds
  • Dimensions ‏ : ‎ 8.58 x 0.73 x 10.92 inches

Horizon: Transferware and Contemporary Ceramics

Edited by Paul Scott and Knut Astrup Bull

Published by Arnoldsche Art Publishers, Stuttgart, Germany (March 31, 2015)

An exploration of the impact and importance of printed tablewares, now making a comeback. The new artwork reflects a significant cultural impact around the world. Horizon melds historical enquiry with contemporary practice.

In the early nineteenth century, printed tablewares formed part of the new media of the age. Together with patterned textiles and wallpapers they assimilated, then disseminated the constructs of landscape imagery making the previously exclusive available to many. Printed tablewares played a significant role in the democratisation of artistic imagery as well as the development of cultural and national identities. Eventually, as newer media forms began to supersede the vitrified print, meaning became diluted, so that the genre eventually reached obsolescence and kitsch.

Today there is a growing interest in this undervalued material from collectors, curators, museologists and contemporary artists who reference and celebrate the genre. The new artwork is international in nature, reflecting the significant cultural impact printed transferwares had as they were produced and exported around the world. Melding historical enquiry with contemporary practice, the book illustrates how artists re-appropriate this historical genre to observe, record, comment and re-animate.

Teapots Transformed: Exploration of an Object

Teapots Transformed: Exploration of an Object

This book tells the tale of an art form — from traditional, functional teapots to an eclectic mix of contemporary designs. A delight for tea drinkers around the world, an inspiration for artists, and a visual feast for the growing number of teapot collectors.

  • $30
  • 128-page, full-color, hardbound book
  • Published January 1, 2000 by GUILD Publishing
  • Print length: 128 pages
  • Language: English
  • Publication date
  • Dimensions: 9.5 x 0.75 x 9.5 inches