What types of art do you specialize in?

We specialize in contemporary ceramics from the 1950s onward, including clay and porcelain sculptures.

Do you offer collection services?

Yes, we work with private collectors and artist archives to organize, document, and appraise ceramic art collections for deacquisition or placement.

Can you help with exhibition development?

Absolutely, we collaborate with museums and cultural institutions to develop and present ceramic art exhibitions.

Do you provide touring programs?

Yes, we curate and organize touring exhibitions for contemporary ceramic artists.

What are legacy projects?

Legacy projects include customized services for artists, such as retrospective catalogs, exhibitions, and museum acquisitions.

Project Tag: Vipoo Srivilasa

May

2017

EVERYTHING IS ALL WHITE: The New Year Show

ABOUT THE EXHIBITION

January 8 – February 21, 2015
KASHER | POTAMKIN
515 West 26th Street, New York
kasherpotamkin.com

An exhibition of over thirty multigenerational artists tied together by the crisp and pure color of fresh snow. Show features work by Ferrin Contemporary artists Sergei Isupov and Vipoo Srivilasa.

Click here to inquire about available works.

ABOUT KASHER | POTAMKIN

Kasher | Potamkin is a boutique-meets-gallery concept located in the heart of Chelsea. Handcrafted, rare objects, and unique works of art and design are presented in an intimate, home-like environment, expanding the conversation on integrating art and life.

Sergei Isupov, "Seeds" 2009, stoneware, 29 x 19 x 18".

Sergei Isupov, "Bullseye" 2009, stoneware, 28.5 x 17 x 17".

Sergei Isupov, "Horsepower" 2009, stoneware, 32 x 19 x 17".

Sergei Isupov, "To Listen with Half and Ear" (edition of 6), 2003, vitreous china, 6 x 23 x 16".

Vipoo Srivilasa, "The Patience Flower" 2014, Jingdezhen super white porcelain, 10 x 6.6".

May

2017

NEW YORK CERAMICS & GLASS FAIR 2015

Bohemian National Hall, 321 East 73rd Street
(between 1st & 2nd Avenues)
New York, NY

SELECTED WORKS FROM CURRENT PROJECTS
Ferrin Contemporary booth on the 4th floor

MADE IN CHINA: THE NEW EXPORT WARE
Ferrin Contemporary Special Exhibition Booth on the 3rd Floor

EVENTS

MEET THE ARTISTS
in the Special Exhibition Booth on the 3rd Floor

Join us for a conversation about MADE IN CHINA: THE NEW EXPORT WARE with artists Sin-ying Ho and Robert Silverman. The discussion will be moderated by Leslie Ferrin, curator of MADE IN CHINA and director of Ferrin Contemporary. A tour of the exhibition with the artists and curator, will follow.

MADE IN CHINA ARTIST & CURATOR LECTURES

Friday, January 23, 2015

12 noon
ARTIST TALK: Paul Scott
Duchess, Dogs, Detroit, Dragons, Handles and Cherrypickers: Re-Animating the Transferware Archives of an Industry with Paul Scott: artist, author, and professor at the Oslo National Academy of the Arts Norway

1:30 p.m.
BOOK SIGNING: Paul Scott
Join us! Paul Scott will sign and present his new book Horizon, Transferware and Contemporary Ceramics.

2 pm
CURATOR TALK : Leslie Ferrin
Made in China: New Export Ware from Jingdezhen with Leslie Ferrin, curator of MADE IN CHINA and director Ferrin Contemporary

4 pm
ARTIST TALK: Garth Johnson
I’m So Fancy: Young Artists Take On Historical Ceramics with Garth Johnson, Curator of the Arizona State University Ceramics Research Center and Director-at-Large of the National Council on Education for the Ceramic Arts (NCECA).

Saturday, January 24

12 noon
LECTURE: RON FUCHS II
The Most Dangerous Imitations: Fake Chinese Export Porcelain of the 1920s and ’30s with Ron Fuchs II, Curator of the Reeves Collections at Washington and Lee University.

3pm
CONVERSATION and TOUR with artists and curator

Click here to view press release.
Click here for downloadable pdf of press release.

SELECTED WORKS FROM CURRENT PROJECTS

Frances Palmer

Bonnie Smith

This group exhibition brings together work by several top ceramic artists represented by Ferrin Contemporary. Included will be pieces by Stephen Bowers, Claire Curneen, Steven Young Lee, Frances Palmer, Paul Scott, Bonnie Smith, Vipoo Srivilasa, Mara Superior, and Kurt Weiser. Form and surface merge in various constructions embodying elements of the human form, of animals, and of abstracted thought. The work in this exhibit gives a taste of the broad range of work being created in ceramics today.

MADE IN CHINA: THE NEW EXPORT WARE

Julie Bartholomew

Caroline Cheng

Sam Chung

Future Retrieval

Paul Mathieu

MADE IN CHINA examines the contemporary, ceramic-centric exchange between eastern and western artists and markets. Marked by ever-increasing cross-cultural collaboration, this contemporary ceramics movement emerging from China is urging a re-definition of today’s export ware.
Exploring the growing cultural exchange between east and west.
With increasing frequency, western artists are traveling to China to produce ceramic work using traditional Chinese methods. In this exhibition, Ferrin Contemporary brings together work that reveals the essential aspects of contemporary ceramics currently coming out of China.

It is a dynamic relationship with appropriation and collaboration occurring in both directions.

Click here to read Blouin Art Info on Made in China.
Click here to read “Yes Virginia, Collecting Ceramics Can Be Hip” by Lynn Byrne of DXV American Standard.
Click here to read “Marketplace | New York Ceramics & Glass Fair 2015” on CFile.
Click here to read “Emporiums of the Waggish and Weird” by William Grimes in The New York Times.
Click here to read “Ceramics Crack the Contemporary Art Market — Breaking the Mold” by Brook Mason in the New York Observer.
Click here to read “New York Ceramics & Glass Fair 2015” by Andrew Baseman in Past Imperfect: The Art of Inventive Repair.
Click here to read “New York Ceramics & Glass Fair 2015 at Bohemian National Hall” by Alison Ng in Asian in NY.

May

2017

MADE IN CHINA : The New Export Ware

MADE IN CHINA

OCTOBER 18–NOVEMBER 16

Featuring works by Robin Best, Caroline Cheng, Sin-ying Ho, Paul Scott, Robert Silverman, and Vipoo Srivilasa

1315 MASS MoCA Way
NORTH ADAMS, MA

OPENING RECEPTION + GALLERY TALK
Saturday, October 18, 2014, 5-7

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art_market_Miami_new
DECEMBER 2–7

Featuring works by Julie Bartholomew, Caroline Cheng, Sin-ying Ho, Garth Johnson, Paul Mathieu, Paul Scott, Robert Silverman, and Vipoo Srivilasa

Midtown/Wynwood District NE 1st Avenue @ NE 34th Street
Miami, Florida

MEET THE ARTISTS
Friday, December 5 BOOTH #125
Sin-ying Ho: 11:30–1 with artist talk at 1:00
Robert Silverman: 1–2:30 with artist talk at 2:00
Leslie Ferrin & artists talk at 3:00

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JANUARY 21–25

Featuring works by Julie Bartholomew, Caroline Cheng, Sam Chung, Future Retrieval (Katie Parker & Guy Michael Davis), Sin-ying Ho, Garth Johnson, Paul Mathieu, Paul Scott, Robert Silverman, and Vipoo Srivilasa

321 East 73rd Street
NEW YORK, NY

ARTIST & CURATOR LECTURES
Friday, January 23, 2015

12 noon Paul Scott
Duchess, Dogs, Detroit, Dragons, Handles and Cherrypickers: Re-Animating the Transferware Archives of an Industry with Paul Scott, Artist, Author and Researcher and Professor at the Oslo National Academy of the Arts Norway. Followed by a book signing of Scott’s new book, Horizon, Transferware and Contemporary Ceramics

2 p.m. Leslie Ferrin
Made in China: New Export-ware from Jingdezhen
with Leslie Ferrin, Director Ferrin Contemporary.

4 p.m. Garth Johnson
I’m So Fancy: Young Artists Take On Historical Ceramics
with Garth Johnson, Curator of the Arizona State University Ceramics Research Center and Director-at-Large of the National Council on Education for the Ceramic Arts (NCECA).

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MADE IN CHINA is a curated series of exhibitions and talks, examines the contemporary, ceramic-centric exchange between eastern and western artists and markets.

JULIE BARTHOLOMEW

Julie Bartholomew, “Rarely Seen, Drummond’s Cronostylis” 2013, porcelain, silver decals, 2.5 x 3.5”.

Julie Bartholomew, “Rarely Seen, Blue Tinsel Lily” 2013, porcelain, copper red glaze, decals, 1.5 x 3.5″.

ROBIN BEST

Robin Best, “The Florida Vases” 2014, porcelain, onglaze ‘xin cai’ painting, 10.5 x 6.25″.

Robin Best, “The Florida Vases” detail, 2014, porcelain, onglaze ‘xin cai’ painting, 10.5 x 6.25″.

CAROLINE CHENG

Caroline Cheng, “Prosperity V” 2007, porcelain, fabric, 71 x 71″.

Caroline Cheng, “Prosperity V” detail, 2007, porcelain, fabric, 71 x 71″.

SIN-YING HO

Sin-ying Ho, left: “One World, Many Peoples No. 2″ (77 x 23.25”) and right: “Temptation – Life of Goods No. 2″ (68 x 23.5”) 2010, porcelain, cobalt pigment, underglaze, decal, glaze.

Sin-ying Ho, “Temptation – Life of Goods No. 2″ detail, 2010, porcelain, cobalt pigment, underglaze, decal, glaze, 68 x 23.5”.

GARTH JOHNSON

Garth Johnson, “The Shar-pei Immortals” detail, 2010, porcelain, 11.5 x 6.5 x 6.5”.

Garth Johnson, “Made in China 1” 2010, porcelain.

PAUL MATHIEU

Paul Mathieu, “Kiss Bowl”, Porcelain, Jingdezhen, China, 5.5″ x 7″ x 5.5″

Paul Mathieu, “Kiss Bowl (Male + Female)”, top detail, Porcelain, Jingdezhen, China, 5.5″ x 7″ x 5.5″

PAUL SCOTT

Paul Scott, “Cumbrian Blue(s), Garden No: 2 (after Turner and Stephenson) 2014, Staffordshire transferware with Chinese porcelain, gold leaf, tile cement, epoxy resin, 12.5 x 10.25”.

Paul Scott, “Cumbrian Blue(s), Wil low” detail, 2014, Staffordshire transferware collage, gold leaf, tile cement, epoxy resin, 12.5 x 10″.

ROBERT SILVERMAN

Bobby Silverman, “Decision Before Action” 2011, clay, commercial tile, 36 x 28 x 1/2″.

Bobby Silverman, “Beauty, 2nd Half, porcelain, glaze.

VIPOO SRIVILASA

Vipoo Srivilasa, “The Patience Flower” 2014, Jingdezhen super white porcelain, 10 x 6.6″.

MADE IN CHINA reveals a dynamic relationship — with appropriation and collaboration occurring in both directions.

Marked by ever-increasing cross-cultural collaboration, this contemporary ceramics movement emerging from China is urging a re-definition of today’s export ware. With increasing frequency, western artists are traveling to China to produce ceramic work using traditional Chinese methods. Exhibitions in the United States, Australia, and Europe are bringing forward a new generation of export ware. In the summer of 2014, Leslie Ferrin travelled to Hong Kong, Chongqing, Jindezhen, and Shanghai to explore this growing cultural exchange. She participated in and lectured at workshops, visited galleries and museums, and toured studios where western artists work in collaboration with skilled Chinese artisans.

In this exhibition, Ferrin brings together work that reveals the essential aspects of contemporary ceramics currently coming out of China.

“After my visit to China, it was clear that this growing movement of western artists engaging with Chinese artisans to provide works for international markets was urging a contemporary re-definition of export ware. It is a dynamic relationship with appropriation and collaboration occurring in both directions, and we are fortunate that we will be able to truly explore the relationship, multiple exhibitions over the coming year.”– Leslie Ferrin

ABOUT MADE IN CHINA

Inspired by her recent travels in China, MADE IN CHINA is curated by Ferrin Contemporary Director Leslie Ferrin. See images from Ferrin’s travels below or click here for the full gallery on scene + seen.

[instashow id=”2″]

See all #chinainchina2014 images on scene + seen

Sponsored as a guest lecturer by the Sichuan Fine Arts Institute, Ferrin traveled to China in June and July 2014 with the aim of gaining a greater understanding of the cross-cultural collaboration, production, and appropriation occurring in the New Export Ware movement. During her visit, Ferrin visited ceramic workshops in Jingdezhen and Chongqing, where – similar to the historical model of export ware – skilled Chinese artisans, produce contemporary works for Western markets under the direction of visiting Western artists.

“After my visit to China, it was clear that this growing movement of Western artists engaging with Chinese artisans to provide works for international markets was urging a contemporary re-definition of export-ware,” says Ferrin. “It is a dynamic relationship with appropriation and collaboration occurring in both directions, and we are fortunate that we will be able to truly explore the relationship, with multiple exhibitions over the coming year.”

INQUIRE

about MADE IN CHINA events, artists, and available works.

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PRESS RELEASE

Click here to download the press release.

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SUBSCRIBE

to receive updates about MADE IN CHINA exhibits and special collector events.

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Click here to read Blouin Art Info article on Made in China.

May

2017

CERAMIC TOP 40

SURVEY EXHIBITION

2013 – 2015 | 3-City US TOUR

ABOUT THE EXHIBITION

CERAMIC TOP 40
Belger Crane Yard Studios, Kansas City, MO
presented by Ferrin Contemporary and Red Star Studios
November 1, 2013–January 25, 2014

CERAMIC TOP 40 | selected works
Office for the Arts, Harvard, Gallery 224, Alston, MA
presented by Ferrin Contemporary and the Ceramics Program
May 17–June 27, 2014

CERAMIC TOP 40 | selected works
Independent Art Projects
1315 MASS MoCA Way, North Adams, MA
January–April 2015

Ceramic art is experiencing an evolutionary leap. Economic conditions and technological advances have caused a dramatic shift in the way contemporary ceramics are conceived, designed, produced, and marketed. Ceramic Top 40 is an exhibition that emerged from the need to document this defining time in contemporary ceramics. Taking a snapshot of this pivotal transition provides a look back at recent history, an understanding of these forces of change, and a glimpse into the future of ceramic art.

This survey exhibition features work by individual artists, collaborators, and design partners who are working on the cutting edge of current processes, ideas, and presentation concepts in conceptual utilitarian and sculptural ceramics. They are responding to the external forces of a changing world and, in turn, shaping those influences.

Jason Walker, “Infinite Growth”, 2013, porcelain, china paint and glaze, 84 x 36 x 3″

Doda Design: Aya Margulis & Rae’ut Stern, “Web Souvenirs” 2010-2013, earthenware, under glaze, glaze, gold luster, digital print, 148 x 42″.

Mark Cooper, “YuYu Kansas” 2013, installation using ceramic, wood, fiberglass, digital photography, rice paper, size variable.

Tip Toland, “Long Ago and Far Away”, 2008, stoneware, paint, pastel, synthetic hair, fiddle, bow, 78 x 31x 30″. Courtesy of Barry Friedman Ltd.

Linda Sormin, “List”, 2013, ceramic, found materials, 16 x 23 x 15″

Susan Beiner, “Germinating Domes”, 2012, porcelain, acrylic rods, foam, thread, 40 x 46 x 45″

CERAMIC TOP 40 CATALOG

Ceramic Top 40 cover

Click here to view.

Click here to order a print copy.

EXHIBITING ARTISTS

CERAMIC TOP 40 ARTISTS

Susan Beiner • Robin Best • Stephen Bird • Stephen Bowers • Jessica Brandl • Andy Brayman • Beth Cavener • Craig Clifford • Mark Cooper • Cristina Cordova • Guy Michael Davis (Future Retrieval) • Thomas Lowell Edwards • Michelle Erickson • Sean Erwin • Leopold Foulem • Alessandro Gallo • Misty Gamble • Gerit Grimm • Rain Harris • Giselle Hicks • Peter Christian Johnson • Brian R. Jones • Ryan LaBar • Steven Young Lee • Linda Lighton • Daniel Listwan • Lauren Mabry • Aya Margulis (Doda Design) • Walter McConnell • Sara Moorhouse • Ron Nagle • Katie Parker (Future Retrieval) • Kate Roberts • Stephanie Rozene • Anders Ruhwald • Michael Schwegmann • Paul Scott • Richard Shaw • Adam Shiverdecker • Bobby Silverman • Linda Sormin • Shawn Spangler • Vipoo Srivilasa (The Spoon Project) • Dirk Staschke • Rae’ut Stern (Doda Design) • Emily Sudd • Tip Toland • Clare Twomey • Shaleene Valenzuela • Jason Walker

VIPOO SRIVILASA | OBJECT: SPOON | Liz Burrit • Thomas Cheong • Naomi Clement • Jenn Demke-Lange • Jason Desnoyers • Krisaya Luenganantakul • Laura McKibbon • Noriko Masuda • Teo Huey Min • Jun Myoung • Aaron Nelson • Joshua Primmer • James Seet • Vipoo Srivilasa • Jenna Stanton

CERAMIC TOP 40
Belger Crane Yard Studios, Kansas City, MO
presented by Ferrin Contemporary and Red Star Studios
November 1, 2013–January 25, 2014

CERAMIC TOP 40 | selected works
Office for the Arts, Harvard, Gallery 224, Alston, MA
presented by Ferrin Contemporary and the Ceramics Program
May 17–June 27, 2014

CERAMIC TOP 40 | selected works
Independent Art Projects
1315 MASS MoCA Way, North Adams, MA
January–April 2015

Susan Beiner, “Germinating Domes”, 2012, porcelain, acrylic rods, foam, thread, 40 x 46 x 45″

Jessica Brandl, “The Rime of the Ancient Mariner” 2013, terracotta, 28 x 34 x 10″.

Andy Brayman, “Vase with Orange and Blue” (left), 2013, porcelain, glaze, decals, 19 x 10 x 7″. “Black Vase with Yellow and Green” (right), 2013, porcelain, glaze, decals, 17.5 x 10 x 7″

Beth Cavener, “Obariyon”, 2013, stoneware, antique hooks, 17 x 46 x 30″

Craig Clifford, “Flush” 2013, earthenware, casting slip, 10 x 16 x 5″.

Mark Cooper, “YuYu Kansas” 2013, installation using ceramic, wood, fiberglass, digital photography, rice paper, size variable.

Doda Design: Aya Margulis & Rae’ut Stern, “Web Souvenirs” 2010-2013, earthenware, under glaze, glaze, gold luster, digital print, 148 x 42″.

Misty Gamble, “Indulgence” and “Succulence” 2012, ceramic, variable size.

Walter McConnell, “A Theory of Everything: White Corner”, 2011-13, porcelain, glaze, plywood, 77 x 39 x 39″

Kate Roberts, “The Space Between You and Me”, 2011, colored porcelain, mirror, tulle, 96 x 60 x 6″

Stephanie Rozene, “The Politics of Porcelain” 2011, porcelain, glaze, 48 x 156″.

Adam Shiverdecker, “Banquet Series: Red Krater 1″ 2013, stoneware, nichrome, steel, 14 x 12 x 14”

Dirk Staschke, “My Beautiful Nothing” 2010, ceramic, mixed media, 96 x 21.75 x 126″. Courtesy of Wexler Gallery

Clare Twomey, “Is It Madness. Is It Beauty.” 2010, video.

Jason Walker, “Infinite Growth”, 2013, porcelain, china paint and glaze, 84 x 36 x 3″

Future Retrieval: Guy Michael Davis and Katie Parker, “Grand Theft Lion” 2013, porcelain, china paint, grammertry, rapid prototying, 11 x 8 x 7″.

Future Retrieval: Guy Michael Davis and Katie Parker, “Grand Theft Lion” 2013, Future Retrieval: Guy Michael Davis and Katie Parker, “Grand Theft Lion” 2013, porcelain, china paint, grammertry, rapid prototying, 11 x 14 x 7″.

Brian R. Jones, “Alembic (Letter B)” 2012, earthenware, slips, glaze, plywood, milk paint, 18 x 18 x 3″.

Rain Harris, “Florem Vernum” 2013, wood, black clay, resin, silk flowers, 21 x 13 x 12″.

Giselle Hicks, “And Then It Was Still, II” 2012, porcelain, glaze, wood, 50 x 60 x 24″.

Stephen Bird, “Persian Blue Shoot Out” 2012, earthenware, pigment, glaze, 15.75 x 19.75″. Courtesy Garis and Hahn Gallery.

Stephen Bird, “Adam and Eve with Eyes and Spoon” 2013, earthenware, pigment, glaze, 7.25 x 9 x 2″, photo courtesy Garis and Hahn Gallery

Stephen Bird, “Majolica Shoot Out” 2012, earthenware, pigment, glaze, 15.75 x 19.5″. Courtesy Garis and Hahn Gallery.

Stephen Bird, “What Picasso Called an Erection for the Eyes” 2012, earthenware, pigment, glaze, 11.5 x 8 x 2.5″. Courtesy Garis and Hahn Gallery.

Steven Young Lee, “Cup Panels” (red), 2013, porcelain, copper inlay, glaze, glass shelving, aluminum, 46 x 50 x 4″

Steven Young Lee, “Cup Panels” (white), 2013, porcelain, white slip, glaze, glass shelving, aluminum, 46 x 50 x 4″

Steven Young Lee, “Blue Cup Panel” 2013, porcelain with cobalt inlay, 46 x 50 x 4″

Steven Young Lee, “Vase with Scroll Pattern”, 2013, porcelain, copper inlay, 14 x 19 x 9″

Peter Christian Johnson, “Ovoid #3″ 2013, ceramic, glaze, steel, 21.5 x 62 x 7”.

Peter Christian Johnson, “Blue X” 2014, ceramic, 16.5 x 16.5 x 5″.

Shalene Valenzuela, “Easy Vac: Always in Fashion” 2011, porcelain, underglaze, print transfer, 42 x 11x 14″.

Shalene Valenzuela, “Dressform” 2012, porcelain, underglaze, pins, wooden stand, 56 x 14 x 8″.

Shalene Valenzuela, “Follow the Pattern: Bathroom Vanity” 2012-13, porcelain, underglaze, print transfer, 15 x 21 x 2″.

Michelle Erickson, “Green Squirrel” (left), “Second Amendment Squirrel” (right), 2013, indigenous clay, glaze, 8″.

Michelle Erickson, “Pectin Shell Teapot” 2005, porcelain, jasperware, metallic oxide, underglaze, slip, glaze, gold enamel, 14″.

Sean Erwin, “Adoration of the Golden Calf” 2013, polished porcelain, glaze, steel, resin, cast cement, LED lights, glass, flocking, 9 x 10 x 22″.

Sean Erwin, “The Ego and the Id” 2013, polished porcelain, glaze, steel, resin, cast cement, LED lights, glass, flocking, 13 x 8 x 22″.

Bobby Silverman, “Decision Before Action” 2011, clay, commercial tile, 36 x 28 x 1/2″.

Bobby Silverman, “4 Versions of Red (1)” 2012, re-fired commercial porcelain tiles, 12 x 12″ each.

Robin Best, “The Wallace Line”, 2013, porcelain, onglaze, 8 x 4″

Stephen Bowers, “Explorers’ Skulls” 2010, ceramic, underglaze, stains, 5.25″.

Cristina Cordova, “Codigo I”, 2013, ceramic, 10.5 x 6 x 6″. Courtesy Barry Friedman Ltd.

Thomas Lowell Edwards, “Ridge” 2012, concrete, porcelain, 26 x 13 x 3″.

Leopold Foulem, “Boy with Cape on Empire Style Stand” 2012, ceramic, found object, decal, gold luster, 16.5 x 5 x 4.5″. Courtesy of David Kaye Gallery

Alessandro Gallo, “Scripta elegans” (tarantula), 2011, clay, acrylics, 15.75 x 13.75 x 13″

Gerit Grimm, “Tango” 2012, stoneware, 26 x 17 x 9″

Ryan LaBar, “The Subconscious Shelf” 2011, porcelain, stoneware, 25 x 28 x 22″.

Linda Lighton, “Cause and Effect” 2012, whiteware, glaze, 23 x 25 x 22.5″.

Daniel Listwan, “Biohazard Jasperware: Wedgwood Blue Series” 2013, colored porcelain, tallest: 10″

Lauren Mabry, “Composition of Enclosed Cylinders”, 2013, red earthenware, slips, glaze, 20 x 17 x 6″

Sara Moorhouse, “Large Pulse” 2013, earthenware, underglaze, glaze, 18 x 7″

Ron Nagle, “Snuff Bottle”, 2013, porcelain, glaze, 6 x 2.5 x 2.5″. Courtesy Jeffrey Spahn Gallery.

Anders Ruhwald, “Lamp” 2005-10, earthenware, socket, plug, shade, bulb, 50 x 14 x 14″

Michael Schwegmann, “Ball and Chain”, 2013, porcelain, glaze, 9 x 9 x 38″

Paul Scott, “Cumbrian Blue(s): Crooklands Cow in a Meadow”, 2007/2013, earthenware, tin glaze, bone china platter, inglaze decals, gold lustre, 15.75″

Richard Shaw, “Still Life with Open Drawer” 2013, porcelain, decals, 33 x 13.5 x 14″.

Linda Sormin, “List”, 2013, ceramic, found materials, 16 x 23 x 15″

Shawn Spangler, “Ewer and Salt Cellar with Digital Print” 2013, porcelain, acrylic, paper, digital print by Bryan Czibesz, variable size.

From OBJECT: SPOON 2013, Vipoo Srivilasa, “Spoon of Contentment”, 2013, porcelain, 3 x 16 x 7″.

Emily Sudd, “Untitled”, 2012

Tip Toland, “Long Ago and Far Away”, 2008, stoneware, paint, pastel, synthetic hair, fiddle, bow, 78 x 31x 30″. Courtesy of Barry Friedman Ltd.

May

2017

NEW BLUE AND WHITE

Robin Best, "The British East India Company - Trade and War", 2012

NEW BLUE AND WHITE

MFA BOSTON

February 20 – July 14, 2013

Discover contemporary interpretations of blue-and-white ceramics

“sumptuous, conceptually elegant show”—The Boston Globe

ABOUT THE EXHIBITION

Exhibition of works by 37 artists, pairs or collectives curated by Emily Zilber, Wornick Curator of Contemporary Decorative Arts, presented with generous support from The Wornick Fund for Contemporary Craft.

“Blue and white” means, at its simplest, cobalt pigment applied to white clay. Over the course of a millennium, blue-and-white porcelain has become one of the most recognized types of ceramic production worldwide. With roots in the Islamic world and Asia, and strong presence in Europe and the Americas, various cultures adapted blue-and-white, from the Willow pattern to isznik. Taking inspiration from global blue-and-white traditions, today’s artists continue the story, creating works that speak to contemporary ideas. They tackle diverse issues, ranging from the public (the political landscape, cross-cultural interchange), to the personal (family, memory, the act of collecting), to the aesthetic (abstraction, pattern, the role of decoration). “New Blue and White” explores the ways in which contemporary makers, working in ceramics as well as other media ranging from fiber to furniture to glass, have explored this rich body of material culture. An international selection of artists and designers is featured in the exhibition, and recent acquisitions of work by the ceramic sculptor Chris Antemann and fashion designers Rodarte are drawn from the MFA’s own collection.

EXHIBITING ARTISTS

For more information and available works by gallery artists featured in the exhibition view profiles below:

Robin Best
Stephen Bowers
Claire Curneen
Michelle Erickson
Molly Hatch
Giselle Hicks
Paul Scott
Adam Shiverdecker
Vipoo Srivilasa
Steven Young Lee
Kurt Weiser

PAST PROGRAMMING

MEET ME AT… New Blue and White | Boston, MA
July 9 – 10
Artist: Robin Best
Visiting Artist Lecture and Behind-the-Scenes private tours with artists and curators

Tuesday, July 9
3 – 4:30 Harvard Museum of Natural Sciences, Blaschka Flowers and Minerals with curator Ethan Lasser

5:30 – 6:30 Artist talk with Robin Best at the Ceramics Program – Office for the Arts at Harvard

Dinner TBA

Wednesday, July 10

10 – 12:00 Michael Lin Freeport Project | Peabody Essex Museum with curators, Trevor Smith and Dean Lahikainen

2:00 – 4:00 New Blue and White | Museum of Fine Arts with curator Emily Zilber

FEATURED ARTISTS

CHRIS ANTEMANN

Chris Antemann, “The Collector”, 2011, porcelain, china paint, decals, 19 x 13 x 10″. Collection of the Museum of Fine Arts, Boston, MA.

Chris Antemann, “The Collector”, 2011, detail, porcelain, china paint, decals, 19 x 13 x 10″. Collection of the Museum of Fine Arts, Boston, MA.

ROBIN BEST

Robin Best, “The British East India Company – Trade and War”, 2012, cast translucent white porcelain, on-glaze painting, silver foil, 12 x 41.25 x 4.25″

STEPHEN BOWERS

Stephen Bowers, “Explorers’ Skulls” 2010, slip cast, oxide stains, underglaze, 5.25″

CLAIRE CURNEEN

Claire Curneen, “Blue” 2013, porcelain, cobalt, gold luste, 24 x 21 x 6″.

Claire Curneen, “Blue”, 2013, Porcelain, cobalt blue, gold luster, 24 x 21 x 6″

GISELLE HICKS

Giselle Hicks, “And Then It Was Still II” 2012, detail, vitreous china porcelain, wood, 48 x 60 x 24″

Giselle Hicks, “And Then It Was Still II” 2012, detail, vitreous china porcelain,wood, 48 x 60 x 24″

Giselle Hicks, “And Then It Was Still II” 2012, detail, vitreous china porcelain,wood, 18 x 12 x 2″

PAUL SCOTT

Paul Scott, “Cumbrian Blue(s) – Spode Works Closed, Italian Blue, 03/10/09/09l,” 2013, in-glaze decal, gold lustre on small Spode casserole, (marked Made in Portugal) salvaged from the kiln area in the closed Spode factory 07/09, 3.5 x 9 x 11.25″. Rhode Island School of Design Collection.

Paul Scott, “Cumbrian Blue(s) – The Hartlepool Ghost Ships” 2013, in-glaze decal, gold lustre on bone china plate, 12″ diameter

Paul Scott, “Cumbrian Blue(s) – A Willow for Ai Weiwei, Wen Tao, Liu Zhenggang, Zhang Jinsong, Hu Mingfen” 2012, in-glaze decals on partially erased Willow Pattern platter (c.1840), 13.75 x 17″.

VIPOO SRIVLIASA

Vipoo Srivilasa, “Four Elements Containers”, 2012, ceramic, silver, glass, 8 x 12 x 10″

Vipoo Srivilasa, “Four Elements Containers” 2012, ceramic, silver, glass, 8 x 12 x 10″.

KURT WEISER

Kurt Weiser, “Chinese Cubist II” 2013, porcelain, 22 x 10 x 10″

Kurt Weiser, “Chinese Cubist I” 2013, porcelain, 22 x 10 x 10″.

Kurt Weiser, “Chinese Cubist II” 2013, porcelain, 22 x 10 x 10″