Project Tag: Raymon Elozua Past

RAYMON ELOZUA AT PORCHES INN

RAYMON ELOZUA AT PORCHES INN

NOT SO STILL LIFES: Photography

Presented at
The Porches Inn at MASS MoCA
231 River St. North Adams, MA 01247

ABOUT THE FEATURE

Ferrin Contemporary curates changing art by gallery artists at Porches Inn, often concurrent with the exhibitions. Porches Inn is a short walk from the gallery on the MASS MoCA campus in North Adams. 

FERRIN CONTEMPORARY is pleased to present Raymon Elozua at Porches Inn. The series of photographs in the dining room and reception areas are selected from various series of still lifes and abstractions drawn from years of research, object study collections and photographic documentation of industry and decay. 

Raymon Elozua is a transdisciplinary visual artist working in the Catskills region of New York. His extensive studio practice consists of large-scale sculpture in ceramic, steel and glass, photography, visual research and archiving, web-based projects, and other forms of documentation. Elozua’s work often references the vessel, abstract expressionism, industrial decline and decay, and regionalism. 

Elozua has been awarded three grants from the National Endowment for the Arts, a New York State Foundation for the Arts Grant, and a Virginia A. Groot Foundation Grant. His work has been exhibited at The Carnegie Museum of Art, Metropolitan Museum of Art, The Mint Museum of Art and The Mint Museum of Craft and Design, Museum of Fine Arts (Houston), and Yale University Art Gallery, among others. He has taught at The California College of Arts & Crafts, Louisiana State University, New York University, Pratt School of Design, and The Rhode Island School of Design. Elozua’s solo exhibition Structure/Dissonance opens at The Everson Museum of Art in Fall 2022. 

MELTING POINT

MELTING POINT

HELLER GALLERY

303 10th Avenue, New York, NY

FERRIN CONTEMPORARY

1315 MASS MoCA Way, North Adams MA


June 24 to September 25, 2021

ABOUT THE EXHIBITION


The Melting Point is the degree when solid becomes soft, eventually becoming liquid and a boiling point is reached. Glaze melts, clay and glass soften, surface and form become pliable. This exhibition surveys a ​diverse ​group of artists whose use of the melting point is central to their practice.

Used metaphorically, as the planet warms we are finding ourselves closer to the melting point both physically and socially. In 2020, forces combined under pressure of the COVID virus, politics exploded and nature responded with melting ice, raging fires and extreme weather. Likewise, artists use the melting point as a metaphor in their work to express their political beliefs and sound the alarm using the fragile materials of glass and ceramic.

The exhibition is ​a ​collaboration​ between Ferrin Contemporary in North Adams, MA on the MASS MoCA campus and ​Heller Gallery, located in the Chelsea Art District of New York City​. The co-curators and gallery directors are renowned specialists in their fields, Leslie Ferrin (ceramics) and Katya Heller (glass).

VIEW THE EXHIBITION CATALOG HERE

PRESENTATION at Ferrin Contemporary


PRESENTATION at Heller Gallery


EXHIBITING ARTISTS

PAST PROGRAMMING

SELECT PRESS


MELTING POINT in the Boston Globe
8.5.21 Cate McQuaid gives a quick glance at the exhibition in The Ticket section of The Boston Globe.

Arriving at the MELTING POINT in Destination Williamstown
7.20.21 Destination Williamstown interviews Ferrin Contemporary Director Leslie Ferrin and gets to the historical heart of MELTING POINT.

BUSINESS MONDAY: Did people buy art during COVID? 
6.28.21 Julia Dickson of The Berkshire Eagle reports on a “difficult but successful” year for Berkshire gallerists.

NEW GLASS NOW, Corning Museum of Glass, Corning, NY

NEW GLASS NOW, Corning Museum of Glass, Corning, NY

ABOUT THE EXHIBITION

New Glass Now

Corning Museum of Glass
Corning, NY

May 12th – January 5th, 2020

New Glass Now opens to the public on May 12, 2019, a highly-anticipated exhibition 60 years in the making. Featuring works by 100 living artists working in glass today, New Glass Now will take over every corner of The Corning Museum of Glass.  Raymon Elozua’s “R&D VII, RE-17-1” is featured in this exhibition.

The genesis of the R&D sculpture series began in 1989 with a series of sculptures that utilized steel rod, wire, and terracotta. These steel “wire frames” provided a path for Elozua to utilize clay in a spatial and gravity-defying manner. In 2013, Elozua utilized the glass blowing facilities at the Corning Museum to develop a technique that could integrate blown glass into his original metal and ceramic structures, adding new dimensions of light and color to his work. In 2014, visual artist Raymon Elozua created a new body of mixed media sculpture, the R&D series, incorporating glass, ceramics, and steel. He received a Virginia A. Groot Foundation grant for this work.

“I have always been interested in the synthesis of different materials.  The tension between the fractured ceramic and the reflective glass is fascinating — giving a feeling of beauty born out of decay.” — Raymon Elozua

 

 

 

 

 

 

EARTH PIECE, Everson Museum of Art, Syracuse, NY

EARTH PIECE, Everson Museum of Art, Syracuse, NY

Earth Piece

July 20, 2019- January 5, 2020

Everson Museum of Art, Syracuse, NY

Named after Yoko Ono’s 1963 Earth Piece, a score that invites the reader to “Listen to the sound of the earth turning,” this exhibition examines artists who have combined clay and ceramics with performance art, photography, conceptual art, and even land art. Far from being used as “just another material,” clay comes freighted with millennia of associations with material culture. Earth Piece highlights the work of well-known figures from the art world, as well as lesser-known artists whose work shaped the field of ceramics into a vibrant discipline that is equally at home in both domestic and contemporary spheres.

Featuring the work of Ferrin Contemporary artists:

Raymon Elozua

Caroline Slotte

 

MADE IN MOUNTAINDALE II: Raymon Elozua & Micheline Gingras

MADE IN MOUNTAINDALE II: Raymon Elozua & Micheline Gingras

Made in Mountaindale II

Second Mountaindale Biennale
Art Exhibition

62 Main Street, Mountaindale, NY
Reception: Saturday, July 14, 12 to 4 p.m.
Open: Sunday, July 15, 12 to 4 p.m., and by appointment through September 3, 2018.

For more information, contact: raymon@elozua.com or call 212.260.1239.

Pas à Vendre Production presents the second Mountaindale Biennale: Made in Mountaindale II, featuring recent work by Micheline Gingras and Raymon Elozua, two active artists in the small hamlet of Mountaindale, part of the old “Borscht Belt” in the Catskills.

Micheline Gingras presents a body of collages driven by the anxiety and fear found within the politics of mainstream media. Sourcing her material from The New York Times, Gingras creates images that compress disparate worlds to heighten emotions, revealing theatrical tableaux of reality. Gingras uses visual imagery to address, head-on, the surreal nightmare and confusion of contemporary “news.”

Raymon Elozua presents a new series of sculptures and photographs from his “Hubris” series that explore the loss of vision. Starting with richly colored “blurry” photographs that hint of sculptural objects; the vivid colors meld into one another creating a foggy sense of atmosphere. These images provide context for the corresponding and contrasting sculptures, made of steel and ceramic, inspired by each photograph.

ABOUT THE ARTISTS:

Micheline Gingras (b.1947, Québec City, QC) is a visual artist focusing primarily on painting, drawing, and photography. She received her MFA from L’école des Beaux-Arts de Québec, moving to New York in 1970. She has shown extensively including solo exhibitions at the Musée National des Beaux-Arts du Québec, the Musée d’Art Contemporain de Montréal, and participated in group exhibitions at the Yale University Gallery and the BRIC House in Brooklyn, N.Y., among others. For 37 years, Gingras taught art at St. Ann’s School in Brooklyn, and now divides her time between the city and Mountaindale.

Raymon Elozua (b.1947, West Germany) is a visual artist, working extensively in sculpture and photography. His interest in history, labor, and industry has sparked numerous multimedia web projects including VanishingCatskills.com and LostLabor.com — Images of Vanished American Workers from 1900–1980. Elozua has received numerous grants and awards including three National Endowment for the Arts Awards, a New York State Foundation for the Arts in Ceramics, and, most recently, a Virginia A. Groot Foundation Grant. Exhibitions include a 2003 retrospective at the Mint Museum of Art, and group exhibitions at the Museum of Art and Design and Skidmore College among others. Elozua lives and works in Mountaindale.

Click here to download press release.

Click here to view more work by Raymon Elozua.

MAKE YOUR WAY TO MOUNTAINDALE

1.5 hours away from GW Bridge and 1.25 hours away from Kingston, NY

FROM NYC: Take George Washington Bridge upper level to Palisades Pkwy (first exit off bridge). As you near end of Palisades Pkwy, stay on left and exit for Rte. 6. which proceeds into a traffic circle. Follow circle and signs for Rte.6 (Rte. 6 goes over a small mountain.) Stay straight and follow signs to Rte.17. Rte. 6 essentially turns into Rte. 17. (approx. 30 min.) Follow Rte. 17 past exit for Wurtsboro/ Ellenville Rte. 209. Exit 112 is about 3 miles down the road saying Mountaindale. Exit on right. (approx. 30 min.) Turn left at T intersection after exit and turn left again at next immediate tee intersection, which is Wurtsboro Mountain Rd. (County Rd. 176) (Sign for Mountaindale). Follow this road about 1.2 miles to first major intersection, which is a Tee-intersection. (Sign for Mountaindale) You can only turn right on County Rd. 56 (Masten Lake Rd) which turns into New Rd. Follow this road about 8 miles until you come to the end of this road at a tee intersection & a stop light in front of Anderman Oil. Turn right. This is Main St. Follow 3 blocks downtown. Go past abandoned school on right, then karate school and bar on right. Opposite the bar is our gallery at 62 Main Street. 6 buildings down from bar, there will be a narrow driveway between 2 buildings on right.  Go down driveway and park in lot on your right. Our building is 29 Main St., a free-standing building.  (approx. 20 min.)

FROM KINGSTON: Take Route 209 to Ellenville. Follow Rte. 209 through Ellenville. about 2 miles down the road is an exit for Spring Glen. Turn right and follow road (Old Rte. 209) until you cross a small bridge. (approx. 60 min.) After the bridge is a tee intersection, turn right. This is Spring Glen Rd. which turns into Mountaindale Rd. (approx. 10 min.) Follow road for 8 miles. You will enter Mountaindale. My studio is at 1 Main St. and the gallery is one block down at 62 Main St.

GLAZED & DIFFUSED

GLAZED & DIFFUSED

1315 MASS MoCA Way, North Adams, MA

ABOUT THE EXHIBITION


North Adams, MA —

Glazed & Diffused is a survey exhibition focused on a select group of international artists, from George Ohr (b. 1857) to several mid-career artists chosen from the exhibition Ceramic Top 40. These artists use fired clay and glaze pigment to convey abstract content. Their sculpture, objects, vessels, tile, and site-specific installations reveal intended, abstract results using fluidity, abstraction, and color theory.

Spanning eight weeks this summer, Glazed and Diffused will bring attention to the lively dialogue surrounding the dissolution of categorical constraints in institutions and the art market through programming that includes panel discussions, DISH + DINE events and Artist Salons

“Over the course of my career, I have witnessed both the emergence of abstract clay sculpture in the late 1950s and 60s and its re-emergence as a fine art trend fully integrated into contemporary art market.  In 2015 fine artists are regularly creating objects and sculpture in clay alongside their works in painting and various other mediums, and likewise their galleries are mounting solo and group exhibitions inclusive of ceramics.”

“Within encyclopedic museums, the permanent collections and period rooms are offering new contexts for contemporary ceramic art to be considered both chronologically and thematically alongside parallel artwork in all media. The “Dirt on Delight” exhibition presented in 2009 at the Institute of Contemporary Art in Philadelphia, was the important seminal museum survey that ignited interest and marked the moment when ceramics not only garnered the attention of New York’s illustrious art critics, such as Roberta Smith, but also that of the Chelsea galleries who began to focus attention on a younger generation alongside the known masters of the medium — Viola Frey, Betty Woodman, Peter Voulkos, Ken Price and Robert Arneson.

“Dirt on Delight: Impulses That Form Clay,” curated by Ingrid Shaffner and Jenelle Porter, was accompanied by a catalog that included Glenn Adamson’s essay “Sloppy Seconds: The Strange Return of Clay.” Since that moment,  curators have turned their sights towards ceramics in survey exhibitions organized during Pacific Time in California, by Crystal Bridges, the Venice Biennale, and the Whitney Biennial. (In 2014, the Whitney Biennial featured sculpture by ceramic master John Mason alongside younger counterparts who have only recently aligned with the medium.)” – Leslie Ferrin, Curator

EXHIBITING ARTISTS


PRESS & PROGRAMMING


PAST EVENTS


OPENING RECEPTION
Saturday, June 20, 4 to 6 pm | Ferrin Contemporary, 1315 MASS MoCA Way, North Adams, MA

Meet artists Raymon Elozua, Lauren Mabry, Peter Pincus, Robert Silverman, and Linda Sormin.

ARTIST SALON AND SUNDAY BRUNCH
Sunday, June 21, 11 am to 1 pm | Project Art, 54 Main Street, Cummington

Visual presentations and roundtable discussion with artists Raymon Elozua, Lauren Mabry, Robert Silverman, and Linda Sormin

PANEL DISCUSSION: “CLAY IS HOT! Good Better Best”
Sunday, July 19, 3 pm | 1315 MASS MoCA Way, North Adams, MA

Collecting ceramics from George Ohr to Ai Weiwei — Antiques Roadshow regulars Suzanne Perrault and David Rago, along with the consulting producer Daniel Farrell will discuss collecting ceramics made in the late 1800s through today. The panel, moderated by Ferrin Contemporary director, Leslie Ferrin, will focus on provenance, connoisseurship, and values in ceramics.for a panel discussion moderated by Leslie Ferrin about provenance, connoisseurship, and values in ceramics, pottery, and porcelain 1900 to the present.Guests will have a chance to view the exhibition, GLAZED & DIFFUSED, before the panel discussion and afterwards during a wine and cheese reception in the gallery.

DISH & DINE
Sunday, July 19, 6:30 to 9 pm | Ferrin Contemporary, 1315 MASS MoCA Way, North Adams, MA

Following the panel discussion and reception, enjoy dinner in the gallery with collectors, artists, and panelists. Gramercy Bistro, MASS MoCA’s in-house bistro, will serve modern fare made from locally-sourced food. Ceramic artist Michael McCarthy will provide the handmade dinnerware. Limited space and fee for the dinner.
TO RSVP  More…

STUDIO AND GALLERY VISIT
Saturday, August 8, 2015 | Kinderhook, New York
Visit Raymon Elozua’s studio in Mountain Dale, NY, and tour of the El Anatusui exhibition at Jack Shainman Gallery: The School in nearby Kinderhook. Trip and transportation organized by Ferrin Contemporary. Limited space and fee.TO RSVP More…

DOWNSTREET NORTH ADAMS
Thursdays, June 25 and July 30, August 27, and September 24, 6 to 8 pm | Ferrin Contemporary | 1315 MASS MoCA Way and throughout North Adams

Ferrin Contemporary and other DownStreet art venues and galleries, stores, and restaurants will extend their hours on the last Thursday of the summer months to celebrate the arts.

 

ARTIST TALK WITH ROBERT SILVERMAN AND CLOSING RECEPTION
Sunday, August 16, 3–5pm | Ferrin Contemporary, 1315 MASS MoCA Way, North Adams, MA

Artist Robert Silverman will talk about his inspiration for “Tirana” a featured piece in the GLAZED & DIFFUSED exhibition. Eddie Rama, artist and mayor of Tirana, Albania, who transformed the city with color, was Silverman’s inspiration for this piece. After the talk, join us for the closing reception of GLAZED & DIFFUSED.