Project Tag: Jason Walker

RIVERS FLOW/ARTISTS CONNECT

RIVERS FLOW/ARTISTS CONNECT

In Rivers Flow / Artists Connect, American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant rivers across the globe, from the Hudson and the Susquehanna to the Indus and the Seine.

The cultural, societal, and spiritual significance of rivers is universal, as proven by their lasting presence in art and our collective imagination. In Rivers Flow / Artists Connect, American artists from the 1820s to the present day explore and illuminate our profound, symbiotic relationship with significant waterways, such as the Hudson River, the Susquehanna, and the Missouri, as well as symbolic representations.

The Hudson River Museum’s new West Wing galleries, basking in a dramatic view of the Hudson River and the Palisades, are an opportune setting for this exhibition. It features works by more than forty exceptional artists exploring various aspects of river subject matter from diverse perspectives and heritages. Together, the artists demonstrate—through painting, printmaking, photography, sculpture, and video—their role in recalling and reinforcing our instinctive connection with rivers.

The exhibition considers these bodies of water through aesthetic, functional, spiritual, and ecological lenses. The Allure of the River section addresses the interrelation of scenic beauty and our attraction to rivers. In Sustainer of Life, artists investigate the essential need for access to rivers for water, food, and transportation—our daily infrastructure—as well as profound sacred connections. Finally, Endangered Rivers: A Call to Action reflects on urbanization, industry, and the critical need for continued conservation and activism.

RIVERS FLOW/ARTISTS CONNECT


At the Hudson River Museum | Yonkers, NY | Feb 2 – Sep 1, 2024

ABOUT THE ARTISTS


In many ways, the artists and the rivers they depict are kindred spirits. Just as rivers shape the land and surmount obstacles on their inexorable journey to the sea, artists also boldly confront barriers and challenges, from land access to environmental change. Their creative expressions help us see rivers with new eyes, and perhaps even a renewed sense of wonder, connection, and purpose, as we consider our own community’s rivers and our own responsibility for stewardship.

The exhibition is co-curated by Laura Vookles, Chair of HRM’s Curatorial Department, and guest curator Jennifer McGregor.

FEATURED ARTISTS

Norman Akers • Joe Baker • James Bard • Bahar Behbahani • Karl Bodmer • Daniel Putnam Brinley • Lorenzo Clayton and Jacob Burckhardt • James & Ralph Clews • Samuel Colman • Betsy Damon • John Douglas • Joellyn Duesberry • Robert S. Duncanson • Elaine Galen • Scherezade Garcia • John Hill and William Guy Wall • Daniel Ridgeway Knight • Courtney M. Leonard • Rejin Leys • Maya Lin • Mary Fairchild Low • Ellen Kozak • John Maggiotto • James McElhinney • Frances McGuire • Alison Moritsugu • Tammy Nguyen • Don Nice • Jon Louis Nielsen • James Prosek • Winfred Rembert • Alexis Rockman • Shuli Sadé • Charlotte Schulz • Madge Scott • Paul Scott • Francis Augustus Silva • Joseph Squillante • Jerome Strauss • William Villalongo • Jason Walker • Mansheng Wang • Susan Wides • Tom Yost

b. Shinnecock, 1980
lives and works in Northfield, Minnesota

More on Courtney M. Leonard

English, b. 1953
lives and works in Cumbria, UK

More on Paul Scott

American, b.1973, Pocatello, ID
lives and works in Cedar City, UT

More on Jason Walker

PROGRAMMING


Gallery Talk with Artist Courtney M. Leonard

Sunday, June 16, 2024 | 1:30pm

HEY! LE DESSIN

HEY! LE DESSIN

HEY! Le Dessin marks ten years of rich and intense collaboration with La Halle Saint Pierre museum. The four previous HEY! exhibitions – which took place in 2011/12, 2013, 2015 and 2019 -, probed the contemporary notion of alternative and singularity, highlighting the various ways in which certain artists actively work on the margins of visible or recognized fields. Each exhibition featured over sixty international artists, many of whom had not previously exhibited in France or Europe. The ideas of “mixing through gathering” and “resistance through imagination” have been, since the creation of HEY! modern art & pop culture in 2010, guiding lines that irrigate its actions. Originally only a system of research, transfer or study, drawing has demonstrated since the 15th century its capacity to become an autonomous work of art. Nowadays, contemporary graphic activity is livelier than ever, and is reflected in a considerable quantity of drawings, produced with a great diversity of tools. Dedicated to drawing, this 2022 edition involves hundred and thirteen artists from about twenty different origins, amounting to nearly four hundred works on show. Drawing practices are observed here in a flow of expressions with composite, collusive or characteristic energy; it is not looked at in its sole quality of drawing, but approached according to its poetics, and through points of passage such as drawing as matrix, intermediary means or rehabilitating gesture. The heterogeneous and intuitive nature of the main theme opens on other mediums, and invites to question the source of the inspiration animating the artist, his graphic impulse, and the course produced by the work to finally exist

Artists Include 113 international artists:

David B. /France
Murielle Belin / France
Sébastian Birchler / France
Conrad Botes / South Africa
Marcos Carrasquer / Spain, France
Thomas Chauzy / France
Farid Chitrakar / India
Ryan Travis Christian / USA
Léonard Combier / France
Dave Cooper / Canada
Alphonse Eugène Courson / France
Darco / Germany
Stéphanie Denaes Lucas / France
Jessy Deshais / France
Daniel Martin Diaz / USA
Marie Noël Döby / France
Janko Domsić / Croatia, France
John Robert Ellis / USA
Erdeven Djess / France
Anaïs Eychenne / France
Émile Simonet dit Fanfan / France
Feuilles dessinées de la Grande Guerre / France
Samuel Gomez / Dominican Republic
Pierre Guitton / France
Matti Hagelberg / Finland
Ali Hazri Wennstrom / Singapore, France
Jason Herr / USA
Daisuke Ichiba / Japan
Toshihiko Ikeda / Japan
Sergei Isupov / Russia, USA
Anton Kannemeyer / South Africa
Kraken/ France
Hongmin Lee / South Korea
Laurie Lipton / USA
Loïc Lucas / France
François Monchâtre / France
Mina Mond / France
Shaun Morin dit Slomotion / Canada
Serge Paillard / France
José Parlá / États-Unis
Joseph Vignes dit Pépé Vignes / France
Mark Powell / England
Prophet Royal Robertson / USA
Roger Rice / USA
Huston Ripley / USA
Ron Roboxo / Netherlands
Aurel Rubbish / France
Steeven Salvat / France
Victor Simon / France
Amanda Smith / USA
Victor Soren / France
Diamantis Sotiropoulos / Greece
Jacques Spacagna / France
Marcel Storr / France
Masakatsu Tagami / Japan
Ionel Talpazan / Roumania, USA
Rebecka Tollens / Sweden
Morris Vogel / Switzerland
Davor Vrankić / Croatia / France
Jason Walker / USA
Frédéric Rodolphe dit Wollan / USA, France

SERGEI ISUPOV

INQUIRE HERE

Sergei Isupov is an Estonian-American sculptor internationally known for his highly detailed, narrative works. Isupov explores painterly figure-ground relationships, creating surreal sculptures with a complex artistic vocabulary that combines two- and three-dimensional narratives and animal/human hybrids. He works in ceramics using traditional hand-building and sculpting techniques to combine surface and form with narrative painting using colored stains highlighted with clear glaze.

JASON WALKER

INQUIRE HERE

Jason Walker’s ceramic sculpture question how we perceive and decipher technology and nature within our changing world. He has exhibited and taught widely including at the Renwick Gallery at the Smithsonian Institution in Washington D.C., Haystack Mountain School for the Crafts, Penland School for the Crafts, Anderson Ranch Arts Center, The Pottery Workshop in Jingdezhen, China and the International Ceramics Workshop, Kecskemet, Hungary, South Korea, Ireland and France.

MUSEUM OF ART BRUT – OUTSIDER ART & POP CULTURE 


Within a beautiful Baltard-style architecture, facing the gardens of the Butte Montmartre, the Halle Saint Pierre houses a museum and a gallery, a bookstore, an auditorium, a café. It is in this harmonious and luminous setting that the major temporary exhibitions and the multiple artistic and cultural activities dedicated to the most unexpected forms of creation are presented.

JASON WALKER: Personal Encounters

JASON WALKER: Personal Encounters

ABOUT THE EXHIBITION

Presented at Ferrin Contemporary
1315 MASS MoCA Way, North Adams, MA

July 6th- August 10th, 2019

Jason Walker’s solo exhibition, Personal Encounters, presents a new body of work that questions our inter-dependent relationship to nature and technology within the context of today’s world. Walker explores a personal narrative through the use of cougars, birds, and trees co-existing alongside machine-like orbs, circuits, and gears. He treats each surface as a canvas, adding highly illustrative black and white moments against fields of color. This juxtaposition serves to highlight the ever-increasing tension between man and the man-made and our individual understanding of our own place within it all.

EVENTS

Artist Talk and Reception in the gallery
Thursday, July 25th 5 – 7 pm

Join us for a gallery talk and reception for Jason Walker’s solo exhibition “Personal Encounters” on view July 6th–August 10th. The talk and reception takes place Thursday, July 25th, 5–7pm at Ferrin Contemporary in North Adams, MA in conjunction with Downstreet Art, talk at 6pm.

Jason Walker: Personal Narrative
Hands-On, Week-long Workshop and Free Talk

July 21-26, 2019 at Project Art

Welcome Dinner and Illustrated Talk at Project Art
Sunday, July 21st, 6 – 8 pm

Join us for a welcome pot luck dinner and illustrated artist talk in conjunction with Jason Walker’s week-long hands on workshop “Personal Narrative” Sunday, July 21, 6- 8pm at Project Art in Cummington, MA. Dinner is 6-7, talk 7-8pm.

 

LOOKING WEST at The James J. Hill House in St. Paul, MN

LOOKING WEST at The James J. Hill House in St. Paul, MN

LOOKING WEST

at The James J. Hill House in St. Paul, Minnesota.

March 6th- April 7th, 2019

Reception: March 29th, 6-8pm

A group exhibition exploring themes of the American West through ceramic art

“Early America saw the Mississippi River as its western border. Looking West investigates the history, anthropologies, and landscapes of the American West through ceramic art.”

Within concept and visual, Looking West explores the current conversations taking place in and about the American West. Claytopia, (NCECA 2019 March 27th-30th) will reside on the geographical border of the Mississippi River in Minneapolis, Minnesota the same river that was the United States western border prior to the Louisiana Purchase in 1803.

Located inside the historical James J. Hill House at 240 Summit Ave in Saint Paul, Looking West will respond to the historical and contemporary conversations of the American West, including its traditions, history, landscape and cultural anthropologies. As the viewer walks the home, they are reminded of the vision James J. Hill had for Western Expansion and for the growth of the Great Northern Railway. The diversity of artists included will allow viewers to indulge in a dialogue that presents many various perspectives about what the West is now.

Artist Evan Hauser states, “With the rise of Industrial America comes a threat to wilderness and untouched landscapes. When looking at a National Park such as Yellowstone, we are confronted by land that is supposedly wild and natural. In reality, the lands within the park are somewhat of a construct as the wildlife is managed, fires are suppressed, and designated paths exist for the wandering tourist. This prescribed experience brings a foreseeable encounter that was once otherwise a land of discovery.”

 

ARTISTS:
Dylan Beck,
Jonathan Fitz
Evan Hauser*
Mitch Iburg
Ben Jordan
Dean Leeper
Crystal Morey*
Catherine Schmid-Maybach
Paul Scott *
Jason Walker *
Paige Nicolet Ward

*click to see more by these artists

DOWNLOAD PRESS RELEASE

LOCATION:
240 Summit Ave.
St. Paul, MN 55102

click HERE to inquire about works for sale.

 

 

 

 

 

 

 

CANARY SYNDROME

CANARY SYNDROME

Canary Syndrome

September 27–November 4, 2018 at Ferrin Contemporary

Ferrin Contemporary is pleased to present Canary Syndrome, a group show featuring recent works by U.S. and U.K.-based artists including Elizabeth Alexander, Evan Hauser, Elliott Kayser, Stephen Young Lee, Beth Lipman, Livia Marin, Paul Scott, Bouke de Vries, and Jason Walker, on view Sept. 27 to Nov. 4. An opening reception will be held at Ferrin Contemporary, located at 1315 MASS MoCA Way, on Sept. 27, from 5 to 7 p.m., in conjunction with DownStreet Art, a program of Massachusetts College of Liberal Arts’ Berkshire Cultural Resources Center. The reception is free and open to the public.

The exhibition, inspired by the saying “canary in the coal mine”, suggests that artists, much like the caged canaries once used by coal miners as early indicators of dangerous gases in tunnels, are hypersensitive to the adverse conditions and forces that jeopardize human existence. Through their artwork, the artists in Canary Syndrome employ visual means to accentuate threats to the health of the environment, culture, and ethics — really, the condition of civilization in general, and to warn of worse things to come.

The now-discontinued practice of carrying canaries deep into coal mines to detect carbon monoxide and other toxic gases dates back to 1911. The phrase “canary in the coal mine” is widely used as an allusion by whistleblowers sounding an early alert for broken systems and dangerous conditions. Al Gore used the phrase in reference to indicators of global warming in his book and film, “An Inconvenient Truth: The Planetary Emergency of Global Warming and What We Can Do About It”. The planet’s “canaries”, Gore said, are the melting polar icecaps, a result of increasing levels of carbon monoxide in the atmosphere.

“Ferrin Contemporary is presenting Canary Syndrome as both an opportunity to reflect upon fragile beauty as well as provide inspiration to fellow travelers who are facing an overwhelming sense of antipathy and futility in our world today,” said Gallery Director Leslie Ferrin. “It’s our hope that art and artists will motivate others and help to fuel a societal call to action.”

The diverse and thought-provoking artworks in the exhibition invoke ominous portents and herald a call for change on a global level. The works of Elizabeth Alexander, Elliot Kayser, Steven Young Lee, Beth Lipman, Livia Marin, Paul Scott, and Bouke de Vries explore the concept of the flaw, the crack, the mistake, and the resulting debris, within the delicate world of ceramics and fragile glass.

De Vries’s glass cloud is an assemblage of shards of glass from recognizable broken objects, forming a 21-inch-high mushroom cloud. Kayser uses glaze “blisters” on black cow figurines and Scott repurposes a 19th-century platter with the addition of a photo collage of Houston that memorializes Hurricane Harvey’s rising waters. Alexander, Lee, Lipman, and Marin work with processes that exploit melting, etching, breakage, and erasing to produce metaphoric imagery that is often a harbinger of doom. The artists reference forms and history associated with familiar domestic objects such as plates and figurines, along with pottery shards, to reveal something new, carrying a foreboding warning.

Artists in the exhibition who use imagery to deliver their message include Evan Hauser, whose use of ceramic decal prints of Hudson River School paintings applied to Styrofoam cooler lids, cast in porcelain, reexamines historic and cultural scenes in a contemporary context. Jason Walker explores the consequences of manifest destiny, referencing the inherent conflict between man and nature, with meticulous illustrations painted on porcelain sculptures of birds and fish, which he has combined with cast porcelain machine parts made from gears, conduit, and aerators, and used as formal elements.

“The very act of creating provides these artists with an outlet for the anxiety caused by relentless exposure to contemporary conflicts,” said Ferrin. “They are compelled to address environmental and societal issues through their practice and are sounding the alarm in the form of beautiful and compelling pieces of art.”

For more information about the exhibition and individual artists, see ferrincontemporary.com

Elizabeth Alexander
Evan Hauser
Elliott Kayser
Stephen Young Lee
Beth Lipman
Livia Marin
Paul Scott
Bouke de Vries
Jason Walker

DOWNLOAD PRESS RELEASE

 

 

 

 

JASON WALKER

JASON WALKER

ARTWORKS & INSTALLATIONS

LIZARD DRAIN


Jason Walker
“Lizard Drain”
2024
porcelain, underglaze
11 x 11 x 1″

DOUBLE VISION


Jason Walker
Double Vision
2022

porcelain, underglaze
17 x 13 x 9″

FEEL LIKE I AM STANDING STILL


Jason Walker
Feel Like I am Standing Still
2022

porcelain, underglaze
16 x 22 x 13″

OSPREY


Jason Walker
Osprey
2018

porcelain, underglaze, luster, concrete
11 x 14 x 6″

TREE OF AVARICE


Jason Walker
Tree of Avarice
2022

wood panel, acrylic paint, porcelain, luster
71 x 48 x 5″ (6’ x 4 ‘ x 5”)

ADDITIONAL WORKS

BLOOM



LIVING IN BETWEEN



NESTING WITH THE SOCIALS


YOU MAY THINK YOU ARE ALONE…



WILDFLOWERS



JASON WALKER


Jason Walker Artist Portrait, 2019

ABOUT


American, b.1973, Pocatello, ID
lives and works in Cedar City, UT

Jason Walker’s ceramic sculpture question how we perceive and decipher technology and nature within our changing world. He has exhibited and taught widely including at the Renwick Gallery at the Smithsonian Institution in Washington D.C., Haystack Mountain School for the Crafts, Penland School for the Crafts, Anderson Ranch Arts Center, The Pottery Workshop in Jingdezhen, China and the International Ceramics Workshop, Kecskemet, Hungary, South Korea, Ireland and France.

Walker has been awarded a 2009 NCECA International Residency Fellowship and a 2014 Artist Trust Fellowship from Washington State, as well as the Taunt Fellowship award at the Archie Bray Foundation for the Ceramic Arts. His work is included in collections at the Fine Art Museum of San Francisco: De Young, the Carnegie Mellon Museum in Pittsburgh, Pennsylvania, the Arizona State University Art Museum Ceramic Research Center, Tempe, Arizona and the Portland Art Museum in Portland, Oregon.

Walker received a BFA from Utah State University and a MFA from Penn State University and is represented by Ferrin Contemporary, and currently resides in Cedar City, Utah and is Lecturer of Ceramics at Southern Utah University.

Jason Walker, "Lizard Drain", 2024, porcelain and underglaze, 11 x 1", photo courtesy of the artist

Jason Walker, “Lizard Drain”, 2024, porcelain and underglaze, 11 x 1″, photo courtesy of the artist

ON LIZARD DRAIN

Lizard Drain is a play on how technologies are being developed and advancing quite rapidly, yet as a species our operating system is still the Lizard Brain. Things such as A.I., WiFi, and internet goggles are taking control of our bodies and mediating most of our lives. It has changed our perceptions of ourselves and ideas such as nature. Yet the genie is out of the bottle and these technologies will persist. We need to ask how we want to progress as a species – do we want to continue with our course of self-destruction, war and disembodied experiences? OR, can we somehow change course and become more compassionate and tolerant? It is salient because the way in which we see ourselves will determine the way in which we will model and develop new technologies and our perceptions of nature.

– Jason Walker, 2024

Jason Walker, “Bloom”, 2019, porcelain, underglaze, china paint, 26 x 26 x 9″. Installation view in “Personal Encounters”, solo exhibition at Ferrin Contemporary, 2019

ON HIS WORK

The culture I live in does not emphasize our physical connection and dependence on nature. The current ideology is reliant upon technology, and it promotes disembodied activity such as television [and] computers . . . The gap between man-made and natural is ever increasing.

Light bulbs, plugs, power-lines and pipes that grow from the earth are common images found in my work, juxtaposed with birds, insects, and organic matter such as leaves and trees. Similar to the thinking of the Hudson River School of painting, I attempt to portray nature’s vastness and human-kind as a small proponent of it. Yet I draw the small things of nature large and the huge creations of man small. I want to show how we influence the landscape, or nature. My ideas stem from my own experiences bicycle touring, backpacking and the daily hikes I take with my dog.

In an attempt to explore the methods of early American artists, such as Moran and Cole from the Hudson River School of Painting, I went to an American ‘wilderness’ and backpacked solo with my sketchbook for ten days. The landscape, plant and animal imagery are records from my experience in the Grand Staircase – Escalante National Monument in the desert of southern Utah. The technological imagery is a record of objects in my everyday experience and is used to express the way in which technology has influenced our perceptions of nature.  I developed a narrative based on the historical progression of our changing perceptions of ‘nature’ and ‘wilderness’ in America.  I titled the show ‘Nature Seeker’ because I think we use term nature very loosely in our language today, and as I hiked I felt as though I was seeking a place or an object that embodied the word nature. According to Webster’s dictionary, nature is something in its essential form untouched and untainted by human hand. So here lies the crux of my quest. At the very heart of our own description of nature we exclude ourselves from it. Does this mean I am not natural? Although this argument may seem purely semantic it is not. The way in which we perceive nature inadvertently describes the way in which we perceive ourselves. Ultimately, my quest is a journey to define for myself what it means to be human in the present time.

– Jason Walker

CURRENT + RECENT EXHIBITIONS

Are We There Yet? 2023, Chris Antemann, Sergei Isupov, Lauren Mabry

Are We There Yet? 2023, Chris Antemann, Sergei Isupov, Lauren Mabry


Ferrin Contemporary | July 15 – September 2, 2023

FEATURED EXHIBITIONS

OUR AMERICA/WHOSE AMERICA?

2022 | Group Exhibition at Ferrin Contemporary | North Adams, MA

Our America/Whose America? Is a “call and response” exhibition between contemporary artists and historic ceramic objects.

View the exhibition page HERE  & View the historic collection HERE

Featuring  Back Flow and Bristlecone:

HEY! LE DESSIN

2022 | Group Exhibition at Musée de la Halle Saint Pierre | Paris, France

113 artists, more than 500 artwork, and 20 countires

View the exhibition page HERE

Featuring Living in Between & Blooms:

JASON WALKER: Personal Encounters

2018 | Solo Exhibition at Ferrin Contemporary | North Adams, MA

Jason Walker’s solo exhibition, Personal Encounters, presents a new body of work that questions our inter-dependent relationship to nature and technology within the context of today’s world.

View the exhibition page HERE 

SELECT PAST EXHIBITIONS

NEWS & FEATURES

NCECA PITTSBURGH

REVIVE, REMIX, RESPOND The Frick Pittsburgh 7227 Reynolds Street, Pittsburgh Group show of contemporary artists who are breathing new life...

Jason Walker: Two Solo Shows

Jason Walker’s two solo exhibitions are on view in Bellingham, Wash., and Pittsburgh, featuring recent constructions and selected individual sculptures…

Published in 2014 by Bellevue Arts Museum, Bellevue, Washington

Forward by Stefano Catalani

Interview with Jason Walker and Stefano Catalani: A Conversation on Rivers, Roads, and the Split Down the Middle

Exploring the ecological and existential themes informing the site-specific installation

20-page, full-color exhibition catalog

This brochure, published by the Society of Contemporary Craft, includes biographical information on Walker as well as an essay by William L. Fox, Director of the Center for Art + Environment, Nevada Museum of Art, Reno, Nevada

Click here to view.

INQUIRE


Additional works may be available to acquire, but not listed here.

If interested in lists of all works and series: Send us a message

BRIDGE 13: Jason Walker at Society for Contemporary Craft

BRIDGE 13: Jason Walker at Society for Contemporary Craft

Jason Walker at Bridge 13

on view through August 22, 2015
Society for Contemporary Craft in Pittsburgh,

Walker’s show features painted porcelain sculptures that depict the intersecting world where nature and technology meet. Painting on sculptures of woodland animals, Walker focuses on the landscape at the point where industrial elements impose on and merge into shared environments.

At the Walker is one of three artists with solo exhibitions in “Bridge 13.”

 

EVENTS

Thursday, April 16, at 6:30
ARTIST TALK
Carnegie Museum of Art theater

Walker will discuss the way technology has changed our perceptions of nature and how he combines animal imagery with industrial elements to convey these ideas.

Saturday, April 18, from 1 – 4pm
ARTIST WORKSHOP

Walker will discuss the works in the show followed by a hands-on workshop in SCC’s studio, giving participants a chance to try making ceramic objects.

Both events are co-sponsored by Society for Contemporary Craft and the Carnegie Museum of Art.
Click here for more information.

Thursday–Saturday, April 16–18
WEEKEND WITH THE ARTIST

Join us for a weekend in Pittsburgh with Jason Walker

In addition to the Artist Talk and Workshop noted above, other events will include a studio visit with ceramic artist Edward Eberle, tour of ceramic collection at Carnegie Museum of Art, Alan G. and Jane A. Lehman Curator of Decorative Arts and Design at the museum and a guided house tour of Frank Lloyd Wright’s Fallingwater.

Rooms have been set aside at the Renaissance Pittsburgh Hotel for the weekend.
Call 412-562-1200 or click here to visit their website and use the code WALKER WEEKEND ROOM BLOCK when making your reservations.

Click here to inquire about the weekend.

 

Cover of Bridge 13: Jason Walker print piece

BRIDGE 13: Jason Walker

This brochure, published by the Society for Contemporary Craft, includes biographical information on Walker as well as an essay by William L. Fox.

“A growing number of artists tread warily along the boundaries of culture and nature as the human footprint becomes increasingly obvious and inescapable, and the ironies multiply. … Walker’s work is a form of public prayer for our safety and preservation. How fortunate and useful it is that the sculptures are also beautiful.” — William L. Fox, Director of the Center for Art + Environment, Nevada Museum of Art, Reno, Nevada

Click here to view.

A CLAY BESTIARY

A CLAY BESTIARY

ABOUT THE EXHIBITION

September 27, 2014—January 4, 2015
Hunterdon Art Museum, Clinton, NJ

This ceramics exhibition focuses on the animal kingdom, offering visitors the opportunity to see real and imaginary creatures of all shapes and sizes in fresh and unique ways. The works chosen are not ‘”literal” representations or depictions of animals, but artists’ concepts and interpretations.

This group show includes the work of Ferrin Contemporary artists Jason Walker, Red Weldon Sandlin, and Sergei Isupov.

EVENTS

September 28, 2pm
Artist talk with Garth Johnson

JASON WALKER: On the River, Down the Road at BAM

JASON WALKER: On the River, Down the Road at BAM

Jason Walker: On the River, Down the Road

October 3, 204–March 1, 2015
Bellevue Arts Museum, Bellevue, WA

A solo show of seven new, large-scale works

Northwest artist Jason Walker is widely celebrated for his skillfully executed ceramic sculpture. Treading a fine line between storytelling and social criticism, Walker’s work explores the human experience as reflected in Nature. His painted porcelain works, often taking the form of wild animals domesticated by industry, are simultaneously thought-provoking and unsettling. Bridging the dichotomous worlds of nature and technology represents, for the artist, “a journey to define for myself what it means to be human in the present time.” On the River, Down the Road is a site-specific installation created by Walker, who will transform the gallery into an enveloping, fantasy-driven world that—through richly detailed narratives and surrealist, apocalyptic imagery—offers an incisive comment on the indelible impact of humanity upon the natural landscape.

Jason Walker Cover

Click here to order the catalog for On the River, Down the Road.

Artwork in this exhibition is available for sale through Ferrin Contemporary.

Please click here to contact us for more information.

For more information and other available works by Jason Walker click here.

Jason Walker is represented by Ferrin Contemporary.

CERAMIC TOP 40

CERAMIC TOP 40

SURVEY EXHIBITION


2013 – 2015 | 3-City US TOUR

ABOUT THE EXHIBITION


CERAMIC TOP 40
Belger Crane Yard Studios, Kansas City, MO
presented by Ferrin Contemporary and Red Star Studios
November 1, 2013–January 25, 2014

CERAMIC TOP 40 | selected works
Office for the Arts, Harvard, Gallery 224, Alston, MA
presented by Ferrin Contemporary and the Ceramics Program
May 17–June 27, 2014

CERAMIC TOP 40 | selected works
Independent Art Projects
1315 MASS MoCA Way, North Adams, MA
January–April 2015

Ceramic art is experiencing an evolutionary leap. Economic conditions and technological advances have caused a dramatic shift in the way contemporary ceramics are conceived, designed, produced, and marketed. Ceramic Top 40 is an exhibition that emerged from the need to document this defining time in contemporary ceramics. Taking a snapshot of this pivotal transition provides a look back at recent history, an understanding of these forces of change, and a glimpse into the future of ceramic art.

This survey exhibition features work by individual artists, collaborators, and design partners who are working on the cutting edge of current processes, ideas, and presentation concepts in conceptual utilitarian and sculptural ceramics. They are responding to the external forces of a changing world and, in turn, shaping those influences.

CERAMIC TOP 40 CATALOG


EXHIBITING ARTISTS


CERAMIC TOP 40 ARTISTS

Susan Beiner •  Robin Best  •  Stephen Bird  •  Stephen Bowers  •  Jessica Brandl  •  Andy Brayman  •  Beth Cavener  •  Craig Clifford  •  Mark Cooper  •  Cristina Cordova  •  Guy Michael Davis (Future Retrieval)  •  Thomas Lowell  Edwards  •  Michelle  Erickson  •  Sean Erwin  •  Leopold Foulem  •  Alessandro Gallo  •  Misty Gamble  •  Gerit Grimm  •  Rain Harris  •  Giselle Hicks  •  Peter Christian Johnson  •  Brian R. Jones  •  Ryan LaBar  •  Steven Young Lee  •  Linda Lighton  •  Daniel Listwan  •  Lauren Mabry • Aya Margulis (Doda Design)  •  Walter McConnell •  Sara Moorhouse  •  Ron Nagle  •  Katie Parker (Future Retrieval)  •  Kate Roberts  •  Stephanie Rozene   •  Anders Ruhwald   •  Michael Schwegmann  •  Paul Scott  •  Richard Shaw  •  Adam Shiverdecker  •  Bobby Silverman  •  Linda Sormin  •  Shawn Spangler  •  Vipoo Srivilasa  (The Spoon Project)  •  Dirk Staschke  •  Rae’ut Stern (Doda Design)  •  Emily Sudd  •  Tip Toland  •  Clare Twomey  •  Shaleene Valenzuela  •  Jason Walker

VIPOO SRIVILASA | OBJECT: SPOON  |  Liz Burrit  •  Thomas Cheong  •  Naomi Clement  •  Jenn Demke-Lange  •  Jason Desnoyers  •  Krisaya Luenganantakul  •  Laura McKibbon  •  Noriko Masuda  •  Teo Huey Min  •  Jun Myoung  •  Aaron Nelson  •  Joshua Primmer  •  James Seet  •  Vipoo Srivilasa  •  Jenna Stanton

CERAMIC TOP 40
Belger Crane Yard Studios, Kansas City, MO
presented by Ferrin Contemporary and Red Star Studios
November 1, 2013–January 25, 2014

CERAMIC TOP 40 | selected works
Office for the Arts, Harvard, Gallery 224, Alston, MA
presented by Ferrin Contemporary and the Ceramics Program
May 17–June 27, 2014

CERAMIC TOP 40 | selected works
Independent Art Projects
1315 MASS MoCA Way, North Adams, MA
January–April 2015