Project Tag: Crystal Morey News

2023 INTERNATIONAL CERAMIC ART FAIR (ICAF)

2023 INTERNATIONAL CERAMIC ART FAIR (ICAF)

June 8 – 18, 2023

At the Gardiner Museum
Toronto, Ontario

ABOUT THE FAIR


& Symposium

Ferrin Contemporary is returning to ICAF for the third year. We applaud the Gardiner for building this international program that takes over the museum with a fair, exhibition and symposium over 10 days in June. This year we are presenting recent works that address the theme FUTURE BODIES by three artists.

The International Ceramic Art Fair (ICAF) is a 10-day celebration of some of the most compelling recent ceramic art, featuring works by emerging and established artists from a wide range of backgrounds, as well as online and in-person programming by artists and curators.

Alongside the artworks presented in the fair, ICAF 2023 will include a symposium on June 9 and 10. Titled Toward Future Bodies, the symposium brings together artists, scholars, and other voices from Canada and internationally to explore the boundaries of our species and our connection to other life forms as expressed through ceramics and clay.

ABOUT THE ARTISTS


& FEATURED WORK

Many artists are reconsidering how we define ourselves as a species and how these changing definitions can alter our relationships to each other, to other animals and life forms, and to the land we inhabit. The separation of the human and non-human is increasingly understood as porous or insignificant. Clay can be seen as a mediator between the human and non-human, blurring the boundaries with its life-giving properties, its capacity to record and hold human memory, its characteristic of absorption, and its capacity to connect us to the land.

How can we re-orient our relationship to the planet through a more nuanced understanding of our connection to other forms of life? How can emerging discourses of the human shift us toward new and generative understandings of our bodies place in the world?

Join us to view the works at ICAF and participate in the accompanying programs to explore these and other questions. Sponsored by the Raphael Yu Centre for Candaian Ceramics, Toward Future Bodies aims to foster a deeper appreciation for Canadian ceramics within a larger artistic ecosystem.

Judy Chartrand portrait 2022

b. 1959, Kamloops, BC, CAN
lives and works in Vancouver, CAN

b. Shinnecock, 1980
lives and works in Northfield, Minnesota

b. American, 1983, Nevada City, CA
lives and works in Oakland, CA

Toward Future Bodies Symposium

Friday June 9, 6 – 8 pm &
Saturday June 10, 9:30 am – 6 pm

The Gardiner Museum is pleased to host Toward Future Bodies, a symposium supported by the Raphael Yu Centre for Canadian Ceramics, and in collaboration with A-B Projects. The symposium takes place during the International Ceramic Art Fair (ICAF) and will feature a roster of local and international speakers, fostering a deeper appreciation for Canadian ceramics within a larger artistic ecosystem through discussions on the body in relation to the land, home, animals, the machine, and the future.

Online Artist Talk with Courtney M. Leonard and Judy Chartrand 

Friday June 16, 4 – 5 pm 

As part of the International Ceramic Art Fair, join exhibiting artists Courtney M. Leonard and Judy Chartrand, represented by Ferrin Contemporary, for an online discussion about their work and practice.

Watch the recording:

CRYSTAL MOREY: Venus on the Waves Catalog

CRYSTAL MOREY: Venus on the Waves Catalog

Crystal Morey’s “Venus on the Waves” exhibition catalog release: June 1, 2020.

Available now for $17.80, which includes domestic postage.

The 8.5 x 11″ booklet includes 16 beautiful pages of images and text from the “Venus on the Waves” exhibition
at Ferrin Contemporary in 2019.

  • Read more about the exhibition, HERE.
  • The book also includes a wonderful essay by writer Maria Porges, “Claiming Beauty: Crystal Morey’s Venus on the Waves”.

Excerpt from Maria Porges Essay:

All of Morey’s therianthropes have a kind of contained power, even when their poses might bely such a reading. A closer examination of the passive contrapposto of the standing figures in Three Gracesreveals a kind of watchful alertness. Positioned back to back around a tree stump, they are warriors creating a united defense. Rhino and mountain lion have their arms intertwined, but the gesture looks protective rather than girlishly affectionate. Alert, all three scan the horizon, dependent on each other for safety. As Morey has put it, “The rhino, mountain lion and human are all in danger of habitat loss, and extinction- although the human is just now realizing how delicate her situation is, and how dependent she is on the well -being of the creatures and environments around her.”

Like these three, Morey reminds us, all living creatures are connected. Multiple-figure compositions– a first for her—have enabled her to address increasingly complex issues. The result is a body of work in which several different meanings can be slowly unpacked, even as the immediate physical appeal of the figures provides pleasure. “You can come in at whatever level you want, but hopefully it will make you think about something you haven’t previously considered… I don’t know if this work will make a change, but I hope it instigates a conversation.”

76th Scripps College Ceramic Annual: Sentiment and Skepticism, Our Culture of Contradictions, Pomona College, Claremont, CA

76th Scripps College Ceramic Annual: Sentiment and Skepticism, Our Culture of Contradictions, Pomona College, Claremont, CA

ABOUT THE EXHIBITION

76th Scripps College Ceramic Annual: Sentiment and Skepticism, Our Culture of Contradictions

Pomona College, Claremont, CA

January 25 – April 5, 2020

From flowers to fluorescent brains, connections and conflicts in nature and culture are the focus of the Scripps College 76th Ceramic Annual. The longest continuous exhibition of contemporary ceramics in the nation will open on Jan. 25 and continue through Apr. 5. Participating artists include Wesley Anderegg, Richard Burkett, Rebecca Hutchinson, Jeff Irwin, Kate MacDowell, Crystal Morey, James Tisdale, Theodore Vogel, Patti Warashina, Stan Welsh, and Mary Cale. A. Wilson. This exhibition is curated by Joanne Hayakawa, professor emerita at San Diego State University, School of Art and Design.

The artists in this group present some of their most active, and interactive, pieces in this exhibit. Works stand up on their own, hang from the ceiling, or extrude from the wall. In curating the show, Joanne Hayakawa, professor emerita at San Diego State University, School of Art and Design, sought to highlight the dynamism of conflicting elements and the tensions they produce within various contexts.

This exhibition features an illustrated catalog with an essay by art writer Robert L. Pincus.

EVENTS

Lecture: Garth Johnson, Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art will deliver a special lecture on the show will be held at the Scripps Humanities Auditorium on Sat., Jan. 25th from 4 to 5 pm.

Reception: The opening reception will follow, with live music and light refreshments, at the Williamson Gallery from 7 to 9 pm. These events are free and open to the public.

For more information on the exhibit, please visit rcwg.scrippscollege.edu or call (909) 607-3397.

The gallery is open from 12 to 5 pm, Wed. through Sun. during exhibitions. Admission is free.

More information on Crystal Morey HERE.

CRYSTAL MOREY: Venus on the Waves

CRYSTAL MOREY: Venus on the Waves

SOLO EXHIBITION

AT FERRIN CONTEMPORARY
North Adams, MA

September 21- November 2nd, 2019

Opening Reception:

Saturday, September 21, 5-7 pm

ABOUT THE EXHIBITION


North Adams, MA —

Ferrin Contemporary is pleased to announce CRYSTAL MOREY: Venus on the Waves, introducing a new series of porcelain sculpture that explores elements of art history and our connection to today’s changing, natural world.

Leslie Ferrin, director Ferrin Contemporary, “We are pleased to present Crystal Morey’s first solo exhibition on the East Coast and the opportunity it provides to share her artwork and learn about her process through a related series of talks and demonstrations. This new series, Venus on the Waves, captures the spirit of a new generation of pop surrealist, figurative artists who use history to inform their practice while adding a contemporary spin by introducing issues relevant to our time.”

As a result of human consumption, climate change, and habitat loss, we are experiencing increased responsibility to care for the living creatures around us. Morey’s delicate porcelain works highlight these precarious connections and our roles as advocates and protectors of our most vulnerable species. Her sculptures narrate the interdependence between humans, plants, and animals while cultivating empathy for our changing world.

Inspired by 18th century European painting, sculpture, and porcelain figurines, Morey’s works in Venus on the Waves combine the decadent and ornate qualities of the Baroque with romanticism of nature. Her emphasis on historical female archetypes and their relationship to the natural world echoes the past while reflecting on today’s environmental challenges.

CRYSTAL MOREY: Venus on the Waves


At Ferrin Contemporary, North Adams, MA | September 21- November 2nd, 2019

Crystal Morey explains, “Venus on the Waves, is a new body of work that weaves the magic, narrative and power of art history with our contemporary environmental issues of today. Through hand sculpted porcelain creations, I am building a connection to the past though the vulnerable creatures and habitats of today.”

Crystal Morey’s ceramic works have been widely featured in publications and exhibitions both nationally and internationally. In 2018, her work was included in Revive, Remix, Respond at The Frick Pittsburgh, PA, in a group exhibition inspired by the Frick’s collection which was co-curated by Dawn Brean and Leslie Ferrin. Her work has been featured in New Age of Ceramics500 Figures in ClayJuxtapozHi-FructoseAmerican Art Collector, Hey Magazine, Palace Costas, Beautiful Bizarreand Sculpture Review.  Morey received her BFA in Ceramic Sculpture from the California College of the Arts in 2006 and her MFA in Spatial Art from San Jose State University in 2015, followed by residencies at The LH Project, OR; Watershed Center for the Ceramic Arts, ME; and the Penland School of Craft, NC. She currently lives and works in Oakland, California.

Entangled: Grizzly (Part 1) & (Part 2)


California Bighorn Sheep


Leda and the Swan


Release the Winds


Sea Level Rise in Eden


Three Graces


Venus on the Waves


Venus (After Michelangelo’s David)


PRESS & PROGRAMMING


Visiting Artist Lecture
Wednesday, September 18, 2019, 5:30-6:30pm
Harvard University– Office for the Arts at Harvard, 224 Western Ave, Allston, MA

Click HERE for more about the lecture at Harvard Ceramics.

Click HERE to read the feature in The Berkshire Eagle by Jennifer Huberdeau

Click HERE to learn more about the workshop and events at Project Art, Cummington, MA.

Click HERE to see other works and learn more about Crystal Morey.

Click HERE to inquire about available works for sale.

******

Download Press Release HERE

Crystal Morey in Figural Sculpture: Additive / Subtractive Processes in Porcelain
September 20 – 22, 2019

at PROJECT ART in Cummington, MA

Crystal Morey: Artist Talk
Friday, September 20, 7pm
at PROJECT ART in Cummington, MA

LOOKING WEST at The James J. Hill House in St. Paul, MN

LOOKING WEST at The James J. Hill House in St. Paul, MN

LOOKING WEST

at The James J. Hill House in St. Paul, Minnesota.

March 6th- April 7th, 2019

Reception: March 29th, 6-8pm

A group exhibition exploring themes of the American West through ceramic art

“Early America saw the Mississippi River as its western border. Looking West investigates the history, anthropologies, and landscapes of the American West through ceramic art.”

Within concept and visual, Looking West explores the current conversations taking place in and about the American West. Claytopia, (NCECA 2019 March 27th-30th) will reside on the geographical border of the Mississippi River in Minneapolis, Minnesota the same river that was the United States western border prior to the Louisiana Purchase in 1803.

Located inside the historical James J. Hill House at 240 Summit Ave in Saint Paul, Looking West will respond to the historical and contemporary conversations of the American West, including its traditions, history, landscape and cultural anthropologies. As the viewer walks the home, they are reminded of the vision James J. Hill had for Western Expansion and for the growth of the Great Northern Railway. The diversity of artists included will allow viewers to indulge in a dialogue that presents many various perspectives about what the West is now.

Artist Evan Hauser states, “With the rise of Industrial America comes a threat to wilderness and untouched landscapes. When looking at a National Park such as Yellowstone, we are confronted by land that is supposedly wild and natural. In reality, the lands within the park are somewhat of a construct as the wildlife is managed, fires are suppressed, and designated paths exist for the wandering tourist. This prescribed experience brings a foreseeable encounter that was once otherwise a land of discovery.”

 

ARTISTS:
Dylan Beck,
Jonathan Fitz
Evan Hauser*
Mitch Iburg
Ben Jordan
Dean Leeper
Crystal Morey*
Catherine Schmid-Maybach
Paul Scott *
Jason Walker *
Paige Nicolet Ward

*click to see more by these artists

DOWNLOAD PRESS RELEASE

LOCATION:
240 Summit Ave.
St. Paul, MN 55102

click HERE to inquire about works for sale.