Project Tag: canary syndrome

Elliott Kayser

Elliott Kayser

CURRENT + RECENT EXHIBITIONS

Sorry, no posts were found.

ABOUT ELLIOT KAYSER

(b.1985 in Seattle, WA) received his Bachelor’s degree from Alfred University and his MFA in Ceramics from Arizona State University in 2017. While between degrees, Elliott moved to Ann Arbor, MI where he worked at a ceramic tile company and volunteered on small family farms. His art over the past decade has been about the values learned in the fields, taking care of both the animals and the people within the agricultural community. Elliott’s upcoming shows include a solo exhibition at Mesa Contemporary Art Museum in January 2019 and a public art project on the Green Way in Boston beginning in February 2019. Elliott is a current resident artist at the Mesa Arts Center, in Mesa Arizona.

LIVIA MARIN

LIVIA MARIN

LIVIA MARIN

 

 

 

CURRENT + RECENT EXHIBITIONS

Sorry, no posts were found.

The two series, Broken Things and Nomad Patterns, are made from fragments of everyday objects – cups, bowls, jars, pots and the like – that appear as staged somehow indeterminately between something that is about to collapse or has just been restored; between things that have been invested with the attention of care but that also have the appearance of a ruin. These works aim to reflect on aspects of loss and care, disposal and preservation, and on the relationship we develop with the day-to-day objects that populate our everyday lives.

While Broken Things employs commercially available oral and miscellaneous transfer-printed motifs, Nomad Patterns takes as its central figure the well- known motif Willow Pattern, an image of which is taken from second-hand or antique objects and then reproduced by means of a custom-make transfer print.

Livia Marin’s work employs techniques and strategies that are characteristic of Sculpture, Installation and Process Art. Specifically, it employs everyday objects to enquire into the nature of how we relate to material objects in an era dominated by mass-production, standardization and global circulation. Her work was initially informed by the immediate social and political context of Chile in the 1990s that amounted to a transition from a profoundly and overtly disciplinary regime to one of an economic regime with a strongly developed neo-liberal economic agenda. By appropriating mass-market objects her work seeks to offer a reflection on how we particularize our relation to them. She reflects on how, in a secular and materialist society, identities are increasingly designated through material tokens derived from consumerism. This significant, though often overlooked, aspect of contemporary life forms the field of her practice. Central to her work is a trope of estrangement that works to reverse an excess of familiarity engendered in the life of the everyday and by the dictates of the marketplace. She has exhibited widely both in her native Chile and internationally.

DOWNLOAD CV