Project Tag: Bouke de Vries News

BOUKE DE VRIES: War & Pieces | North America Tour

BOUKE DE VRIES: War & Pieces | North America Tour

  • W&P | ON VIEW

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  • W&P | GUIDE

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BOUKE DE VRIES | WAR & PIECES


Exhibiting  Internationally  |  2012 – Present

 

War & Pieces is Bouke de Vries’ contemporary interpretation of the decorative sculptures that adorned 17th- and 18th-century banqueting tables.

War & Pieces is currently traveling North America in its extensive tour, landing at its sixth US location in 2022. The installation has been exhibited at venues in Europe and Asia, beginning in 2012 at the Holburne Museum in Bath, England with support from the Arts Council of Great Britain. At each venue, de Vries works with the curators and the collection by responding to the region and its history and interacting with the interior settings. In some venues, he was able to add to the installation using relevant objects from the collection, as at Charlottenburg Palace, which was looted in the Seven Years’ War and almost completely destroyed in the Second World War, adding a special meaning to this era-spanning work.


WAR & PIECES


ON VIEW

This spring, the Lightner Museum’s grand ballroom gallery will be transformed by a dramatic ceramic centerpiece created from thousands of fragments of white porcelain.

War & Pieces is an eight-meter (26-foot) installation by Dutch-born artist Bouke de Vries inspired by the sophisticated figural centerpieces that decorated eighteenth-century European rulers’ banqueting tables. Displayed during the dessert course on special occasions, these figures first made of sugar and later increasingly porcelain, told stories or conveyed political messages to the diners.

Bouke de Vries draws on such traditions in his modern centerpiece, arranged around the mushroom cloud from a nuclear explosion whose force appears to have turned the entire table into a wasteland. Battle rages across this heap of shards old and new, fought by myriad miniature figures with conventional arms. Jesus on the cross and the Chinese Buddhist goddess of compassion, Guanyin, watch over the death and destruction.

WAR & PIECES | ON VIEW


At The Lightner Museum

MORE ON BOUKE DE VRIES


VIEW MORE BY BOUKE DE VRIES HERE

Born in Utrecht, The Netherlands, Bouke de Vries studied at the Design Academy Eindhoven and Central St Martin’s, London. After working with John Galliano, Stephen Jones, and Zandra Rhodes, he switched careers and studied ceramics conservation and restoration at West Dean College. He has been a full-time studio artist based in London since 2010.

Bouke de Vries, “War & Pieces”, detail

WAR & PIECES | TOUR SCHEDULE


INQUIRE ABOUT TOURING PROGRAM HERE

EUROPEAN LOCATIONS


Harley Gallery | UK | 2018

Berrington Hall | UK | 2017

Gemeente Museum | Netherlands | 2015–6

Castle d’Ursel | Belgium | 2015

Chateau de Nyon | Switzerland | 2014–5

Yingge Ceramics Museum | Taiwan | 2014

Charlottenburg Palace | Germany | 2013

Whitespace | Netherlands | 2013

Alnwick Castle | UK | 2013

Charlottenburg Palace | Germany | 2013

The Holburne Museum | UK | 2012

WAR & PIECES


PAST PROGRAMMING

• Bouke de Vries: Virtual London Studio Tour

WAR & PIECES


PAST PROGRAMMING

• Explosion in the Green Gallery! Bouke de Vries: War and Pieces Comes to the Frick

WAR & PIECES


PAST PROGRAMMING

WAR & PIECES


PAST PROGRAMMING

WAR & PIECES


PAST PROGRAMMING
STRIKING GOLD: Fuller at Fifty, Fuller Craft Museum, Brockton, MA

STRIKING GOLD: Fuller at Fifty, Fuller Craft Museum, Brockton, MA

Striking Gold: Fuller at Fifty

September 7, 2019- April 5, 2020

Fuller Craft Museum, Brockton MA

In honor of the Fuller’s ‘golden anniversary’, the museum looks at the role of gold within it’s recent acquisitions and permanent collection. Co-curated by Beth McLaughlin and Suzanne Ramljak. Striking Gold: Fuller at Fifty, explores the storied traditions, contemporary interpretations, skillful applications, and conceptual rigor of gold as an artistic material, while investigating the multitude of cultural, material, and sociopolitical associations.For the 57 selected artists, gold remains central to their work as they delve far deeper than embellishment or decorative effect. This landmark exhibition celebrates the museum’s rich past as it plans for a brilliant future—and shines a light on all things golden.

FEATURING

Recent works by:

Claire Curneen
Bouke de Vries
Paul Scott
Anina Major

and in the permanent collection:
Roy Superior

More information can be found HERE.

CATALOG

Fully illustrated catalog with essays from the co-curators and Stuart Kestenbaum.

Click HERE to purchase.

CLICK TO VIEW THE VIRTUAL TOUR
OF STRIKING GOLD: Fuller at Fifty

 

Striking Gold: Fuller at Fifty

DERIVED FROM THE DECORATIVE: Works by Faig Ahmed, Beth Lipman and Bouke de Vries at Cheekwood Estate and Gardens

DERIVED FROM THE DECORATIVE: Works by Faig Ahmed, Beth Lipman and Bouke de Vries at Cheekwood Estate and Gardens

DERIVED FROM THE DECORATIVE: by Faig Ahmed, Beth Lipman and Bouke de Vries

February 2, 2019 – June 9, 2019

Cheekwood Estate and Garden, Nashville, Tennessee

In the spring of 2019 Cheekwood will present an exhibition featuring work by Faig Ahmed (Baku, Azerbaijan), Beth Lipman (Philadelphia, Pennsylvania), and Bouke de Vries (Utrecht, the Netherlands). The exhibition consists of artists and designers who take cues from decorative arts traditions yet invert the precepts by blurring the space between functional forms and art forms. The exhibition will celebrate the work of a national and international group of artists who look at traditional decorative arts as a point of departure for contemporary creations. The artists in this show challenge the idea of historically informed notions of craft and provide a contemporary entry point into the space between fine and decorative art. Through recognizable visual traditions, the works destabilize perceptions of the familiar. Integrating traditional fabrication methods along with digital contributions, the exhibition will present works that embrace a wide spectrum of time.

Click to view more work by BOUKE DE VRIES.

Click to view more work by BETH LIPMAN