Over the last few decades, Sergei Isupov has been experimenting with numerous forms of printmaking to create new landscapes for his figural and narrative themes. Many of these prints were created for paper reproduction, though in recent years, Isupov has extended his designs to fabric tshirts, wood, and even mural-scale installations.
LITTLETON STUDIOS PRINTS
2000
vitreograph, sliligraphy print from glass plate, digital transfer
Sergei worked on a series of prints at Littleton Studios in 2000. Each Littleton Print is a Vitreograph, Siligraphy print from glass plate, using Digital Transfer techniques. The printing process varies from edition to edition. The labor involved in the process, the quality of the paper, and the edition size all affect the price of the print.
COLLECTED & WOODBLOCK PRINTS
2004 – Present
Sergei Isupov’s largest woodcut print served as a signature work in his exhibition ALLIANCES; Isupov began with a square, eight-foot woodcut print created from two plywood panels, carving the image using power tools. His plywood carving and print installation bring together ceramic sculpture, assemblage, and printmaking practices and feature dimensional ceramic elements inserted into the plywood print plate.
INTAGLIO PRINTS
