Series of artworks addressing themes of race, immigration, and indigeneity.
FULL LIST OF ARTWORKS AVAILABLE BY INQUIRY
ON VIEW
CURRENT + RECENT EXHIBITIONS
FEATURED ARTWORKS
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Broken Treaties
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After Wood & Warhol
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Souvenir of Shiprock
Race Indigeneity & Immigration Series
Series of artworks addressing themes of race, immigration, and indigeneity.
Works addressing include (and not limited to): Across the Borderline (Trumpian Campaigne); After Wood and Warhol; The Angola 3; Flint; Pipelines & Peltier; Souvenir of Portland, OR; Souvenir of Selma; Souvenir of Shiprock; The Uranium Series
Please check back as new works and available selections are added continually with developing displays and informational pdfs.
As always, please inquire or contact us for more details or lists of available artworks.
After Wood & Warhol No. 2
![Paul Scott, "Cumbrian Blue(s), New American Scenery, After Wood & Warhol, No. 2", 2019-2020, shell edged porcelain platter, modelled by Mara Superior and hand painted by Paul Scott, 12.25 10 x 13 x 1.5". A collaboration with Mara Superior, who created the handmade porcelain platter, that nods to Warholâs Death and Disaster series (1964) depicting Civil Rights Movement riots in Birmingham, AL. Warholâs series Race Riot was based on Charles Mooreâs photographs featured in Life Magazine depicting unarmed Black protesters set upon by police and their dogs on May 3, 1963. To create this platter, Scott handpainted Warholâs screenprint. The shell border is a reference to a motif on a platter by Enoch Wood, Cape Coast Castle on the Gold Coast Africa (c. 1820), that depicts a slave shipâa perfect exemplar of the way that historic transferwares cloaked deeply racist histories in beautiful forms.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2023/03/39267_Scott-Paul-and-Superior-Mara_Cumbrian-Blues_New-American-Scenery_After-Wood-Warhol-No-2_2019-to-2020_FC_PS_120920_01_sq_wb_72dpi.jpg?resize=700%2C700)
Paul Scott, “Cumbrian Blue(s), New American Scenery, After Wood & Warhol, No. 2”,
2019-2020, shell edged porcelain platter, modelled by Mara Superior and hand painted by Paul Scott, 12.25 10 x 13 x 1.5″.
After Wood & Warhol No. 3
![Paul Scott, "Cumbrian Blue(s), New American Scenery, After Wood & Warhol, No. 3", 2020, painted underglaze on pearlware platter, 12.25 x 15.25 x 2". A collaboration with Mara Superior, who created the handmade porcelain platter, that nods to Warholâs Death and Disaster series (1964) depicting Civil Rights Movement riots in Birmingham, AL. Warholâs series Race Riot was based on Charles Mooreâs photographs featured in Life Magazine depicting unarmed Black protesters set upon by police and their dogs on May 3, 1963. To create this platter, Scott handpainted Warholâs screenprint. The shell border is a reference to a motif on a platter by Enoch Wood, Cape Coast Castle on the Gold Coast Africa (c. 1820), that depicts a slave shipâa perfect exemplar of the way that historic transferwares cloaked deeply racist histories in beautiful forms.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2023/03/39822_Scott-Paul_Scotts-Cumbrian-Blues_New-American-Scenery_After-Wood-Warhol-No-3_2020_wb_72dpi.jpg?resize=700%2C576)
Paul Scott, “Cumbrian Blue(s), New American Scenery, After Wood & Warhol, No. 3”,
2020, painted underglaze on pearlware platter, 12.25 x 15.25 x 2″.
Across the Borderline, Trumpian Campaigne, No: 1
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2017/05/PDX-SAMP.jpg?resize=1134%2C851)
Paul Scott, “Cumbrian Blue(s), New American Scenery, Trumpian Campaigne, Legacy No:1, (Across the Borderline, Portland, Black Lives Matter)”, 2021, in-glaze decal collage on pearlware platter (after Enoch Wood), 15.4 x 12.2 x 2″, 39 x 30.5 x 5cm.
Across the Borderline, Trumpian Campaigne, No: 4
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2017/05/39823_Scott-Paul_Scotts-Cumbrian-Blues_New-American-Scenery_Across-the-Borderline_Trimpian-Campaigne_Ed-No-4_2020_72dpi-1.jpg?resize=700%2C566)
Paul Scott, Cumbrian Blue(s), New American Scenery, Across the Borderline (4) (Trumpian Campaigne), 2020
The Angola 3
![Paul Scott, "Scott's Cumbrian Blue(s), New American Scenery, Angola 3" 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1". draws reference to three Black inmates in the Louisiana State Penitentiary in the 1970sâRobert King, Herman Wallace, and Albert Woodfoxâwho were held in solitary confinement for the longest period in American history. It is suspected that this unethical treatment was retaliation for the inmatesâ connection to the Black Panther Party. In 2001, Kingâs conviction was overturned and he was released. In 2013, Amnesty International called for the release of 71-year-old Wallace, who was released in October of that year and, soon after, died of liver cancer. In 2014, Woodfoxâs conviction was overturned by the US Court of Appeals and he was released in 2016.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2019/10/39247_Scott-Paul_Scotts-Cumbrian-Blues-New-American-Scenery-Angola-3_2019_72dpi.jpg?resize=1000%2C1000)
Paul Scott, “Scott’s Cumbrian Blue(s), New American Scenery, Angola 3″ 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1”.
Broken Treaties
![Paul Scott, "Cumbrian Blue(s), New American Scenery, Broken Treaties, Standing Rock, After Ryan Vizzions, with Mega Mae Plenty Chief, Lakota Oyate on horseback, No. 3", 2022, transfer print collage on Wm Penn's Treaty transferware plate by Thomas Goodwin c.1835, 10.5 x 10.5 x 1.25". Red, blue, and white transferware plate, with updated decal imagery of Standing Rock, ND. The imagery is of Mega Mae Plenty Chief, a Lakota Oyate on horseback, posed in front of the police and military present and opposing. They are the single figure if front of the entire army presence, signifying the resistance to drilling for oil in the US on Native American Lands. Subject matter for the artwork includes the following artist series: New American Scenery, Native American, Antique, Energy, Environment, Race, Indigeneity](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2023/03/43361_Paul-Scott_New-American-Scenery_Broken-Treaties_Standing-Rock_No-3_2022_wb_72dpi.jpg?resize=700%2C700)
Paul Scott, “Cumbrian Blue(s), New American Scenery, Broken Treaties, Standing Rock, After Ryan Vizzions, with Mega Mae Plenty Chief, Lakota Oyate on horseback, No. 3″, 2022, transfer print collage on Wm Penn’s Treaty transferware plate by Thomas Goodwin c.1835, 10.5 x 10.5 x 1.25”.
Across the Borderline (Trumpian Campaigne)
series of platters depicting the border between the US and Mexico using imagery culled from the Wedgwood archive and popular media to address the theme of immigration.nt riots in Birmingham, AL.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2017/05/PDX-SAMP.jpg?resize=1134%2C851)
Paul Scott, “Cumbrian Blue(s), New American Scenery, Trumpian Campaigne, Legacy No:1, (Across the Borderline, Portland, Black Lives Matter)”, 2021, in-glaze decal collage on pearlware platter (after Enoch Wood), 15.4 x 12.2 x 2″, 39 x 30.5 x 5cm.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2017/05/39823_Scott-Paul_Scotts-Cumbrian-Blues_New-American-Scenery_Across-the-Borderline_Trimpian-Campaigne_Ed-No-4_2020_72dpi-1.jpg?resize=700%2C566)
Paul Scott, Cumbrian Blue(s), New American Scenery, Across the Borderline (4) (Trumpian Campaigne), 2020
After Wood and Warhol
A collaboration with Mara Superior, who created the handmade porcelain platter, that nods to Warholâs Death and Disaster series (1964) depicting Civil Rights Movement riots in Birmingham, AL. Warholâs series Race Riot was based on Charles Mooreâs photographs featured in Life Magazine depicting unarmed Black protesters set upon by police and their dogs on May 3, 1963. To create this platter, Scott handpainted Warholâs screenprint. The shell border is a reference to a motif on a platter by Enoch Wood, Cape Coast Castle on the Gold Coast Africa (c. 1820), that depicts a slave shipâa perfect exemplar of the way that historic transferwares cloaked deeply racist histories in beautiful forms.
![Paul Scott, "Cumbrian Blue(s), New American Scenery, After Wood & Warhol, No. 2",2019-2020, shell edged porcelain platter, modelled by Mara Superior and hand painted by Paul Scott, 12.25 10 x 13 x 1.5". A collaboration with Mara Superior, who created the handmade porcelain platter, that nods to Warholâs Death and Disaster series (1964) depicting Civil Rights Movement riots in Birmingham, AL. Warholâs series Race Riot was based on Charles Mooreâs photographs featured in Life Magazine depicting unarmed Black protesters set upon by police and their dogs on May 3, 1963. To create this platter, Scott handpainted Warholâs screenprint. The shell border is a reference to a motif on a platter by Enoch Wood, Cape Coast Castle on the Gold Coast Africa (c. 1820), that depicts a slave shipâa perfect exemplar of the way that historic transferwares cloaked deeply racist histories in beautiful forms.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2023/03/39267_Scott-Paul-and-Superior-Mara_Cumbrian-Blues_New-American-Scenery_After-Wood-Warhol-No-2_2019-to-2020_FC_PS_120920_01_sq_wb_72dpi.jpg?resize=700%2C700)
Paul Scott, “Cumbrian Blue(s), New American Scenery, After Wood & Warhol, No. 2”,
2019-2020, shell edged porcelain platter, modelled by Mara Superior and hand painted by Paul Scott, 12.25 10 x 13 x 1.5″.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2022/08/PaulScott_NewAmericanScenery_AlbanyMuseum_2022_FC_AM_010323_0067_72dpi.jpg?resize=1134%2C1418)
âNEW AMERICAN SCENERY: The Art of Paul Scottâ at the Albany Institute of History & Art, 2022-2023. Installation images by John Polak Photography.
The Angola 3
souvenir plate drawing reference to inmates in the Louisiana State Penitentiary who were held in solitary confinement for the longest period in American history. It is suspected that this unethical treatment was retaliation for the inmatesâ connection to the Black Panther Party.
![Paul Scott, "Scott's Cumbrian Blue(s), New American Scenery, Angola 3" 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1". draws reference to three Black inmates in the Louisiana State Penitentiary in the 1970sâRobert King, Herman Wallace, and Albert Woodfoxâwho were held in solitary confinement for the longest period in American history. It is suspected that this unethical treatment was retaliation for the inmatesâ connection to the Black Panther Party. In 2001, Kingâs conviction was overturned and he was released. In 2013, Amnesty International called for the release of 71-year-old Wallace, who was released in October of that year and, soon after, died of liver cancer. In 2014, Woodfoxâs conviction was overturned by the US Court of Appeals and he was released in 2016.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2019/10/39247_Scott-Paul_Scotts-Cumbrian-Blues-New-American-Scenery-Angola-3_2019_72dpi.jpg?resize=1000%2C1000)
Paul Scott, “Scott’s Cumbrian Blue(s), New American Scenery, Angola 3″ 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1”.
![Paul Scott, "Scott's Cumbrian Blue(s), New American Scenery, Angola 3" 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1". draws reference to three Black inmates in the Louisiana State Penitentiary in the 1970sâRobert King, Herman Wallace, and Albert Woodfoxâwho were held in solitary confinement for the longest period in American history. It is suspected that this unethical treatment was retaliation for the inmatesâ connection to the Black Panther Party. In 2001, Kingâs conviction was overturned and he was released. In 2013, Amnesty International called for the release of 71-year-old Wallace, who was released in October of that year and, soon after, died of liver cancer. In 2014, Woodfoxâs conviction was overturned by the US Court of Appeals and he was released in 2016.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2019/10/39247_Scott-Paul-Scotts-Cumbrian-Blues-New-American-Scenery-Angola-3_back_2019_72dpi.jpg?resize=1000%2C1000)
Paul Scott, “Scott’s Cumbrian Blue(s), New American Scenery, The Angola 3″ back, 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11x 11 x 1”
Pipelines & Peltier
souvenir plate of Leonard Peltier, an indigenous activist and enrolled member of the Turtle Mountain Chippewa, who has been in jail for more than 43 years for the unjust conviction of the murders of two FBI Special Agents.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2019/10/39266_Scott-Paul_Scotts-Cumbrian-Blues-New-American-Scenery-Pipelines-Peltier_2019_72dpi.jpg?resize=1000%2C1000)
Paul Scott, “Scott’s Cumbrian Blue(s), New American Scenery, Pipelines & Peltier”, 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1″.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2019/10/39266_Scott-Paul_Scotts-Cumbrian-Blues-New-American-Scenery-Pipelines-Peltier_back_2019_72dpi.jpg?resize=1000%2C1000)
Paul Scott, “Scott’s Cumbrian Blue(s), New American Scenery, Pipelines & Peltier”, back, 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, 11 x 11 x 1″.
Souvenir of Portland, OR
souvenir plates referencing the ongoing (2020-2021) Black Lives Matter protests in Portland, Oregon, sparked by the murder of George Floyd by Minneapolis police officer, Derek Chauvin
Souvenir of Providence
souvenir plate of Providence, RI superimposed with an image of the Cape Coast Castle platter, an infamous Rowland & Marsellus pattern depicting a slave ship off the Gold Coast of Africa that is in the collection of the RISD Museum and Brown University, both in Providence.
Souvenir of Selma
souvenir plate commemorating Bloody Sunday and the marches for civil rights in 1956 in Selma, AL.
![Paul Scott, "Cumbrian Blue(s), New American Scenery, Souvenir of Selma, No. 3", 2020, transfer print collage on pearlware plate, 12 x 12 x 1.25".New American Scenery, American Cities, Race, Souvenir Souvenir of Selma AL. From Selma, Still a City of Slaves.. by Chris Arnade in the Guardian, 4 Feb 2016. ⌠The Edmund Pettus Bridge is recognizable from newsreels of Bloody Sunday, when marchers were beaten by the police, or when President Obama came to mark the 50th anniversary of that day. The central street beyond the bridge is three short blocks filled with shops catering to tourists.Yet if you walk beyond those blocks you see the ugliness of poverty that is modern Selma: dilapidated and boarded-up homes tagged with gang symbols, empty lots littered with vodka bottles and fast-food wrappers, and sterile low-income projects. You see men clustered on corners selling drugs, and on the better-kept homes you see sign after sign urging, âStop the violenceâ. You donât see working factories, only empty ones being torn down for scrap. You see a population disenfranchised, economically and politically. It makes Selma, a symbol of past civil rights victories, a symbol of current civil rights failures. On salvaging bricks from an old cotton warehouseâŚâThis is slave work, thatâs what it is, but the only work around. Kind of funny when you think about it, because them bricks were probably made by slaves. That is Selma for you, though: still a city of slaves.â ââŚ..special things DID happen here. Just wish they would happen again.â (Escrow, Selma resident) Celebrates the 2018 anniversary walk in Selma AlabamaâŚ.. The annual event commemorates âBloody Sundayâ, March 7 1965, when John Lewis & Hosea Williams led 525 peaceful civil rights protestors across the bridge in Selma. En-route to Montgomery, they were stopped by State Troopers+Sheriffâs Deputies, who brutally set upon them, indiscriminately gassing + beating men, women, & children. Media coverage of the event shocked the worldâŚ](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2023/03/39968_Scott-Paul_Cumbrian-Blues_souvenir-of-Selma-AL_3_2020_wb_sq_72dpi.jpg?resize=700%2C700)
Paul Scott, “Cumbrian Blue(s), New American Scenery, Souvenir of Selma, No. 3″, 2020, transfer print collage on pearlware plate, 12 x 12 x 1.25”.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2022/08/39967_Scott-Paul_Cumbrian-Blues_souvenir-of-Selma-AL_5_2020_72dpi-1.jpg?resize=684%2C700)
âCumbrian Blue(s), New American Scenery, Souvenir of Selma, AL. 5. In-glaze screen print (decal) on pearlware plate, 305mm dia. Paul Scott 2020
Souvenir of Shiprock and The Uranium Series
souvenir plates and pearlware platters referencing the environmental destruction and detriment to the health of workers from the Navajo Nation as a result of uranium mining from Shiprock and other mines in the Cove Area of Arizona. All works in this series incorporate a melted piece of uranium glass and a selection of works also include a melted shard of a Corona beer bottle.
![Paul Scott, Cumbrian Blue(s), New American Scenery, Souvenir of Shiprock (3), 2020, in-glaze screen print decal on pearlware plate with uranium glass and Corona beer bottle shards collected from the base of Shiprock, 12 x 12 x 1.25". Blue and White Transferware plate with scenes of Shiprock, New Mexico. Melted Uranium glass adorns a portion of the central panel.](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2023/03/39971_Scott-Paul_Cumbrian-Blues_Souvenir-of-Shiprock_3_2020_wb_72dpi.jpg?resize=700%2C700)
Paul Scott, Cumbrian Blue(s), New American Scenery, Souvenir of Shiprock (3), 2020, in-glaze screen print decal on pearlware plate with uranium glass and Corona beer bottle shards collected from the base of Shiprock, 12 x 12 x 1.25″.
![](https://i0.wp.com/ferrincontemporary.com/wp-content/uploads/2021/06/39256_Scott-Paul_Scotts-Cumbrian-Blues_New-American-Scenery_Shiprock_2019_FCG_9781_300dpi_72dpi.jpg?resize=1000%2C1000)
Paul Scott, “Cumbrian Blue(s), New American Scenery, Souvenir of Shiprock”, detail, 2019, in-glaze screen print (decal) on salvaged Syracuse China with pearlware glaze, with uranium glass, 12 x 12 x 1″
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