What types of art do you specialize in?

We specialize in contemporary ceramics from the 1950s onward, including clay and porcelain sculptures.

Do you offer collection services?

Yes, we work with private collectors and artist archives to organize, document, and appraise ceramic art collections for deacquisition or placement.

Can you help with exhibition development?

Absolutely, we collaborate with museums and cultural institutions to develop and present ceramic art exhibitions.

Do you provide touring programs?

Yes, we curate and organize touring exhibitions for contemporary ceramic artists.

What are legacy projects?

Legacy projects include customized services for artists, such as retrospective catalogs, exhibitions, and museum acquisitions.

CRYSTAL MOREY: Venus on the Waves Catalog

Crystal Morey’s “Venus on the Waves” exhibition catalog release: June 1, 2020.

Available now for $17.80, which includes domestic postage.

The 8.5 x 11″ booklet includes 16 beautiful pages of images and text from the “Venus on the Waves” exhibition
at Ferrin Contemporary in 2019.

Read more about the exhibition, HERE.
The book also includes a wonderful essay by writer Maria Porges, “Claiming Beauty: Crystal Morey’s Venus on the Waves”.

Excerpt from Maria Porges Essay:

All of Morey’s therianthropes have a kind of contained power, even when their poses might bely such a reading. A closer examination of the passive contrapposto of the standing figures in Three Gracesreveals a kind of watchful alertness. Positioned back to back around a tree stump, they are warriors creating a united defense. Rhino and mountain lion have their arms intertwined, but the gesture looks protective rather than girlishly affectionate. Alert, all three scan the horizon, dependent on each other for safety. As Morey has put it, “The rhino, mountain lion and human are all in danger of habitat loss, and extinction- although the human is just now realizing how delicate her situation is, and how dependent she is on the well -being of the creatures and environments around her.”

Like these three, Morey reminds us, all living creatures are connected. Multiple-figure compositions– a first for her—have enabled her to address increasingly complex issues. The result is a body of work in which several different meanings can be slowly unpacked, even as the immediate physical appeal of the figures provides pleasure. “You can come in at whatever level you want, but hopefully it will make you think about something you haven’t previously considered… I don’t know if this work will make a change, but I hope it instigates a conversation.”