Events

Beth Lipman: ReGift at the Toledo Museum of Art, Toledo, OH

Beth Lipman: ReGift at the Toledo Museum of Art, Toledo, OH

Beth Lipman: ReGift at the Toledo Museum of Art

Beth Lipman in


ReGift is a sculptural installation created specifically for the Toledo Museum of Art. It will go on view in Gallery 18, August 12, 2023.

Motivated by histories Lipman discovered in the archives at the TMA, the project features a three-quarter life-sized recreation of the parlor in Edward and Florence Libbey’s Old West End house. Using the Libbey’s bookplate as a visual guide (the only known image of their home interior) Lipman filled this architectural space with objects found in the image that she fabricated in transparent and opaque white glass.

Some of these original household objects, including furniture, were gifted to the Museum by Florence Scott Libbey upon her death in 1938 and later sold in the 1990s. Lipman’s project symbolically gifts these objects, along with their stories, to the entire Toledo community. By looking closely at an internal aspect of Florence’s life, the project aims to emphasize her deeply personal commitment to the Museum. It emphasizes her involvement in building the Museum’s legacy and, importantly, the impact of the Libbey’s on Toledo.

Glass elements for ReGift were made in the TMA’s hotshop at the Glass Pavilion during a 2022 GAPP residency. A glass press, donated to TMA by Libbey company was also utilized to create components, conceptually triangulating the founder’s business with the Museum and the Libbey’s personal life. Through the GAPP residency, the project fulfills an institutional goal to continue to promote experimentation in the glass studio, connecting past history to present creative practice.

For artist Beth Lipman, the project’s intent is to accentuate the impact of Toledo Museum of Art founders and reaffirm the Museum’s position as a catalyst within community. Lipman states, “Today, our trust in institutions has been undermined; ReGift is an opportunity to strengthen and reinvigorate the Museum’s critical role in our culture.”

A short film will accompany the installation. Commissioned for the project, filmmaker Atesh Atici found inspiration in Florence Scott Libbey’s approach to her community in the early days of the Toledo Museum of Art. Considering current polarization within our society and a growing separation from public spaces, Florence’s desire to, “encourage attendance on the part of all people irrespective of condition of life” is key to refocusing attention on the Museum’s ethos of creating a space for serving the community of Toledo and beyond. The film evokes Florence’s ideas through a dramatization of these ideas.

More on the Exhibition HERE

More on Beth Lipman HERE

Beth Lipman: ReGift


Toledo Museum of Art | Toledo, OH | August 12, 2023 — January 5, 2025

CATALOG


Beth Lipman: ReGift shares some of the unwritten histories that artist Beth Lipman discovered while conducting research in the archives of the Toledo Museum of Art. Her exploration inspired a room-sized recreation in wood, glass, and metal of a scene from a bookplate used by the museum’s founders, Edward Drummond Libbey and Florence Scott Libbey. Lipman was particularly keen to examine Florence’s life, and in conversation with curator Diane C. Wright and archivist Julie A. McMaster, she discusses the project’s origins in her own artistic practice and its relationship to shifting understandings of institutions and their publics. An essay by Wright and McMaster draws on additional archival materials to fill in some of the gaps in our knowledge of Florence Scott Libbey’s life.

Published in conjunction with the exhibition Beth Lipman: ReGift, exclusively at the Toledo Museum of Art, August 12, 2023-September 1, 2024.

Written by Diane C. Wright, Senior Curator of Glass and Contemporary Craft, Toledo Museum of Art; featuring a conversation with Beth Lipman and contributions by Julie A. McMaster, Archivist, Toledo Museum of Art.

Softcover, 9 1/4″ x 6 3/4″
Published by the Toledo Museum of Art. Š 2023 Toledo Museum of Art

$19.95

PURCHASE THE CATALOG HERE

Posted by Isabel Twanmo in Artist News, Events
Courtney M. Leonard featured in THE NEW TRANSCENDENCE. at Friedman Benda, New York, NY

Courtney M. Leonard featured in THE NEW TRANSCENDENCE. at Friedman Benda, New York, NY

Courtney M. Leonard featured in THE NEW TRANSCENDENCE. at Friedman Benda

January 11 – February 24, 2024

Exhibition at | Friedman Benda
515 West 26th ST |  New York, NY 10001

The New Transcendence, the last in a series of three pace-setting exhibitions curated by Glenn Adamson for Friedman Benda, will explore the place of the spiritual in contemporary design today. The works on view are infused with profound significance, whether as relics, ritual tools, or representations. The New Transcendence is not an exhibition about religion in the organized, traditional, or dogmatic sense. Rather, it aims to discover how design can serve as a vehicle for personal and societal transcendence.

The exhibition includes work by six designers: Ini Archibong, Andrea Branzi, Stephen Burks, Najla El Zein, Courtney M. Leonard, and Samuel Ross. Each of the participants has their own perspective, yet one thing unites them: the impetus to provide an objective, material anchor for the subjective and ultimately private nature of spiritual belief. The immaterial means something different, today, in our digital age – perhaps making physical artifacts more crucial as anchors for transcendent experience.

Read More & View the Exhibition Page HERE

Posted by Isabel Twanmo in Artist News, Events, Exhibition, On View
Courtney M. Leonard in BOUNDLESS at the Mead Art Museum, Amherst, MA

Courtney M. Leonard in BOUNDLESS at the Mead Art Museum, Amherst, MA

Courtney M. Leonard in “BOUNDLESS” at the Mead Art Museum

Courtney M. Leonard featured in


Boundless is a nearly museum-wide exhibition that features work by Native American writers and artists, grounded in but not contained to the Northeast. Boundless takes shape like water, moving across generations and geographies, and expanding conversations about kinship, presence, resistance, and history through its flow. The exhibition never chooses one path, but moves in multiple directions and broadens as it goes. A wide range of materials from Amherst College’s Collection of Native American Literature and the Mead form the core of the exhibition, and are joined by key works on loan from artists and other institutional and private collections.

The importance of place—including not only land, but water—is featured in Boundless. Water actively names the original peoples of what we now call southern New England. For example, Nipmuc means People of the Freshwater, while the Niantic are People of the Long-Necked Waters because their lands are near a bay; these names are at once a location and the name of its people. Each tribal name is filled with an image, a place, a relationship, and a story referenced in the works of Boundless.

Objects in the exhibition span from the present back to the eighteenth century, and range from paintings to sculpture, video, historical texts, basketry, cookbooks, and more. As well, some objects by non-Native artists provide contrast and context, and are themselves recontextualized.

The broader Boundless project will include an open-access publication through Amherst College Press in 2024, K-12 digital curricular resources and materials developed with Genevieve Simermeyer (Osage Nation of Oklahoma) that will be available this November, in addition to other museum programming throughout the year. Reading rooms within the exhibition offer guests a chance to explore Native American-authored and illustrated books and zines for all ages.

The exhibition is researched and organized by writer and guest curator Heid E. Erdrich (Ojibwe).

More on the Exhibition HERE

More on Courtney M. Leonard HERE

Boundless


At the Mead Art Museum | Amherst, MA | August 29 – January 7, 2024

(top)
Courtney M. Leonard, “BREACH: Logbook 21 | Collider Study #1,” 2021, mixed media, clay, acrylic on canvas

(bottom)
Courtney M. Leonard, “BREACH #2, from BREACH: Logbook 21”, 2016-2021, ceramic on wood pallet

PAST PROGRAMMING


The Mead hosted an evening reception for Boundless and Seeping In: Elizabeth James Perry on Thursday,  September 14th, 2023, at 6-8pm. All were invited to a celebration of both exhibitions involving remarks, performances, and refreshments

Amherst College
220 South Pleasant Street
Amherst, MA 01002

Posted by Isabel Twanmo in Artist News, Events, Exhibition
Jacqueline Bishop’s “History at the Dinner Table” in Black Atlantic: Power, People, Resistance at the Fitzwilliam Museum of Art, Cambridge, UK

Jacqueline Bishop’s “History at the Dinner Table” in Black Atlantic: Power, People, Resistance at the Fitzwilliam Museum of Art, Cambridge, UK

Jacqueline Bishop’s “History at the Dinner Table” Featured in


Which stories get remembered, and why?

This exhibition explores some new stories from history – stories that help us to separate fact from fiction and history from myth.

By bringing together collections from across the University of Cambridge’s museums, libraries and colleges with loans from around the world, Black Atlantic: Power, People, Resistance asks new questions about Cambridge’s role in the transatlantic slave trade and looks at how objects and artworks have influenced history and perspectives.

In 1816, Richard Fitzwilliam donated vast sums of money, literature and art to the University of Cambridge, creating the Museum that is named after him. But Fitzwilliam’s generosity was only possible because of the wealth his grandfather accumulated in part through the transatlantic slave trade. Acknowledging this story for the first time has led to new discoveries about the objects Fitzwilliam donated, the people who collected them, and the cultures that created them.

Displaying objects and artworks made in West Africa, the Caribbean, South America and Europe, this landmark exhibition also reveals the histories that have been silenced; not just stories of exploitation, but those of resilience and liberation, too. It shows how through resisting colonial slavery, people produced new cultures known as the Black Atlantic, that continue to shape our world.

Historic works are shown alongside modern and contemporary works by artists including Barbara Walker, Donald Locke, Alberta Whittle and Keith Piper that challenge and reflect on hidden and untold stories.

The stories in the Black Atlantic can help us to create a fairer future. By rethinking our connected and complex histories and looking again through the lens of contemporary art, tomorrow’s story can be one of repair, hope and freedom.

Black Atlantic is the first in a series of exhibitions and gallery interventions planned for 2023-2026.

More on the Exhibition HERE

More on Jacqueline Bishop HERE

Black Atlantic: Power, People, Resistance


At the Fitzwilliam Museum | Cambridge, UK | September 8 – January 7, 2024

ABOUT HISTORY AT THE DINNER TABLE

As a little girl growing up on the island of Jamaica, Jaqueline Bishop’s grandmother had a large mahogany cabinet where she kept some of her most prized possessions: her bone china crockery. These delicate pieces were painted with bright, cheerful images of palaces and carriages and were only used on special occasions.  

As beautiful as these china dishes were, they often hid a violent history of slavery and colonialism by European countries. In ‘History at the Dinner Table’, Jaqueline changes the story by showing the legacy of slavery on the dishes instead. Despite their violent history, Bishop is also seduced and charmed by the delicacy and beauty of bone chinaware and she has sought to produce dishes equally as beautiful as the ones made by major European centers of bone china production. The work is exhibited in mahogany cabinets as mahogany was once a major luxury import from Jamaica to England. 

British Ceramics Biennale, 2021

EXHIBITION CATALOG


Black Atlantic – Exhibition Catalogue

Black Atlantic: Power, People, Resistance, edited by Victoria Avery & Jake Subryan Richards

Catalogue to accompany the landmark exhibition coming to the Fitzwilliam Museum in autumn 2023. The exhibition brings together significant national and international loans with exhibits from the Fitzwilliam’s collection and from other University museums, colleges, and libraries. The catalogue contains contributions by curators, historians, and artists, exploring the themes and subjects of the exhibition.

Objects and artworks illustrating the financial, scientific, and commercial transformations in seventeenth- and eighteenth-century Britain that came about because of enslaved labour are shown in dialogue with modern and contemporary artworks by artists including Donald Locke, Barbara Walker, Keith Piper and Jacqueline Bishop that respond to hidden histories and reveal stories of courage, resistance, hope and repair.

Product details:

  • Softback exhibition catalogue, 192 pages
  • Illustrated in full colour throughout
  • Size: 25 x 19 cm
  • ISBN: 9781781301234
  • Published by Bloomsbury in September 2023

Purchase the catalog here

VIDEOS


Posted by Isabel Twanmo in Artist News, Events
Underneath Everything: Humility and Grandeur in Contemporary Ceramics

Underneath Everything: Humility and Grandeur in Contemporary Ceramics

Featuring work by

Rae Stern
Anina Major


During an artist lecture in December 2021, Theaster Gates evoked a fascinating paradox in contemporary ceramics practice. Clay is the humblest of materials, often overlooked and more readily associated with a morning cup of coffee than with the international art world. But it is underneath everything. There is an expansiveness to work made or based in this medium, as artists push the limitations of clay, attaching layers of conceptual meaning and playing with the boundaries between ceramics and other media including film, photography, painting, performance, and installation.

This exhibition features artworks that honor the humility of the medium while simultaneously evoking a sense of grandeur and possibility. Organized to coincide with the Art Center’s 75th anniversary, “Underneath Everything” will celebrate the robust ceramics tradition in Iowa, featuring work by artists with local connections alongside those working nationally and internationally.

More on the Exhibition HERE

More on Rae Stern HERE

More on Anina Major HERE

VIRTUAL TOUR


Posted by Isabel Twanmo in Artist News, Events, Exhibition, News
Chris Antemann in the 2023 Bray Benefit

Chris Antemann in the 2023 Bray Benefit

Bray Benefit ONLINE Auction


July 14 – July 21

Chris Antemann’s work “Kissing Flora”, straight from the artist’s studio, will be part of the yearly fundraiser for The Archie Bray, in Helena MT.

Archie Bray Foundation for the Ceramic Arts (The Bray) was founded at the foothills of the Montana Rockies in 1951 by entrepreneur, brickmaker, and avid arts patron Archie Bray, who intended it to be a place to “make available for all who are seriously interested in the ceramic arts, a fine place to work.” The primary mission is to provide an environment and connection with other serious artists that stimulates creative work in ceramics.

Located on the site of the former Western Clay Manufacturing Company, the 26-acre historic brickyard campus has more than 17 buildings, including a 12,000-square-foot resident artist studio facility, a new education and research facility, multiple sales and exhibition galleries, renovated administrative offices, and a facility for ceramic retail and manufacturing. The property is open to artists, students, gallery visitors, and ceramic supply customers, as well as the general public for classes, gallery visits, retail activity, self-guided tours, and structured group visits.

View the Bray Benefit Page HERE


Bidding on all lots begins Friday, July 14th at 8 am MST / 10am EST.

More on Chris Antemann HERE

The Archie Bray


Helena, MT

The HERITAGE Auction lots will close Thursday, July 20th, at 7 pm MST / 9 pm EST.

The BRAY PREMIER Auction lots will close Thursday, July 20th at 7:15 pm MST / 9:15 pm EST

The FEATURE Auction: “Efflorescence” lots will close Friday, July 21st at 7 pm MST / 9 pm EST

The CUP Auction lots will close Friday, July 21st at 7:15 pm MST / 9:15 pm EST

The EXPERIENCE Auction lots will close Friday, July 21st at 7:30 pm MST / 9:30 pm EST

Chris Antemann’s “Kissing Flora”


2023, porcelain, decals, enamels, luster, 18 x 11 x 6″.

For information about the auction items and delivery, questions, or assistance with registering or placing bids, please contact auction@archiebray.org

Posted by AxelJ in Artist News, Events, News
Online Artist Talk | Linda Sikora: DARKENING GROUND

Online Artist Talk | Linda Sikora: DARKENING GROUND

ONLINE ARTIST TALK:
Linda Sikora in conversation with Mark Shapiro

Wednesday May 24, 12pm EST

Virtual lunch hour with exhibiting artist Linda Sikora, as she sits down with local potter Mark Shapiro and curator Leslie Ferrin, to discuss her exhibition DARKENING GROUND.


Linda Sikora: DARKENING GROUND

on view at Ferrin Contemporary
April 22 – June 11, 2023

Linda Sikora Darkening Ground installation view at Ferrin Contemporary gallery, featuring teapots, jars, basins, cups, on a table with chairs and shelving

ABOUT LINDA SIKORA

Linda Sikora’s studio is anchored in the genre of functional ceramics. Sikora is interested in the philosophical and the agency of things. Complex, colorfully decorated, and often conceptualized in prototype groups or series, the work draws from the traditions of European 18 & 19th century industrial production porcelain and common crockery infused with a freedom and lightness that is innovative and contemporary. Her work explores the dual nature of ceramics—as objects of beauty and as objects of use—questioning the blurred line between visual art and functional subjects in cultured spaces.

Sikora is the recipient of a United States Artists Fellowship, an award for excellence in teaching and has been recognized for her mentorship as an educator.  Her work was acquired by the Smithsonian in 2022 and featured at the Renwick in their 50th-anniversary exhibition “This Present Moment: Crafting a Better World”. She is a renowned ceramics professor at Alfred University where she maintains an active studio practice and lives with her husband Matthew Metz and daughter.

ABOUT MARK SHAPIRO

Mark Shapiro makes wood-fired pots in Western Massachusetts. A 2018 Smithsonian Artist Resident Fellow, Mark received a 2020 Center for Craft Research Grant to continue his study of Thomas W. Commeraw, which led to his co-curating “Crafting Freedom: The Life and Legacy of Free Black Potter, Thomas W. Commeraw,” currently on view at the New-York Historical Society. His book on Karen Karnes, A Chosen Path, was published in 2010. He credits Karnes, Michael Simon, and his collaborators, Sam Taylor and Michael Kline, as well as early American stoneware, as his main influences. HIs pots are included in numerous public collections.

More on the exhibition Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw, co-curated by Mark Shapiro.

July 29th – 30th, 2023
10am-5pm both days

Find Linda Sikora and Mark Shapiro this summer at the Hilltown Six Pottery Tour, a weekend of tours and demonstrations coordinated by a group of nationally recognized potters based in the Hilltowns of Western Massachusetts.

Lunch with Linda Sikora

Saturday, July 29
Project Art, Cummington, MA

Posted by AxelJ in Artist News, Events, News
Sergei Isupov and Kadri Parnamets in Small Favors 2023 at The Clay Studio, Philadelphia, PA

Sergei Isupov and Kadri Parnamets in Small Favors 2023 at The Clay Studio, Philadelphia, PA

Artists represented in this 17th edition of Small Favors range from the most established ceramic artists in the field, to young artists new to the field. Small Favors engages artists’ creativity in new and exciting ways with the challenge of making pieces on a very small scale. For some artists, the work they create is similar to what they normally make, but at a reduced scale. Others use it as an opportunity to break away from what they create in their daily studio practice. There is an open call each year for juried work, as well as a group of invited artists who participate. This year includes artworks coming from Japan, China, and Budapest in addition to those from around the United States.

More on the Exhibition HERE

More on Sergei Isupov HERE

More on Kadri Pärnamets HERE

Small Favors 2023


At THE CLAY STUDIO | Philadelphia, PA | April 29 – Jul 2, 2022

PUBLIC EVENTS


PREVIEW RECEPTION


Friday, April 28th, 2023,  5pm – 8pm
Location: The Clay Studio
1425 N American Street
Philadelphia, PA 19122
Cost / Admission : Free

Preview the almost 400 small artworks ranging from ceramics to wood, metal, glass, fiber, paper, and paint.

Learn more about the Preview HERE.

Posted by AxelJ in Artist News, Events, Exhibition, News
Chris Antemann in The Art of Food at the Jordan Schnitzer Museum of Art, Portland, OR

Chris Antemann in The Art of Food at the Jordan Schnitzer Museum of Art, Portland, OR

Chris Antemann’s Work Featured in


In its most everyday sense, food is a physical necessity, yet its overall significance goes far beyond sustenance. Food is integral to our communities, relationships, cultures, and languages. People interact with food on varying levels. Some of us grow or gather it; more of us buy it. We transform it by cutting, cooking, and dressing it with spices, marinades, and garnishes. We use food as an intermediary to connect with others through holiday meals, business lunches, dates, and more.

More on the Exhibition HERE

More on Chris Antemann HERE

PUBLIC EVENTS


ARTIST TALK WITH CHRIS ANTEMANN


Wednesday, September 7, 2022 – 4pm – 5pm
Location: JSMA at PSU FMH 110
1855 SW Broadway
Portland, OR 97201
Cost / Admission : Free Admission

The Jordan Schnitzer Museum of Art is pleased to present a talk with Chris Antemann, an Oregon-based artist featured in our new exhibition, The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation. The talk will be followed by the exhibition’s opening reception.

Learn More About the Artist Talk  HERE

RSVP HERE

OPENING RECEPTION: THE ART OF FOOD


Wednesday, September 7, 2022 – 5pm – 7pm
Location: JSMA at PSU FMH 110
1855 SW Broadway
Portland, OR 97201
Cost / Admission : Free Admission

Join us for the opening reception for The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation. Featuring more than 100 works ranging from drawings, paintings, photographs, prints, sculptures, and ceramics by 38 artists such as John Baldessari, Enrique Chagoya, Alex Katz, Alison Saar, Lorna Simpson, Andy Warhol, and four Oregon-based artists, Katherine Ace, Chris Antemann, Malia Jensen, and Sherrie Wolf, The Art of Food showcases how some of the most prominent artists of the twentieth and twenty-first centuries have considered this universal subject. Organized thematically, it uses an artistic lens to examine the subject of food beyond its purpose as body fuel.

Learn More About the Opening HERE

RSVP HERE

Posted by AxelJ in Artist News, Events, News
Beth Lipman: All In Time | Wichita Art Museum

Beth Lipman: All In Time | Wichita Art Museum

June 24- September 25, 2022

Wichita Art Museum
1400 West Museum Boulevard
Wichita, Kansas USA

Opening Day
June 25, 2022, 11am-3pm

Seeing More Clearly Through Glass Curator Talk
July 7, 2022, 6pm

In celebration of Beth Lipman–whose monumental, 3-ton sculpture Living History was recently unveiled in the museum’s Boeing Foyer–Wichita Art Museum presents All in Time, a mid-career retrospective of the artist featuring her work from the mid-2000s through today.

For over 20 years, artist Beth Lipman has used glass and other materials to create luscious and sumptuous still lifes. These still lifes feature everything from bowls of fruit to prehistoric plants to piles of books. For Lipman, each still life object speaks to identity–of an individual, a society, and of human culture in general. All in Time brings into focus Lipman’s long interest in using glass to explore issues of life, creation, decay, and death–the fleeting nature of human life and human history contrasted with the billions of years of geological time. What is the role of humanity and art in a world and universe that existed long before us? What do we create that endures?

Learn more at wichitaartmuseum.org

Show Contract & Finance Independent of Ferrin Contemporary.

Beth Lipman, “Sphenophyllum and Chains”, 2019, glass, wood, metal, paint, adhesive, 54 x 38 x 50″ Courtesy of the artist. Photograph by Rich Maciejewski

EVENTS

Opening Day

June 25, 2022, 11am-3pm at Wichita Art Museum

View Full Schedule

Seeing More Clearly Through Glass

July 7, 2022, 7pm at Wichita Art Museum

Curator Talk with Dr. Carolyn Needell, Carolyn and Richard Barry Curator of Glass at the Chrysler Museum of Art in Norfolk, Virginia

Learn More

Beth Lipman explores aspects of material culture through still lives, site-specific installations, and photographs. Working primarily with glass, she creates portraits individuals and our society through inanimate objects that are often broken, “flawed,” or “perfect”.  Mortality, consumerism, materiality, and temporality, have been critical issues since the inception of the still life tradition in the 17th century, and continue to be relevant her in contemporary work.

Lipman has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. She recently completed One Portrait of One Man, a sculptural response to Marsden Hartley for the Weisman Art Museum (MN). Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Smithsonian American Art Museum (DC), and the Corning Museum of Glass (NY).

INQUIRE  •  HERE  • 

Posted by AxelJ in Artist News, News, Past events